Commencement Program, 2001
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Awards in the Visual Arts 4 ^'^""'Li
Awards in the Visual Arts 4 ^'^""'li. F36 Digitized by the Internet Archive in 2015 https://archive.org/details/awardsinvisualar04sout Awards in the Visual Arts 4 Awards in the Visual Arts 4 an exhibition of works by recipients of the fourth annual Awards in the Visual Arts Bert Brouwer James Croak John Buck Sidney Goodman JoAnne Carson Jon Imber Peter Charles Luis Jimenez Don Cooper Ana Mendieta 11 May through 23 June 1985 Albright' Knox Art Gallery Buffalo, l^ew York 2 August through 29 September 1985 Southeastern Center for Contemporary Art Winston-Salem, North Carolina 12 December 1985 through 26 January 1986 Institute of Contemporary Art University of Pennsylvania Philadelphia, Pennsylvania 6 Published by the Southeastern Center for Contemporary Art, Winston-Salem, North Carolina, on the occasion of the "Awards in the Visual Arts 4" exhibition which was organized by the Southeastern Center for Contemporary Art. Library of Congress Catalog Card Number: 84-50289 ISBN: 0-9611560-1-5 Copyright 1985 by the Southeastern Center for Contemporary Art, 750 Marguerite Drive, P.O. Box 11927, Winston-Salem, North Carolina 27116-1927. All rights reserved. Catalogue design: Lee Hansley Printing: Wooten Printing Company, Inc. Price: $10 The Awards in the Visual Arts Program is funded by The Equitable Life Assurance Society of the United States, New York, New York; The Rockefeller Foundation, New York, New York; and the National Endowment for the Arts, federal agency, Washington, D.C. The program is administered by the Southeastern Center for Contemporary -
Manual for Trustees. Philadelphia College of Art. January 1972
MANUAL FOR TRUSTEES Philadelphia College of Art COi. .^* A> nil January 1972 K\?i'i\u^::.h't»X': TABLE OF CONTENTS Title Page General Information Short History 1 Educational Objectives 4 Educational Program 5 Articles of Incorporation 7 By-Laws 13 Board of Trustees 23 Trustee Names and Addresses 27 Biographical Information 3 3 Officers of the Corporation 50 Administrative Staff 50 Administrative Offices 5 3 College Senate 58 Alumni Association 58 College Events 61 Firms Employing Recent Graduates 63 College Memberships 65 Enrollment 67 Tuition and Expenses 68 Housing 68 The Library 69 Digitized by the Internet Archive in 2011 with funding from LYRASIS IVIembers and Sloan Foundation http://www.archive.org/details/manualfortrusteeOOphil GENERAL INFORMATION ABOUT THE COLLEGE A Short History of the Philadelphia College of Art It is worth noting that the present continuing concern of the College — the professional education of artists and designers to meet the growing needs of industry — was the motivating purpose at its incep- tion. The change from an agrarian to an industrial society in the second half of the 19th century was significantly reflected in the Centennial Exhibition held in Philadelphia's Fairmount Park in 1876. Respond- ing to the view of a future shaped by technology and mass produc- tion, a group of citizens met to establish the Pennsylvania Museum and School of Industrial Art, under a charter approved February 27, 1876, by the Court of Common Pleas No. 3 of Philadelphia under December Term, 1875, No. 1041. The institution received per- mission from the State Centennial Supervisors, the Fairmount Park Commissioners and the City to take possession of Memorial Hall at the close of the exhibition in November, 1876, which housed the museum part of the operation until it was moved to the present building on the Parkway. -
The Artist and the American Land
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1975 A Sense of Place: The Artist and the American Land Norman A. Geske Director at Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Geske, Norman A., "A Sense of Place: The Artist and the American Land" (1975). Sheldon Museum of Art Catalogues and Publications. 112. https://digitalcommons.unl.edu/sheldonpubs/112 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME I is the book on which this exhibition is based: A Sense at Place The Artist and The American Land By Alan Gussow Library of Congress Catalog Card Number 79-154250 COVER: GUSSOW (DETAIL) "LOOSESTRIFE AND WINEBERRIES", 1965 Courtesy Washburn Galleries, Inc. New York a s~ns~ 0 ac~ THE ARTIST AND THE AMERICAN LAND VOLUME II [1 Lenders - Joslyn Art Museum ALLEN MEMORIAL ART MUSEUM, OBERLIN COLLEGE, Oberlin, Ohio MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York AMERICAN REPUBLIC INSURANCE COMPANY, Des Moines, Iowa MUSEUM OF ART, THE PENNSYLVANIA STATE UNIVERSITY, University Park AMON CARTER MUSEUM, Fort Worth MUSEUM OF FINE ARTS, BOSTON MR. TOM BARTEK, Omaha NATIONAL GALLERY OF ART, Washington, D.C. MR. THOMAS HART BENTON, Kansas City, Missouri NEBRASKA ART ASSOCIATION, Lincoln MR. AND MRS. EDMUND c. -
National Endowment for the Arts Annual Report 1982
Nat]onal Endowment for the Arts National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1982. Respectfully, F. S. M. Hodsoll Chairman The President The White House Washington, D.C. March 1983 Contents Chairman’s Statement 3 The Agency and Its Functions 6 The National Council on the Arts 7 Programs 8 Dance 10 Design Arts 30 Expansion Arts 46 Folk Arts 70 Inter-Arts 82 International 96 Literature 98 Media Arts: Film/Radio/Television 114 Museum 132 Music 160 Opera-Musical Theater 200 Theater 210 Visual Arts 230 Policy, Planning and Research 252 Challenge Grants 254 Endowment Fellows 259 Research 261 Special Constituencies 262 Office for Partnership 264 Artists in Education 266 State Programs 272 Financial Summary 277 History of Authorizations and Appropriations 278 The descriptions of the 5,090 grants listed in this matching grants, advocacy, and information. In 1982 Annual Report represent a rich variety of terms of public funding, we are complemented at artistic creativity taking place throughout the the state and local levels by state and local arts country. These grants testify to the central impor agencies. tance of the arts in American life and to the TheEndowment’s1982budgetwas$143million. fundamental fact that the arts ate alive and, in State appropriations from 50 states and six special many cases, flourishing, jurisdictions aggregated $120 million--an 8.9 per The diversity of artistic activity in America is cent gain over state appropriations for FY 81. -
Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University [email protected]
1 Patricia Hills Professor Emerita, American and African American Art Department of History of Art & Architecture, Boston University [email protected] Education Feb. 1973 PhD., Institute of Fine Arts, New York University. Thesis: "The Genre Painting of Eastman Johnson: The Sources and Development of His Style and Themes," (Published by Garland, 1977). Adviser: Professor Robert Goldwater. Jan. 1968 M.A., Hunter College, City University of New York. Thesis: "The Portraits of Thomas Eakins: The Elements of Interpretation." Adviser: Professor Leo Steinberg. June 1957 B.A., Stanford University. Major: Modern European Literature Professional Positions 9/1978 – 7/2014 Department of History of Art & Architecture, Boston University: Acting Chair, Spring 2009; Spring 2012. Chair, 1995-97; Professor 1988-2014; Associate Professor, 1978-88 [retired 2014] Other assignments: Adviser to Graduate Students, Boston University Art Gallery, 2010-2011; Director of Graduate Studies, 1993-94; Director, BU Art Gallery, 1980-89; Director, Museum Studies Program, 1980-91 Affiliated Faculty Member: American and New England Studies Program; African American Studies Program April-July 2013 Terra Foundation Visiting Professor, J. F. Kennedy Institute for North American Studies, Freie Universität, Berlin 9/74 - 7/87 Adjunct Curator, 18th- & 19th-C Art, Whitney Museum of Am. Art, NY 6/81 C. V. Whitney Lectureship, Summer Institute of Western American Studies, Buffalo Bill Historical Center, Cody, Wyoming 9/74 - 8/78 Asso. Prof., Fine Arts/Performing Arts, York College, City University of New York, Queens, and PhD Program in Art History, Graduate Center. 1-6/75 Adjunct Asso. Prof. Grad. School of Arts & Science, Columbia Univ. 1/72-9/74 Asso. -
Normal Editions Workshop Newsletter, 2009 School of Art Illinois State University, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ISU ReD: Research and eData Illinois State University ISU ReD: Research and eData Normal Editions Workshop Newsletter Art 2009 Normal Editions Workshop Newsletter, 2009 School of Art Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/new Part of the Art and Design Commons Recommended Citation School of Art, "Normal Editions Workshop Newsletter, 2009" (2009). Normal Editions Workshop Newsletter. 19. https://ir.library.illinoisstate.edu/new/19 This Book is brought to you for free and open access by the Art at ISU ReD: Research and eData. It has been accepted for inclusion in Normal Editions Workshop Newsletter by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. NORMAL EDITIONS WORKSHOP Richard Finch, Director and Professor of Art Veda Rives, Associate Director SCHOOL OF ART COLLEGE OF FINE ARTS ILLINOIS STATE UNIVERSITY celebrating over years 30 Center for the Visual Arts Box 5620 Normal, IL 61790-5620 PHONE: 309-438-7530 FAX: 309-438-2215 WEB: http://www.cfa.ilstu.edu/normal_editions/ E-MAIL: [email protected] [email protected] [email protected] FALL 2009 NUMBER 18 Nemean Lion by Rudy Pozzatti The Great Boar by Rudy Pozzatti one-color lithograph, 23 ⅝" x 34 ½ ", 2009 Stymphalian Birds by Rudy Pozzatti one-color lithograph, 25 ⅝" x 33 ¾", 2009 MOMA Library Adds NEW Book one-color lithograph, 25 ⅝" x 33 ¾", 2009 2009 Contract Printi ng Milan Hughston, Chief of Library and grant to NEW for the fi scal year 2010. -
Commencement Program, 1991
The University of the Arts Commencement May 18, 1991 ^^ Digitized by the Internet Archive in 2011 with funding from LYRASIS IVIembers and Sloan Foundation http://www.archive.org/details/commencementprog1991univ The University of the Arts Commencement May 18, 1991 Philadelphia College of Performing Arts 1870 Philadelphia College of Art and Design 1876 Processional Welcome Peter Solmssen, President Commencement Address Ambassador Daniel J. Terra Student Address Stacey N. Martino Ronald Scott McBain H. Colton O'Conner Jeff T. Ryan Anthony D. Thyne Alumni Awards Lydia Artymiw Ed Colker Honorary Degree of Doctor of Fine Arts Ivan Chermayeff WillardG. Rouse Ellen Stewart Conferring of Degrees and Certificates Dorrance H. Hamilton, Chairman Board of Trustees Closing Remarks Peter Solmssen Recessional Audience will rise Degrees Bachelor of Fine Arts, Pennsylvania Academy of the Fine Arts Coordinate Program "Jane E. Buscher " Lisa George Fox William Thompson "James Brian Walsh Bachelor of Fine Arts in Animation Samuel H. Bullock James E. Eyies Maria Crisstina Mailey Commencement "Christopher Scott Moeller Candidates Larry C. Schmehl II Anthony D. Thyne Bachelor of Science in Architectural Studies Sherri M. Adier Elizabeth Maria Blengino Master of Arts in Amena C. Najjar Art Education Helen H. Kang Ambar Astuti Jeffrey Reid Kiefer Annette Barnett Lea Marie Munjone 'Elizabeth Hoak Doering Janice Emily Muscio "Elizabeth Puetter Schaeffer Sittisan Sundaravej Jess A. Walker "Jennifer K. Woodhouse Master of Arts in Teaching Bachelor of Fine Arts in Visual Arts in Crafts •Rebekah Finstein Mary Anna Boston Cheryl Fisher :t:Devin Coyne Linda Audrey Keels Elizabeth L. Despard Keith C. Sharp Laura Ferry 'Patricia M. Siembora "David Downing Gibson Kevin Charles Washabaugh Rebecca C. -
University of Pennsylvania Women's Yearbook, 1918
The memorial Library of the Publications of the University of Pennsylvania and her Sons Presented by Mrs. C.H. Clarke BY Fresh,Undergraduate Soph, Junior, RecordSenior COLLEGE HALL Dr. Frank Pierrepoint Graves Dean of the school of Education and OUR VERY GOOD FRIEND byThis record is respectfully deicated The womens Undergraduate Association of The University of Pennsylvania 7'09055 Foreword Rosalind has expressed it, "Good wine needs no bush . " N or does an attractive RECORD require a pr .. Besides, such a superfluity strikingly defies our present principles of conservation . The onlologue y excuse for this infliction is convention and an invitation from a source that cannot be denied . Even a hasty glance through the following pages will reveal their value . It will convince any skeptic of the variety and breadth of interests existing among the women at Pennsylvania . While the brighter and lighter side of academic life is prominent here, one cannot fail to note the underlying industry and seriousnes s of purpose . Organizations and events of an intellectual, cultural and altruistic nature are as much in evidence as those purely social, musical and recreational. It is the earnest hope of all that this breadth of view and catholicity of spirit may continue and develo p with the years . may these interesting chronicles, like character itself, prove not only a history of what ha s been, but a prophecy of what is to be! In the wordy of the poet : "All things transitor y But as symbols are sent : Earth 's insufficienc y ; grows to event ere h The indescribable I here it is done ; The Woman Soul leadeth u s " . -
Mural Arts Philadelphia Is the Nation's Largest Public Art Program
Press Kit Untitled © 2015 MOMO. Sonesta Philadelphia, 1800 Market Street, Philadelphia, PA. Photo by Steve Weinik. CONTACT: CARI FEILER BENDER Mural Arts Philadelphia is Publicist Relief Communications, LLC the nation’s largest public art T: 610.416.1216 [email protected] program, dedicated to the NICOLE STEINBERG Director of Communications belief that art ignites change. & Brand Management Mural Arts Philadelphia For over 30 years, Mural Arts has united artists and communities through a collaborative and equitable process, creating nearly 4,000 artworks that have transformed public spaces and T: 215.685.0754 individual lives. Mural Arts aims to empower people, stimulate dialogue, and build bridges to [email protected] understanding with projects that attract artists from Philadelphia and around the world, and programs that focus on youth education, restorative justice, mental health and wellness, and public art and its preservation. Popular mural tours offer a firsthand glimpse into the inspiring stories behind Mural Arts’ iconic and unparalleled collection, which has earned Philadelphia worldwide recognition as the “City of Murals.” For more information, call 215-685-0750 or visit muralarts.org. Follow along on social media: @muralarts on Twitter, Instagram, and Snapchat, MuralArtsPhiladelphia on Facebook, and phillymuralarts on YouTube. muralartsphiladelphia @muralarts #muralarts muralarts.org Press Kit The Stamp of Incarceration: Amira Mohamed Sanctuary © 2016 James Burns / City of Philadelphia © 2015 Shepard Fairey. The Friends Center, Mural Arts Program. 13th and Chancellor Streets. Photo 1500 Race Street, Philadelphia, PA. by Steve Weinik. Labyrinth © 2015 Sam Durant. Municipal Services Autumn Revisited © 2012 David Guinn / City of Building, Thomas Paine Plaza, 1401 JFK Blvd, Philadelphia Mural Arts Program. -
Commencement Program, 1996
The University of the Arts Commencement May 23, 1996 ^^ Digitized by the Internet Archive in 2011 with funding from LYRASIS IVIembers and Sloan Foundation http://www.archive.org/details/commencementprog1996univ The University of the Arts Commencement May 23, 1996 Philadelphia College of Art and Design 1876 Philadelphia College of Performing Arts 1870 Grand Marshal: Ward Stanley, Humanities Faculty Marshals: Marc DIcclanI, Music Johnnie Hobbs, Jr., Theater Arts Mary Phelan, Book Arts Robert Stein, Illustration • Processional Welcome Peter Solmssen, President Student Address Christopher James Sweeney Alumni Awards Tom Butter Janine Cappello Honorary Degree of Doctor of Fine Arts Robert M. Greenberg Marjorie Samoff Conferring of Degrees and Certificates Dorrance H. Hamilton, Chairman Board of Trustees Closing Remarks Peter Solmssen Recessional Audience will rise Degree Candidates Master of Arts Master of Fine Arts in Art Education in Book Arts/Printmaking * Bruce A. Mackie Mi Kyoung Lee Julia Catherine Ungar Elizabeth Straith McGhee *** Kristen Allis Urffer Kelsey K. Osborn Elias John Anthony Roustom Master of Arts Laura Kay Scheerer in Museum Education * Thomas IVl. Amidon *** Master of Fine Arts Jacqueline Pacita Carter ** in Museum Exhibition Lori R. Davis '** Planning and Gay DiPadova Design *** Jennifer Escalante Rebecca V. Gray *" Michelle Nicole Lewis Marisa Hall ** Tzu-Ching Lin Portia Ellen Henderson Molly A. Miller" Hui-Wen *' Huang *** Alisa Jane Richardson Samantha Ann Matlock t ** Inger Severson Efrossyni Mavrikiou *** Pichaya Suphavanij Elizabeth Nettles Master of Industrial Design Master of Arts "* Richard Warren Fox in Teaching ** Jeffrey B. Jenkins in Music Education Daniel Singer * Santo Andrew Cannizzaro Mark Capriotti Timothy Joseph Garton Graduate Diploma Jason B. Harris in Performance Michael Kevin Hood Jennifer A. -
Download Finding
National Federation of Music Clubs Records This finding aid was produced using the Archivists' Toolkit April 05, 2018 Describing Archives: A Content Standard National Federation of Music Clubs Indianapolis, Indiana National Federation of Music Clubs Records Table of Contents Summary Information ................................................................................................................................. 3 Collection Inventory...................................................................................................................................... 5 History and Governance.......................................................................................................................... 5 Proceedings, Minutes, Reports, Programs.............................................................................................17 Financial/Legal/Administrative..............................................................................................................34 NFMC Publications............................................................................................................................... 59 Presidential papers................................................................................................................................. 78 Activities/Projects/Programs..................................................................................................................82 Scrapbooks.......................................................................................................................................... -
Short Operas for Educational Settings: a Production Guide
SHORT OPERAS FOR EDUCATIONAL SETTINGS A PRODUCTION GUIDE by Jacquelyn Mouritsen Abbott Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2020 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee Patricia Stiles, Research Director and Chair Gary Arvin Jane Dutton Dale McFadden 10 April 2020 ii Copyright ⃝c 2020 Jacquelyn Mouritsen Abbott iii To my dearest love, Marc – my duet partner in life and in song iv Acknowledgements I am deeply grateful to my research director Patricia Stiles, for her devoted teaching, help, care, and guidance. I have learned so much from you throughout the years and am profoundly grateful for your kindness and your mentorship. I am deeply indebted to Dale McFadden, Gary Arvin, and Jane Dutton—it was a great honor to have you on my committee. I offer sincerest thanks to all of the composers and librettists who sent me scores, librettos, or recordings and who answered my questions and allowed me to use musical examples from their works. These exceptional artists include Dan Shore, Michael Ching, Leanna Kirchoff, Harry Dunstan, Kay Krekow, Milton Granger, Thomas Albert, Bruce Trinkley, John Morrison, Evan Mack, Errollyn Wallen, and Paul Salerni. I also owe a special thank you to ECS publishing for allowing me to use musical examples from Robert Ward’s Roman Fever. Thanks to Pauline Viardot, Jacques Offenbach, and Umberto Giordano for inspiring the musical world for the past 150-plus years.