Download Finding
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Radio 3 Listings for 12 – 18 June 2010 Page 1
Radio 3 Listings for 12 – 18 June 2010 Page 1 of 11 SATURDAY 12 JUNE 2010 Symphony No.22 in E flat, 'The Philosopher' Tom Service meets conductor Jonathan Nott, principal Amsterdam Bach Soloists conductor of the Bamberg Symphony Orchestra, and talks to SAT 01:00 Through the Night (b00smvg2) tenor Ian Bostridge and director David Alden about performing Jonathan Swain presents rarities, archive and concert recordings 4:35 AM Janacek. Robin Holloway talks about the appeal for from Europe's leading broadcasters Abel, Carl Friedrich (1723-1787) contemporary composers of Schumann's music, plus a report on Sonata No.6 in G major (Op.6 No.6) classical club nights. 1:01 AM Karl Kaiser (transverse flute), Susanne Kaiser (harpsichord) Wagner, Richard (1813-1883) Wie Lachend sie mir Lieder singen ( Tristan und Isolde, Act 1) 4:45 AM SAT 13:00 The Early Music Show (b00sq42f) Brigit Nilsson (Isolde), Irene Dalis (Brangäne), Metropolitan Rore, Cipriano de (c1515-1565) Ghostwriter: The Story of Henri Desmarest Opera Orchestra, Karl Böhm (conductor) Fera gentil The Consort of Musicke, Anthony Rooley (director) Henry Desmarest was obviously a talented musican and 1:10 AM composer, first boy page and then musician in Louis XIV's Wagner, Richard (1813-1883) 4:51 AM court, he began ghost-writing Grands Motets for one of the Amfortas! Die Wunde! (Parsifal, Act 1) Berlioz, Hector (1803-1869) chapel directors Nicholas Goupillet when he was in his early Jon Vickers (Parsifal), Christa Ludwig (Kundry), Metropolitan Le Carnaval romain - overture (Op.9) twenties. -
The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176 -
Roach and Barker Are Elected President, Vice-President Of
VOLUME XLV VIRGINIA MILITARY INSTITUTE, LEXINGTON, VIRGINIA, JANUARY 17, 1955 NUMBER 14 Eugene List^ Famous Pianist Two '53 Grads Roach And Barker Are Elected To Concertize In Lexington To Be Air Tacs Two 1953 graduates of Virginia President, Vice-President Of OGA For Rockbridge Concert Series Military Institute have been select- ed for duty on the tactical staff Last Tuesday evening, immediately following the Corps One of the most widely Itnown' of the new Air Force Academy, Meeting, the Officer of the Guard Association met for the and praised of American pianists On Lee's Birthday according to an announcen\ent by is young Eugene List, who accord- purpose of electing new officers. Bill Maddox, the Retiring Colonel Robert M. Stillman, Air ing to international critical ac- Seven score to an added eight President, announced his decision to relinquish his position Force Academy Commandant. claim, is destined for music's per- Years bence, was upon this date, because of his desire to apply him- manent "Who's Who." He will ap- They are Lieutenants Harry C. A Virginian bom on the creat of self more diligently to his studies. pear here in concert on February Gornto, HI, of Norfolk, and Charles fate. Law Would Deepen "Basically, we hope to have the R. Steward, of Coolidge, Ariz., both 3 at Lexington High School unde^ The South has cause to same objectives as before: first of- of whom entered the Air Force the auspeces of the Rockbridge commemmrate. all, to enforce the Class System; pilot training program following Army Reserves Concert Series. -
Volume 75, Number 01 (January 1957) Guy Mccoy
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1957 Volume 75, Number 01 (January 1957) Guy McCoy Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation McCoy, Guy. "Volume 75, Number 01 (January 1957)." , (1957). https://digitalcommons.gardner-webb.edu/etude/79 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. • ••• BEST "tell then certainInlvy yvou want •a Progressive Series Plan teacher. us a story ... " I ke a career of private P~ogressive .Series te~~le~a:a excellent music backgrounds ~~~n~h:eya~~~~;l~~v~tm~ the high standa~s ref~~redto (an Ada Richter musical story, of course I) be eligible for an Appointment as a teu: er 0 e Progressive, Series Plan' of Music Education. piano beginners ••. why not a musical story? Yes. YOJ.lrchild deserves the best, he deserves a (like all children) love the magic of storyland. Bright Progressive Series Plan teacher. Every year more piano teachers turn to musical stories eyes grow brighter-interest reaches a new high at I h.ild receives the BEST to enhance their regular piano lessons. -
Chapter One – the Founding of Polytechnic College 1890
Chapter One – The Founding of Polytechnic College 1890 In August 1890, Reverend Milton Koger Little bounced around in his buggy examining three tracks offered to Fort Worth Methodists for a new regional college. The Methodist Episcopal Church South Northwest Texas Conference pastors and congregants saw the growth of the city to twenty-thousand in that year’s census as an opportunity to educate nearby city youth and those on ranches near and far. Interested Methodists had offered three tracks: a large one in Arlington Heights, a smaller one on the south side of downtown, and fifty acres four miles east of Fort Worth. On the 24th, hot as only Texas can be at the end of summer, Little, pastor of Missouri Avenue Church, climbed down from his buggy and drove a stake in the middle of the tract on a hill over a hundred feet above the Trinity River to the north. Early Fort Worth settlers Arch Hall and his brother W.D. Hall, along with their nephew, George Tandy, had offered the site for the college. The North Texas contingent proposed the new college at the conference’s November meeting at the fifth-day’s afternoon session in Abilene where it was unanimously approved to open a Methodist institute of learning in young, but burgeoning, Fort Worth. Fort Worth, 1890 ( in scanned pics, not on list) Tarrant County Courthouse, 1890 (no pic scanned) Founder Arch S. Hall (1) Founder W.D. Hall (2) Founder George Tandy (3) Fort Worth had only been a city for seventeen years, incorporated in 1873 with a population near a thousand. -
THE KOSCIUSZKO FOUNDATION CHOPIN PIANO COMPETITION HISTORICAL OVERVIEW in 1949, to Mark the Centennial of the Death of Fryderyk
THE KOSCIUSZKO FOUNDATION CHOPIN PIANO COMPETITION HISTORICAL OVERVIEW In 1949, to mark the centennial of the death of Fryderyk Chopin, the Kosciuszko Foundation’s Board of Trustees authorized a National Committee to encourage observance of the anniversary through concerts and programs throughout the United States. Howard Hansen, then Director of the Eastman School of Music, headed this Committee, which included, among others, Claudio Arrau, Vladimir Horowitz, Serge Koussevitzky, Claire Booth Luce, Eugene Ormandy, Artur Rodzinski, George Szell, and Bruno Walter. The Chopin Centennial was inaugurated by Witold Malcuzynski at Carnegie Hall on February 14, 1949. A repeat performance was presented by Malcuzynski eight days later, on Chopin’s birthday, in the Kosciuszko Foundation Gallery. Abram Chasins, composer, pianist, and music director of the New York Times radio stations WQXR and WQWQ, presided at the evening and opened it with the following remarks: In seeking to do justice to the memory of a musical genius, nothing is so eloquent as a presentation of the works through which he enriched our musical heritage. … In his greatest work, Chopin stands alone … Throughout the chaos, the dissonance of the world, Chopin’s music has been for many of us a sanctuary … It is entirely fitting that this event should take place at the Kosciuszko Foundation House. This Foundation is the only institution which we have in America which promotes cultural relations between Poland and America on a non-political basis. It has helped to understand the debt which mankind owes to Poland’s men of genius. At the Chopin evening at the Foundation, two contributions were made. -
Maud Powell As an Advocate for Violinists, Women, and American Music Catherine C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 "The Solution Lies with the American Women": Maud Powell as an Advocate for Violinists, Women, and American Music Catherine C. Williams Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC “THE SOLUTION LIES WITH THE AMERICAN WOMEN”: MAUD POWELL AS AN ADVOCATE FOR VIOLINISTS, WOMEN, AND AMERICAN MUSIC By CATHERINE C. WILLIAMS A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Summer Semester, 2012 Catherine C. Williams defended this thesis on May 9th, 2012. The members of the supervisory committee were: Denise Von Glahn Professor Directing Thesis Michael Broyles Committee Member Douglass Seaton Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii For Maud iii ACKNOWLEDGMENTS I would like to thank my parents and my brother, Mary Ann, Geoff, and Grant, for their unceasing support and endless love. My entire family deserves recognition, for giving encouragement, assistance, and comic relief when I needed it most. I am in great debt to Tristan, who provided comfort, strength, physics references, and a bottomless coffee mug. I would be remiss to exclude my colleagues in the musicology program here at The Florida State University. The environment we have created is incomparable. To Matt DelCiampo, Lindsey Macchiarella, and Heather Paudler: thank you for your reassurance, understanding, and great friendship. -
New World Records
New World Records NEW WORLD RECORDS 701 Seventh Avenue, New York, New York 10036; (212) 302-0460; (212) 944-1922 fax email: [email protected] www.newworldrecords.org Songs of Samuel Barber and Ned Rorem New World NW 229 Songs of Samuel Barber romanticism brought him early success as a com- poser. Because of his First Symphony (1936, amuel Barber was born on March 9, 1910, in revised 1942), Bruno Walter thought of him as SWest Chester, Pennsylvania. He remembers “the pioneer of the American symphony.”(“That’s that his parents never particularly encouraged not true,” said Barber almost forty years later. him to become a musician, but as his mother’s “That should be Roy Harris.”) In the late thirties sister, the renowned Metropolitan Opera singer Barber was the first American to be performed Louise Homer, was a frequent visitor to the by Arturo Toscanini (Adagio for Strings and First Barber home, the atmosphere there was not at all Essay for Orchestra), and, not long after, his inimical to musical aspirations. Barber began to music was championed by artists of the stature study piano at six and composed his first music a of Bruno Walter (First Symphony and Second year later (a short piano piece in C minor called Essay for Orchestra), Eugene Ormandy (Violin “Sadness”). When he was ten he composed one Concerto), Artur Rodzinski (First Symphony), act of an opera, The Rose Tree, to a libretto by Serge Koussevitsky (Second Symphony), Martha the family’s Irish cook. At fourteen Barber Graham (Medea), and Vladimir Horowitz entered the newly opened Curtis Institute of (Excursions and Piano Sonata). -
The AMICA News Bulletin of the Automatic Musical Instrument Collectors' Association
The AMICA News Bulletin of the Automatic Musical Instrument Collectors' Association . " . _: .. ' .;".: August/September 1983 Volume 20 Number 7 AMICA International Continuing Members: $20 Annual Dues AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Overseas Members: $26 Dues New Members, add $5 processing fee NEWS BULLETIN (Write to Membership Secretary, PUBLISHER see address below) Dorothy Bromage Single back issues of the News Bulletin are P.O. Box 387 available from the Publisher for $2.00 each. La Habra, CA 90633-0387 Change of Address: If you move, send the USA new address and phone number to the Membership Secretary, Will Wild and Published by the Automatic Musical Instrument Collectors' Valerie Anderson Association, a non-profit club devoted to the restoration, distribution and enjoyment of musical instruments using INTERNATIONAL OfFICERS perforated paper music rolls. AMICA was founded in San Francisco in 1963. PRESIDENT Terry Smythe (204) 452-2180 Contributions: All subjects of interest to readers of the 547 Waterloo St., Winnipeg, Manitoba Bulletin are encouraged and invited by the publisher. All Canada R3N on articles must be received by the 10th of the preceding PAST PRESIDENT Robert M. Taylor month. Every attempt will be made to publish all articles of (215) 735-2662 general interest to AMICA members at the earliest possible 1326 Spruce St. #3004, Phildelphia, PA 19107 time and at the discretion of the publisher. VICE PRESIDENT Molly Yeckley (419) 684-5742 Original Bulletin articles, or material for reprint that is of 612 Main St., Castalia, OH 44824 significant historical quality and interest, are encouraged and will be rewarded in the form of AMICA membership SECRETARY Richard Reutlinger (415) 346-8669 dues discounts. -
Fifty Years Later: a Promise Fulfilled, in True Western Style
the ncOLIVIAhor Volume V, No. 1 A MEILY SOCIETY Winter 2007 Fifty Years Later: A Promise Fulfilled, in True Western Style n May 6, 2006, Catherine Suzanne “Sue” the children were older, I began to investigate the pos- OMcLaughlin Montgomery ’56 did Miss sibility of finishing my degree. At Oral Roberts Uni- Peabody proud. She graduated! True, she marched into versity I made the most progress; however, we moved Kumler Chapel with the Western Program class of 2006 to Illinois before I fin- rather than the Western College for Women class of ished! But we did move to a university 1956, but in many ways the 50-year delay made the oc- town, Charleston, casion all the more meaningful. home of Eastern Illi- As she wrote to her friends and family — who at- nois University. I pe- tended some 22 strong — “If I had graduated 50 years titioned for my degree ago we all would not be meeting on this day ... Many and was accepted of you would have missed the ceremony, the reunion of into their program. I thought I just might family and friends and the celebration.” Two Western grads: Sue Montgom- make it there. ery ’56, ’06 and daughter-in-law She told her story in this letter to Miami’s Presi- Oh, no, my hus- Allison Schweser Montgomery ’93 dent David Hodge: band had a stroke and October 26, 2006 we again had to move. This time to Leesburg, Florida, so he could be in warm weather. As you must have Dear President Hodge, guessed, no degree completed. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Central Texas Conference
JOURNAL OF THE Central texas Conference FIFTY-SEVENTH ANNUAL SESSION WHICH IS THE THIRTEENTH SESSION SINCE DIVISION Methodist Episcopal Church, South WEATHERFORD, TEXAS NOVEMBER 15, 1922 a THE TEXAS Fort Worth, Texas The South's Leading Hotel 600 Rooms-600 Baths Rates from $2.00 to $5.00 It costs no more to have the best Texas Woman's College FOR YOUNG WOMEN An A-Grade Four Years College Making a Life, the Ideal COURSES OF STUDY Education—Making teachers-4 years State certificate. Home. Economics—Making Home Makers. Religion—Making Christian Leaders. Mrs. Mary L. Hargrove, for 20 years at Scarrit Bible Training School, is head of this Department. Science, Languages, Sociology and many other attrac- tive courses. FINE ARTS No School in the Southwest excels us. Carl Venth is a master musician and Dean. H. C. Taylor, one of America's best younger Pianists, is Director of the Piano Department. Dormitories full for Fall Session. Write for catalogues. Texas Woman's College Fort Worth, Texas HENRY E. STOUT, President The Depository of the Central Texas Conference .Progressive in Policy Efficient in Service Conservative in Management MEMBER FEDERAL RESERVE SYSTEM The First State Bank of Corsicana, Texas "Guaranty Fund' Bank" JOURNAL OF THE Central. 6"exas Conference FIFTY-SEVENTH ANNUAL SESSION WHICH IS THE THIRTEENTH SESSION SINCE DIVISION Methodist Episcopal Church, South WEATHERFORD, TEXAS NOVEMBER 15, 1922 J. M. BOND, 1708 Bessie St., Fort Worth, Texas, EDITOR PRICE 25 CENTS CONTENTS Page Annual Conference Register, 1866-1922 ................................