Parts of Meetings, Trainings, Exhibitions and Lectures Held in 2004
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Proquest Dissertations
"Strong women" and "weak men": Gender paradoxes in urban Yunnan, China Item Type text; Dissertation-Reproduction (electronic) Authors Coffey, Courtney Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 09/10/2021 19:02:34 Link to Item http://hdl.handle.net/10150/283919 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI fihns the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter &ce, vdule others may be from ai^ type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard maigins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Overaze materials (e.g., maps, drawings, charts) are reproduced by sectioning the origmal, b^inning at the upper left-hand comer and continuing from left to right m equal sections with small overiaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs inchided in the original manuscript have been reproduced xerographically in this copy. -
2018-Summer-Issue
MAGAZINE 2018 SUMMER ISSUE 렳瀖䘋 T HE KE Y S T ONE M AGA ZINE NO.6 2018 SUMMER ISSUE Chronicles of the Keystone Learning Journey Growing With A New School PUBLICATION OF KEYSTONE MARKETING AND COMMUNICATIONS NO. Class of 2018 Marley An Lily Bing Selina Chen Ricky Dong Rachel Du Ashley Fang Katherine Gao Harrison He Evelyn Huang Helen Huang Mario Jerez Winston Jiang Goleba Lefatshe Emily Lei Nancy Li Andy Li Johnson Li Jennifer Li Jacky Liang Rowena Lin Gemma Liu Rachel Liu Vincent Liu Xenia Liu Tony Lou Victor Lu Cassini Lyu David Ma Vicky Ma Dominic Ma Karen Ma Vincy Nie Sasha Onyango Jack Peng Anna Ren Leo Sheng Olivia Sun David Sun Phoebe Sun Sophia Wang Tony Wang Victoria Wei Wesley Wu Gabrielle Yim Alice Zhang Louis Zhang Draven Zhao College & University Ofers USA Pratt Institute Wesleyan University Academy of Art University Purdue University Wheaton College American University Reed College Whitman college Bard College Robert Morris University Widener University Bennington College Rochester Institute of Technology Bentley University Roger Williams University UK Berklee College of Music Rutgers University, New Brunswick City University of London Binghamton at SUNY Sarah Lawrence College Goldsmiths, University of London Boston University Savannah College of Art and Design Keele University Brandeis University School of the Art Institute of Chicago King’s college London Bryn Mawr College School of Visual Arts London School of Economics and California College of the Arts Skidmore College Political Science Case Western Reserve University Smith College Queen Mary University of London Centre College Southern Methodist University University College London College of Holy Cross St. -
Chronicle of Events
Chronicle of Events 1949 July January Congress of Chinese Writers and Artists (renamed to The China Federation of Literary 31 The name Beiping (北平) was reverted to and Art Circles) held the First National Exhibi- Peking (北京 adopted to Beijing in 1958) tion of Fine Arts at National Peking Art College. after the People’s Liberation Army (PLA) conquered the city. 2–19 The First National Congress of Litera- ture and Art Workers met in Beijing. A total of six-hundred-fifty delegates February participated the congress, including eighty-eight art workers. The China Fed- 15 The government took over the National eration of Literary and Art Circles Peking Art College. (CFLAC) was founded. 21 China Artists Association (CAA) was founded in Zhongshan Park, Peking. April The Exhibition of New Guohua, featured more October than eighty artists, was held in Zhongshan Park, Beijing. 1 The People’s Republic of China was founded. May November 25 Shanghai was taken over by the PLA. 23 National Peking Art College combined with the art department of North China Univer- sity, establishing the Central Academy of June Fine Arts (CAFA) in 1950. 6 Shanghai prepared to establish the Shanghai Artists Association. # Springer Nature Singapore Pte Ltd. 2020 459 Y. Zhou, A History of Contemporary Chinese Art, Chinese Contemporary Art Series, https://doi.org/10.1007/978-981-15-1141-7 460 Chronicle of Events 1950 November CAA published four issues of the art journal 7 National Hangzhou Arts College was Renmin Meishu (People’s Fine Arts). renamed to CAFA East China Campus (renamed to the Zhejiang Fine Arts Academy in 1958, and then to the China Academy of January Art in 1993). -
The Tale of Longchuan
A panoramic view of The facade of the Hu Family An interior view of the Hu Family The Yishi Minister Arch Longchuan Ancestral Hall Ancestral Hall Xin’an River. Ancient inhabitants of the Longchuan area con- in ancient China. civil servants, equal in rank to imperial officials who had the right particular note are the lotus and crab wood carvings on the first 48 generations of people surnamed Hu from Longchuan Village. Lying at the heart of Longchuan Village, the Yishi Minister Arch Finance Minister during Emperor Xianzong’s reign (1454-1522). The tale of Longchuan structed a settlement along Longchuan Creek in order to have The 1600-year-old Hu Family Ancestral Hall was constructed to meet the emperor with “chaohu” in hand - the term “chaohu” door on the left side of the main hall. Pronounced together as one In the long history of the Hu clan, Hu Zongxian (1512-1565) of is a masterpiece of Hui-style architecture. In imperial China, this Then, Hu Zongxian, also a successful candidate in the highest impe- easy access to water, simplifying everyday life and travel. As the at the time of Longchuan Village’s establishment in accordance refers to a flat staff made of jade that senior-ranking officials in word, the individual words for “lotus” and “crab” in the Chinese the 38th generation had a particularly distinguished record, both type of arch was erected as a means for the emperor to formally rial examinations in the year of 1538, became Minister of National ongchuan is a picturesque village in southwestern Anhui Longchuan Creek empties into the Dengyuan River, which is itself with the principles of Chinese geomancy, or “feng shui,” histori- dynastic China would bring to their meetings with the emperor language form a homophone for “harmony,” which has been the as a military officer and a senior government official. -
Installation, Video, and Performance Art in Reform Era China
Admonition and the Academy: Installation, Video, and Performance Art in Reform Era China By Karin Grace Oen M.A. Modem Art History, Connoisseurship, and the History of the Art Market Christie's Education New York, 2001 B.A. Urban Studies Stanford University, 2000 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY, THEORY, AND CRITICISM OF ART AND ARCHITECTURE AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER 2012 02012 Karin Grace Oen. All Rights Reserved. The author hereby grants MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: Department of Architecture / 'August 10, 2012 Certified by: 6 Caroline A. Jones Professor of History, Theory, and Criticism of Art Thesis Supervisor Accepted by: Takehiko Nagakura Associate Professor of Design and Computation Chairman, Committee for Graduate Students 1 Dissertation Committee Caroline A Jones, PhD Professor of History, Theory and Criticism of Art Chair Arindam Dutta, PhD Associate Professor of History, Theory, and Criticism of Architecture Qianshen Bai, PhD Associate Professor of Art History, Boston University 2 Admonition and the Academy: Installation, Video, and Performance Art in Reform Era China By Karin Grace Oen Submitted to the Department of Architecture on August 10, 2012 in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History, Theory, and Criticism of Art and Architecture at the Massachusetts Institute of Technology Abstract China's Reform Era (1978-present) has seen the reinvigoration of academic, and artistic practice, and a rapprochement between the Chinese Communist Party and the intellectual elite. -
Chinese Literary Text Messages and Colors of Texts THESIS Presented
Visual Sensation and Performative Cultural Politics: Chinese Literary Text Messages and Colors of Texts THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Wang Huang, M.A. Graduate Program in East Asian Languages and Literatures The Ohio State University 2010 Master's Examination Committee: Heath Inwood, Adivisor Kirk A. Denton Copyright by Wang Huang 2010 Abstract This thesis discusses the performative cultural politics of Chinese literary text messages. Literary compositions of text messages have developed into a hybrid popular and folk literary genre in the hypermedia of cell phone. After investigating the creation, circulation, and consumption of literary text messages as well as their literary and cultural properties, I discuss the political performativity of such texts in negotiating power on the representational, technological, and socio-political levels. By playing with the fluid identities of sender and receiver of the text, subjects exchange relations with each other interpassively, and negotiate their relationships with the symbolic order of representation. The users’ particular experience of poeticity of mathematic models and tempo of visuality dominating the text enables them to resist the potential alientating power of technology. The colors of these texts, as part of a larger cultural phenomenon of politicization of color codes, are related to particular hegemonic negotiations. The yellow, gray, and black literary text messages counteract the unifying power of the colors red and green, thus negotiating counter-hegemonic cultural spaces and implying further decentering and multi-loci of power. This analysis of multi-layered cultural politics that literary text messages involve enables us to better understand the postmodern condition and specific socio-cultural scenerios in contemporary China. -
Report Title - P
Report Title - p. 1 of 282 Report Title A birthday book for Brother Stone : for David Hawkes, at eighty. Ed. by Rachel May and John Minford. (Hong Kong : Chinese University Press, 2003). A brief biography of his emincence Ignatius Cardinal Kung Pin-Mei : hppt://www.cardinalkungfoundation.org/biography/. A brief chronology of Chinese Canadian history : https://www.sfu.ca/chinese-canadian-history/chart_en.html. A brief history of Chinese immigration to America : http://www.ailf.org/awards/ahp_0001_essay01.htm. A brief history of Sino-Norwegian diplomatic relations. http://www.norway.cn/News_and_events/Bilateral-cooperation/History/history/#.VVw_vEY72So. A century of travels in China : critical essays on travel writing from the 1840s to the 1940s. Ed. by Douglas Kerr and Julia Kuehn. (Hong Kong : Hong Kong University Press, 2007). www.oapen.org/download?type=document&docid=448539. [AOI] A life journey to the East : sinological studes in memory of Giuliano Bertuccioli (1923-2001). Ed. by Antonino Forte and Federico Masini. (Kyoto : Scuola italiana di studi sull'Asia orientale, 2002). (Essays / Italien School of East Asian Studies ; vol. 2). [WC] A long history of China-Sweden relationship. http://en.people.cn/90001/90776/90883/7001796.html. A mes frères du village de garnison : anthologie de nouvelles taiwanaises contemporaines. Choisis et éd. par Angel Pino et Isabelle Rabut ; traduit du chinois par Olivier Bialais [et al.]. (Paris : Bleu de Chine, 2001). [KVK] A modern buddhist bible : essential readings from East and West. Ed. by Donald S. Lopez. (Boston : Beacon Press, 2002). = Modern buddhism : readings for the unenlightened. Ed. by Donald S. Lopez. (London : Penguin, 2002). -
Wang Xiaobo, Un Ensayista Revolucionario (Traducción Y Estudio De Sus Ensayos Más Representativos)
Facultad de Filología Departamento de Lenguas Modernas Área de Estudios de Asia Oriental Wang Xiaobo, un ensayista revolucionario (traducción y estudio de sus ensayos más representativos) TESIS DOCTORAL AUTOR: ISMAEL ANÍBAL MAÍLLO MELCHOR DIRECTOR: ALFONSO FALERO FOLGOSO SALAMANCA 2019 ESTA TESIS DOCTORAL HA SIDO REALIZADA BAJO LA DIRECCIÓN DEL PROFESOR ALFONSO FALERO FOLGOSO FDO. AGRADECIMIENTOS Principalmente debo dar las gracias al Profesor Alfonso Falero Folgoso por sus consejos y enseñanzas, por guiarme a través de los diferentes retos surgidos durante la elaboración de esta tesis y por transmitirme su pasión por la divulgación de las culturas y las lenguas de Asia Oriental. En segundo lugar, quisiera expresar mi agradecimiento sincero al Profesor Xu Jinjing que tuvo a bien avalar mi traducción de los textos chinos ante el director de la tesis. Asimismo debo reconocimiento a mis antiguos profesores del Departamento de Estudios de Asia Oriental de la Universidad de Durham, que hicieron posible que yo me beneficiara de una rigurosa educación tanto teórica como práctica sobre Asia Oriental. Quede aquí patente mi agradecimiento asimismo a todos aquellos que me animaron durante el proceso de elaboración de este trabajo de investigación, esperando que esté a la altura de sus expectativas. Por último, no puedo dejar de dar las gracias a mi familia, en especial a mi padre, por su apoyo y su paciencia, sin él la culminación de esta tesis no habría sido posible. 1 2 SUMARIO AGRADECIMIENTOS 1 SUMARIO 3 RESUMEN 5 ABSTRACT 6 INTRODUCCIÓN 7 OBJETIVOS 11 JUSTIFICACIÓN 13 LIMITACIONES 15 ASPECTOS METODOLÓGICOS 17 ESTADO DE LA CUESTIÓN 21 ANTECEDENTES HISTÓRICOS Y SOCIALES 27 1- INTRODUCCIÓN 27 2- LAS CAMPAÑAS DE MOVILIZACIÓN 28 3- CAMPAÑA DE LAS CIEN FLORES Y SUS RESULTADOS 33 4- LA CATÁSTROFE DEL GRAN SALTO ADELANTE 36 5- REGRESO DE MAO AL PODER 48 6- LA REVOLUCIÓN CULTURAL. -
The Imperial Style of Inquiry in Twentieth-Century China
The Imperial Style of Inquiry in Twentieth-Century China The Imperial Style of Inquiry in Twentieth-Century China The Emergence of New Approaches Donald J. Munro The University ofMichigan til CENTER FOR CHINESE STUDIES THE UNIVERSITY OF MICHIGAN ANN ARBOR Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. 1 / MICHIGAN MONOGRAPHS IN CHINESE STUDIES J-~ ISSN 1081-9053 \l r ? ' SERIES ESTABLISHED 1968 . ^ VOLUME 72 / Published by Center for Chinese Studies The University of Michigan Ann Arbor, Michigan 48109-1290 First Edition 1996 © 1996 Center for Chinese Studies The University of Michigan Printed and made in the United States of America @ The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences— Permanence of Paper for Publications and Documents in Libraries and Archives ANSI/NISO/Z39.48—1992. Library of Congress Cataloging-in-Publication Data Munro, Donald J. The imperial style of inquiry in twentieth-century China : the emergence of new approaches / Donald J. Munro — 1st ed. p. cm. — (Michigan monographs in Chinese studies, ISSN 1081-9053 ; v. 72) Includes bibliographical references and index ISBN 0-89264-120-7 (alk. paper) 1. Inquiry (Theory of knowledge) 2. Social epistemology—China. 3. China—Civilization—20th century. I. Title. II. Series. Michigan monographs in Chinese studies ; no. 72 BD183.M86 1996 181M1—dc20 96-256 ISBN 978-0-89264-120-8 (hardcover) ISBN 978-0-472CI-03824-4P (paper) ISBN 978-0-472-12782-5 (ebook) ISBN 978-0-472-90178-4 (open access) The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ Derived from the author's Distinguished Senior Faculty Lectures, presented in 1994 on the occasion of his receipt of the Warner G. -
Report Annual Annual 2015 Report 年度報告 Report 年度報告
中國建材股份有限公司 China National Building Material Company Limited ( 股份代號:3323 ) (Stock Code: 3323) 2015 Annual 2015 Annual Report Annual 2015 Report 年度報告 Report 年度報告 年度報告 僅供識別 For identification only Financial and Business Highlights As at 31 December 2015 2014 Growth rate (RMB in millions) Bank balances and cash 10,580 10,291 2.8% Total assets 329,788 316,482 4.2% Equity attributable to equity holders of the Company 41,898 40,573 3.3% Earnings per share-basic (RMB) 0.19 1.10 -82.8% For the year ended 31 December 2015 2014 Growth rate (RMB in millions) Revenue 100,292 122,011 -17.8% Profit after taxation 2,793 8,672 -67.8% Profit attributable to equity holders of the Company 1,019 5,920 -82.8% Net cash flows from operating activities 8,302 15,169 -45.3% Sales volume of cement and clinker (in thousand tonnes) 279,556 291,194 -4.0% – China United 63,109 67,794 -6.9% – South Cement 114,301 116,749 -2.1% – North Cement 18,689 22,753 -17.9% – Southwest Cement 81,821 82,162 -0.4% Commercial concrete sales volume (in thousand m3) 71,199 87,054 -18.2% – China United 29,010 35,193 -17.6% – South Cement 37,503 46,385 -19.1% – North Cement 2,422 2,180 11.1% – Southwest Cement 1,044 1,253 -16.7% Gypsum board (in million m2) 1,446 1,437 0.6% Revenue from engineering service (RMB in millions) 7,998 7,628 4.8% Rotor blade (in blade) 6,540 4,564 43.3% Glass fibre yarn (in thousand tonnes) 1,062 1,021 4.0% Selling price Cement sold by China United (RMB per tonne) 195.5 257.3 -24.0% Clinker sold by China United (RMB per tonne) 165.9 230.4 -28.0% Commercial concrete