List of Publication for Journal of Earth Science in 2020
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Maria Khayutina • [email protected] the Tombs
Maria Khayutina [email protected] The Tombs of Peng State and Related Questions Paper for the Chicago Bronze Workshop, November 3-7, 2010 (, 1.1.) () The discovery of the Western Zhou period’s Peng State in Heng River Valley in the south of Shanxi Province represents one of the most fascinating archaeological events of the last decade. Ruled by a lineage of Kui (Gui ) surname, Peng, supposedly, was founded by descendants of a group that, to a certain degree, retained autonomy from the Huaxia cultural and political community, dominated by lineages of Zi , Ji and Jiang surnames. Considering Peng’s location right to the south of one of the major Ji states, Jin , and quite close to the eastern residence of Zhou kings, Chengzhou , its case can be very instructive with regard to the construction of the geo-political and cultural space in Early China during the Western Zhou period. Although the publication of the full excavations’ report may take years, some preliminary observations can be made already now based on simplified archaeological reports about the tombs of Peng ruler Cheng and his spouse née Ji of Bi . In the present paper, I briefly introduce the tombs inventory and the inscriptions on the bronzes, and then proceed to discuss the following questions: - How the tombs M1 and M2 at Hengbei can be dated? - What does the equipment of the Hengbei tombs suggest about the cultural roots of Peng? - What can be observed about Peng’s relations to the Gui people and to other Kui/Gui- surnamed lineages? 1. General Information The cemetery of Peng state has been discovered near Hengbei village (Hengshui town, Jiang County, Shanxi ). -
The Rise of Agricultural Civilization in China: the Disparity Between Archeological Discovery and the Documentary Record and Its Explanation
SINO-PLATONIC PAPERS Number 175 December, 2006 The Rise of Agricultural Civilization in China: The Disparity between Archeological Discovery and the Documentary Record and Its Explanation by Zhou Jixu Center for East Asian Studies, University of Pennsylvania, Philadelphia, Pennsylvania Chinese Department, Sichuan Normal University, Chengdu, Sichuan Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. -
2016 IEEE 11Th Conference on Industrial Electronics and Applications (ICIEA 2016)
2016 IEEE 11th Conference on Industrial Electronics and Applications (ICIEA 2016) Hefei, China 5-7 June 2016 Pages 1929-2574 IEEE Catalog Number: CFP1620A-POD ISBN: 978-1-4673-8645-6 4/4 Copyright © 2016 by the Institute of Electrical and Electronics Engineers, Inc All Rights Reserved Copyright and Reprint Permissions: Abstracting is permitted with credit to the source. Libraries are permitted to photocopy beyond the limit of U.S. copyright law for private use of patrons those articles in this volume that carry a code at the bottom of the first page, provided the per-copy fee indicated in the code is paid through Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923. For other copying, reprint or republication permission, write to IEEE Copyrights Manager, IEEE Service Center, 445 Hoes Lane, Piscataway, NJ 08854. All rights reserved. ***This publication is a representation of what appears in the IEEE Digital Libraries. Some format issues inherent in the e-media version may also appear in this print version. IEEE Catalog Number: CFP1620A-POD ISBN (Print-On-Demand): 978-1-4673-8645-6 ISBN (Online): 978-1-4673-8644-9 ISSN: 2156-2318 Additional Copies of This Publication Are Available From: Curran Associates, Inc 57 Morehouse Lane Red Hook, NY 12571 USA Phone: (845) 758-0400 Fax: (845) 758-2633 E-mail: [email protected] Web: www.proceedings.com Technical Programme Session SuA1: Power Electronics (I) Date/Time Sunday, 5 June 2016 / 10:45 – 12:25 Venue 3rd floor Room 1 Chairs Zhenyu Yuan, Northeastern University Maosong Zhang, -
China's Water-Energy-Food R Admap
CHINA’S WATER-ENERGY-FOOD R ADMAP A Global Choke Point Report By Susan Chan Shifflett Jennifer L. Turner Luan Dong Ilaria Mazzocco Bai Yunwen March 2015 Acknowledgments The authors are grateful to the Energy Our CEF research assistants were invaluable Foundation’s China Sustainable Energy in producing this report from editing and fine Program and Skoll Global Threats Fund for tuning by Darius Izad and Xiupei Liang, to their core support to the China Water Energy Siqi Han’s keen eye in creating our infographics. Team exchange and the production of this The chinadialogue team—Alan Wang, Huang Roadmap. This report was also made possible Lushan, Zhao Dongjun—deserves a cheer for thanks to additional funding from the Henry Luce their speedy and superior translation of our report Foundation, Rockefeller Brothers Fund, blue into Chinese. At the last stage we are indebted moon fund, USAID, and Vermont Law School. to Katie Lebling who with a keen eye did the We are also in debt to the participants of the China final copyedits, whipping the text and citations Water-Energy Team who dedicated considerable into shape and CEF research assistant Qinnan time to assist us in the creation of this Roadmap. Zhou who did the final sharpening of the Chinese We also are grateful to those who reviewed the text. Last, but never least, is our graphic designer, near-final version of this publication, in particular, Kathy Butterfield whose creativity in design Vatsal Bhatt, Christine Boyle, Pamela Bush, always makes our text shine. Heather Cooley, Fred Gale, Ed Grumbine, Jia Shaofeng, Jia Yangwen, Peter V. -
The Case of the Missing Indigene: Debate Over a 'Second-Generation'
The Case of the Missing Indigene: Debate Over a “Second-Generation” Ethnic Policy .BSL&MMJPUU ABSTRACT The last few years have seen a vigorous public policy debate emerge over a “second- generation” ethnic policy (di’erdai minzu zhengce) which, if implemented, would constitute a major revision of ethnic politics in China. Despite the fact that nationalities policy is a notoriously sensitive subject within China, the debate is happening openly in newspapers, academic journals and on the Internet. The prominence accorded to anthropological theory and international comparison is a notable feature of the debate. This article first explores the main positions in the ongoing policy discussion, then goes on to argue that, rather than comparing China’s non-Han peoples to minority immigrant populations in the industrial- ized democracies, a better comparison is to indigenous peoples. It then considers why this perspective is completely missing from the present debate. n recent years, a debate has arisen among intellectuals and officials in the IPeople’s Republic of China over the proper framework for managing the affairs of the country’s roughly 114 million citizens who identify themselves ethnically other than as Han Chinese (Hanzu 汉族).1 The earliest questioning of the present system for determining minority nationality status (shaoshu minzu chengfen 少数 民族成分) dates from about a decade ago, but the discussion has become greatly amplified since 2008, as the situation in many of the country’s ethnically dis- tinct frontier regions—notably, Tibet, Xinjiang and Mongolia—has deteriorated, * A version of this article was first presented at an international conference on the “second-generation” policy held at Shiga University (Japan) in December 2012. -
Download PDF Conference Programme
CVM 2020 Programme Conference venue: Online Conference by Tencent/VooV + Bilibili Download PDF conference programme Day One Thursday, 3 September 2020 9:00 - 9:20 Opening session Keynote 1 9:20-10:05 Gordon Wetzstein (Stanford University) Towards Neural Imaging and Display Session 1 Cognitive Media 10:05 - 10:25 Qiang Fu, Hongbo Fu, Hai Yan, Bin Zhou, Xiaowu Chen, Xueming Li Human-Centric Metrics for Indoor Scene Assessment and Synthesis 10:25 - 10:45 Rui-Song Zhang, Wei-Ze Quan, Lu-Bin Fan, Li-Ming Hu, Dong-Ming Yan Distinguishing Computer-Generated Images from Natural Images Using Channel and Pixel Correlation 10:45 - 11:05 Song-Hai Zhang, Zheng-Ping Zhou, Bin Liu, Xi Dong, Peter Hall What and Where: A Context-based Recommendation System for Object Insertion Session 2 Neural Rendering 11:05 - 11:25 Zheng Zeng, Lu Wang, Beibei Wang, Chunmeng Kang, Yanning Xu Denoising Stochastic Progressive Photon Mapping Renderings Using a Multi-Residual Network 11:25 - 11: 45 Weiheng Lin, Beibei Wang, Lu Wang, Nicolas Holzschuch A Detail Preserving Neural Network Model for Monte Carlo Denoising Session 3 Detection, Classification and Recognition 14:00-14:20 Ruochen Fan, Xuanrun Wang, Qibin Hou, Hanchao Liu, Tai-jiang Mu SpinNet: Spinning convolutional network for lane boundary detection 14:20-14:40 Jin-Gong Jia, Yuan-Feng Zhou, Xing-Wei Hao, Feng Li, Christian Desrosiers, Cai-Ming Zhang Two-Stream Temporal Convolutional Networks for Skeleton-Based Human Action Recognition 14:40-15:00 Xinxin Liu, Yunfeng Zhang, Fangxun Bao, Kai Shao, Ziyi Sun, Caiming -
Indo-Europeans in the Ancient Yellow River Valley
SINO-PLATONIC PAPERS Number 311 April, 2021 Indo-Europeans in the Ancient Yellow River Valley by Shaun C. R. Ramsden Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out for peer review, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. We do, however, strongly recommend that prospective authors consult our style guidelines at www.sino-platonic.org/stylesheet.doc. -
SOURCE of DATE PLACE NAME, AGE, ALLEGED D E 2 Other Information REPORT OCCUPATION CRIME S X Yrs
SOURCE OF DATE PLACE NAME, AGE, ALLEGED D E 2 other information REPORT OCCUPATION CRIME S X yrs AFP 01/01/96 Fuzhou C Chen Yongxing C 1 1 Lin Qiangong was accused of 08/01/96 Fujian P Lin Qiangong C 1 obtaining 247,000 Yuan SCMP Wei Quanjin C 1 1 (US$30,000) through 09/01/96 Xie Qixin C 1 1 corruption. The other three SWB defendants were all accused of 02/02/96 taking less than 200,000 Yuan each (US$2,500) Heilongjiang c.01/01/ Heilongjian Zhan Qiqun,36 M 1 1 Accused of giving rat poison to Legal News 96 g P (f) her husband on three 17/08/96 occasions, finally killing him. SWB 02/01/96 Shanghai Hu Yuanchun Heinous 1 16/01/96 M 9 unnamed Heinous 9 SCMP c.02/01/ Yunnan P 4 unnamed See notes 4 The four were reportedly a c.02/01/96 96 government official, a policeman, a businessman and an ex-soldier. Accused of illegal elephant hunting. SCMP c.02/01/ Shijiazhuan 13 unnamed M, Rob 1 1 c.02/01/96 96 g 3 3 Hebei P FBIS 05/01/96 Shenzhen C 1 unnamed Rob 1 1 Accused of train robbery. 11/01/96 Guangdong SWB P 16/01/96 SWB 05/01/96 Foshan C Lin Zhentao E 1 Accused of embezzling 7.82 02/02/96 Guangdong million Yuan (US$939,759). FBIS P 11/01/96 Shanghai c.08/01/ Shanghai Gao Qiming R 1 Some of these sentences were Legal News 96 M Hu Yuanqing H 1 reportedly suspended for two 08/01/96 Lu Hongbao M 1 years; the report does not SWB Yan Changbing M 1 indicate the names of the 02/02/96 Zhang Xiaodong T 1 prisoners. -
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities. -
The Interaction of Cello and Chinese Traditional Music
The Interaction of Cello and Chinese Traditional Music BY LAN JIANG Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. Dr. Paul Laird Mr. Edward Laut Mr. David Leslie Neely Dr. Martin J. Bergee Dr. Bryan Kip Haaheim Defense Date: May 25, 2017 i The Dissertation Committee for Lan Jiang certifies that this is the approved version of the following dissertation: The Interaction of Cello and Chinese Traditional Music Chairperson Dr. Paul Laird Date approved: May 30, 2016 ii Abstract This document concerns the interaction of the cello and Chinese traditional music with an emphasis on three major areas. An historical introduction to western music in China includes descriptions of its early appearances and development, musical education influences, and how the cello became an important instrument in China. The second section is a discussion of techniques of western music and Chinese traditional music as used by Chinese composers, who write works in both styles separately and in admixtures of the two. The third section is a description of four Chinese works that include cello: “《二泉印月》” (Reflection of Moon in Er-Quan Spring), 《“ 川腔》” (The Voice of Chuan), “《渔舟唱晚》” (The Melodies of the Fishing Night), and “《对话集 I》” (Dialogue I). Analysis of these four works helps show how the cello has been assimilated into Chinese traditional music in both solo and ensemble fields, with specific looks at incorporating traditional performing techniques on the cello, the imitation of programmatic themes and aspects of Chinese culture in such works, and complex issues concerning aspects of performance. -
Spring and Autumn China (771-453)
Indiana University, History G380 – class text readings – Spring 2010 – R. Eno 1.7 SPRING AND AUTUMN CHINA (771-453) The history of the Spring and Autumn period was traditionally pictured as a narrative in which the major actors were states, their rulers, and certain high ministers and colorful figures. The narrative generally was shaped by writers to convey ethical points. It was, on the largest scale, a “true” story, but its drama was guided by a moral rationale. In these pages, we will survey the events of this long period. Our narrative will combine a selective recounting of major events with an attempt to illustrate the political variety that developed among the patrician states of the time. It embeds also certain stories from traditional sources, which are intended to help you picture more vividly and so recall more easily major turning points. These tales (which appear in italics) are retold here in a way that eliminates the profusion of personal and place names that characterize the original accounts. There are four such stories and each focuses on a single individual (although the last and longest has a larger cast of characters). The first two stories, those of Duke Huan of Qi and Duke Wen of Jin, highlight certain central features of Spring and Autumn political structures. The third tale, concerning King Ling of Chu, illustrates the nature of many early historical accounts as cautionary tales. The last, the story of Wu Zixu, is one of the great “historical romances” of the traditional annals. It is important to bear in mind that the tales recounted here are parts of a “master narrative” of early China, crafted by literary historians. -
Painters and Publishing in Late Nineteenth-Century Shanghai
Painters and Publishing in Late Nineteenth-century Shanghai JONATHAN HAY The relationship between the art world of Shanghai and the city's pub• lishing industry during the first two decades of the Guangxu reign, from the mid-187os to the mid-r89os, is complex enough to deserve several essays. Here, I shall focus on just one of its aspects: the massive involvement of Shanghai-based painters inproviding designs for illus• trated books closely related to their normal production as painters. These books provide rich material for thematic study, in particular of the late nineteenth-century Chinese representation of metropoli• tan experience; in this essay, ho wever, while I will make a number of such points in passing, I want to defer thematic interpretation in favor of a preliminary survey of the material and a discussion of underlying issues. Since illustrated books of this period have attracted little schol• arly attention, this means classifying the books in question by genre and date and providing information on their contributors and con• tents. One of the implications of taking seriously the mass of printed images is that it then becomes impossible to treat Shanghai painting adequately without taking into account the contributions of those painters to the publishing industry with its very different economic and social relationships. As I shall try to show later, one can legiti• mately use the evidence of the books to explore the larger question of the public space of painting in late nineteenth-century Shanghai, and in the process shed light on the role of illustrated books in China's emergent mass culture.