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World Conference on Higher Education
World Conference on Higher Education Higher Education in the Twenty-first Century Vision and Action UNESCO Paris 5–9 October 1998 Volume I Final Report 5WOOCT[QH major concerns of higher education. Special VJG9QTNF&GENCTCVKQPQP attention should be paid to higher education's role of service to society, especially activities aimed at *KIJGT'FWECVKQP eliminating poverty, intolerance, violence, illiteracy, hunger, environmental degradation and disease, and to activities aiming at the development of peace, through an interdisciplinary and transdisciplinary 1. Higher education shall be equally accessible approach. to all on the basis of merit, in keeping with Article 5. Higher education is part of a seamless system, 26.1 of the Universal Declaration of Human Rights. starting with early childhood and primary education As a consequence, no discrimination can be and continuing through life. The contribution of accepted in granting access to higher education on higher education to the development of the whole grounds of race, gender, language, religion or education system and the reordering of its links economic, cultural or social distinctions, or physical with all levels of education, in particular with disabilities. secondary education, should be a priority. 2. The core missions of higher education Secondary education should both prepare for and systems (to educate, to train, to undertake research facilitate access to higher education as well as offer and, in particular, to contribute to the sustainable broad training and prepare students for active life. development and improvement of society as a 6. Diversifying higher education models and whole) should be preserved, reinforced and further recruitment methods and criteria is essential both to expanded, namely to educate highly qualified meet demand and to give students the rigorous graduates and responsible citizens and to provide background and training required by the twenty-first opportunities (espaces ouverts) for higher learning century. -
02 Hauptdokument / PDF, 9355 KB
III-755-BR/2021 der Beilagen - Bericht - 02 Hauptdokument 1 von 245 Kunst Kultur Bericht www.parlament.gv.at 2 von 245 III-755-BR/2021 der Beilagen - Bericht - 02 Hauptdokument www.parlament.gv.at Kunst- und Kulturbericht 2020 III-755-BR/2021 der Beilagen - Bericht 02 Hauptdokument www.parlament.gv.at 3 von 245 4 von 245 Kunst- und Kulturbericht 2020 III-755-BR/2021 der Beilagen - Bericht 02 Hauptdokument www.parlament.gv.at Wien 2021 Liebe Leserinnen und Leser, III-755-BR/2021 der Beilagen - Bericht 02 Hauptdokument als wir im Juli des vergangenen Jahres den Kunst- und Kulturbericht 2019 veröffent- lichten, hatten wir gehofft, dass die optimistischen Prognosen über den Verlauf und die www.parlament.gv.at Eindämmung der Pandemie eintreten werden und wir Anfang des Jahres 2021 unser gesellschaftliches und kulturelles Leben langsam wieder aufnehmen können. Es kam anders. Das Virus und seine Mutanten haben es nicht erlaubt, dass wir uns ohne er- hebliche Gefahr für unsere Gesundheit in größeren Gruppen treffen oder als Publikum versammeln. Diese unsichtbaren Gegner haben es unmöglich gemacht, in Theatern, Kinos, Konzerthäusern, Galerien und Museen zusammenzukommen, um das zu tun, was wir alle lieben: gemeinsam Kunst zu erleben und zu genießen. Unser wichtigstes Ziel war es daher, alles zu unternehmen, damit wir am Ende der Pan- demie dort fortsetzen können, wo wir plötzlich und unerwartet aus unserem kulturellen Leben gerissen wurden: All jene, die in unserem Land Kunst machen, die sich dazu entschlossen haben, ihr Leben und ihre ganze Kraft dem künstlerischen Schaffen zu widmen, sollten bestmöglich durch diese schwierigen Zeiten kommen. -
Persisting Servitude and Gradual Shifts Towards Recognition And
A STUDY OF EMPLOYERS OF DOMESTIC WORKERS IN DELHIDELHI ANDAND MUMBAIMUMBAI 01 PERSISTING SERVITUDE AND GRADUAL SHIFTS TOWARDS RECOGNITION AND Institute for PERSISTING SERVITUDE AND GRADUAL Human Development SHIFTS TOWARDS RECOGNITION AND DIGNITY OF LABOUR A study of employers of domestic workers in Delhi and Mumbai 02 PERSISTING SERVITUDE AND GRADUAL SHIFTS TOWARDS RECOGNITION AND DIGNITY OF LABOUR Copyright © International Labour Organization 2017 First published (2017) Publications of the International Labour Office enjoy copyright under Protocol 2 of the Universal Copyright Convention. Nevertheless, short excerpts from them may be reproduced without authorization, on condition that the source is indicated. For rights of reproduction or translation, application should be made to ILO Publications (Rights and Licensing), International Labour Office, CH-1211 Geneva 22, Switzerland, or by email: [email protected]. The International Labour Office welcomes such applications. Libraries, institutions and other users registered with a reproduction rights organization may make copies in accordance with the licences issued to them for this purpose. Visit www.ifrro.org to find the reproduction rights organization in your country. ISBN: 978-922-129677-5 (print) 978-922-129678-2 (web pdf) 978-922-129679-9 (epub) The designations employed in ILO publications, which are in conformity with United Nations practice, and the presentation of material therein do not imply the expression of any opinion whatsoever on the part of the International Labour Office concerning the legal status of any country, area or territory or of its authorities, or concerning the delimitation of its frontiers. The responsibility for opinions expressed in signed articles, studies and other contributions rests solely with their authors, and publication does not constitute an endorsement by the International Labour Office of the opinions expressed in them. -
Child Trafficking & Commercial Sexual Exploitation of Children
REPORT 1 Table of Contents Page No. Executive Summary 3 Report of Proceedings 6 Conclusion & Summary of 19 Observations and Recommendations Annexures 25 2 Executive Summary Child Trafficking and Commercial Sexual Exploitation of Children (CSEC) are violations of the fundamental rights of children to be safe and are in contravention to the United Nations Convention on the Rights of the Child (UNCRC).1 The exact numbers of victims of child trafficking and commercial sexual exploitation are unknown, although estimates range into millions. The interaction of poverty and gender-based violence in developing countries heightens the risk of sex trafficking and CSEC. Medical evaluation in CSEC and sex trafficking is an emerging area of research and practice and few healthcare settings have established screening practices, policies and protocols2. There is limited information available to paediatricians and allied health professionals on how to protect trafficked and vulnerable children. Evaluations of CSEC victims may be challenging. Children are rarely forthcoming about their actual history and it requires patience and a secure environment to gain their trust. Knowledge of risk factors, recruitment practices, and common medical and mental health problems experienced by victims will help the paediatricians recognise potential victims and respond appropriately. In addition, all medical and multidisciplinary professionals must comply with child abuse mandatory reporting laws and existing legislation in their regions/country3 . A one day consultation on the issue of Child Trafficking and Commercial Sexual Exploitation of Children (CSEC): Medical and Psychosocial Services for Victims” was held on 13 October, 2016 at the India International Centre, Lodi Estate, New Delhi. The consultation aimed to help professionals, coming in contact with survivors/victims of child sexual abuse, get a better understanding of the issue of CSA and equip them with information to prevent and respond to victims of sexual abuse. -
Kunst- Und Kulturbericht 2019
Kunst Kultur Bericht Kunst- und Kulturbericht 2019 Kunst- und Kulturbericht 2019 Wien 2020 Liebe Leserinnen und Leser, im März 2020 wurde alles anders. Denn die österreichische Bundesregierung und das österreichische Parlament waren angesichts der weltweiten Covid-19-Pandemie zu gesundheitspolitischen Maßnahmen gezwungen. Diese führten zu drastischen Änderun- gen in unserem privaten Alltag, aber auch in unserem beruflichen, wirtschaftlichen und kulturellen Leben. Wer in diesen Tagen unterwegs war, in der Stadt oder am Land, war die meiste Zeit allein und traf kaum auf andere Menschen. Nicht nur Schulen, Universitäten, Geschäfte, Restaurants und Cafés konnten nicht öffnen, auch Konzerthäuser, Theater, Kabaretts, Kinos, Museen, Galerien und Literaturhäuser mussten geschlossen bleiben. Das öffentliche und gesellschaftliche Leben – und damit die Grundvoraussetzung für Kunst und Kultur – stand still. Da konnten auch all die wunderbaren Projekte und Auftritte im Internet nicht darüber hinwegtäuschen, dass Kunst und Kultur Gemeinschaft und persön- liche Begegnung benötigen. Das Theater, aber auch Bücher, Filme, Musikstücke, Bilder und digitale Kunstformen sind auf ein Publikum angewiesen, das zusammenkommt, das sieht und hört, staunt und begreift, begeistert zustimmt, kritisch kommentiert oder sich glänzend zu unterhalten weiß. Wäre es anders, könnten wir uns Buchmessen, Lesungen, Kinos, Galerien, Museen, Konzerte, Filmfestivals und Festivals für digitale Kunst sparen und zu Hause vor unseren Bildschirmen sitzen bleiben. Und auch wenn zahlreiche Musikerinnen und Musiker in diesen Wochen des März und April 2020 ihren Balkon zur Bühne gemacht und für Passantinnen und Passanten auf der Straße gespielt haben, so dürfen wir niemals vergessen, dass Künstlerinnen und Künstler nicht nur Applaus verdienen, sondern vielmehr ein Recht darauf haben, für ihre Leistungen bezahlt zu werden. -
ABE Journal, 14-15 | 2019 Refugee Artists, Architects and Intellectuals Beyond Europe in the 1930S and
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Open Access LMU ABE Journal Architecture beyond Europe 14-15 | 2019 Building the Scottish Diaspora Refugee Artists, Architects and Intellectuals Beyond Europe in the 1930s and 1940s: Experiences of Exile in Istanbul and Bombay Artistes, architectes et intellectuels ayant fui l’Europe dans les années 1930 et 1940 : expériences de l’exil à Istanbul et Bombay Burcu Dogramaci and Rachel Lee Electronic version URL: http://journals.openedition.org/abe/5949 DOI: 10.4000/abe.5949 ISSN: 2275-6639 Publisher InVisu Electronic reference Burcu Dogramaci and Rachel Lee, « Refugee Artists, Architects and Intellectuals Beyond Europe in the 1930s and 1940s: Experiences of Exile in Istanbul and Bombay », ABE Journal [Online], 14-15 | 2019, Online since 28 July 2019, connection on 23 September 2019. URL : http://journals.openedition.org/ abe/5949 ; DOI : 10.4000/abe.5949 This text was automatically generated on 23 September 2019. La revue ABE Journal est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Refugee Artists, Architects and Intellectuals Beyond Europe in the 1930s and ... 1 Refugee Artists, Architects and Intellectuals Beyond Europe in the 1930s and 1940s: Experiences of Exile in Istanbul and Bombay Artistes, architectes et intellectuels ayant fui l’Europe dans les années 1930 et 1940 : expériences de l’exil à Istanbul et Bombay Burcu Dogramaci and Rachel Lee Introduction 1 During the first half of the twentieth century visual artists, architects and intellectuals from Europe sought refuge in global metropolises. -
Migration and Memory: the Dances of Gertrud Bodenwieser
Migration and Memory: The Dances of Gertrud Bodenwieser by Carol brown I’m speaking to you. Ready the space, make it possible, make it real. Mark/sign/imprint/trace/seal. Step together, stop, wind, unwind, step turn schlinger, breathe. And speak to me in this silence.1 In the reaches of my memory a figure is held in language and gesture. She is re-membered in certain movements and habits of style. She is distant and close, inside and outside, part omnipotent presence and part invisible trace; a “dancemother” whose image was interiorized through the process of learning how to dance. Composed of fragments of memory, mythology, and history, her story is less biography than biomythography, for I never knew her, yet I know her still. My earliest knowledge of dance as an art form was inscribed through a series of “quotes” from the past, for it was the Viennese Ausdruckstanz choreographer Gertrud Bodenwieser (1890-1959) whose words and ideas animated my dancing. I came to know Bodenwieser through the teachings of her former dancer Shona Dunlop-MacTavish, with whom I trained in New Zealand from 1972-85. When I moved to the UK in the late 1980s, curiosity and a hunger for the familiar led me to meet with other former Bodenwieser dancers now residing there: Hilde Holger, the late Bettina Vernon, Evelyn Ippen, and Hilary Napier. All of these women, including Dunlop-MacTavish, received their primary dance training with Bodenwieser, danced in the Tanzgruppe Bodenwieser in Vienna (1923-38), and, with the exception of Hilde Holger, danced in Australia with the Bodenwieser Viennese Ballet (1939-58).2 Significantly, they also all developed independent careers as dancer-choreographers and teachers in various parts of the world, including Australia, New Zealand, South Africa, China, India, and England.3 I have listened to their stories, studied their personal archival collections of photographs, programmes, and writings, and learned some of their dances. -
Dance and Exile Research and Showcasing in Austria – an Attempt at a Chronology
גרט ויזנטל רוקדת את יצירתה אנדנטה, וינה, 08/1906, גרטרוד קראוס רוקדת את יצירתה וודקה, וינה 1924, באדיבות מורה ציפרוביץ, וינה 1920, צילום: לא ידוע, באדיבות מוזיאון התיאטרון צילום: מוריץ נהר, באדיבות מוזיאון התיאטרון מוזיאון התיאטרון בוינה Mura Ziperowitsch, Wien, 1920, Photo: Unknown, Courtesy of Theatermuseum -KHM – Museumsverband Gertrud Kraus in Wodka, Wien 1924, Photo: Martind Grete Wiesenthal in Ändante con moto, Wien, Imboden, Courtesy of Theatermusem – KHM 08/1906, Photo: Moritz Naher, Courtesy of Theatermusuem, KHM-Museumsverband Dance and Exile Research and Showcasing in Austria – An Attempt at a Chronology Andrea Amort The broadly defined topic of exile, to a varying extent still relevant Nazi dictatorship. Presciently, Gertrud Kraus left Austria in 1935 to dance )modern dance and ballet( today, mainly covers those and emigrated to Palestine/Israel. Rudolf von Laban )Bratislava dance practitioners in Austria who, in the wake of Austro-Fascism 1879 – Weybridge, Surrey 1958(, the influential founder of Aus- and the racist and political measures of Nazi dictatorship, were druckstanz )expressionist dance(, is nowadays considered a na- restricted in their activities and went into inner emigration or else tional figure especially in Germany and England and, in recent were active in resistance, persecuted, expelled, or murdered. In years, also in Slovakia despite having been born in the Austro- dance scholarship also artists who had emigrated much earlier Hungarian Monarchy. He left Berlin in 1937 and escaped via Paris on and were committed to Zionism )among others, the Ornstein to England. sisters and Jan Veen, alias Hans Wiener ]sic[( are included in this topic. No precise statistics of the persecuted and murdered are avail- able; we estimate, however, that at least 200 dance practitioners All dance practitioners mentioned in the following – with the ex- were affected. -
2. Manual De Historia De La Actividad Física Y Del Deporte
\ !eor�Ítoria de la Actividad Física Y'(lel D porte llimmiÍlmll Manual de Historia de la Actividad, I i Física y del Deporte 1 Universidad Pablo de Olavide de Sevilla 1 1 To o 11: Hist ria de los sist mas y escuel s gimnásticos Juan arios Fernández ll\uan \ 1 Teoría e Historia de la Actividad Física y del Deporte MANUAL DE HISTORIA DE LA ACTIVIDAD FÍSICA Y DEL DEPORTE Universidad Pablo de Olavide de Sevilla TOMO I. HISTORIOGRAFÍA E HISTORIA DE LAS ACTIVIDADES FÍSICAS Y DEPORTIVAS TOMO II. HISTORIA DE LOS SISTEMAS Y ESCUELAS GIMNÁSTICOS TOMO III. HISTORIA DE LOS JUEGOS OLÍMPICOS MODERNOS TOMO IV. ORÍGENES DE LOS DEPORTES MODERNOS 2 Teoría e Historia de la Actividad Física y del Deporte Edita: Universidad Pablo de Olavide Autor: Juan Carlos Fernández Truan Disño y Maquetación: Manuel Peña Pulido © De los textos: Los autores. Los textos e imágenes que se reproducen, se hace de acuerdo con lo previsto en la Ley 2/2019, de 1 de marzo, por la que se modifica el texto refundido de la Ley de Propiedad Intelectual, aprobado por el Real Decreto Legislativo 1/1996, de 12 de abril, y por el que se incorporan al ordenamiento jurídico español la Directiva 2014/26/UE del Parlamento Europeo y del Consejo, de 26 de febrero de 2014, en el que se indica en su artículo 4 lo siguiente: Se añade un nuevo párrafo al apartado 1 del artículo 32 y se modifica el artículo 37, apartado 2, con los siguientes contenidos: Artículo 32 Citas y reseñas e ilustración con fines educativos o de investigación científica. -
Theologies of Modern Dance
my current research as a dance historian and theologian. This project investigates aspects of implicit religion in modern dance, asking how religiousness, both Christian and Jewish, was visualized and evoked, Theologies of specifically through dance aesthetics. How did the pioneers of mod- ern dance make use of older and explicitly religious ideas when they conceptualized their dance practice, and with what movements, poses and dance techniques did they enact these religious notions? Modern Dance Finally, what was the role of the audience in reframing modern dance as a phenomenon that freely crossed the boundaries between the ostensibly separated social spheres of religion and secular culture? Alexander H. Schwan Acknowledging that modern dance was developed against the back- ground of secularization processes that treated religious and aes- thetic practices as two parallel and autonomous options, I examine religiously charged modern dance as an aesthetic phenomenon rath- er than a form of liturgical or religious practice. Investigating implicit religious aspects in modern dance is connected to questioning how spirituality was visualized and evoked specifically through dance aes- thetics. The term spirituality is here understood in the widest possible sense. Spiritual thus refers to any practice with which people relate to the largest possible context of the cosmos and position themselves to this relation in a self-reflective way. Beyond any too narrow and too emotional understanding of spirituality, this wide and abstract defini- tion is free of any esoteric presuppositions (Schwan 2014). The religious upbringing of many modern dancers often influenced their ideas about dance. This applies to dancers and choreogra- phers from Europe and the U.S. -
Rudolf Serkin Papers Ms
Rudolf Serkin papers Ms. Coll. 813 Finding aid prepared by Ben Rosen and Juliette Appold. Last updated on April 03, 2017. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2015 June 26 Rudolf Serkin papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 6 Administrative Information........................................................................................................................... 6 Related Materials........................................................................................................................................... 7 Controlled Access Headings..........................................................................................................................7 Collection Inventory...................................................................................................................................... 9 I. Correspondence.................................................................................................................................... 9 II. Performances...................................................................................................................................274 -
BFE Annual Conference 2005 Programme
MUSIC AND DANCE PERFORMANCE: CROSS- CULTURAL APPROACHES TUESDAY 12 APRIL 14.00-15.30ANALYSING INDIAN RAGA PERFORMANCE: SOUND, GESTURE AND MEANING (V211) Chair: Richard Widdess Papers: Martin Clayton/ Nikki Moran/ Laura Leante/ Matthew Rahaim 14.00-15.30 DANCE AND COMMUNITY (V111) Chair: Ruth Hellier-Tinoco 14.00-14.30 Byron Dueck Motion, affect, and the manifestation of community in First Nations and Metis square dance 14.30-15.00 Margaret Hoyt Embodiment, healing, and resistance through dance: a reflexive anthropological perspective 15.00-15.30 Anna Morcom The changing relationship of dance with music and song in Tibet 15.30 Break (VG10) 16.00-18.00 RITUAL AND PERFORMANCE (V211) Chair: Hwee-San Tan 16.00-16.30 Morgan Davies Ritual protection: arguments surrounding the commodification of ritual music 16.30-17.00 Lam Ching-wah Re-creating music and dance in Confucian rituals 17.00-17.30 Carole Pegg Tuning in to place: emergent personhood in a multi-sensory Khakas shamanic ritual 17.30-18.00 Togay Senalp Sema in contemporary Istanbul: changes and unchanging description of sema 16.00-17.30 WORK IN PROGRESS (V111) Chair: Martin Clayton 16.00-16.30 Shzr Ee Tan Live performance/performing ‘life’: cultural second-guessing in staging Taiwanese aboriginal folksong in London 16.30-17.30 Pauline Cato Research through performance: the Northumbrian smallpipes (with performance) 18.00 Reception hosted by Ashgate Publishing (VG10) Launch of Ashgate/SOAS Musicology Series, introduced by John Baily WEDNESDAY 13 APRIL 9.30-11.00 PERFORMING INDONESIAN DANCE