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1785-1998 September 1998
THE EVOLUTION OF THE BROADWOOD GRAND PIANO 1785-1998 by Alastair Laurence DPhil. University of York Department of Music September 1998 Broadwood Grand Piano of 1801 (Finchcocks Collection, Goudhurst, Kent) Abstract: The Evolution of the Broadwood Grand Piano, 1785-1998 This dissertation describes the way in which one company's product - the grand piano - evolved over a period of two hundred and thirteen years. The account begins by tracing the origins of the English grand, then proceeds with a description of the earliest surviving models by Broadwood, dating from the late eighteenth century. Next follows an examination of John Broadwood and Sons' piano production methods in London during the early nineteenth century, and the transition from small-scale workshop to large factory is noted. The dissertation then proceeds to record in detail the many small changes to grand design which took place as the nineteenth century progressed, ranging from the extension of the keyboard compass, to the introduction of novel technical features such as the famous Broadwood barless steel frame. The dissertation concludes by charting the survival of the Broadwood grand piano since 1914, and records the numerous difficulties which have faced the long-established company during the present century. The unique feature of this dissertation is the way in which much of the information it contains has been collected as a result of the writer's own practical involvement in piano making, tuning and restoring over a period of thirty years; he has had the opportunity to examine many different kinds of Broadwood grand from a variety of historical periods. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Navigating, Coping & Cashing In
The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings. -
Mönster Och Möjligheter Programblad 2
Mönster och möjligheter Genus och gestaltning i 1700-talsopera Operahögskolan/Stockholms konstnärliga högskola, 20 september 2018 Ett gästspel från Musikhögskolan vid Luleå tekniska universitet, i Piteå och Högskolan för scen och musik, Göteborgs universitet Medverkande På scen: Tove Dahlberg, alla roller Bo Wannefors, piano Idé, manus, och iscensättning: Tove Dahlberg och Kristina Hagström-Ståhl Ljusdesign: Tobias Hagström-Ståhl/Lumination of Sweden Övriga pianister: Eric Skarby, Tommy Jonsson, Rut Pergament Coach, maskulinitet: Eva Johansson * * * Hur kan genusforskning och kritiska perspektiv användas i en konstnärlig praktik? Vilka är möjligheterna att arbeta normkritiskt – och normkreativt – med opera? I det här proJektet undersöker Tove Dahlberg och Kristina Hagström-Ståhl tillsammans sångarens handlingsutrymme i den konstnärliga processen, samt relationen mellan scenisk och musikalisk gestaltning i operarepertoar. Med Mozarts opera Figaros bröllop (1786) som utgångspunkt och material har Tove och Kristina mötts i en serie laborationer, som syftat till att väcka frågor kring konventioner och ”tyst kunskap” inom opera, men även att utveckla metoder för breddade och medvetna val i den konstnärliga processen. Med sig har de haft pianister med lång erfarenhet av att arbeta med Mozarts operor. Tove tar sig an fem kvinnliga och manliga roller ur operan, med en dubbel målsättning: att utmana sina egna vokala och sceniska register och att låta operans scener och arior bli föremål för konstnärlig undersökning. Särskilt har vi tittat på hur sångliga och kroppsliga praktiker tillsammans påverkar hur maskulinitet och femininitet kan gestaltas och hur gestaltningen blir läsbar för en publik. En genomgående frågeställning har gällt relationen mellan operan som material och konstnärligt verk i egen rätt – mellan sångarens och rollens behov. -
BULLETIN CENTRAL OPERA SERVICE 147 West 39Th Streej New York 18, New York
BULLETIN CENTRAL OPERA SERVICE sponsored by METROPOLITAN OPERA NATIONAL COUNCIL 147 West Thirty-ninth Street, New York 18, N.Y. Telephone: PEnnsylvania 6-1200 This issue: SURVEY OF OPERA WORKSHOPS AND CONTEMPORARY OPERA PERFORMANCES March-April, 1964 NEW OPERAS AND PREMIERES It is reported that Ned Rorem ("Childhood Miracle","The Robbers") while in residence at Yaddo, Saratoga Springs, N.Y., is working on a new opera entitled MISS JULIE. Kenward Elmslie is responsible for the libretto. ******* The Center for Advanced Study at the University of Illinois commissioned Robert Kelly, Professor of Composition at the University, to write an opera. Professor Kelly has chosen for his theme the conquest of Mexico presented from the Aztec viewpoint. The opera will be entitled THE WHITE GODS. ******* Jack Gottlieb, assistant to Leonard Bernstein, will witness the premiere of his one-act opera TEA PARTY on April 18 at the Donnell Library, 23 W. 53 St. in New York. It is written for soprano, alto, tenor and baritone and will be performed with the accompaniment of two pianos. The opera, which the composer subtitles "Movement I of a Symphony of Operas" is available through Boosey and Hawkes. ******* The Central City Opera commissioned work, LADY FROM COLORADO, will be pre- miered in Central City on July 3. The Robert Ward-Bernard Stambler work is based on a book by Homer Croy and actual Colorado history and was commissioned in honor of the 100th anniversary of the University of Den- ver (formerly Colorado Seminary). ******* Shostakovich's KATERINA ISMAILOVA (see Jan. Bulletin) will be premiered in the U.S. -
Opera Bands and Artists List
Opera Bands and Artists List Szeged Symphony https://www.listvote.com/lists/music/artists/szeged-symphony-orchestra-265888/albums Orchestra Marek Torzewski https://www.listvote.com/lists/music/artists/marek-torzewski-11768532/albums Frederic Toulmouche https://www.listvote.com/lists/music/artists/frederic-toulmouche-20001877/albums Dominique Girod https://www.listvote.com/lists/music/artists/dominique-girod-16056863/albums Livia Budaï-Batky https://www.listvote.com/lists/music/artists/livia-buda%C3%AF-batky-26988123/albums Vitaliy Kil'chevskiy https://www.listvote.com/lists/music/artists/vitaliy-kil%27chevskiy-19850392/albums Yaniv D'Or https://www.listvote.com/lists/music/artists/yaniv-d%27or-16131484/albums Malvīne Vīgnere- https://www.listvote.com/lists/music/artists/malv%C4%ABne-v%C4%ABgnere-gr%C4%ABnberga- Grīnberga 16363082/albums Rosa Rimoch https://www.listvote.com/lists/music/artists/rosa-rimoch-29419597/albums Karine Babajanyan https://www.listvote.com/lists/music/artists/karine-babajanyan-18628035/albums Jean-Baptiste Mathieu https://www.listvote.com/lists/music/artists/jean-baptiste-mathieu-11927434/albums Opera Las Vegas https://www.listvote.com/lists/music/artists/opera-las-vegas-16960608/albums Vicente Forte https://www.listvote.com/lists/music/artists/vicente-forte-11954634/albums Albert Lim https://www.listvote.com/lists/music/artists/albert-lim-23887792/albums Alban Berg https://www.listvote.com/lists/music/artists/alban-berg-78475/albums Bedřich Diviš Weber https://www.listvote.com/lists/music/artists/bed%C5%99ich-divi%C5%A1-weber-79023/albums -
Download Finding
National Federation of Music Clubs Records This finding aid was produced using the Archivists' Toolkit April 05, 2018 Describing Archives: A Content Standard National Federation of Music Clubs Indianapolis, Indiana National Federation of Music Clubs Records Table of Contents Summary Information ................................................................................................................................. 3 Collection Inventory...................................................................................................................................... 5 History and Governance.......................................................................................................................... 5 Proceedings, Minutes, Reports, Programs.............................................................................................17 Financial/Legal/Administrative..............................................................................................................34 NFMC Publications............................................................................................................................... 59 Presidential papers................................................................................................................................. 78 Activities/Projects/Programs..................................................................................................................82 Scrapbooks.......................................................................................................................................... -
The Arts Council of Great Britain
A-YUAAt J`2 101" The Arts Council Twenty-ninth of Great Britain annual report and accounts year ended 31 March 1974 ARTS COUNCIL OF GREAT BR(fAMm REFERENCE ONLY DO NOT REAAOVE I j,FROM THE LIBRARY ISBN 0 7287 0036 0 Published by the Arts Council of Great Britai n 105 Piccadilly, London wIV oAu Designed and printed at Shenval Press, Englan d Text set in `Monotype' Times New Roman 327 and 334 Membership of the Council , Committees and Panels Council Committees of the Art Pane l Patrick Gibson (Chairman ) Exhibitions Sub-Committee Sir John Witt (Vice-Chairman ) Photography Committee The Marchioness of Anglesey Serpentine Gallery Committee Professor Harold C . Baldry Performance Art Committee The Lord Balfour of Burleigh Alan Bowness The following co-opted members serve on the Lady Casson Photography Committee : Colonel Sir William Crawshay, DSO, TD Michael Elliott Bill Gaskins The Viscount Esher, CBE Ron McCormic k The Lord Feather, CBE Professor Aaron Scharf Sir William Glock, CBE Pete Turner Stuart Hampshire Jeremy Hutchinson, Q c and the Performance Art Committee : J. W. Lambert, CBE, DsC Dr A. H. Marshall, CB E Gavin Henderso n James Morris Adrian Henri Neil Paterson Ted Littl e Professor Roy Shaw Roland Miller Peter Williams, OBE Drama Panel Art Panel J. W. Lambert, CBE, DsC (Chairman) The Viscount Esher, CBE (Chairman) Dr A. H. Marshall, CBE (Deputy Chairman) Alan Bowness (Deputy Chairman ) Ian B. Albery Miss Nancy Balfour, OBE Alfred Bradley Victor Burgi n Miss Susanna Capo n Michael Compton Peter Cheeseman Theo Crosby Professor Philip Collins Hubert Dalwood Miss Jane Edgeworth, MBE The Marquess of Dufferin and Av a Richard Findlater Dennis Farr Ian Giles William Feaver Bernard Gos s Patrick George Len Graham David Hockney G. -
Mass in C Minor Performances of Two Academy of St Martin Fine Choral Works from in the Fields Two Masters of the Baroque Era
CORO CORO Vivaldi: Gloria in D Fauré: Requiem Bach: Magnificat in D Mozart: Vespers Harry Christophers Elin Manahan Thomas MOZART The Sixteen Roderick Williams Harry Christophers Resounding The Sixteen Mass in C minor performances of two Academy of St Martin fine choral works from in the Fields two masters of the Baroque era. “…the sense of an ecstatic movement towards cor16057 cor16042 cor16057 Paradise is tangible.” the times Handel: Messiah Barber: Agnus Dei 3 CDs (Special Edition) An American Collection Carolyn Sampson Barber, Bernstein, Catherine Wyn-Rogers Copland, Fine, Reich, Mark Padmore del Tredici Christopher Purves “The Sixteen are, as “…this inspiriting new usual, in excellent form performance becomes here. Recording and a first choice.” remastering are top- notch.” Gillian Keith the daily telegraph notch.” cor16062 cor16031 american record guide Tove Dahlberg Harry Christophers Thomas Cooley To find out more about CORO and to buy CDs visit Handel and Haydn Society Nathan Berg www.thesixteen.com cor16084 ne of the many delights of being of your seat” suspense that one feels in the exquisite ‘Et incarnatus est’ and it OArtistic Director of America’s is well worth that risk. One can never achieve this degree of concentration and oldest continuously performing arts total immersion in the music whilst in the recording studio; whatever mood is organization, the Handel and Haydn set, subconsciously we always know we can have another go at it. Society, is that I am given the opportunity to present most of our concert season at I feel very privileged to take this august Society towards its Bicentennial; yes, the Handel and Haydn Society was founded in 1815. -
Introduction
INTRODUCTION. Nicola Vicentino dei Vicentini was born in Vicenza in 1511 and died around 1576-77 in Milan. His name and birthplace are recorded in a document concerning his appointment as chapel master in Vicenza in 1563.1 His date of birth can be assumed from two references in his trea- tise Ancient Music Adapted to Modern Practice (Rome, 1555): the wood- cut giving his age as forty-four and his assertion that he was thirty-nine in 1550. The year of his death, shortly after the plague that ravaged north- ern Italy in 1575 and again in 1576, is given by Ercole Bottrigari in // Desiderio (Venice, 1599).2 Vicentino studied in Venice under Adrian Willaert sometime during the 1530s. His first book of five-voice madrigals (Venice, 1546) proudly announces his indebtedness to his "unique" and "divine" master.3 Given the unexceptional music in this collection, Vicentino's comments about his new or rediscovered styles of composing, allegedly influenced by Willaert, amount to little more than the customary platitudes. Vicentino styled himself "Don" on the title-page, indicating that he should be considered a distinguished priest. Several other documents corroborate his vocation.4 Possibly this title of respect was accorded to Vicentino when he entered the service of Ippolito II d'Este, cardinal of Ferrara. Just as we cannot ascertain when Vicentino began and ended his studies with Willaert, so we cannot say when he joined and quit the retinue of the cardinal. It is possible, however, to suggest some reason- able hypotheses. For the years of study under Willaert, the mid- to late 1530s are plausible. -
Olli Kortekangas' Opera Premiere Sven-David Sandström at 75
NORDIC HIGHLIGHTS 3/2017 NEWSLETTER FROM GEHRMANS MUSIKFÖRLAG & FENNICA GEHRMAN Olli Kortekangas’ opera premiere Sven-David Sandström at 75 NEWS Angela Hewitt Edicson Ruiz’s 25th to premiere Whittall performance Angela Hewitt is to be the soloist on 5 It will be his 25th perfor- October in the world premiere in Ottawa, mance, when Edicson Canada, of the piano concerto Nameless Ruiz gives the German Seas by Matthew Whittall. Conducting premiere of Rolf Mar- the National Arts Centre Orchestra will tinsson’s Double Bass Con- be Hannu Lintu. The performance is certo with the Deutsche part of the ‘Ideas of North’ festival cel- Radiophilharmonie Saa- ebrating Canada’s 150th and Finland’s rbrücken Kaiserslauten 100th birthdays. The Lapland Chamber in June of next year. The Orchestra will also be part of the pro- Australian premiere took gramme, with Kalevi Aho’s 14th sym- place last April with the phony Rituals . Queensland Symphony The Whittall concerto was commis- Orchestra, and Novem- sioned jointly by PianoEspoo Festival and ber will see the Chi- the National Arts Centre Corporation. nese premiere with the The Finnish premiere is scheduled on Hong Kong Sinfonietta. OLIVEROS NOHELY PHOTO: 10 November by the Finnish Radio Ruiz has performed the concerto earlier with orchestras in Symphony Orchestra with Risto-Matti Venezuela, Japan, Taiwan, Sweden, Spain, Austria, France and PHOTO: PETER SEARLE PETER PHOTO: Marin as the soloist. Hungary. Tango solo on stage Colourstrings in Apple iBook Store Soprano Marika Krook and a chamber ensemble Colourstrings goes digital! The Violin and Cello ABC books are from Stockholm are to perform the monologue now available as digital publications in the Apple iBook Store. -
Hors Série Saison 12 / 13
accentus hors série saison 12 / 13 accentus jeune chœur paris tenso ..................................................................................................... éducation recherche développement artistique hors série 2012/2013 Lettre d’information d’ accentus Directeur de publication Nicolas Droin Rédactrice en chef Anaïs Humez Rédaction Antoine Pecqueur Photos Julio Villani Conception graphique composite (composite-agence.fr) Impression Imprimerie Frazier n° ISSN en cours / Programmes et informations donnés sous réserve de modifications Exemplaire gratuit ÉDITO UNE SAISON RICHE EN NOUVELLES AVENTURES Cette saison, les premières s’enchaînent pour accentus. À l’automne, Laurence Equilbey va diriger pour la première fois au Palais Garnier. À l’affiche : une création chorégraphique de Marie-Agnès Gillot, danseuse étoile du Ballet de l’Opéra de Paris, sur des musiques de Bruckner, Ligeti et Feldman – une dramaturgie musicale signée Laurence Equilbey. accentus va également participer au premier concert d’Insula orchestra. Le nouvel orchestre sur instruments anciens fondé par Laurence Equilbey fait effectivement son entrée dans la structure erda I accentus. Soutenue par le Conseil général des Hauts-de-Seine, cette formation promet de revisiter l’époque classique et pré-romantique, tant dans le répertoire symphonique que dans l’oratorio (voir brochure spécifique). La saison est également rythmée par des créations particulièrement attendues. Bruno Mantovani livre sa Cantate n°4, dans laquelle il confronte le chœur à deux instruments : le violoncelle de Sonia Wieder-Atherton et l’accordéon de Pascal Contet. Dans le domaine lyrique, accentus participe, à l’Opéra de Rouen Haute-Normandie, à la création d’un opéra du compositeur belge Michel Fourgon inspiré du destin de… Lolo Ferrari. Une première sulfureuse ! On peut également parler de premières pour certains ouvrages du passé exhumés de l’oubli.