The Tale of Longchuan
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Maria Khayutina • [email protected] the Tombs
Maria Khayutina [email protected] The Tombs of Peng State and Related Questions Paper for the Chicago Bronze Workshop, November 3-7, 2010 (, 1.1.) () The discovery of the Western Zhou period’s Peng State in Heng River Valley in the south of Shanxi Province represents one of the most fascinating archaeological events of the last decade. Ruled by a lineage of Kui (Gui ) surname, Peng, supposedly, was founded by descendants of a group that, to a certain degree, retained autonomy from the Huaxia cultural and political community, dominated by lineages of Zi , Ji and Jiang surnames. Considering Peng’s location right to the south of one of the major Ji states, Jin , and quite close to the eastern residence of Zhou kings, Chengzhou , its case can be very instructive with regard to the construction of the geo-political and cultural space in Early China during the Western Zhou period. Although the publication of the full excavations’ report may take years, some preliminary observations can be made already now based on simplified archaeological reports about the tombs of Peng ruler Cheng and his spouse née Ji of Bi . In the present paper, I briefly introduce the tombs inventory and the inscriptions on the bronzes, and then proceed to discuss the following questions: - How the tombs M1 and M2 at Hengbei can be dated? - What does the equipment of the Hengbei tombs suggest about the cultural roots of Peng? - What can be observed about Peng’s relations to the Gui people and to other Kui/Gui- surnamed lineages? 1. General Information The cemetery of Peng state has been discovered near Hengbei village (Hengshui town, Jiang County, Shanxi ). -
Ming China As a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 Weicong Duan Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Winter 12-15-2018 Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620 Weicong Duan Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Duan, Weicong, "Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620" (2018). Arts & Sciences Electronic Theses and Dissertations. 1719. https://openscholarship.wustl.edu/art_sci_etds/1719 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS DEPARTMENT OF HISTORY Dissertation Examination Committee: Steven B. Miles, Chair Christine Johnson Peter Kastor Zhao Ma Hayrettin Yücesoy Ming China as a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 by Weicong Duan A dissertation presented to The Graduate School of of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2018 St. Louis, Missouri © 2018, -
The Rise of Agricultural Civilization in China: the Disparity Between Archeological Discovery and the Documentary Record and Its Explanation
SINO-PLATONIC PAPERS Number 175 December, 2006 The Rise of Agricultural Civilization in China: The Disparity between Archeological Discovery and the Documentary Record and Its Explanation by Zhou Jixu Center for East Asian Studies, University of Pennsylvania, Philadelphia, Pennsylvania Chinese Department, Sichuan Normal University, Chengdu, Sichuan Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. -
The Case of the Missing Indigene: Debate Over a 'Second-Generation'
The Case of the Missing Indigene: Debate Over a “Second-Generation” Ethnic Policy .BSL&MMJPUU ABSTRACT The last few years have seen a vigorous public policy debate emerge over a “second- generation” ethnic policy (di’erdai minzu zhengce) which, if implemented, would constitute a major revision of ethnic politics in China. Despite the fact that nationalities policy is a notoriously sensitive subject within China, the debate is happening openly in newspapers, academic journals and on the Internet. The prominence accorded to anthropological theory and international comparison is a notable feature of the debate. This article first explores the main positions in the ongoing policy discussion, then goes on to argue that, rather than comparing China’s non-Han peoples to minority immigrant populations in the industrial- ized democracies, a better comparison is to indigenous peoples. It then considers why this perspective is completely missing from the present debate. n recent years, a debate has arisen among intellectuals and officials in the IPeople’s Republic of China over the proper framework for managing the affairs of the country’s roughly 114 million citizens who identify themselves ethnically other than as Han Chinese (Hanzu 汉族).1 The earliest questioning of the present system for determining minority nationality status (shaoshu minzu chengfen 少数 民族成分) dates from about a decade ago, but the discussion has become greatly amplified since 2008, as the situation in many of the country’s ethnically dis- tinct frontier regions—notably, Tibet, Xinjiang and Mongolia—has deteriorated, * A version of this article was first presented at an international conference on the “second-generation” policy held at Shiga University (Japan) in December 2012. -
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Advances in Social Science, Education and Humanities Research, volume 86 International Conference on Economics and Management, Education, Humanities and Social Sciences (EMEHSS 2017) The Influence of Ming Dynasty Martial Art on the Development of Today's Society Shangwu Tao College of Physical Education, Yan’an University, Yan’an 716000, China [email protected] Abstract: Martial art is one of Chinese traditional events, it is a treasure of the Chinese civilization in the glorious and resplendent. In its long evolution, Ming Dynasty has epoch-making significance .This period is the heyday of the development of Chinese martial arts, The boxing number is unprecedented in the history. To provide reference for the development of martial arts in China today by expounding and comparing the characteristics of Ming Dynasty and contemporary society and the development of martial arts. Keywords: The Ming Dynasty, A martial art, Development. 1. Introduction Martial arts is a treasure of our traditional culture of the Chinese nation, with distinctive cultural and ethnic characteristics. In its long process of development, the Ming Dynasty has the epoch-making significance: Ming Dynasty martial arts not only summarize the crystallization of the ancient sages, but also in the hyality of innovation, there have been many new boxing [1]. When entering the 21st century, with the development of the times, the concept of fitness care has been deeply rooted. As the Chinese martial arts not only has a wonderful and offensive and defensive skills, but also has a health-style sports with the fun, which makes our traditional martial arts movement showing an ascendant situation. -
Download PDF Conference Programme
CVM 2020 Programme Conference venue: Online Conference by Tencent/VooV + Bilibili Download PDF conference programme Day One Thursday, 3 September 2020 9:00 - 9:20 Opening session Keynote 1 9:20-10:05 Gordon Wetzstein (Stanford University) Towards Neural Imaging and Display Session 1 Cognitive Media 10:05 - 10:25 Qiang Fu, Hongbo Fu, Hai Yan, Bin Zhou, Xiaowu Chen, Xueming Li Human-Centric Metrics for Indoor Scene Assessment and Synthesis 10:25 - 10:45 Rui-Song Zhang, Wei-Ze Quan, Lu-Bin Fan, Li-Ming Hu, Dong-Ming Yan Distinguishing Computer-Generated Images from Natural Images Using Channel and Pixel Correlation 10:45 - 11:05 Song-Hai Zhang, Zheng-Ping Zhou, Bin Liu, Xi Dong, Peter Hall What and Where: A Context-based Recommendation System for Object Insertion Session 2 Neural Rendering 11:05 - 11:25 Zheng Zeng, Lu Wang, Beibei Wang, Chunmeng Kang, Yanning Xu Denoising Stochastic Progressive Photon Mapping Renderings Using a Multi-Residual Network 11:25 - 11: 45 Weiheng Lin, Beibei Wang, Lu Wang, Nicolas Holzschuch A Detail Preserving Neural Network Model for Monte Carlo Denoising Session 3 Detection, Classification and Recognition 14:00-14:20 Ruochen Fan, Xuanrun Wang, Qibin Hou, Hanchao Liu, Tai-jiang Mu SpinNet: Spinning convolutional network for lane boundary detection 14:20-14:40 Jin-Gong Jia, Yuan-Feng Zhou, Xing-Wei Hao, Feng Li, Christian Desrosiers, Cai-Ming Zhang Two-Stream Temporal Convolutional Networks for Skeleton-Based Human Action Recognition 14:40-15:00 Xinxin Liu, Yunfeng Zhang, Fangxun Bao, Kai Shao, Ziyi Sun, Caiming -
Indo-Europeans in the Ancient Yellow River Valley
SINO-PLATONIC PAPERS Number 311 April, 2021 Indo-Europeans in the Ancient Yellow River Valley by Shaun C. R. Ramsden Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out for peer review, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. We do, however, strongly recommend that prospective authors consult our style guidelines at www.sino-platonic.org/stylesheet.doc. -
MANHUA MODERNITY HINESE CUL Manhua Helped Defi Ne China’S Modern Experience
CRESPI MEDIA STUDIES | ASIAN STUDIES From fashion sketches of Shanghai dandies in the 1920s, to phantasma- goric imagery of war in the 1930s and 1940s, to panoramic pictures of anti- American propaganda rallies in the 1950s, the cartoon-style art known as MODERNITY MANHUA HINESE CUL manhua helped defi ne China’s modern experience. Manhua Modernity C TU RE o ers a richly illustrated and deeply contextualized analysis of these il- A lustrations from the lively pages of popular pictorial magazines that enter- N UA D tained, informed, and mobilized a nation through a half century of political H M T and cultural transformation. N H O E A “An innovative reconceptualization of manhua. John Crespi’s meticulous P study shows the many benefi ts of interpreting Chinese comics and other D I M C illustrations not simply as image genres but rather as part of a larger print E T culture institution. A must-read for anyone interested in modern Chinese O visual culture.” R R I CHRISTOPHER REA, author of The Age of Irreverence: A New History A of Laughter in China L N “A rich media-centered reading of Chinese comics from the mid-1920s T U U I I through the 1950s, Manhua Modernity shifts the emphasis away from I R R T T ideological interpretation and demonstrates that the pictorial turn requires T N N examinations of manhua in its heterogenous, expansive, spontaneous, CHINESE CULTURE AND THE PICTORIAL TURN AND THE PICTORIAL CHINESE CULTURE Y and interactive ways of engaging its audience’s varied experiences of Y fast-changing everyday life.” YINGJIN ZHANG, author of Cinema, Space, and Polylocality in a Globalizing China JOHN A. -
Proquest Dissertations
"Strong women" and "weak men": Gender paradoxes in urban Yunnan, China Item Type text; Dissertation-Reproduction (electronic) Authors Coffey, Courtney Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 09/10/2021 19:02:34 Link to Item http://hdl.handle.net/10150/283919 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI fihns the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter &ce, vdule others may be from ai^ type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard maigins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Overaze materials (e.g., maps, drawings, charts) are reproduced by sectioning the origmal, b^inning at the upper left-hand comer and continuing from left to right m equal sections with small overiaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs inchided in the original manuscript have been reproduced xerographically in this copy. -
Parts of Meetings, Trainings, Exhibitions and Lectures Held in 2004
Parts of Meetings, Trainings, Exhibitions and Lectures held in 2004 I Meetings From January 3 to 7, the Secretary General Work Meeting of the Library Society of China 2004, which was sponsored by the Library Society of China, was held in Hangzhou. On January 13, the Rescue Project of Chinese Rare Books Work Conference, which was sponsored by our library, was held in Beijng. From February 11 to 12, the Meeting for Abstracts Writing of Rescue Project of Chinese Rare Books, which was sponsored by our library, was held in Beijing Yanshan Hotel. On February 17, the Cultural Heritage Protection Exchange Coordination Meeting, which was sponsored by our library, was held at our library. On February 27, the 6th Session of 8th Standing Council of Library Society of China, which was sponsored by Library Society of China, was held in Beijing city. From April 23 to 26, Sogdian in China—International Academic Symposium on New Exploring of History, Archaeology, Language , which was jointly sponsored by the National Library of China, Research Center of Ancient Chinese History, Peking University, UMR Civilisation Chinoise (EPHE-CNRS), UMR Archéologie d'Orient et d'Occident, ENS-CNRS, the école fran aise d'Extrême-Orient (EFEO), the Culture Department of the French Embassy in China, was held at our library. On May 14, the Workshop of the Library Copyright Problem in Digital Age, which was jointly sponsored by the Library Society of China and Copyright Society of China, was held at our library. From May 18 to 20, the Online Library Cataloguing Center (OLCC) held OLCC Work Meeting 2004 & Shangdong Branch unveiling ceremony at Shangdong Provincial Library. -
The Interaction of Cello and Chinese Traditional Music
The Interaction of Cello and Chinese Traditional Music BY LAN JIANG Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. Dr. Paul Laird Mr. Edward Laut Mr. David Leslie Neely Dr. Martin J. Bergee Dr. Bryan Kip Haaheim Defense Date: May 25, 2017 i The Dissertation Committee for Lan Jiang certifies that this is the approved version of the following dissertation: The Interaction of Cello and Chinese Traditional Music Chairperson Dr. Paul Laird Date approved: May 30, 2016 ii Abstract This document concerns the interaction of the cello and Chinese traditional music with an emphasis on three major areas. An historical introduction to western music in China includes descriptions of its early appearances and development, musical education influences, and how the cello became an important instrument in China. The second section is a discussion of techniques of western music and Chinese traditional music as used by Chinese composers, who write works in both styles separately and in admixtures of the two. The third section is a description of four Chinese works that include cello: “《二泉印月》” (Reflection of Moon in Er-Quan Spring), 《“ 川腔》” (The Voice of Chuan), “《渔舟唱晚》” (The Melodies of the Fishing Night), and “《对话集 I》” (Dialogue I). Analysis of these four works helps show how the cello has been assimilated into Chinese traditional music in both solo and ensemble fields, with specific looks at incorporating traditional performing techniques on the cello, the imitation of programmatic themes and aspects of Chinese culture in such works, and complex issues concerning aspects of performance. -
2018-Summer-Issue
MAGAZINE 2018 SUMMER ISSUE 렳瀖䘋 T HE KE Y S T ONE M AGA ZINE NO.6 2018 SUMMER ISSUE Chronicles of the Keystone Learning Journey Growing With A New School PUBLICATION OF KEYSTONE MARKETING AND COMMUNICATIONS NO. Class of 2018 Marley An Lily Bing Selina Chen Ricky Dong Rachel Du Ashley Fang Katherine Gao Harrison He Evelyn Huang Helen Huang Mario Jerez Winston Jiang Goleba Lefatshe Emily Lei Nancy Li Andy Li Johnson Li Jennifer Li Jacky Liang Rowena Lin Gemma Liu Rachel Liu Vincent Liu Xenia Liu Tony Lou Victor Lu Cassini Lyu David Ma Vicky Ma Dominic Ma Karen Ma Vincy Nie Sasha Onyango Jack Peng Anna Ren Leo Sheng Olivia Sun David Sun Phoebe Sun Sophia Wang Tony Wang Victoria Wei Wesley Wu Gabrielle Yim Alice Zhang Louis Zhang Draven Zhao College & University Ofers USA Pratt Institute Wesleyan University Academy of Art University Purdue University Wheaton College American University Reed College Whitman college Bard College Robert Morris University Widener University Bennington College Rochester Institute of Technology Bentley University Roger Williams University UK Berklee College of Music Rutgers University, New Brunswick City University of London Binghamton at SUNY Sarah Lawrence College Goldsmiths, University of London Boston University Savannah College of Art and Design Keele University Brandeis University School of the Art Institute of Chicago King’s college London Bryn Mawr College School of Visual Arts London School of Economics and California College of the Arts Skidmore College Political Science Case Western Reserve University Smith College Queen Mary University of London Centre College Southern Methodist University University College London College of Holy Cross St.