N w···.·.·.'<' 5 Openings onCAA Committees

here are numerous openings for CAA members to serve on T the association's committees. Committee members serve for fixed terms of three years; at least one new member rotates onto a committee each year. Each committee is composed of at least three members, and the chair of each committee is ordinarily a member of the CAA Board of Directors. Advocacy Committee: 4 openings. The Advocacy Committee identifies "Tarred and Feathered in Wash. D.C. issues or legislation that would warrant at CAA." Sculpture performance by CAA support, establishes positions on Harold Olejarz at the CAA annual issues affecting the visual arts, and Ph.D., M.A., conference, Washington, D.C., makes those positions public through February 1991 PHOTO: BLAISE TOBIA IN COLLABORATION WITH appropriate means. HAROLD OLEJARZ Education Committee: 3 openings. & M.F.A. The Education Committee reviews career options and development April 1. If you can't meet that date, or if opportunities available to arts gradu­ Programs you have questions (or if you never ates; maintains an awareness of fine art received a questionnaire), please call and art history programs at the college Virginia Wageman at 212/691-1051. and graduate levels; collects data on CAA's directories are a valuable deparhnents, curriculum, and resources f your school offers a Ph.D. or M.A. resource for students seeking informa­ such as libraries; and maintains an in art history, or an M.F.A. in studio tion about graduate programs, and it is awareness of art education at the K-12 I art, and you haven't yet responded important that they be as inclusive as level. to CAA's questionnaire, it's not too late. possible. To date we've heard from 49 Committee on Electronic Informa­ But to be included in the directories of Ph.D./MA programs, 50 MA pro­ tion: 3 openings. The goals of the graduate programs that CAA will grams, and 115 M.F.A. programs. We Committee on Electronic Information publish in the fall of 1991, completed know there are more of you out there, include the education of scholars and questionnaires must be in the office by and we want to hear from you. CONTINUED ON PAGE 2 ------Openings on CAA Committees work and must be CAA members in College Art Association (jJon ten ts CONTINUED FROM PACE 1 good standing. Members of all commit­ Awards for Distinguished Teaching tees volunteer their services to the of Art Award association without compensation and Volume 16, Numher 2 art professionals on issues and resources Presented by Ruth Fine information technology, and collabora­ serve for fixed terms of three years. Excellence MarchiApril1991 Awarded to William Daley tion with other associations and inter­ Nominations should include a brief statement outlining the individual's ested parties in the coordination of It is impossible to divide William qualifications and experience and a problems related to the collection, Daley's distinguished career in teaching resume. Self-nominations are encour­ formatting, and transmission of elec­ from his distinguished career as an Openings on CAA Committees aged. Write to: Committee Nominations, tronic data. artist. So tonight we celebrate both. The PhD., M.A., & M.F.A. Programs CAA, 275 Seventh Ave., New York, NY 1 Membership Committee: 6 extraordinary span of his interests is 10001. Deadline: May 1, 1991. openings. The Membership Committee AA's 1991 convocation cer­ evident in his personal visual language is charged with promoting CAA -=------2 Resale Royalties emony was held in the that pays homage to forms in nature as membership and initiating and support­ C Sheraton Ballroom of the well as past art of great diversity. Pine ing activities leading to knowledge of Sheraton Washington Hotel, Friday cones and the tilework of the Alhambra, 3 Awards for Excellence the members and of their professional evening, February 22. Dennis Barrie, for example, might receive equal needs. The committee is also concerned director of the Contemporary Arts attention from his roving and very with and sensitive to issues of diversity Center, Cincinnati, who was recently perceptive eye. And his ability to draw 9 From the President of and accessibility to the programs and acquitted of pandering obscenity in a Resale Gridley McKim-Smith and connections between such seemingly services of the association by members case related to an exhibition of photo­ Annual Conference Update Greta Andersen-Bergdoll distant forms has proved an inspiration and by professionals generally. graphs by Robert Mapplethorpe, PHOTO: JENNIFER GREENFELD 10 CAA Regional M.F.A. Exhibition for those fortunate enough to find Committee on Cultural Diversity: 6 Royalties delivered an animated and informative themselves in what he has termed his openings. The Committee on Cultural keynote address. (Barrie's address will view, this award recognizes the partici­ "mud shop." 11 From the Executive Director Diversity is charged with the recognition appear in full in the winter 1991 issue of pants in a project enriched by an open Not one to need or want clones of and support of the contributions, talents, Art Journal, the second of two consecu­ and equally shared dialogue between himself, William Daley has always been possibilities, and needs of individuals tive issues that will deal with censorship members of the fields of art history and a master at encouraging others to 13 CAANews whose cultural, ethnic, and racial and the arts.) His speech was preceded conservation. It further acknowledges develop their own manner of seeing, of identities and sexual preference are he Copyright Office of the by greetings from Tom Freudenheirn, that a full understanding of a work of art forming. His serious approach to all of different from the majority and with Library of Congress is conduct­ local committee chair of the 1991 14 Solo Exhibitions by Artist Members encompasses not exclusively art­ his undertakings in the studio and in the their increased inclusion within the T ing a study on the feasibility of conference, and the annual CAA awards historical concerns, but the current state dassroom/ and the good humor, association and within the field. legislation that would require purchas­ given for excellence in teaching, scholar­ and condition of the work and the warmth, and spontaneity with which he 15 People in the News Museum Committee: 2 openings. ers of artworks to pay artists a percent­ ship, creativity, criticism, and conserva­ intention inherent in the artist's tech­ approaches human relationships are The Museum Committee monitors the age of the resale price. Comments and tion, the presentation of which was led nique and execution of it. among the qualities that have been Programs, New & Revised activities of public and private institu­ information are sought that will assist in by CAA President Ruth Weisberg. A Examining Veldzquez is the fine applauded in numerous letters received Grants, Awards, & Honors 18 tions in the art sector, particularly in understanding all relevant issues. The reception in honor of the award recipi­ project of an interdisciplinary research from his colleagues and former col­ relation to acquisition, deaccession, and Copyright Office particularly welcomes ents was held in the Sheraton Foyer team, which has eloquently demon­ leagues, students past and present, and exhibition policies and procedures, in responses from groups or individuals following the convocation. strated the extent to which meaning may 20 Conferences & Symposia artists working not only in the crafts order to exercise influence and share involved in the creation, exhibition, be derived from the making of art. By media, but in diverse fields. These many efforts in issues of mutual interest, dissemination, and preservation of raising the historical and theoretical admirers also cross several artistic 21 Opportunities particularly in matters of presentation, works of art/ induding artists, art questions of Velazquez's paintings that generations. Indeed, they form a large preservation, conservation, access for dealers, auction houses/ investment College Art Association! relate to a more precise identification of and supportive fan dub, among the scholars, and education of the public. advisors/ collectors, and curators. Send National Institute for his technique, brushwork, and color, this members of which are many artists of Classified Ads 23 Professional Practices Committee: ten copies of your comments to the Conservation Award for team has opened our minds to new great distinction themselves. 1 opening. The Professional Practices Copyright Office at the address below Information Wanted Distinction in Scholarship interpretations of the artist's paintings. Daley's career has been marked by Committee responds to specific concerns by lune 1, 1991. Please also send a copy Datebook and Conservation We applaud the method and the an intense commitment to sharing his 24 of the membership in relation to areas to the College Art Association as soon as outcome of the initial findings of what Presented by Maryan Ainsworth knowledge and his skills, by his belief in such as job placement and recruitment, possible so that we can incorporate will doubtless be an ongoing dialogue Awarded to Gridley McKim-Smith, Greta art as a discipline of great distinction, CAA News, a publication of the tenure and promotion procedures, members' comments in our own among researchers Gridley McKim­ Andersen-Bergdoll, Richard Newman, and and by an integrity that marks his every College Art Association, is published scholarly standards and ethics, studio position statement. Smith, Greta Andersen-Bergdoll, Andrew Davidhazy undertaking. Through his art, his six times a year. Material for health and safety, and artists' practices. Copies of the Visual Artists Rights Richard Newman, and Andrew inclusion should be addressed to: teaching, and his writings he has been a Committee on Women in the Arts: Act are available by requesting Circular Davidhazy. We congratulate you all on The Award for Distinction in Scholarship strong presence among those who have Editor 4 openings. The Committee on Women 92 from the Office of the Register of the example you have set for your and Conservation jointly offered by the taught us that baked mud vessels CAANews in the Arts is charged with promoting Copyrights, Copyright Office, lames students and for the fields of art history purvey content as intelligent and 275 Seventh Avenue College Art Association and the National the scholarly study and recognition of Madison Bldg., Rm. 403, First and and conservation at large. humanistic as oil brushed on canvas or New York, New York 10001 the contributions of women within the Independence Ave., SE, Washington, Institute for Conservation is given here Telephone: 212/691-1051 for the first time. It was therefore the stone that has been carved. And all of us visual arts, developing linkages with DC 20559. Committee: Maryan Ainsworth, CAA; duty of the awards committee to define whose lives have been touched by his organizations concerned with compat­ Marcia Hall, CAA; Ross Merrill, NIC; Editor-in-Cltief Susan Ball specifically the intent of the award imagination, his wit, and his exceptional Managing Editor Virginia Wageman ible interests, and monitoring the current Joyce Hill Stoner, NIC Editor Nancy Boxenbaum status of women in the visual arts before identifying its recipient. In our professions. Committee candidates must possess © 1991 College ~rt Association, Inc. expertise appropriate to the committee's

2 CAANEWS MARCH/APRIL 1991 CAA NEWS MARCHI APRIL 1991 3 look to in my own life, work, and career"; "she reveals what is truly College Art Association commitment to using new technologies, undoubtedly less known are his personal and lasting"; "she is infectious, Distinguished Teaching like film, in the interest of communicat­ concern, probity, integrity, and enthUSiastic, generous, spirited, and of Art History Award ing to a larger public. follow-through with his students; the passionate for art and life." One person Presented by Hollis Clayson Professor Ackerman entered retire­ patient, thoughtful answering of puts so well what everyone said in one Awarded to James Ackerman ment last year "laden with glory," and questions; the laborious, insightful, way or another, "Ultimately, it is her we are pleased to add this richly probing critiques of written work; the receptivity to students' individual needs This award honors James Ackerman, deserved acknowledgment of his excel­ lecture courses that are structured as and her ongoing attention and support Arthur Kingsley Porter Professor lence as a teacher to the other jewels the systematic testing of a thesis; the as one pursues his/her career that Emeritus at Harvard University, for a already sparkling in his art-historical active encouragement of intellectual distinguishes Sylvia as an extraordinary career of distinguished teaching at crown. Congratulations, Jim Ackerman. differences between students and teacher, colleague, and friend." Harvard and earlier at Berkeley. For himself; the functioning in seminars The values that she lived by and the someone who has taught so many Committee: Hollis Clayson, chair; Jeff less as an authoritative gUide than as values that made her a respected and Donaldson; Zirka Filipczak a curious companion; the availability '------much loved teacher also withstood the for consultation and conversation; acid test of illness and adversity. Until and the painstakingly detailed her tragic death on December 27, 1990, analyses of paintings. Indeed his at the age of 43, Sylvia's courage, College Art Association teaching makes clear that the intelligence, and compassion combined Distinguished Teaching complex signifying possibilities of with a great sense of humor communi­ of Art History Award paint on canvas are the primary cated an unquenchable love for life. It is Presented by Hollis Clayson stimulus to his project as an art ultimately as important to remember Awarded to Timothy J. Clark historian. His standards are high but how a person lives as the manner of the results are worth it: he elicits from their leaving. Any journey or project students the best work of which they This award honors Timothy j. Clark, with Sylvia became an adventure. Her are capable, and his courses are professor of art history at Berkeley, for wit and exuberance always magnified almost twenty years of extraordinary popular, not because they're easy but one's own, investing the task with because they are tough. teaching at UCLA, Leeds, Harvard, and purpose and enthusiasm. We are greatly Berkeley. Tim Clark's controversial Congratulations, Tim Clark. By diminished by her passing, but we are scholarship is widely known and giving you this award we mean to buoyed and consoled by her memory. discussed, but with the conferral of this send a signal that original and daring -Nancy Macko and Ruth Weisberg award we make public the "secret" of thinking is what makes art history exciting. his incomparable and increasingly Committee: Leonard Hunter, chair; Robert influential teaching. Indeed the excel­ William Daley Blackburn; Suzanne Stephenson Committee: Hollis Clayson, chair; Jeff PHOTO: JOHN J. CARLANO lence of his teaching is one area about James Ackerman Donaldson; Zirka Filipczak ---- generosity are privileged to thank him It is with these words in mind that students over so many years, the high in some small measure with this Award we are honored to present the Distin­ level of esteem, admiration, and for the Distinguished Teaching of Art. guished Teaching of Art Award to affection with which his students regard College Art Association -Ruth Fine Sylvia Lark Sylvia Lark's teaching him is striking. Students past and Arthur Kingsley extends back to 1972 when she was an present are unanimous in calling Porter Prize Committee: Leonard Hunter, chair; Robert assistant professor at California State attention to four of Professor Presented by John Clark Blackburn; Suzanne Stephenson University in Sacramento. In 1977 she Ackerman's most outstanding character­ Awarded to Patricia Leighten joined the faculty at the University of istics as a teacher. First, his generosity, California, Berkeley, and was made full humanity, unselfishness, humility, and Patricia Leighten's "The White Peril professor there in 1985. Her exhibition patience in his dealings with students. and L' Art negre: Picasso, Primitivism, College Art Association record is extensive, with solo exhibi­ Second, his openness to and curiosity and Anticolonialism," [Art Bulletin, Distinguished Teaching tions yearly at galleries here and in about new ideas. Quoting a former December 1991] an article character­ of Art Award Europe and Asia. She has been in over student, "He has willingly broadened ized by both broad scope and Presented by Ruth Weisberg 130 group exhibitions in the last twenty his own interests to embrace those of his historical depth, throws new light on Awarded to Sylvia Lark years of her career. students." Third, his commitment to the the content and context of primitiv­ Letters supporting Sylvia Lark's encouragement of independence and ism in France in the first decade of candidacy characterize her as "an Sylvia Lark clear expression. Paraphrasing a this century. In her explorations of In the words of Leonard Hunter, chair of PHOTO: CRAIG MOREY the Distinguished Teaching of Art advocate for multiculturalism" and an student: his approach to teaching, the meaning of primitivism with Award Committee, "For most of us in outstanding "role model for serious instead of producing a school of respect to both the incendiary the profession, our greatest reward is women artists"; "like a sister, a parent, Renaissance art history, has allowed writing of the period and contempo­ the day-by-day satisfaction that comes and a close friend." One of our younger talented people to go their own way, rary attitudes toward the exhibition Chicana colleagues writes: "Today, improved, disciplined, encouraged, and of African artifacts, Dr. Leighten at from being in a dynamic, inquiring Timothy J. Clark relation with youthful minds and when I enter the classroom as a teacher, with a model before them of which they the same time enriches our under­ spirits-and which helps to keep us I say to myself-1fI can only be like are very proud. And finally, his pioneer­ which there can be no partisan dispute. standing of the revolutionary impact forever·young, spirited, and inquiring Sylvia.'" Other comments include: ing, and prescient, interest in conceptual His erudition and compelling, startling of Picasso's Demoiselles d'Avignon. ourselves," "Sylvia continues to set the standard I problems, theory, and interdisciplinary lecture style are familiar to numerous Cojoining social criticism with the perspectives in art history, as well as his art historians and other scholars, but analysis of artistic appropriation and

4 CAA NEWS MARCHI APRIL 1991 CAA NEWS MARCHI APRIL 1991 5 Throughout a career that has College Art Association College Art Association ideas about this remarkably important spanned more than thirty years, Alfred H. Barr, Jr. Award Alfred H. Barr, Jr. Award and influential artist. The committee is honored to give Rosenthal has taken such a stance, using Presented by Judith Stein Presented by Judith Stein the Alfred H. Barr, Jr. Award for 1989 to multimedia performances to teach lessons Awarded to Elizabeth Broun Awarded to Donna DeSalvo and challenge the world. Like most of her Donna DeSalvo's "Success Is a Job in New past endeavors, "Pangaean Dreams" is York . .. ": The Early Art and Business of Elizabeth Broun's Albert Pinkham Ryder, Donna DeSalvo's "Success Is a Job in New Andy Warhol. filled with provocative and haunting published by the Smithsonian Institu­ York . .. ": The Early Art and Business of images which simmer with regret and tion Press for the National Museum of Andy Warhol, which was jointly pub­ loss. A magnetic performer, she continues Committee: Kenneth E. Silver, chair; Marf American Art, is a model of the highest lished by the Grey Art Gallery, NYU, to go beyond the boundaries of social Carmen RamIrez-Garda; Judith Stein scholarship. Her wen-organized and and the Carnegie Museum of Art, is an convention by conceptualizing the place engagingly written text abounds with exhibition catalogue of the most of "self" as actor and subject. innovative kind. Warhol is represented "Pangaean Dreams" takes on global, for the first time in his professional personal, and political questions for the entirety, as both a commercial and College Art Association upcoming era. By giving the audience an "high" artist, demonstrating the extent Frank Jewett Mather Award Patricia Leighten altered glimpse into reality, Rosenthal ties Presented by Jonathan Fineberg PHOTO: JENNIFER GREENFELD to which art is conceived and produced together aging, death, pollution, and in cultural sites beyond the traditional Awarded to Lowery Sims ultimately our relationship to the earth. integration, she documents the abuse of studio setting. By firmly placing Andy Her visionary manifestoes have al­ colonial power and the attendant exploi­ Warhol's early development within the The challenge to the prevailing canon of ways shifted gears between activist cru­ tation of Africans, demonstrating how twin worlds of high-art commerce and historically significant artists and issues sading ironic wittiness and hopefulness anticolonialist sentiments informed the advertising commerce, DeSalvo's is, in itself, no longer a new idea. I know as she tries to resensitize her audience. art of Picasso and of his contemporaries. catalogue muddies the waters of so­ there must still be somebody who Besides her concerns over censorship, Her article in this way, while firmly called aesthetic purity. This, in turn, doesn't see the disproportionate role of rooted in the social and political climate Rosenthal has stated that her strongest leads to a crystal-clear portrait of the white European males in the standard mission has been to warn of the ecological of the period, is an insightful decon­ artist as a young man of his time, place, surveys of art history, but I imagine it's danger facing our earth. Her fear is that struction of an artist, time, and oeuvre. and upwardly mobile class. Success Is a getting nippy out there in the cold by the failure to pay attention is one of our Filled with fascinating information on the Job in New York is also very much a now. What is new, and deserves to be colonial era, there is no doubt that greatest threats to our planet's future recognized as one of the major achieve­ Lowery Sims portrait of American culture of the PHOTO: JENNIFER GREENFELD Patricia Leighten's article will be con­ welfare. Elizabeth Broun receives her ments of art criticism in the last few award from Judith Stein 1950s. sulted and mined by scholars for years to PHOTO: JENNIFER GREENFELD To accompany her own essay on the years, is the depth to which nonstand­ experiences on which that individual Committee: Phyllis Bramson, chair; Richard corne. Thanks to the insights in this astonishing cache that she retrieved ard perspectives are beginning to be style of thinking has drawn. This magisterial and path-forging article, we Posner; Susan Rankaitis; Jaune Quick-To-See examined as intrinsic facets of a year's Frank Jewett Mather Award knowledgeable and pertinent references from the Warhol archives, DeSalvo will never again be able to see this period Smith; Larry Walker complex, multicultural, whole world. Committee is very pleased to be able to contemporary American literature, to invited Ellen Lupton and J. Abbott and this painting in the same way. Last year a critic writing in Artforum to make this presentation to Lowery the history of the crafts, and to the social Miller to write on Warhol's early use of pointed out that although "decon­ Stokes Sims. history of the New York art world. In line drawing in his commercial work, Committee: Suzanne Preston Blier, chair; structivist thinking in the '80s seemed to Broun's hands, Albert Pinkham Ryder many of New York's best known art John Clarke; Linda Hults directors of the period to discuss their offer a viable alternative by activating Committee: Jonathan Fineberg, chair; Shifra ---- emerges as a vivid presence, his the construct of the 'other,'" there were Goldman; Patricia Mathews achievements and his human qualities working relationships with Warhol, and some disturbing "limits imposed on the detailed in equal measure. Trevor Fairbrother to analyze Warhol's College Art Association Artist elaboration of a self-image by such The "catalogue" section, created early work within the context of New Award for a Distinguished tactics .... The short term expediency of with the assistance of Eleanor Jones, York's gay subculture. The result is a this strategy," she wrote, "is revealed by Body of Work, Exhibition, Matthew Drutt, and Sheri Bernstein, is catalogue that substantially alters our College Art Association the fact that recognition of the exclusion Presentation or Performance exemplary, providing an excellent Charles Rufus Morey Award of 'others' ... Imay merely] provide a Presented by Phyllis Bramson balance of technical and practical Presented by Debra Pincus focus for periodic rituals of self­ Awarded to Rachel Rosenthal information, which should remain the Awarded to Andree Hayum recrimination and catharsis by the art principal reference source on Ryder for world." But, she went on, "the truth of The 1990 Award for a Distinguished Body years to come. Albert Pinkham Ryder is In Andree Hayum's book, The Isenheim the matter is that peoples of color [and of Work has been given to West Coast particularly well illustrated with Altarpiece: God's Medicine and the I might add peoples of accent or other interdisciplinary artist Rachel Rosenthal comparative historical and contempo­ Painter's Vision, the committee honors a divergent perspectives] are not mar­ for her perfonnance "Pangaean Dreams," rary black-and-white photographs, book that brings into compact form a ginal in American or world culture"; which previewed at the Santa Monica ample color plates, and supplementary series of moving investigations regard­ they define it. The critic is Lowery Museum of Art. X rays and radiographs, ing one of the most complex works of Stokes Sims, and to read her on artists In 1990 Rosenthal hrrned down an The committee is pleased to grant art surviving from the Renaissance such as Wifredo Lam, Robert Colescott, NEA fellowship in protest of chairperson the Alfred H. Barr, Jr. Award to Eliza­ period. Gruenewald's Isenheim Altar­ or Adrian Piper is to experience the Frohruneyer's obscenity clause. The art beth Broun's Albert Pinkham Ryder as one piece in Colmar is a vast machine of a world through the unique point of view community is well aware that perform­ of the two especially distinguished work, placed by Hayum, with erudition that distinguishes each of these artists ance art has played a key role in the catalogues in the history of art pub­ and grace, in three distinct historical and in this sense to feel the particular cultural debate over artistic freedom. The lished in 1989. situations: the world of the monastery­ arts have often assumed the role of constellation of cultural and intellectual hospital in which it served as a pro- "social beacon," and many artists feel that Donna DeSalvo Committee: Kenneth E. Silver, chair; Mari PHOTO: JENNIFER GREENFELD the '90s will continue to be a time when Rachel Rosenthal PHOTO: SUSAN WALSH Carmen RamIrez-Garda; Judith Stein they must remain socially vigilant.

6 CAA NEWS MARCHI APRlL 1991 CAA NEWS MARCHI APRIL 1991 7 I~

precise language. Meticulously, gener­ ously, and with lucidity, Silver sets forth the nexus that produces new styles, and 1960s focused on, in his own words, Joe Ansell championed a return to allows us to see---as if on a double "processes, situations, [and] open From the President art/ educator issues, which have been track-both the shared historical vision systems which communicated with their absent from the conference for several and the powerful individual statement. environment." He then expanded into years. "A Better Mousetrap: Innovative social and political fields because of his Teaching Strategies in the Studio Arts," Committee; Debra Pincus, chnir; Patricia belief in his artistic responsibility to which was chaired by Bob Haft, was Mainardi; Can} Radke engage the world as a whole. ills early standing-room only. Art historians work in systems theory provided a D.C. discussed "The Art History Survey: theoretical base for this new direction. A Problems and Solutions," chaired by great deal of this work is self-analytical, Floyd W. Martin. I'm glad to report that College Art Association exploring the relationship between the Conference teaching is still a lively concern among Distinguished Artist Award art world and the larger economic and our members. I would like to focus on a panel that for Lifetime Achievement political community. Once again the artist's own words, taken from an was sponsored by the CAA Education Presented by Joseph Mannino interview with Catherine Lord in 1983, t the heart of any successful Committee and chaired by Michael Awarded to Hans Haacke describe this relationship best: "It is conference is the program. We Aurbach. It was titled "What Really Andree Hayum wrong to see the art world as totally were blessed with an exem­ Counts? Evaluating the Creative Kenneth E. Silver It is to present this year's PHOTO: JENNIFER GREENFELD my.p~eas~e A isolated from the rest of our social plary program at the recent 79th annual Performance of the Artist/Educator." CM DIStingUlshed Artist Award for foundly functional object, the larger environment. There's a lot of spillage conference of the College Art Associa­ This session ultimately will affect the staggering mix of source materials Lifetime Achievement to Hans Haacke. world of an emerging Protestant culture into the political culture. Even though it tion in Washington, D.C. Over a period gUidelines for the tenure and promotion ~ilver carries us through a numbe: of He has been an eXhibiting artist for and finally, the world of modern I happens on a relatively small scale in of two years Marianna Shreve Simpson, process of every art department and art mtersecting scripts. Side by side we see almost 30 years both in the United States confrontation, dating from the rediscov­ places like New York, possibly in art history program chair, and Joseph P. school in the country; the panelists' the popular art that helped to package and in Europe. He has been honored ery of the altarpiece in the 19th century. London, and a few other big metropoli­ Anseli, studio art program chair, shaped well-researched and thoughtful presen­ the new cultural stance and the work of with fellowships from the Fulbright and Scrupulous in her documentation and tan places where the consciousness a program that was both balanced and tations and the dialogue with the those artists whose redirection brought GuggenheJID foundations and the sources, at every tUrn subsuming this industry is concentrated, the mental and provocative. One bonus of their excel­ members of the audience will serve as a them to the eve of Surrealism. Room has National Endowment for the Arts doell,mentation into a broad vision, she emotional climate is, to some degree, lent working relationship was the basis for updating the CM Standards been left for masterful discussions of among others. Since 1967 he has been on provIdes a s,ubstantial rethinking of the affected by what people hear, see, or cross-disciplinary joint sessions. For for Studio Faculty, which were adopted individual works-presented in a deft, the faculty at the Cooper Union. monographic format, and in the process take in by osmosis from the art world. those of us who attended the conference, in 1970. These guidelines are urgently in Hans Haacke's early work from the shows us that the large issues of At that level, I think it matters what it was a case of so many great sessions, need of revision, particularly with contextual art history are most vividly happens in the art world. It affects the so Iittle time. regard to the right of faculty members to presented when continually informed social atmosphere." Shreve Simpson's art history know what is expected of them. by the living, vibrant presence of the Much of his recent work has program ranged over a variety of Among the pertinent pOints raised work of art itself. portrayed the entangled relationship formats to include current research and by the panelists, Jon Meyer and Phillip between art institutions and their seven museum sessions that took Blackhurst both spoke of the undue Committee: Debra Pincus, chair; Patricia corporate sponsors. These have often advantage of the wonderful array of influence of the art market on tenure Mainardi; Gary Radke been controversial works, eloquently museums in the nation's capital. Zirka decisions, as so many of the usual presenting little known aspects of these Z. Filipczak chaired a session on criteria for tenure and promotion relationships and calling them to the Anthony van Dyck in the National involve gatekeepers, such as galleries, attention of the art world and the world Gallery of Art, just down the hall from which are more interested in commerce College Art Association at large. the revelatory VanDyck exhibition. than aesthetics. Laurence Scholder Charles Rufus Morey A ward Given these highly politicized Africanists met at the National Museum spoke eloquently on the difficulty and Presented by Debra Pincus times, Hans Haacke is a most appropri­ of African Art to discuss "The Art of the importance in making judgments based Awarded to Kenneth E. Silver ate recipient of this award. Personal Object," chaired by Philip on quality. Gregory Shelnutt reported Ravenhill and Roy Sieber. on some eye-opening statistics indicat­ Committee: Ann Page, chair; Margo Kren; The co-sponsoring of a large ing that a faculty member's academic In Kenneth E. Silver's book, Esprit de Joseph Mannino; John O'Connor number of both art history and studio affiliation might have an undue influ­ Corps: The Art of the Parisian Avant-Garde art sessions also encouraged new ence on his or her chances of success. and the First World War, 1914-1925, the audiences and new alliances. '1mages of Discussant Emma Amos had wise and commIttee honors a book that interprets Abuse: Despair, Hope, and Triumph," caring advice for aspirants, which and at the same time richly documents ably chaired by Miriam Schapiro, was included how to educate your referees the effect of a disruptive historical co-sponsored by the Women's Caucus so that their letters will be more infor­ moment on art, setting a new standard for Art. It concluded with an extremely mative. for contextual art history. Silver shows powerful and disturbing fihn made by Aurbach had formulated a ques­ the enormous impact of World War I on Ida Applebroog and her daughter Beth tionnaire that was mailed to 2,210 artist/ French art, bringing to a close the wave "6, which combined texts from Sigmund educator members; 20 percent returned of experimentation known as Cubism Freud with court testimony of Joel the questionnaire, which is an impres­ and pus~ng to the fore a new emphasis Hans Haacke, Helmsboro Country Steinberg and Joseph Mengeles. Other sive return rate and an indication of on a national classical tradition. With a 1~90, wood, cardboard, paper, ' co-sponsors included, among others, the interest in this issue on the part of our sllkscreen, photo JESSE HELMS PHOTO: JOHN NORDELL National Institute for Conservation, the membership. Another panel member, INSTALLATION PHOTO: FRED SCRUTON Gay and Lesbian Caucus, ARLlS/NA, Victoria Star Varner, also conducted a and the Visual Resources Association. survey, so we were well informed about 8 CAA NEWS MARCHI APRIL 1991

eM NEWS MARCH! APRIL 1991 9

• ...

what is current practice and what American Airlines Lottery selflessly to make the exhibition a great Ideas turn into more ideas, and the people around the country would like to Annual Winner Announced success for all of the schools involved. M.F.A. exhibition appeared to be an From the Executive Director change. As the second discussant, I Timothy Keating of Tallahassee, Florida, The notion of a regional M.F.A. excellent anchor in a day devoted to art summarized the response to the CAA has won free air fare for two to Europe, exhibition was particularly well received at the university. A panel discussion questionnaire. Some of the highlights Conference compliments of American Airlines and by faculty and graduate students in our was organized, "Pluralism: Who Gets included a reported lack of institutional Zenith Travet CAA's official conference department. We did not want to limit it Seen? What Gets Said? What Gets guidelines or criteria for promotion, carrier and travel agent. Keating's name to schools in the District. Many on our Heard?" with Robert Storr of the tenure, or retention by 61 percent of the Update was drawn from among those who faculty, and nearly all of our graduate Museum of Modern Art, Kinshasha Kudos for respondents, while only 20 percent traveled to the annual conference in students, are relatively new to the Conwill of the Studio Museum of indicated that their institutions provide Washington, D.C., on American Airlines Washington region, and it seemed Harlem, Inverna Lockpez of Inter Latin an appropriate studio or subsidize some and purchased tickets from Zenith natural to include schools from the American Gallery, artist Glen Ligon, and Annual kind of rental space. Travel. entire region, from Baltimore to Rich­ Michael Brenson of the New York Times. The questionnaire results support ------mond, in order to give as broad a view The M.F.A. exhibition opening was the perception that the most important 1991 Art History and as possible of work being done by scheduled Immediately preceding the Conference item in terms of evaluating creative Studio Art Sessions graduate students in the area. panel discussion. Painter Deborah production is solo shows in major After almost two years of planning, the M.F.A. programs invited to Kahn's exhibition in Watkins Gallery museums. Also heavily weighted in the 1991 College Art Association conference participate included, from the District of was announced as being open during survey: solo exhibitions in commercial am extremely grateful to all the has quickly come and gone. We hope Columbia, the American University, the day preceding the M.F.A. opening. galleries in major cities, state or national CAA hundreds of people who worked so that those members who attended George Washington University, Howard Because Joseph Duffey, the new fellowships, national/international hard to make the 79th CAA annual sessions found something of interest to University, and Catholic University. president of the university, had not yet I invitational exhibitions, and quality of conference a resounding success, the key take with them. If the program was a Also participating were the University moved into the president's residence, work produced. Regional to which was an extraordinary display success, the greatest portion of the credit of Maryland, just outside D.C.; Mary­ the university agreed to "loan" the The consensus from the audience at of teamwork. should go to the many chairs of the art land Institute College of Art in Balti­ president's house for an evening recep­ this session was for a revision of the The most visible aspect of the history, studio art, and joint art history / M.F.A. more, 45 minutes to the north; and from tion after the panel. A third exhibition guidelines to include a precise outline of conference was the art history and studio art sessions. We would like to Richmond not too far to the south, (faculty work) was hung there. Univer­ procedures. There was a very clear studio art sessions. Each person who take this opportunity to thank them for Virginia Commonwealth University. sity funding was found to match the articulation of the right to information played on this team deserves the thanks their dedication and hard work. Exhibition When I telephoned these schools, support given us by CAA for the M.F.A. on the part of individual faculty of all those who attended. The team Happily, we too take something from the response was enthusiastic. We can show, and a color announcement for the members. However, many urged a leaders were program chairs Marianna this endeavor. It has been a genuine become so caught up in our own worlds day's events was produced and sent to broad and somewhat open definition of Shreve Simpson and Joseph P. Ansell, pleasure to work together on CAA '91; that we don't really get to talk to each art departments and individuals around the actual criteria for promotion and working closely with CAA's conference our lives have been enriched by profes­ hen the idea of having the other. Many representatives from the the country. The entire series of events tenure, feeling that institutions should coordinator, Suzanne Schanzer. When sional associations with new and old American University host other schools expressed similar thoughts was an enormous success. develop their own more detailed criteria Simpson and Ansell generously thanked colleagues alike. an exhibition of works by about simply getting together to find out -0011 Kimes, Chair, Department of Art, according to their mission, size, and W what's going on 20 or 45 minutes away American University not only Schanzer, but also the '91 -Marianna Shreve Simpson, Art graduate students in the Washington emphasis. Refining of criteria according session chairs, in their modesty they History Program Chair, and Joseph P. area was first mentioned, a few months from our own piece of the world. to the media or genre of the artist was failed to mention that they, working as a Ansell, Studio Art Program Chair before CAA's 1991 annual conference, I also endorsed. Michael Aurbach has thought it was a good one, but that it team with the Program Committee of kindly agreed to chair the ad-hoc might entail several days' volunteer the CAA Board of Directors, had committee to revise the 1970 guidelines. work for some of our faculty and selected the session chairs from among If any CAA member would like to Important Notice to All students. Talk about understatement. the hundreds of excellent submissions, suggest or endorse a particular principal University of Chicago Good ideas have a way of growing carefully crafting a program that was or procedure, write: Michael Aurbach, Press Book Buyers exponentially, and this was a very good balanced in terms of fields, media, and Vanderbilt University, Box 1801B, All orders and payments were stolen idea. The few days of volunteer work methodological approaches and that Nashville, TN 37235. from the University of Chicago Press for some became weeks for many, and addressed gender, race, and otherness, -Ruth Weisberg booth at the 1991 CAA conference in one could not sufficiently praise the as well as issues of teaching, traditional Washington, D.C. Most of the orders students who worked so hard to pull scholarship, and creativity. Simpson, have been recovered. However, please this show together. They built and Ansell, and Schanzer provided guid­ review your credit card bills and bank transported walls, handled receiving ance, advice, and instnlction to the statements carefully for unauthorized and returning artwork, mailed an­ session chairs over the course of nearly transactions. If you preregistered for nouncements for the exhibition, one and one-half years. This is in no the conference, you may receive a installed it (finishing at 4:30 in the way to detract from the contributions replacement order form. If you do not morning the day it was scheduled to made by the session chairs, all of whom receive one, then your order was among open), arranged the opening, sat in the carefully selected their speakers, those recovered. If you bought or gallery until 11:30 P.M. nightly, and panelists, and discussants-SSO in all­ ordered books and did not preregister, took care of a thousand details. Because and helped ensure the timely submis­ please contact the press at the address of them, nothing fell through the cracks. sion of all the things that were in below. The University of Chicago Further, the first-year students, who constant demand-rosters of speakers, Press apologizes for any inconvenience. could not participate in the exhibition paper titles, abstracts, travel-grant Write: University of Chicago Press, (because it was limited to works by Installation view of M.F.A. exhibition, requests, audio-taping consent/denial Exhibits Manager, 5801 South Ellis, second-year students due to space American University forms, special A V requests, and on and PHOTO: JENNIFER GREENFELD Chicago, IL 60637. restrictions), worked just as hard and

10 CAA NEWS MARCI-I/ APRIL 1991 CAA NEWS MARCH/APRIL 1991 11 Special thanks go to CAA staff, in involves processing applications, addition to those already mentioned, CAA verifying computer records, and who put so much effort into making telephone contact with members. A high sure that things went as smoothly as school degree and two years of related possible. We especially wished to avoid News experience are required. Some college the registration problems encountered education is helpful. Applicants must be last year in New York. Jeffrey Larris, detail oriented, flexible, and capable of CAA deputy director, organized and working independently. Some light coordinated membership and registra­ typing is involved. The salary is $20,000- tion efforts, working closely with and $22,000 depending on experience. Good depending on the energy, expertise, and benefits. The position is tentatively grace under pressure of Theresa Smyth, Art Journal Board scheduled to begin August 1991. Send manager of membership services, and Seeks Modernist resumes to: T. Smyth, CAA, 275 Seventh her staff-Doreen Davis, Matthew Art Historian Ave., New York, NY 10001. Heftler, and Kam Wong-and CANs The vacancy on the Art Journal Editorial fiscal coordinator, Onofre Beltran. To Board for a modernist art historian (19th ensure a more humane registration and 20th centuries) remains open, and CAA Monographs process, Larris assigned more CAA staff nominations and self-nominations from Published to the area, hired more convention help, the CAA membership are sought. Meredith Parsons Lillich CAA is pleased to announce the extended the hours of operation, and Nominees should be professionally publication by Penn State Press of two history at Colorado College. She is co­ encouraged people who arrived distinguished and have experience in books in the Monographs on the Fine author, with Millard Meiss, of The Wednesday evening to pick up their defining critical issues in modern art Arts series. Visconti Hours (Braziller, 1972). registration badges before 9 A.M. history and art. Nominations and self­ Five Illuminated Manuscripts of Rainbow Like an Emerald: Stained Thursday. JoAnne Capozzelli, assistant nominations should include a cover Giangaleazzo Visconti, by Edith W. Glass in Lorraine in the Thirteenth to the executive director, divided her letter explaining the interest and Kirsch, is an in-depth study of illumi­ and Early Fourteenth Centuries, by time among various posts, working in qualifications of the candidate and be nated manuscripts commissioned by a Meredith Parsons Lillich, is a compre­ registration, the interviewers' center, accompanied by a c.v. Send to: Art major 14th-century Italian patron of hensive study of Lorraine stained glass Richard Brilliant (left), editorNin-chief and with the Board of Directors. The Journal Editorial Board, CAA, 275 designate of the Art Bulletin, and the attraction of the wares of the 118 art and learning. The patronage of as a regional style that developed in teamwork exhibited by the CAA staff Seventh Ave., New York, NY 10001. Nicholas Adams (center). editor of publishers and suppliers. For the second Giangaleazzo Visconti, who commis­ conjunction with the typical Gothic the CAA Monograph Series, met with was exemplary. I personally want to Deadline: September 1, 1991. year CAA had a booth, which was sioned lavish manuscripts to commemo­ architecture of the province. This is the prospective contributors at the express my deep gratitude to all the staffed by CANs publications.manager, rate major dynastic events, is here fully first serious analysis of the windows of CAA publications booth during the people who day in and day out work to conference in Washington, D.C. Virginia Wageman. A popular feature, documented for the first time. Edith Lorraine, which, while French in serve all the members of CAA. PHOTO: JENNIFER GREENFELD coordinated by Wageman, was the Insurance Available Kirsch is associate professor of art inspiration, have distinctive and strong Finally, it is important to stress that presence at appointed times of Richard to CAA Members regional characteristics. Meredith in the long run the success of an Brilliant, editor-in-chief of the Art CAA offers competitively priced Lillich, professor of art history at Syra­ on. Each of the sessions contributed to organization like CAA is due not only to Bulletin, and Nicholas Adams, mono­ insurance programs through Albert H. cuse University, is the author of The the success of the whole program. its staff, but also to the dedication and graph series editor, both of whom were, Wohlers and Co. There are numerous Armor of Light: Stained Glass in Western The program may be the most commitment of the hundreds of people like the acquisitions editors at many of plans available: the Group Hospital France, 1250-1325 (California, 1991) and visible and the largest part of the who volunteer their time and expertise, the other publishers' booths, available to Money Program, the $1,000,000 Major The Stained Glass of Saint-Pere de Chartres conference, but there is also much else from the Board of Directors to numerous meet with prospective authors. Medical Insurance Plan, the Group Term (Wesleyan, 1978). going on, foremost being the Placement committee members, editors and People appeared to be having fun Life Insurance Plan, the Group Disabil­ Monographs on the Fine Arts is an Bureau and the exhibits. For some editorial boards, and all those who too. The hotels report that the "lounge ity Income Plan, the $1,000,000 Catastro­ on-going series of the College Art people, the Placement Bureau is the participate in the conference. In a outlets" (i.e., bars) did record business, phe Major Medical Insurance Plan, and Association in collaboration with the primary reason for attending the membership organization like CAA, it is and there were crowds at the many the Educator's Professional Liability Penn State Press. Books in the mono­ conference. The numbers give some the members who make it work; the Washington museum and gallery Plan. For information: Albert H. graph series are listed on the back cover indication of the magnitude of this success or failure of a membership receptions, organized by local host Tom Wohlers and Co., Administrator, of the Art Bulletin, with special prices for operation, starting with placement organization is a function of the degree Freudenheim. Many CAA institutional CAA Group Insurance Plans, 1440 CAA members. orientation on Tuesday night, attended of commitment of the members. members hosted receptions in the hotels, N. Northwest Hwy., Park Ridge, IL Inquiries and submissions for the by 1,000 candidates and interviewers. -Susan Ball Over 825 candidates filed candidate providing good cheer and comradery. 60068-1400. series are welcome, and should be sent locater cards; interviewers from over 300 Over 2,000 people gathered at the to the editor of the series, Nicholas institutions were registered; 82 tables convocation to honor the excellence and Adams, Dept. of Art, Vassar College, were reserved for interviewing; over achievement of 16 artists, art historians, Position Available in Poughkeepsie, NY 12601. _____ 4,000 handouts-supplemental positions critics, and conservators (see pp. 3-9 for CAA Membership listings and interviewers' locations­ awards citations), who were selected by Department CAA's nine awards committees. were distributed. The Interviewers CAA is seeking a person to administer Also fun was the postconference Center was once again managed by all aspects of member registration, tour to Baltimore, organized and led by SydeUe Zemering, placement coordina­ renewal, and services. The position Edith W. Kirsch tor, who has served CAA loyally for CAA's editorial assistant (and editor of over twenty years. this newsletter), Nancy Boxenbaum, The lines outside the exhibit area who also lent a hand at the publications before it opened each morning attest to booth and in registration.

eAA NEWS MARCH/APRIL 1991 13 12 CAA NEWS MARCH/APRIL 1991 Lorraine Peltz. Evanston Art Center, Evanston, Ralph D. Caparulo. Oakside Bloomfield Katherine Kadish. Brevard Art Museum, Marc Lancet. Soco Contemporary Arts, Napa, Ill., January 19-February 27, 1991. Paintings. Cultural Center, Sculpture Gallery, Bloomfield, Melbourne, Fla., Odober-November 1990. Calif., January 19-February 28, 1991. Sculpture. Solo N.J., December 2, 1990--March 31, 1991. Paintings. Kerlin Gallery, Belfast, Northern Mary Sprague. Elliot Smith Gallery, St. Louis, Adrian Piper. Santa Monica Museum of Art, Sculpture and assemblages. January ll-February 17, 1991. Drawings. Ireland, October 1991. Paintings. Santa Monica, Calif., February IS-March 17, Michael Chelminski. Blue Mountain, New Jason Tannen. CAG.E., Cincinnati, April 1991. Jane Palmer. Francis Marion College, Florence, 1991. "Reflections 1967-1987," photocollages, Exhibitions York, April 12-May 1, 1991. "Lake Champlain Photo/video installation. S.C, January 7-31, 1991. Sculpture. Nice Picture video, performance documentation, and Series." Co. Gallery, Havana, Fla., March 10-31, 1991. installations. Traveling. Hirshhorn Museum and Steven Teczar. Atrium Gallery, St. Louis, Isabel S. Cooper. Fine Arts Gallery, Westchester Sculpture, pottery, fiber. Sculpture Garden, Washington, D.C., June 19- by Artist January 4-February 9, 1991. Constructions and Community College, Valhalla, N.Y., February September 22, 1991. "Directions," installation. drawings. William Willis. Weatherspoon Art Gallery, 16-March 14, 1991. Sculpture. University of North Carolina, Greensboro, Marcia Selsor. Yellowstone Art Center, Billings, B. B. Winslow. Saginaw Valley State University Deborah Cornell. Randall Beck Gallery, Boston, February 10-March 17, 1991. Paintings. Mont., January 25-March 15, 1991. "Sketches Members Art Gallery, Arbury Fine Arts Center, University February 19-March 30,1991. Mixed media. from Spain," installation. Center, Mich., February 5-28, 1991. Paintings. Lynn Curtis. Jaffe-Friede and Strauss Galleries, WEST/ Ruth Weisberg. Jack Rutberg Fine Arts, Los Only artists who are eAA members are included Angeles, February 16-March 30, 1991. Dartmouth College, Hanover, N.H., January 8- Les Barta. Sierra Nevada College Lake Tahoe in this listing. When submitting information, NORTHEAST/ February 15, 1991. Art Gallery, Incline Village, Nev. "Separate Allan Wexler. San Diego Museum of Contempo­ include name of artist, gallery or museum name, Michael Aurbach. Bernice Steinbaum Gallery, Kevin Donahue. Prince Street Gallery, New Realities," photocollages. rary Art, La Jolla, Calif., February 16-June 2, city, dates of exhibition, medium. Please indicate New York, January 12-February 16, 1991. "Final York, November 30-December 19, 1990. 1991. Installations, drawings, models, and CAA membership. Portraits," sculpture. Suzanne Bloom and Ed Hill. Contemporary Paintings. experimental pieces. Photographs (Ire welcome but will be used only Arts Museum, Houston, January 19-March 10, ~------Kenneth Batista. Concept Art Gallery, if space allows. Photographs cannot be returned. Barbara Elam. Trustman Art Gallery, Simmons 1991. "Manual: Forest Products," installation. Pittsburgh, Pa., February 2-27, 1991. Paintings. College, Boston, February 25-March 29, 1991. Charles Cohan. Department of Art Gallery, Chuck Berk. Cottage Gallery, Ridgewood, N.J., "Italian Influence," monotype prints. Portland State University, Portland, Oreg., January 27-February 16, 1991. Paintings. Deborah J. Felix. Gallery 53 Artworks, Hua Lee, Morning Market (detail), January 2-25, 1991. "Printmaker." Phyllis Bramson. G. W. Einstein Company, New Cooperstown, N.Y., January 11~February 8, 1980, ink on paper Eleanor Dickinson. Himovitz Gallery Pavilions, York, February 2-27,1991. "Revamping Eden," 1991. "Beyond Boundaries," works on fiber and ABROAD/ Sacramento, Calif., January 6-27, 1991. Graham Cantieni. Centre d'exposition du Vieux paintings and pastels. paper. "Rediscovering Velvet," paintings. Flora Palais, Saint-Jerome (Quebec), Canada, January Judith K. Brodsky. Morris Museum, Thomas Fellner. Condeso Lawler Gallery, New Rosemary Redmond. Kendall Gallery, New Lamson Hewlett Library of the Graduate 13-February 24, 1991. "Les Grands Fonnats." Morristown, N.J., March 3-ApriI21, 1991. York, March 5-30, 1991. Paintings. York, March 7-31, 1991. "Northern Divide." Theological Union, Berkeley, Calif., January 14- People in Drawings and lithographs. March 10, 1991. "Crucifixions and Other Recent James Juszezyk. Haus fur konshuktive Wld Lois Foley. Passepartout Gallery, Winooski, Vt., Faith Ringgold. Albright-Knox Art Gallery, Works." Show N Tell, San Francisco, February konkrete Kunst, Zurich, February B-April14, Mona W. Brody. Interchurch Center, New York, March 5-April 5, 1991. Buffalo, N.Y., March 16-April28, 1991. "A 25- 1991. January 7-February 1, 1991. Paintings and works 5-March 2, 1991. Paintings. Nicholas Hill. Lake George Arts Project, Lake Year Survey," paintings, masks, sculpture, and the News Wendy Simon. Jardin Botanique de Montreal, on paper. George, N.Y., January 17-February 1991. quilts. Sondra Freckelton. Louis Newman Galleries, Salle Jacques-Rousseau, Montreal, February 28- Luis Camnitzer. Lehman College Art Gallery, Beverly Hills, January 17-31, 1991. Watercolors. Catherine Joslyn. Mercy College Gallery, Dobbs Rebecca Ross. Pargot Gallery, Jewish Commu­ March 17, 1991. "Sunflower Variations," prints Bronx, N.Y., February I-March 16, 1991. Ferry, N.Y., March 5-April18, 1991. Textiles. nity Center of Middlesex COlmty, Edison, N.J., Wolf Gowin. Mystery Galleries, Phoenix, and photographs. "Retrospective: 1966-1990," sculpture, prints, March 3-26,1991. Paintings and drawings. Odober 12-19, 1990. Sculpture, assemblages, Wolf Kahn. Grace Borgenicht Gallery, New In Memoriam Phyllis Yes. Gallery Nishiazahu Asacloth, assemblages, and installations. and installation. York, March 1-30, 1991. Paintings and pastels. Christy Rupp. Williams College Museum of Art, Tokyo, Apri11-6, 1991. "Mixed Metaphor," Williamstown, Mass., February 9-April28, 1991. Glenn Hirsch. Mace Space for Art, San Janet Woodbury Adams, an expert on acrylic on canvas. Penny Kronengold. First Street Gallery, New "Artworks," sculpture. Francisco, March 12-April13, 1991. "Biomorphic decorative screens, died January 13, 1991, at age York, April 2-20, 1991. "In the Studio" and Fantasies." 60. She graduated from Smith College in 1951 ''Mink Hollow Landscapes," paintings and Claudia Sperry. Green Mountain College Art and was the author of Decorative Folding Screens: MID-ATLANTIC/ drawings. Gallery, Poultney, Vt·., January 31-February 14, Anna Campbell Bliss. American Association for 1991. Paintings. 400 Years in the Western World. Julie Langsam. Becton Hall Gallery, Fairleigh the Advancement of Science, Washington, D.C., Dickinson University, Rutherford, N.J., February Colette Shumate-Smith. Bridgewater State Elmer Bischoff, painter, died March 2,1991, at January 17-March 26, 1991. Mural. 25-April5,1991. College, Bridgewater, Mass., April 24-May 20, age 74. He taught at the San Francisco Art Anthony Cafritz. Hemi Gallery, Washington, 1991. "The Domino Effect." Hua Lee. Jefferson Market Regional Library, Institute in the late 1940s with painters Mark D.C., March 9-April3, 1991. "Greetings from New York, February 7-28, 1991. "Travels in Carrie Mae Weems. Trustman Art Gallery, Rothko, Clyfford Still, and Ad Reinhardt. In the Ho-Ho-Kus," sculpture. China," drawings. Simmons College, Boston, January 28-February early 1950s he moved into the style that came to Deborah Kahn. Watkins Gallery, American 22,1991. "Photographics Works from 1978- be known as Bay Area figurative painting. He Chloe Maglietta. Independent Art Gallery, University, Washington, D.C, February 8- 1990." later went on to teach at the University of Jamaica, N.Y., December 10, 1990-January 18, California, Berkeley, where he had received his March 7, 1991. Paintings. 1991. "Word Pictures," sculpture and installa­ B.A and M.F.A His work is in the collections of tions. SOUTH/ the Metropolitan Museum of Art, the Whitney MIDWEST/ Helene Manzo. Blue Mountain, New York, Catherine C. Cabaniss. Sweet Briar College, Museum of American Art, the Hirshhom Dorothea Bilder. John Boyd Brandon Fine Art March 1-20, 1991. Sweet Briar, Va., April ll-June 1, 1991. Museum and Sculpture Garden, the Corcoran Studio and Gallery, Yorkville, Il1., February 1-28, Jim Melchert. Holly Solomon Gallery, New Dean Carter. Focus Gallery, Folk Art Center, Gallery of Art, and the Art Institute of Chicago. 1991. Monotypes and lithographs. York, February 28-March 23, 1991. "Copper Asheville, N.C, February IS-April 1, 1991. Edith Bry died January 19, 1991, at the age of 92. Richard Folse. Government Center Gallery, Where It Ends." Sculpture. Best known for her glass works, she enjoyed a Kettering, Ohio, July 29-September 6, 1991. Ann Elizabeth P. Nash. Olean Public Gallery, Barbara Diduk. Andrews Gallery, College of successful 75-year career. Her paintings are in Prints and drawings. Olean, N.Y., January 3-30, 1991. "Second William and Mary, Williamsburg, Va., February the collections of numerous institutions, Martha Jackson. Rosewood Arts Centre Gallery, Room," photographs. 12-22,1991. Ceramics. including the Metropolitan Museum of Art, the Kettering, Ohio, October 29-December 13, 1991. Mel Peko:arsky. G. W. Einstein Company, New David Finn. Weatherspoon Art Gallery, Museum of the City of New York, the New-York Paintings. York, March 5-30, 1991. Paintings. University of North Carolina, Greensboro, Historical Society, the Museum of Fine Arts in Luis Camnitzer, They Found That December 9, 1990-February 3, 1991. "Masked Boston, and Carnegie Hall. Reality Had Intruded upon the David Rich. First Street Gallery, New York, Figures." Image, 1986, mixed media January 2-19, 1991. Paintings. David Freeman. Carlson and Lobrano Galleries, Richard G. Carrott, professor of art history at the University of California, Riverside, died Atlanta, October 19-November 20, 1990. Jane Palmer, Cones and Egg, "Perception," paintings. ceramics

14 CAANEWS MARCH/APRIL 1991 CAA NEWS MARCH/ APRIL 1991 15 of Apollo from 1962 to 1987, and he curated Michael Botwinick is director of the Ne""Port Charles Parkhurst, former assistant director and October 27,1990. He was 66. An authority on in this honor, which she was informed of in the many exhibitions. He published extenSively, Harbor Art Museum, Newport Beach, Calif. chief curator of the National Gallery of Art, 18th- and 19th-century architecture, he was last weeks of her life. including books, catalogues, and essays. Sutton Most recently he was president of Fine Arts Washington, D.c., has been appointed interim honored with the University of California, Professor Lark was a much respected and was a corresponding member of the Institut de Group. director and chief curator of the Smith College Riverside's Academic Senate Distinguished exhibited painter and printmaker. Her work was France and a chevalier of the Legion of Honor. Museum of Art. Teaching Award in 1971. He received his highly praised for its luminous quality and Roger D. Clisby, formerly deputy director and undergraduate degree from Wesleyan spirited painterly presence. Her works have Reuben Tam died January 3, 1991. He was 74. A chief curator of the Chrysler Museum, Norfolk, David Anthony Ross is director of the Whitney University, his M.A. from the Institute of Fine been exhibited in more than 125 national and landscape painter, his works are in the Va., has been appointed director of curatorial Museum of American Art. He was formerly Arts at New York University, and his Ph.D. from international group exhibitions, as well as collections of the Museum of Modern Art, the affairs at the Columbus Museum of Art, Ohio. director of the Institute of Contemporary Art, Yale University. Carrott was national coordina­ numerous solo exhibitions in, among other Whitney Museum of American Art, the Boston. He is a founding member and current tor of the Committee for the Rescue of Italian cities, New York, Berlin, Frankfurt, and San Hirshhorn Museum and Sculpture Garden, the Larry D. Eckholt has been named vice-preSident chair of the Federal Advisory Committee on Art in 1966. He was also a long-time director Francisco, where she is represented by Jeremy Corcoran Gallery of Art, the Tel Aviv Museum, for advancement at the Kansas City Art International Exhibitions and is also on the and committeeperson of the Society of Stone Gallery. She is included in prestigious and the Honolulu Academy of Art. Institute. He was previously director of board of directors of the Tiffany Foundation, Architectural Historians. permanent collections such as the Metropolitan communications and development at the New York. Museum of Art, New York; the Museum of John E. Thayer 3d, research fellow and curator Wexner Center for the Arts. Luis Frangella, a painter and sculptor, died Contemporary Art, Chicago; the Oakland in Japanese art at the Peabody Museum, Salem, Mark Stevenson has been named assistant December 7, 1990, of AIDS. He was 46. In the Museum, Oakland, Calif.; and the Fine Arts Mass., died December 22, 1990. He was 67. Alison Eckman is director of public relations at conservator of prints at the Nelson-Atkins mid-1970s he received a fellowship to the Center Museums, San Francisco. Originally an advertising copywriter, he began a the Museum of Fine Arts, Houston. Most Museum of Art. He was previously a Mellon for Advanced Visual Studies at MIT, and he was Born of Native American and Italian second career in 1978, interpreting Japanese recently she worked as a consultant with Knight Fellow in paper conservation at the National awarded a Guggenheim in 1982. He helped to ancestry in Buffalo, N.Y., Professor Lark history and culture at the Peabody. Hall Advertising and Public Relations. Gallery of Art. organize exhibitions at Limbo, an artists' club. received her B.A. degree from the State University of New York at Buffalo and her M.A. Hilliard Todd Goldfarb has been named Jason Tannen has been named visual arts George Forsyth, an architectural historian, died and M.F.A. degrees at the University of Academe curator at the Isabella Stewart Gardner Museum. coordinator at Sushi Performance and Visual Art January 26,1991, at the age of 89. He had been Wisconsin in Madison. She also studied at the He was fonnerly curator for European art at the Gallery, San Diego. He is a former board Academy of Art of the University of Siena, Italy, Hood Museum of Art, Dartmouth College. member and Midwest representative for the chair of the art history department at the Judith E. Bernstock has been promoted to and at Mills College in Oakland, California. National Association of Artists' Organizations. University of Michigan from 1947 to 1961, when associate professor in the History of Art In 1972 she began teaching at California Ronne Hartfield is executive director of he became director of the university's Kelsey Department at Cornell University. Museum of Archaeology. He eventually State University in Sacramento where she won museum education at the Art Institute of Catherine Hoover Voorsanger has been an Honors Award in 1976 for her outstanding Chicago. She was previously executive director appointed assistant curator of American returned to teaching until his retirement in Patricia Fortini Brown, associate professor of art contributions in teaching and research. She also of Urban Gateways. decorative arts at the Metropolitan Museum 1972. Forsyth graduated from Princeton and archaeology at Princeton University, has received a Fulbright Hayes Grant in 1977 for of Art. University, where he also received an M.F.A. been appointed to an Andrew W. Mellon travel in Korea and Japan. Since 1977 Professor The High Museum of Art has announced the and taught from 1927 to 1942. He directed Professorship for September 1, 1991-June 30, Lark taught painting and printmaking at the following appointments: Ronni Baer is associate Peter White has been named director of the archaeological expeditions in France, Turkey, 1994. and Egypt. In 1955 he was awarded the University of California, Berkeley. She served on curator of European art. Pamela Riddle is Mendel Art Gallery and Civic Conservatory, the National Advisory Board of the Women's director of development. She was formerly chief Saskatoon, Saskatchewan, Canada. He had been Haskins Medal for outstanding distinction in Julie F. Codell has been appointed director of Caucus for the Arts from 1978 until 1984. AB co­ development officer at the Contemporary Arts curator and director of the Dunlop Art Gallery. medieval studies. the School of Art at Arizona State University, chair (with this writer) of studio art sessions for Museum, Houston. Tempe. She was formerly chair of the art the 1989 CAA meeting in San Francisco, she Ghenete Zelleke has been appointed associate Lawrence Gowing, a painter, writer, curator, department at the University of Montana. and teacher, died February 7, 1991, at age 72. He championed sessions that emphasized Thomas W. Leavitt, director of the Herbert F. curator in the Department of European multicultural contributions in the arts as well as Johnson Museum of Art at Cornell University, is Decorative Arts, Sculpture, and Classical Art at taught at art schools in Newcastle and Chelsea, Jeffrey D. Nesin has been named president of explorations of actual studio practices and their retiring. the Art Institute of Chicago. She was fonnerly England, and was a principal at the Slade the Memphis College of Art. He had been tangible visual results. She will be remembered assistant curator of decorative arts at the School, London University. He wrote books and assistant to the president and director of special as both an exceptionally gifted artist and as a Mary Washington College has announced the Carnegie Museum of Art, Pittsburgh. exhibition catalogues on Venneer, Hogarth, programs at the School of Visual Arts, New teacher with a gift for nurturing other artists. following appointments: Susanne K. Arnold has Cezanne, Turner, Matisse, and Lucien Freud. In York. 1978 he was elected an associate of the Royal -Ruth Weisberg been named director of the duPont Galleries at Mary Washington College, Fredericksburg, Va. Academy and was appointed honorary curator Deborah Smith is arts coordinator of Organizations Giacomo Manzii, sculptor, died January 17, She was previously artist-in-residence at of its collections in 1985. In the United States, Middlebury College. She was formerly general 1991, at the age of 82. Well known for his Southwest Virginia Community College, Gowing was Kress Professor at the National Giacomo Manzi.!, Skater, 1956, manager of the Stamford Center for the Arts, Linwood J. Oglesby is executive director of the figurative works that often combined religious, Richlands. David S. Berreth is director of Gallery of Art. Knighted in 1982, the French bronze Conn. American Council for the Arts, New York. He government made him a chevalier in the Order allegorical, and sexual imagery, he was awarded HIRSHHORN MUSEUM AND SCULPTURE GARDEN. Belmont, the Gari Melchers Memorial Gallery at was fonnerly executive director of Hopkins the grand prize in Italian sculpture at the Venice SMITHSONIAN INSTITUTION; GIFT OF JOSEPH P. the college. He was fonnerly director of the of Arts and Letters in 1987. HIRSHHORN, 1966 Elizabeth Teviodale has been appOinted to the House ABsociation, Alexandria, Va. Biennale in 1948. Manzu taught art at the Brera Madison Art Center. faculty of the University of Iowa. Sandra Johnstone, studio potter and university Academy in Milan, illustrated books, and Richard H. Ressmeyer has been appointed designed sets and costumes for Stravinsky. A Gert Schiff, an art historian, critic, and lecturer, The Mexican Museum has announced the instructor, died January 10, 1991, at the age of Rochelle A. Toner, sculptor, printmaker, and executive director of the Intermuseum professed Communist, he received the Lenin died at the age of 63. Schiff was a professor at following appointments: Holly Barnet-Sanchez 54. She received a B.A. from Scripps College, educator, has been named dean of the Tyler Conservation Association, Oberlin, Ohio. He Peace Prize in 1968. the Institute of Fine Arts of New York Univer­ is curator of exhibitions. Gloria Jaramillo has studied with Peter Voulkos, and completed her School of Art of Temple University. was fonnerly director of the Fuller Museum of M.A. and M.F.A. in ceramics and plastic arts at sity. He received his Ph.D. from Cologne been named deputy director. She was fonnerly Art, Brockton, Mass. San Jose State University. She taught ceramics Nicholas Marsicano died January 6, 1991, at age University. A specialist in the Romantic the museum's exhibition coordinator and and exhibited extensively in the United States 82. He was a teacher of painting and drawing at movement, he curated numerous exhibitions registrar. and Australia. Her work is in both private and the Cooper Union for the Advancement of and was widely published. Museums and Galleries public collections, induding the San Jose Science and Art for 42 years until his retirement The Museum of the City of New York has Museum of Art and the Prieto Gallery at Mills in 1988. His paintings are in many collections, Aaron Siskind, photographer, died February 8, Norton Batkin has been appointed director of announced the following appointments: Jan College. including the Museum of Modern Art, and he 1991. He was 85. During his career he taught at Bard College's Richard and Marieluise Black Seidler Ramirez has been named assistant designed murals for theaters, apartment the Institute of Design of the Illinois Institute of Center for Curatorial Studies and Art in director for collections. She will continue her Sylvia Lark, professor of art at the University of buildings, and the San Francisco and New York Technology, Chicago, and at the Rhode Island Contemporary Culhrre--TIle Rivendell Collec­ responsibilities as curator of paintings and California, Berkeley, died of cancer on December World's Fairs. School of Design. He exhibited his abstract tion of Late 20th-Century Art. Batkin was most sculpture. Andrew J. Svedlow, head of 27,1990. She was 43. The College Art Associa­ photographs at museums and galleries recently director of the Scripps College Human­ education, has been named assistant director of tion honored her with the 1991 Distinguished Ann Cole Phillips died December 14, 1990, at throughout the United States, and several books ities Institute and an associate professor there. programs. Teaching of Art Award at this year's convoca­ age 84. A semiabstract painter, Phillips's works about his work have been published. tion ceremony (see p. 4). Her sister, Christine are in many museum collections. During the Carter, accepted the award on her behalf and 1950s and 1960s her style was compared to those Denys Sutton, a critic, historian, and editor, shared with us Sylvia's pleasure and satisfaction of Kandinsky, Dufy, and Kokoschka. died January 30, 1991, at age 73. He was editor

CAA NEWS MARCH! APRIL 1991 17 16 CAA NEWS MARC'H/APRIL 1991 I

Alexander Von Humbolt-Stifttmg, University of Photographs at the Fogg Art Museum. The The Washington Shtdio School is relocating in Bonn, Germany. project will expand and consolidate the storage, January 1992 to a new facility at 15e1 M St., Thomas P. Somma of the University of Iowa Programs, office, and research space of the Fogg's Washington, D.C. It will include expanded exhi­ received the 1991 United States Capitol departments of prints, drawings, and photo­ bition space, more classrooms, and close proxi­ Historical Fellowship to research Paul Wayland graphs. mity to D.C. art instihttions and transportation. Bartlett's statues for the rotunda in the main New& reading room of the Library of Congress. The Indianapolis Museum of Art is opening the Krannert Pavilion third-floor galleries, which Claudia Sperry, adjunct professor at Green include the museum's collections of contempo­ Revised Mountain College, Poultney, Vt., has received a rary art, early 20th-century European painting Vermont Council on the Arts Award for her and sculphtre, and a gallery devoted to textiles Grants, paintings. and costumes. This new area is part of the museum's expansion and renovation plan. John A. Tricomi, assistant professor of art at the Chamberlayne School of Design and Merchan­ The American Association of Museums has The Italian Encyclopedia Instihtte has Awards, & dising at Mount Ida College, Newton Centre, announced a new program, the International announced that it will publish a newsletter that Mass., has received a Mount Ida College Faculty Partnerships among Museums. The program is will carry information of interest to university designed to establish interinstitutional ties by faculty and museum personnel about Italian and Honors Development Grant. developing joint or complementary projects, Italian-American cultural and intellectual events Linda Troeller, photographer and artist, is the which may include educational programs, such as symposia, lectures, exltibitions, brief recipient of the 1991 Women of Achievement exhibit design, community outreach, conserva­ exhibition reviews, and the publication of books Publication policy: Only grants, awards, or honors Award for her /lTB_AIDS Diary" exhibition. tion, or exhibition development. For informa­ and articles. The newsletter, to be written in received by individual or instillitiona/members of the tion: Mary Louise Wood or Helen Wechsler, English for American readers, will be translated College Art Association are listed. The grant/award/ The American Society for Hispanic Art International Programs, AAM, 1225 Eye St., NW, into Italian and sent to professionals in various honor amOlll1t is not included. Please note the Historical Studies has presented awards to the Washington, DC 20005; 202/289-1818. fields in Italy. Send submissions to: Irma B. Jaffe, fallowing format: following CAA members: Jerrilynn D. Dodds of Italian Encyclopedia Institute, 250 Park Ave., Individual members: cite name, institutional the City College of New York has received the The Beazley Archive Database is a research New York,NY 10017. affiliation, and title of the grant, award, or honor. 1991 Distinguished Publication Award for her project on Athenian black- and red-figure vases Institutiona/ members: cite name of organization, book Architecture and Ideology in Early Medieval of the 7th to 4th centuries B.c. and is on line in The National Museum of African Art is title of the grant, award, or hOllOI', and (optional) Europe and North America. The-database is of opening a new gallery devoted to small, Spain. Susan V. Webster of the University o~ . lise or purpose of grant. Please indicate that you Texas at Austin has received a grant to SUbSldlze value not only to art historians but also to innovative exhibitions designed to demonstrate are a CAA member. the purchase of photographs for her scholars of ancient Greek myth, society, and the artistic variety, creativity, and cultural diss~~tat~on, "The Sculpture of Penitential Confratermties 10 religion. For infonnation: Beazley Archive, diversity found in Africa. Most of the exhibitions Ashmolean Museum, Oxford OXI 2PH, Great will be drawn from the museum's permanent Michael Acker has received a Pollock-Krasner Early Modern Seville." Britain. collection. Foundation Grant for 1990-91. Arts Midwest has received the 1990 Dawson Award for its Minority Arts Administration The Brooklyn Museum will now be closed to The Pennsylvania Academy of the Fine Arts John Archer, associate professor of humanities, Jonathan Brown (left) with the public on Mondays in addition to its usual ha!, inaugurated a master of fine arts degree University of Minnesota, Minneapolis, has been Fellowship Program. H.M. Juan Carlos I of Spain Tuesday closing due to New York City program. The M.F.A. is offered in painting, awarded an NEH Fellowship for University Graduate-Student Fulbright Awards for 1990- budgetary constraints. sculphtre, and printmaking; and Irving Petlin, Teachers for 1992-93. His project is "Architecture Jonathan Brown, professor at the Institute of Michael Leja, assistant professor at Northw~st­ 91 have been announced and the following CAA Yvonne Jacquette, Sidney Goodman, and Bruce and Culture: The 18th-Century English Villa." Fine Arts, New York University, waS granted an ern University, has been awarded the followlllg members have been thus honored: Jill Caskey, The Cincinnati Art Museum is being renovated. Samuelson are among the faculty. For infonna­ audience with H.M. Juan Carlos I of Spain on fellowships for 1991-92: American Council of Yale University; Mary Vaccaro, Columbia There will be no admission charges during the tion: Pennsylvania Academy of the Fine Arts, Ronald Baron, adjunct lecturer of art at Dowling the occasion of the publication of his book The Learned Societies Fellowship for Recent Ph.D. University; and Bessie Yarborough, University renovation period because the full museum will Broad and Cherry Sts., Philadelphia, PA 19102; College, Oakdale, N.Y., and sculptor, has been Golden Age of Painting in Spain. The Spanish Recipients, J. Paul Getty Center Post-Doctoral not be open to visitors. 215/972-7625. selected to participate in the 1991 Reader's Digest of Chicago. edition was presented to the public in a Fellowship, and an NEH Fellowship for Artists at Givemy Program. ceremony at the Museo del Prado, Madrid. University Teachers. The Illinois Arts Council has announced the Consilium is a nonprofit membership associa­ The Queens Museum has announced a new recipients of its Artists Fellowship Awards, tion created to serve the needs of visiting groups gallery concept called Contemporary Currents Serena Bocchino, artist, has won the Basil H. Isabel S. Cooper, artist, has been elected a Lisa Lewenz, assistant professor of art and and the following CAA members have been in Haly and to further the opportunities for that will present a series of solo exhibitions of Alkazzi Award. resident member of the Pen and Brush. director of the Gonnley Gallery at the College of thus honored: Aurore Chabat, crafts; Carrie educational and cultural relations between Italy contemporary artists. The exhibitions will Notre Dame of Maryland, has received a 1990 Notaii, photography; and Susan Rankaitis, and the United States. Membership is available include a variety of projects like completed Phoebe Dufrene of Purdue University received NEA Fellowship in photography and a to program directors from academic institutions series, works in progress, and site-specific photography. an International XL Travel Grant to go to Cuba LaNapoule France Fellowship for her work A or cultural and professional organizations and to installations. where she will deliver lectures at the III Leffer without Words. She also received the 1990 independent scholars. Consilium provides Encuentro Latino-Americano Sobre Ensenanza Friends of Photography Ferguson Award and a adviSOry, organizational, and administrative The San Antonio Museum of Art's rear Baltimore City Mayors Commission of Arts and Artistica. services, and its purpose is to help realize the building is being renovated into new gallery Culture Grant for her work Towards a More academic objectives of the particular group or space, to be known as the William L. Cowden Susan L. Huntington, professor of art history at Perfect Union. scholar. For information: Consilium, Via Gallery. Lake/Flato Architects has helped to Ohio State University, has been named Ottavilla 19, 00152 Rome, Italy. develop a plan that will restore the building to university professor. Along with the title, the Rosemary Redmond was accepted to Yaddo for its original industrial-type space. The gallery award carries a five-year research stipend. December 1989. The Corcoran Gallery of Art, Washington, D.C., will primarily display contemporary art. is restoring the Salon Dore, its 18th-century Katherine Kadish has received the Ohio Arts Warren Sanderson, professor at Concordia French period room, which serves as a prime The University of Iowa has announced the Council Professional Development Award and University, was a visiting research professor at example of 18th-century interior design and Project for the Advanced Study of Art and Life the Ludwig Vogelstein Foundation Fellowship, the University of Cologne. artistry. Visitors to the gallery will be able to in Africa (PASALA), an interdiSciplinary both for 1990. watch the restoration progress. program of fellowships, scholarships, confer­ Larry Silver, professor at Northwestern . ences, and publications focused on the visual Mary Louise Krumrine, associate professor of University, has been awarded the followmg The Harvard University Art Museums have arts in Africa. For information: University of art history at Pennsylvania State University, has research fellowships for 1991-92: National announced the creation of tJ:te Agnes Mongan Iowa, School of Art and Art History, Iowa City, been made a 1990 alurrmi fellow. Humanities Center, Research Triangle, N.C., and Center for the Shtdy of Prints, Drawings, and IA 52242.

Serena Bocchino PHOTO; JOHN HUBA CAA NEWS MARCHI APRIL 1991 19 18 CAANEWS MARCH/APRIL1991 a telephone number and/or address that The UCLA Deparhnent of Dance invites local 600-word abstracts to: Barbara N. Sargent-Baur, the rural South; and craft production in such someone could contact for additional informa­ artists to participate in "Works in Progress," a 1328 c.L., University of Pittsburgh, Pittsburgh, religious communities as the Amish and Opportunities tion. No entries accepted larger than 3 x 4 feet or public forum for experimental performance Conferences PA 15260. Deadline: May 31, 1991. Shakers. For information: Linda Craighead, heavier than 15 pounds. Entrants must submit a works. For information: Wendy Temple or American Craft Museum, 40 W. 53rd St., New note from their school on its letterhead certifyjng Gretchen Schiller, 213/825-8537 or 825-3951. The Art Libraries Society's Western New York York, NY 10019; 212/956-3535. that the entrant is a student. Entries cannot be & Symposia chapter is organizing a session on "The Arts and returned but can be picked up after the Crafts Movement in Western New York: Italian Sculpture and Italian Sculptors North of competition. Cash awards for winners. For Grants and Fellowships Tradition and Resources," for the 1992 ARLlS the AIps, 1500-1800, is a conference sponsored Award information: Recycle!, ITC Center, 2 Ham­ --- conference in Chicago. Send proposals to: by the International Research and Exchange marskjold Plaza, New York, NY 10017. Deadline: Arts Midwest is accepting applications for its The Gustave O. Adt Award in the Humanities Stephanie Frontz, Art Librarian, University of Board and the Polish Academy of Sciences, to be May 24,1991. lvfinority Arts Administration Fellowship for 1991 will be presented in the field of art Rochester, Rochester, NY 14627; 716/275-4476; held at the Accademia Polacca delle SciellZe in Program. Individuals are selected for arts history. Nominees must have received the Calls for Papers fax 716/473-1906. Deadline: July 1, 1991. Palazzo Doria-Pamphilj, Rome, June 10-12, 1991. The Miami University Department of Art in administration residencies at a variety of ------doctorate within 7 years of the award and The conference will be conducted in English and Oxford, Ohio, is holding an outdoor sculpture national cultural institutions. There is a stipend currently be teaching at a North American The Arts Council of the African Studies The University of Iowa's Program for Modem Italian. Papers will treat the emigration and competition open to artists in the United States. of $18,000 and a travel allowance. Applicants university, have received the degree from a Association will hold its 9th Triennial Sympo­ Studies will host its graduate student confer­ assimilation of Italian sculptors in general, and The winner will receive an honorarium, as well must reside within Arts Midwest's region. For North American university, and have published shIm on African Art, April 23-25, 1992, at the ence, focusing on the theme of Modernism and the careers of indiyjdualltalian sculptors in as room and board and travel expenses to install information: Janis Lane-Ewart, Arts Midwest, a book written in or translated into English University of Iowa and the Museum of Art, both Historical Self-Consciousness, November 2-3, particular in England, France, Germany, Poland, the work on campus. For information: Miami Suite 310, 528 Hennepin Ave., Minneapolis, 1vfN within 7 years of the award. There can be only in Iowa City. Panel and paper proposals from all 1991. Submit abstracts or papers to: Program for and Russia, within the context of the relation­ University Outdoor Sculpture Competition, 55403; 612/341-0755. Deadline: April 30, 1991. disciplines are welcome, especially those that Modem Studies, W35 AB, School of Art and Art ship between artistic center and periphery. For one nominee from each institution, and Sandra Mohr, Miami University, Dept. of Art, nominations should include a letter about the emphasize cross-disciplinary and cross-cultural History, University of Iowa, Iowa City, IA 52242. infonnation: Anne Markham Schulz, Program in Oxford, Ohio 45056; 513/529-2900. Deadline: The Lannan Foundation administers a national scholarly contribution made by the nominee's approaches. For information: Allen F. Roberts, Deadline: September 15, 1991. Art History, Bro"W1l University, Providence, RI May 30, 1991. grant program to assist nonprofit institutions in book, along with 3 copies of the book itself. For Antlrropology Dept., McBride Hall, University 02912; 401/272-8256. the presentation and interpretation of contempo­ information: Catherine Lafarge, Adyjsory of Iowa, Iowa City, JA 52242. Deadlines: Spring The National Off-Color Exhibition is open to rary art through exhibitions, interdisciplinary Committee for the Gustave O. Arlt Award in the 1991 for panel proposals; October 1, 1991, for paper The 9th Annual Conference on Textiles, to be entries from U.S. or Canadian artists in the activities that include a visual element, and To Attend Humanities, Graduate School of Arts and proposals. held July 19-21, 1991, at purdue University, medium of art off color copiers. Cash awards. other projects, such as symposia. For informa­ West Lafayette, Ind., is an interdisciplinary Sciences, Bryn Mawr College, Bryn Mawr, PA The Federal Theatre Project Festival at George For information: Art Dept., Boise State tion: Director, Art Programs, Lannan Founda­ The Art History Society of the University of forum on the history, theory, practice, and 19010. Deadline: July 1, 1991. Mason University will hold a colloquium on University, National Off-Color Exhibition, 1910 tion, 5401 McCmmell Ave., Los Angeles, CA Iowa's School of Art and Art History will host development of textile knowledge and in the art University Dr., Boise, ID 83725; 208/385-1310. New Deal iconography and the yjsual aesthetics 90066. Deadlines: May 1 and October 1, 1991. its 7th annual graduate-student symposium on of textile making. For infonnation: Lisa Lee of WPA graphics, May 3,1991. For information: Deadline: June 1, 1991. October 5, 1991. Submit abstracts, or for Peterson, CA Dept., 317/494-3062; or Cherilyn Barbara Dayjs, Institute on the FrP and New Calls for Entries The National Endowment for the Humanities information: Stephanie Green, Art History Nelson, CSR Dept., 317/494-8613; Purdue Deal Culture, A407 Performing Arts Bldg., -_._._--=-=------Regional '91 is accepting submissions in all has several upcoming deadlines. Fellowships Society, W 150, School of Art and Art History, University, West Lafayette, IN 47907. media from artists working within 250 miles of GMU, Fairfax, VA 22030-4444; 703/323-2546. Listings have not been screened, so artists should for University Teachers and Fellowships for University of Iowa, Iowa City, IA 52242. consider making inquiries before submitting Indianapolis. Submit 5 works, 1 slide for 2-D College Teachers and Independent Scholars Deadline: April 23, 1991. The Center for Critical Thinking and Moral work, 2 slides for 3-D work. Fee $25. Send SASE Byzantine Civilization in the Light of malITials, particularly when a large fee is required. enable individuals to devote an extended period Critique will hold its 11th annual conference on for information: Curator, Indianapolis Art Contemporary Scholarship, a symposium at Due to limited space, the names of jurors have not of time to research. University Teachers The Second International Conference on critical thinking and educational reform, Sono­ Dumbarton Oaks, Washington, D.c., May 3-5, been listed. League, 820 E. 67th St., Indianapolis, IN 462~0; Fellowships are for faculty members of Humor in Art is being conducted by the Visual ma State University, Calif., August 4-7,1991. 317/255-2464. Deadline: August 16, 1991. 1991, will examine Byzantine ciyjIization as departments and programs in universities that Humor Project in spring 1992 with the theme of The theme is "Teaching Students Intellectual scholarship sees it today. For information: A World Peace Monument is scheduled and an grant the Ph.D. and for faculty members of the Comedic Voice and Vision in Contemporary Standards They Can Use to Reason Persuasively, The 11th Annual Riverwalk Arts Festival and Byzantine Symposium, Dumbarton Oaks, 1703 international design award will be given to the postgraduate professional schools. Contact: Western Art. The conference will bring together Master Content, and Discipline Their Minds." 32nd St., NW, Washington, DC 20007. winning entry. The design should be realizable Exhibition is accepting entries in all media. Maben Herring, 202/786-0466. Fellowships for indiyjduals involved in evaluating and For information: Center for Critical Thinking within a $50,000 budget. It can be sculptural or Cash and purchase awards. Fee $20. Send SASE College Teachers and Independent Scholars interpreting the ideas, concerns, motives, and and Moral Critique, Sonoma State University, for information: 11th Annual Riverwalk Arts Shared Visions, a conference at the Heard not, abstract or representational. Send SASE for are for faculty members of programs that do not values in humorous art. A selected group of Rohnert Park, CA 94928; 707/664-2940. Museum, Phoenix, Ariz., May 8-11, 1991, will information: Design Committee, Monument to Festival and Exhibition, 19 W. Market Way, grant the Ph.D., individuals affiliated with scholars will receive travel stipends, and provide a forum for discussion of the art­ World Peace, 317 S. Division, Suite 80, Ann York, PA 17401; 717/854-6400. institutions other than colleges and universities, selected papers will be published. Send 2-page The 18th International Congress of Byzantine historical development of Native fine art within Arbor, MI 48104. Deadline: April 22, 1991. and scholars and writers working indepen­ abstracts and supporting visual materials along Studies is scheduled to meet in Moscow, August The Burchfield Art Center is making a focused 20th-century American art. For infonnation: dently. Contact: Joseph B. Neville, Jr., 202/786- with SASE for return of materials to: Walter 7-14,1991. For information: George Majeska, effort to acquire work by minority artists of the Margaret Archuleta, Heard Museum, 22 E. The Juried Prinhnakers Competition will 0466. Travel to Collections Grants enable Askin or Gerald G. Purdy, Visual Humor U.s. National Committee, Dept. of History, Uni­ Western New York area for the center's Monte Vista Rd., Phoenix, AZ 85004-1480; 602/ award cash prizes to winners. Send SASE for individual scholars to travel to use the research Project, PO Box 50381, Pasadena, CA 91115-0381. versity of Maryland, College Park, MD 20742. permanent collection. For infonnation: Anthony 252-8840; fax 602/252-9757. entry forms: Dome Gallery, 578 Broadway, collections of libraries, archives, museums, or Deadline: May 1, 1991. New York, NY 10012; 212/226-5068. Deadline: Bannon, Burchfield Art Center, State University other repositories. Awards help defray research Music and Narrative in Medieval Romance: College at Buffalo, 1300 Elmwood Ave., Buffalo, The Glass Art Society Conference, hosted by April 30, 1991. expenses such as transportation, subsistence, Mid-America College Arts Association will The Poetics of Lyric Insertions is an interdisci­ the Corning Museum of Glass, May 9-12,1991, NY 14222-1095; 716/878-6012. photoduplication,'and other reproduction costs. hold its 55th annual conference, "Vision: Toward plinary conference examining romances with will focus on a reassessment of developments in The National Art Review will be an exhibition For information: Travel to Collections Program, the 21st Century," at the University of Wiscon­ lyric insertions and the conceptions governing City without Walls is accepting proposals for the studio glass movement. For information: surveying contemporary art. All media are Division of Fellowships and Seminars, Rm. 316, sin, Madison, October 1991. Issues to be their production and reception. The conference, group exhibitions; thematic preferred, all media Glass Art Society, PO Box 1364, Corning, NY eligible; open to u.s. residents. Send 6-12 slides, National Endowment for the Humanities, 1100 considered include gender, multiculturalism, sponsored by Mount Holyoke College, acceptable. For information: City without Walls, 14830; 607/936-0530. current resume, self-addressed stamped Pennsylvania Ave., NW, Washington, DC 20506; relationships between theory and practice, the University of TIlinois~Chicago, and Northern postcard to acknowledge receipt of materials, 1 Gateway Ctr., Ground Level, Newark, NJ 202/786-0463. Deadlines: Fellowships for interaction between fine art and applied-design TIlinois University, will be held October 4-5, The Arts and Letters in Medieval and Baroque SASE for return of materials, designate one slide 07102-5311; 201/622-1188. Universih) Teachers and Fellowships for College curricula, and the place of postmodern sensibil­ 1991. For infonnation: Center for Renaissance St. Gall Viewed from the Late 20th Century is a to be retained for permanent file, $5 fee by check Teachers and Independent Scholars, June 1, 1991; ities within the art school. Submit a cover letter, Studies, Newberry Library, 60 W. Walton St., duPont Galleries invites artists to have their conference to be held at George Washington made out to Sawhill Gallery. All entrants will be Travel fo Collections Grants, July 15, 1991. one-page statement of no more than 500 words, Chicago, IL 60610; 312/943-9090. work considered for solo and group exhibitions. University, May 13-15, 1991. For information: considered for future Sawhill Gallery exhibi­ a short vita, and relevant visual documentation Send slides, resume, and SASE: S. Arnold, James C. King, Academic Center T508, George tions. For information: Director, Sawhill Gallery, The Indo-U.S. Subcommission of Education for a panel proposal to: MACAA 1991, Dept. of The 28th International Congress of the History duPont Galleries, Mary Washington College, Washington University, Washington, DC 20052. Art Dept., James Madison University, Harrison­ and Culture is offering grants for research in Art, University of Wisconsin-Madison, of Art will be held in Berlin, July 15-20, 1992. burg, VA 22807. Deadline: Mny 1, 1991. Fredericksburg, VA 22401; 703/899-4695. India that are available in all disciplines. Humanities Bldg., Madison, WI 53706; 608/262- The theme is artistic exchange, with sessions Multiculwral and Regional Sources: Craft Applicants must be U.S. citizens and hold a 1660; fax 608/262-2150. Deadline: May 1, 1991. devoted to critical aspects of cultural and The Earth Day Art Collection is being expanded Revivals: 1919-1945, to be held May 17, 1991, is The Herb Lubalin International Student PhD. or comparable professional qualifications. methodological interaction. For information: to include natural scenery from all regions of the second in a series of eight symposia taking Design Competition is for a piece that could be Scholars and professionals with limited or no The Pennsylvania Symposium on Medieval Thomas W. Gaehtgens, Kunsthistorisches the U.s. Send slides, or for information: Kenneth place at the American Craft Museum, New York. used in a recycling public-awareness campaign, prior experience in India are encouraged to and Renaissance Swdies will hold its 5th Institut der Freien UniversiHit, Morgen­ W. Freelain, Earth Day Art Collection, 1630-A Among the topics to be explored are African­ i.e., advertisements, booklets, posters, garnes, apply. For information: Council for International annual meeting at the University of Pittsburgh, sternstraBe 2-3, 1000 Berlin 45, Germany; (030) Beekman Pl., NW, Washington, DC 20009; 202/ American, Hispanic, and Native American craft; sculpture, film, and video. The headline Exchange of Scholars, Attn: Indo-American October 25-26, 1991. The topic will be Patronage 77303-116/120/129; fax (030) 773 03110. the colon,ial revival movement; developments in RECYCLE! must appear in the design as well as 265-9039. of Artists, Writers, and Scientists. Send 500- to

CAA NEWS MARCHj.APRIL 1991 21 20 CAA NEWS /lAARCHj APRIL 1991 Fellowship Program, 3007 Tilden St., NW, Suite dea~lines, etc.; $45, plus $3 shipping. Reference calligraphy, aesthetics, printmaking, Minneapolis Sublet. Large, sunny, 5M, Washington, DC 20008-3009; 202/686-4017. experience. For information: Registrar, Creative Classified Ads Deadline: june 15, 1991. SerVIce Press, 1100 Industrial Rd., Suite 9, San field trips, and more. Contact: Elvira furnished 2 bedroom near Walker Art Carlos, CA 94070. Arts Workshop, 80 Audubon St., New Haven CT 06510; 203/562-4927. ' Hammond, China Educational Tours, Center, July-December 1991, $450/ The Fulbright Scholar Program is open to schol­ 1110 Washington St., Boston, MA 02124; month, nearby studio also $100. Write: The Directory of Grants in the Humanities a.rs from all academic ranks, as well as profes­ Goldsmiths' College, University of London, 800/225-4262. Laura E. Migliorino, 1331 Tyler St., NE, sIonals outside academe and independent schol­ provides information on cotporate, private, and government grants for humanities or arts of~~rs a l-y~ar M.A. program in art history and Studio #207, Minneapolis, MN 55413. ars. Applicants must be U.S. citizens and hold a proje~ts .. Each entry includes a program ~r~tlcaI. studies st~rting October 1991 focusing on The CAA newsletter accepts classified ads of Call for Slides. 10th anniversary alumni Call: 612/422-3532, days. Ph.~. or equivalent professional qualifications. descnption, restrictions and/or requirements, Issues m modenusm, postmodernism, avant­ For mfonnation: Council for International a professional or semiprofessional nature exhibition. Hunter College M.F.A. contact names, grant amounts, and deadlines. garde, and mass culture. For information: Edwin Exchange of Scholars, 3007 Tilden St., NW, Suite (sales of libraries, summer rental or graduates 1981-1991. For information, New Mexico Sublet. I-bedroom adobe $74.50. Oryx Press, 4041 North Central at Indian H. Cox, Goldsmiths' College, London SE14 6NW 5M, Box NEWS, Washington, DC 20008-3009; England; 44 81 691 9369; fax 44 81 692 7375. exchange of homes, etc.): 75¢/word ($1.25/ call: 212/772-4991. house. Has studio with good light. Half School Rd., Phoenix, AZ 85012; 602/265-2651; 202/686-:877. Deadlines: June 15, 1991, for fax 602/265-6250. word for nonmembers); $15 minimum. hour from Santa Fe. Rural setting, Austra/asla, South Asia, most of Latin America, and International Academic Projects Summer Expert Art-Historical Researcher. mountain views. Fully furnished with the U.S.S.R.; and August 1, 1991, for Africa, Asia, ~chools aim to promote education and research Roman resident, professional editor washer. June 15-August 30, 1991. $500 Europe,.the Middle East, Canada, and lecturing The Role and Nature of the Doctoral Disserta­ tion is a report by the Council of Graduate m conservation, arChaeology, museums, and Art Workshop, Assisi, Italy. June 23- and research specialist in art history, per month plus utilities and cable TV. awards In the Caribbean, Mexico, and Venezuela. related fields. Short intensive COllrses are offered Schools and prepared by a panel of graduate August 3, 1991. Live and work in a 12th­ will conduct research in archives, $250 deposit. Call: 505/455-3452. $5 for members; $10 for nonmembers. ~ Engla~d and other parts of Europe. For The Mid Atlantic Arts Foundation arulOunces a dea~s. century hill town surrounded by the libraries (public and private), galleries. CopIes available from: Council of Graduate mformation: James Black, Summer Schools 31- new program, the Visual Arts Travel Fund to Schools, 1 Dupont Cir., NW, Suite 430 34 Gordon Sq., London WC1H OPY, Engla~d; Umbrian landscape. Instructional Fluent in major European languages and Paris Apartment. 2 BR; quiet, attrac­ assist curators and administrators from sm~II to 0713879651; fax 0745 813484. Washington, DC 20036-1173; 202/223:3791. courses in painting and drawing in all English. Contact: Ornella Francisci Osti, tively furnished, every appliance; 2-20 mid-sized organizations in attending confer­ media, landscape painting on site, art Via R. Stern #4, Pal. III, Scala A, Rome min. walk Drouot, BN, Louvre. June­ ences, workshops, and special exhibitions. Moore College of Art and Design offers a new history, photography, and journal and 00196, Italy. August 1991, and later. 500-650 fr./day; Applicants must be employed as administrators Residencies certifi~ate in desktop publishing and computer or curators of a visual or media arts organization graphICS. The 3-semester, evening program memoir writing. Independent program 10,000/month (or in $), inc!. cleaning, that is nonprofit, located in the Mid-Atlantic prepares graphic designers and other communi­ for professional and advanced painters, Finishing Your Book? Princeton utilities. Owner: 617/723-5852. ~ffers at least 3 professionaIIy organized exhlbi­ The Cold Hollow Cross Discipline Project has cations professionals to use current computer no instruction. Housing, most meals, summer rental. Furnished townhouse tIons per year and/or includes exhibition as at a .residency program open to all professional ~echnolo?y effectively and creatively. For studio space, critiques, and lectures. Art near university, 2 bedrooms, study, 3 Sunny, Private Retreat. 15 acres ~east 50 ?ercent of its annual programming, and ~Isual, p:rfonning, and literary artists interested mfonnatlOn: Moore College of Art and DeSign, Workshop, 463 West St., 1028H, New baths, Steinway grand, cleaning person, with streams. View of Rondout Reser­ IS an artist-run or small to mid-sized contempo­ m explormg and collaborating across traditional Parkway at 20th St., Philadelphia, PA 19103- York, NY 10014; 212/691-1159. central A/C. $1,300/month plus utilities voir; custom-built modified saltbox, rary arts organization. For infonnation: Mid art borders. Artists will live and work together 1179; 215/568-4515, ext. 1105. Atlantic Arts Foundation, 11 E. Chase St., Suite on a farm in northern Vennont, July 20-August (plus $500 refundable security deposit). gourmet kitchen with Garland stove, 2A, Baltimore, MD 21202; 301/539-6656. 3,1991. Extensive Shldio facilities available. $100 Studio Art Centers International offers a study Artists Carriage House Sublet. Park Available June 10-August 10, 1991. granite countertops, and oak cabinets, 2 per week fee suggested. For information: Cold abro~~ summer program for undergraduate Slope, NYC, June 1991-August 1992. Nonsmokers only, no pets. Call: 609/ tile baths, 2 bedrooms, 2 fireplaces HoIIow Cross DiScipline Project, 1728A W. 11 th credIt m Florence, Haly. For information: Insti­ 3,600 feet, live/work, double loft, with 683-4076. (master bedroom and living room), oak St., Austin, TX 78703. Deadline; May 1,1991. tute of International Education, 809 United Na­ garage, country kitchen, skylights, wood floors, finished basement with washer / tions Plaza, New York, NY 10017; 212/984-5330. floors, outdoor deck, all amenities, near For Rent. Beautiful 1860s Philadelphia dryer, oil heat. 2 hrs. NYC. Low taxes. ~e Mid Atlantic Arts Foundation Sponsors a See, a magazine of the visual arts published by transportation. $1,750 per month, plus townhouse in choice location for Catskill Park, N.Y. $260,000. Owner: the Pennsylvania School of Art and DeSign, VIsual Artists Residency Program for residencies The University of Texas at Austill is offering a utilities. 718/622-6428. approximately one year from August 212/929-8718. seeks poetry and articles related to the visual from 2 weeks to 3 months for individual artists workshop for beginning slide curators in art and arts (ir aesthetics. For information: Pam Richard­ and p.rofesSional art critics. Applications must be architecture, July 15-20, 1991. TIle program will 1991. 5 bedrooms, 4 baths, garden, submItted by an organization in the mid-Atlan­ son, ~ennsylvania School of Art and Design, 204 cover all aspects of managing an art and/or Bowery Gallery. An established 26- parking. $1,500/month. Call: 215/ Umbria. Newly restored apartment, N. Prmce St., PO Box 59, Lancaster PA 17603 tic region on behalf of the artist or critic from the ar~hitec~re slide collection. The university is year-old cooperative in Soho, New York 732-8356. 2 bedrooms, (J5th-century building) in region. For information: Mid Atlantic Arts Deadline: June 14, 1991, fortlte fall n}91 issue. . also offermg a workshop, Microcomputer City, invites nonmembers to have solo center of Umbertide, channing small Foundation, 11 E. Chase St., Suite 2A, Baltimore, ~pplications in Visual Resource Collections. For shows for 2 1/2 weeks in June and July. For Rent. Large, furnished country village 30 miles north of Perugia. Call: MD 21202; 301/539-6656. Deadline: July 12, 1991. mf~rma~on: Fine Arts Continuing Education, ~rt Journal is seeking articles for an issue tenta­ The $3,200 fee includes sitters, listing in house in central Italy, $600/month plus 513/325-2860, or write: D. Drake, 5252 tively titled "Collaborations between Visual Arts UmversIty of Texas at Austin, Fine Arts Bldg. Gallery Guide, and represents actual cost and Poets." The issue will examine the varying 2.4, Austin, TX 78712; 512/471-8862. utilities, available September 1991. Call: Fairfield Pike, Springfield, OH 45502. ways in which eXChanges between writers and Workshops and Schools to this nonprofit gallery. Large gallery 812/336-3860. p~i~ters. confound canonical assumptions about Womell and Gender in the Middle Ages and space. Interested painters and sculptors ongtnahty and authorship. Articles should be Anderson Ranch Arts Center is offering a the Renaissance: A Workshop on Pedagogy please send slides, resume, SASE, and Full-Color Reproduction. 200-line theoretical and can be interdisciplinary in orien­ workshop taught by performance artist Suzanne and Research will be held at the Newberry indicate desired year of show to: Bowery separations, coated 12-point stock, and t~tion ~nd address aspects of topics such as the Lacy and writer/critic Suzi Galbik, June 3D-July Li~rru:Y' ~hicago, May 3-4,1991. The workshop Gallery, Attn: Barbara Goodstein, 121 varnished. Write for samples: Images dIalectical relationship between the artist and 6, 1991. will develop strategies for WIll hIghlight the distribution of materials and P~rtidpants Wooster St., New York, NY 10012. for Artists, 2543 Cleinview, Cincinnati, poet; who owns the idea?--obscuring beliefs ~olla~~rat~on, community interaction, audience the challenges of pedagogy in a field that crosses about artistic property; the pairing of artists and ~dentiflc~tIOn, and media communication. For tradiyonal national and subject boundaries in OH45206. authors-the publisher as auteur; collaboration InformatIOn: Anderson Ranch Arts Center, PO medIeval and Renaissance studies, For Bright, Sunny Loft. 7 extra-large as sublim~ted sexual desire; as well as key Box 5598, Snowmass Village, CO 81615; 303/ infonnation: Center for Renaissance Studies windows (north plus east exposure). House Sitting or Apartment Exchange. partnerships and collaborations. Send proposals 923-3181. Newberry Library, 60 W. Walton St., Chica~o, IL 1,400 sq. ft. co-op, live/work. High Canadian professor (Montreal) to 60610-3380; 312/943-9090. to: Debra Bricker Balken, PO Box 594, North ceilings, exposed brick, view Empire complete research in New York, May 1- Egremont, MA 01252. Deadline: August 1, 1991. The Conservation of Picture Frames focuses on State, custom Shoji, 1 bath, finished August 30,1991. Seeks apartment in a rang~ of mat~rials and treatment techniques kitchen, Garland stove, and washer / and mll acqu~nt participants with cleaning, Miscellaneous NYC. Call: 514/848-0660. Publications s~c~ural repmr, and various in-gilding and in­ dryer. $335,000. Owner: 212/929-8718. pamtmg methods. For infonnation: ICA Frames October 17, 1991: The first national teleconfer­ Manuscript Editing and Preparation. The Directory of Financial Aids for Women Workshop, AIIen Art Bldg., Oberlin, OH 44074' ence ~n dispelling fears about grant writing, Brush Strokes-The Painting and MLA, Strunk and White, other requests. 216/775-7331. ' 1991-1992, identifies scholarships, fellowshi~s, a~p!ymg for fellowships, and planning fund­ Calligraphy of China. July 1991. Studio Laser typeset. Inquiries: Debra Firmani, grants, loans, awards, and internships set aside ralsmg campaigns will be held. To subscribe: program at Central Academy of Fine Box 167, 8640M Guilford Rd., Columbia, for women and women's organizations. Entries Cre~tive.Arts Workshop is offering 2-week Kaye Walker, Fund-Raising Teleconferences, seSSIons m drawing, painting, watercolor, Arts, Beijing, China. Brush painting, MD 21046; 301/290-3817. provi~e infonnation on programs, sponsoring 405/744-5647; or, Arts and Sciences Extension orgamzations, scope and purpose, eligibility, sculpture, book arts, and pottery, June 3-14, Service, 205 Life Science E., Oklahoma State 1991. Workshops are intended for students with University, Stillwater, OK 74078.

22 CAA NEWS MARCH/APRIL 1991 CAA NEWS MARCH/APR!L 199! 23 Information Wanted Gallery. The work, titled Lloyd Goodrich and Edith Havens Goodrich, Whitney Datebook Museum of American Art, Record of Works by Winslow Homer, is under the direction of Abigail Booth Gerdts, with the The Complete National Guide to collaboration of the Graduate Center of April 30 Collections of American Art is a project the City University of New York. The Deadline for Positions Listing submis­ now in progress under the direction of publication will be a complete compila­ sions, to be published May 24 Richard J. Boyle. The book will describe tion of the data assembled and the collections of American art in museums, commentaries written on Homer's May 31 historical societies, colleges, universities, works by the Goodriches. For anyone Deadline for submitting proposals to libraries, other such institutions, with knowledge of previously unknown chairs of art history, studio art, and joint corporations, and public places. works, as well as unpublished papers, sessions for the 1992 CAA annual Curators of collections who have not letters, or other information on the conference yet been contacted by the editor, Peter artist, contact: Spanierman Gallery, 50 E. Hastings Falk, are urged to contact: 78th St., New York, NY 10021; 212/879- June 3 Sound View Press, 170 Boston 7085; fax 212/249-5227. Deadline for submitting material for the Post Rd., Madison, CT 06443; 203/ July/August newsletter, to be published 245-2246. The Huntington White City Project is June 28 preparing for a centennial exhibition of Ethel R. Cutler's biography is being representations of the Chicago World's June 13 planned. Former students and college Fair of 1893 in honor of the late David Deadline for Positions Listing submis­ associates are asked to send interesting Huntington. Drawings, prints, paint­ sions, to be published July 10 information they may recall about their ings, photographs, and other represen­ contact with her to: Rhoda Cutler, 230 E. tations of the "White City" are sought. September 1 88th St., Apt. lO-A, New York, NY Please send information concerning Deadline for nominations to the Art 10028. known works and their possible Journal Editorial Board, modernist art whereabouts to: Huntington White City historian position A Winslow Homer Catalogue Raisonne Project, Dept. of the History of Art, is being prepared for publication under Tappan Hall, University of Michigan, February 12-15, 1992 the sponsorship of the Spanierman Ann Arbor, Ml48109. CAA annual conference, Chicago --"'---

s

College Art Association 275 Seventh Avenue New York, New York 10001

College Art Association Board of Directors

Ruth Weisberg, President Larry Silver, Vice-President Judith K. Brodsky, Secretary John W. Hyland, Jr., Honorary Treasurer Barbara Hoffman, Honorary Counsel Susan Ball, Executive Director

Suzanne Preston Blier Samella Lewis Phyllis Bramson Catherine Lord Whitney Chadwick Patricia Mainardi John Clarke James Melchert Van Deren Coke Keith Maxey Thomas Crow Debra Pincus Murry DePillars Marl Carmen Sam Edgerton Ramirez-Garcia Ruth Fine Danielle Rice Audrey Flack Emily J. Sano Marcia Hall Kenneth E. Silver Leslie King- Jaune Quick-To-See Hammond Smith