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Ming China As a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 Weicong Duan Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Winter 12-15-2018 Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620 Weicong Duan Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Duan, Weicong, "Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620" (2018). Arts & Sciences Electronic Theses and Dissertations. 1719. https://openscholarship.wustl.edu/art_sci_etds/1719 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS DEPARTMENT OF HISTORY Dissertation Examination Committee: Steven B. Miles, Chair Christine Johnson Peter Kastor Zhao Ma Hayrettin Yücesoy Ming China as a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 by Weicong Duan A dissertation presented to The Graduate School of of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2018 St. Louis, Missouri © 2018, -
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Advances in Social Science, Education and Humanities Research, volume 86 International Conference on Economics and Management, Education, Humanities and Social Sciences (EMEHSS 2017) The Influence of Ming Dynasty Martial Art on the Development of Today's Society Shangwu Tao College of Physical Education, Yan’an University, Yan’an 716000, China [email protected] Abstract: Martial art is one of Chinese traditional events, it is a treasure of the Chinese civilization in the glorious and resplendent. In its long evolution, Ming Dynasty has epoch-making significance .This period is the heyday of the development of Chinese martial arts, The boxing number is unprecedented in the history. To provide reference for the development of martial arts in China today by expounding and comparing the characteristics of Ming Dynasty and contemporary society and the development of martial arts. Keywords: The Ming Dynasty, A martial art, Development. 1. Introduction Martial arts is a treasure of our traditional culture of the Chinese nation, with distinctive cultural and ethnic characteristics. In its long process of development, the Ming Dynasty has the epoch-making significance: Ming Dynasty martial arts not only summarize the crystallization of the ancient sages, but also in the hyality of innovation, there have been many new boxing [1]. When entering the 21st century, with the development of the times, the concept of fitness care has been deeply rooted. As the Chinese martial arts not only has a wonderful and offensive and defensive skills, but also has a health-style sports with the fun, which makes our traditional martial arts movement showing an ascendant situation. -
1001 Years of Missing Martial Arts
1001 Years of Missing Martial Arts IMPORTANT NOTICE: Author: Master Mohammed Khamouch Chief Editor: Prof. Mohamed El-Gomati All rights, including copyright, in the content of this document are owned or controlled for these purposes by FSTC Limited. In Deputy Editor: Prof. Mohammed Abattouy accessing these web pages, you agree that you may only download the content for your own personal non-commercial Associate Editor: Dr. Salim Ayduz use. You are not permitted to copy, broadcast, download, store (in any medium), transmit, show or play in public, adapt or Release Date: April 2007 change in any way the content of this document for any other purpose whatsoever without the prior written permission of FSTC Publication ID: 683 Limited. Material may not be copied, reproduced, republished, Copyright: © FSTC Limited, 2007 downloaded, posted, broadcast or transmitted in any way except for your own personal non-commercial home use. Any other use requires the prior written permission of FSTC Limited. You agree not to adapt, alter or create a derivative work from any of the material contained in this document or use it for any other purpose other than for your personal non-commercial use. FSTC Limited has taken all reasonable care to ensure that pages published in this document and on the MuslimHeritage.com Web Site were accurate at the time of publication or last modification. Web sites are by nature experimental or constantly changing. Hence information published may be for test purposes only, may be out of date, or may be the personal opinion of the author. Readers should always verify information with the appropriate references before relying on it. -
The Gunpowder Age China, Military Innovation, and the Rise of the West in World History 1St Edition Download Free
THE GUNPOWDER AGE CHINA, MILITARY INNOVATION, AND THE RISE OF THE WEST IN WORLD HISTORY 1ST EDITION DOWNLOAD FREE Tonio Andrade | 9780691135977 | | | | | Tonio Andrade Finally the Jin made a frontal assault and the Rise of the West in World History 1st edition the walls and scaled them, after which followed a merciless hunt for soldiers, officers, and officials of every level. Interaction with the outside world and adaptation in Southeast Asian society — His answer is a clarification of previously common answers. All in all a great read that helps also set the context for how China may view its c A fascinating look at why China 'fell behind' even though it was a leading pioneer of Gunpowder use in warfare. Anyone interested in the long view of the co-evolution of war and society—and what this means for the big questions of Military Innovation history—would do well to pick up this book. Gunpowder technology also spread to naval warfare and in Song decreed that all warships were to be fitted with trebuchets for hurling gunpowder bombs. They had bam-boo rods, a rocket-body lashed to the rod, and iron points. What happened? One of the first, if not the first of these weapons was the fire arrow. Interestingly, Andrade doesn't attribute discipline and drill among those innovations. February 4, The other was the 'flame-spouting lance' t'u huo ch'iang. January As Andrade explains, these would fail in the face of Western power largely because of confusion stemming from the Chinese court — even though Manchu emperors, themselves Confucians, understood the importance of warfare. -
MANHUA MODERNITY HINESE CUL Manhua Helped Defi Ne China’S Modern Experience
CRESPI MEDIA STUDIES | ASIAN STUDIES From fashion sketches of Shanghai dandies in the 1920s, to phantasma- goric imagery of war in the 1930s and 1940s, to panoramic pictures of anti- American propaganda rallies in the 1950s, the cartoon-style art known as MODERNITY MANHUA HINESE CUL manhua helped defi ne China’s modern experience. Manhua Modernity C TU RE o ers a richly illustrated and deeply contextualized analysis of these il- A lustrations from the lively pages of popular pictorial magazines that enter- N UA D tained, informed, and mobilized a nation through a half century of political H M T and cultural transformation. N H O E A “An innovative reconceptualization of manhua. John Crespi’s meticulous P study shows the many benefi ts of interpreting Chinese comics and other D I M C illustrations not simply as image genres but rather as part of a larger print E T culture institution. A must-read for anyone interested in modern Chinese O visual culture.” R R I CHRISTOPHER REA, author of The Age of Irreverence: A New History A of Laughter in China L N “A rich media-centered reading of Chinese comics from the mid-1920s T U U I I through the 1950s, Manhua Modernity shifts the emphasis away from I R R T T ideological interpretation and demonstrates that the pictorial turn requires T N N examinations of manhua in its heterogenous, expansive, spontaneous, CHINESE CULTURE AND THE PICTORIAL TURN AND THE PICTORIAL CHINESE CULTURE Y and interactive ways of engaging its audience’s varied experiences of Y fast-changing everyday life.” YINGJIN ZHANG, author of Cinema, Space, and Polylocality in a Globalizing China JOHN A. -
Courage and Spirit in Thought and Military Practice 1
Journal of Military and Strategic Studies, Fall and Winter 2008/9, Vol. 11, Issues 1 and 2. MARTIAL QI IN CHINA: COURAGE AND SPIRIT IN THOUGHT 1 AND MILITARY PRACTICE By Ralph D. Sawyer Once warfare became the subject of study, its objectives (as distinct from motivation) began to be consciously formulated. Early Western thinkers envisioned war being undertaken to exact revenge and rectify affronts; castigate and punish the unrighteous; seize territory, acquire resources, and enslave populations; preemptively vanquish enemies and quash threats; or simply exercise and acquire power. In China, the great Wu Qi early on discerned five causes for warfare: “In general, the reason troops are raised are five: to contend for fame; to contend for profit; from accumulated 2 hatreds; from internal disorder; and from famine.” As the scope and carnage escalated, the function of combat came to be understood as neutralizing forces and destroying materials, synonymous with killing soldiers and ravaging property. However, the last century witnessed a dramatic reformulation of the combat mission to concentrate upon annihilating the enemy’s center of gravity. Thereafter, amid new conceptualizations of “effects based warfare” it has been but a minor step to reaffirming that the true objective is simply extinguishing the enemy’s will and imposing one’s intentions. 1 Copyright by Ralph D. Sawyer, 2008. Insofar as most readers are unfamiliar with the traditional Chinese military writings even though they continue to be widely employed in contemporary PRC military science, extensive portions are summarized and translated in the historical section of this analysis. (A portion of this paper relating to traditional theory was originally presented at the 1999 Chinese Military History Group Workshop under the title “Conception and Role of Qi in Chinese Military Thought, Antiquity through the Ming.”) 2 “Planning for the State,” the Wuzi. -
Mughals at War: Babur, Akbar and the Indian Military Revolution, 1500 - 1605
Mughals at War: Babur, Akbar and the Indian Military Revolution, 1500 - 1605 A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School of The Ohio State University By Andrew de la Garza Graduate Program in History The Ohio State University 2010 Dissertation Committee: John F. Guilmartin, Advisor; Stephen Dale; Jennifer Siegel Copyright by Andrew de la Garza 2010 Abstract This doctoral dissertation, Mughals at War: Babur, Akbar and the Indian Military Revolution, examines the transformation of warfare in South Asia during the foundation and consolidation of the Mughal Empire. It emphasizes the practical specifics of how the Imperial army waged war and prepared for war—technology, tactics, operations, training and logistics. These are topics poorly covered in the existing Mughal historiography, which primarily addresses military affairs through their background and context— cultural, political and economic. I argue that events in India during this period in many ways paralleled the early stages of the ongoing “Military Revolution” in early modern Europe. The Mughals effectively combined the martial implements and practices of Europe, Central Asia and India into a model that was well suited for the unique demands and challenges of their setting. ii Dedication This document is dedicated to John Nira. iii Acknowledgments I would like to thank my advisor, Professor John F. Guilmartin and the other members of my committee, Professors Stephen Dale and Jennifer Siegel, for their invaluable advice and assistance. I am also grateful to the many other colleagues, both faculty and graduate students, who helped me in so many ways during this long, challenging process. -
The Great Wall of China : the World’S Greatest Boundary Monument !!!
03-09-2014 THE GREAT WALL OF CHINA : THE WORLD’S GREATEST BOUNDARY MONUMENT !!! THE MOON AS SEEN FROM THE GREAT WALL !!! 1 03-09-2014 TOMB RELIEF FROM THE HAN DYNASTY (202 BC ---6 AD) SHOWING EMPEROR FU XI and his consort NU WA with drawing compass and set square in hand FU XI & NU WA 29 th Century BC 2 03-09-2014 EMPEROR YU THE GREAT C. 2200 TO 2100 BC THE AUTHOR OF THE HAIDAO SUANJING (263 AD) 3 03-09-2014 MEASURING WITH A SET SQUARE LIU HUI (c220-280) 4 03-09-2014 SIGHTING SQUARE SIGHTING STAFF OR GNOMON PLUMB LINE MEASURING ROPE WITH PLUMB BOB ATTACHED 5 03-09-2014 TOWER MEASUREMENTS WERE MUCH THE SAME IN 1247 AS IN 1592 ?!? 1247 1592 1726 WOODCUT FROM THE TU SHU JI CHENG 6 03-09-2014 THE WARRING STATES PERIOD BORDER LINES WITH BOUNDARY WALLS QIN SHI HUANGDI: THE FIRST EMPEROR (221-206 BC) 7 03-09-2014 SOME OF THE 3,000 CHINESE CHARACTERS IN THE MODERN ALPHABET THE GREAT WALL OF THE FIRST EMPEROR 8 03-09-2014 THE FIRST EMPEROR’S “GREAT WALL” TERRACOTTA GUARDIANS OF THE FIRST EMPEROR AT HIS TOMB IN XI’AN 9 03-09-2014 HAN DYNASTY WALL (206 BC- 220 AD) 10 03-09-2014 HAN SILK MAP FROM c. 180 BC HAN SILK MAP FROM c. 180 BC 11 03-09-2014 PEI XIU (223-271) DA MING HUN YI TU 1390 12 03-09-2014 CHINA’S GREAT WALL HERO: QI JIGUANG (1528-1588) 13 03-09-2014 MING GREAT WALL ERECTION GREAT WALL BRICKS FROM 1577 INSCRIBED GREAT WALL BRICKS MING BRICK KILN 14 03-09-2014 TESTING THE GREAT WALL DEFENCES MATTEO RICCI 1552-1610 15 03-09-2014 RICCI WORLD MAP 1602 RICCI WORLD MAP 1602 16 03-09-2014 SALVAGING GREAT WALL MATERIAL DORGON THE MANCHU GREAT -
THE GREAT WALL of CHINA: the World's Greatest Boundary
THE GREAT WALL OF CHINA: The World’s Greatest Boundary Monument! By John F. Brock Keywords: Ancient China, surveyors, Pei Xiu, Liu Hui, The Haidao Suanjing, Great Wall(s) of China, Greatest Boundary Monument. :”… in the endeavors of mathematical surveying, China’s accomplishments exceeded those realized in the West by about one thousand years.” Frank Swetz – last line in The Sea Island Mathematical Manual: Surveying and Mathematics in Ancient China. ABSTRACT It is said that the Great Wall of China is the only manmade structure on Earth which is visible from space (not from the Moon)! The only natural feature similarly identifiable from the outer reaches past our atmospheric zone has been named as Australia’s Great Barrier Reef. This Fig. 1 The moon from The Great Wall instead of natural wonder of the sea is vice versa which cannot actually occur !!! continuous while the Great Wall of China is actually made up of a series of castellated walls mainly erected along ridge lines causing major variations in the levels of its trafficable upper surface. Some of the barriers built are not formed from stone but from rammed earth mounds. The purpose for these walls was primarily to facilitate protection from hostile adjoining tribes and marauding hordes of enemy armies intent on looting and pillaging the coffers of its neighbouring wealthier Chinese Dynasty of the time. As the need for larger numbers of military troops became required to defeat the stronger opponents, which may sometimes have formed alliances, the more astute provincial rulers saw a similar advantage in the unification of the disparate Chinese Provinces particularly during the Ming Dynasty (1368-1644). -
History of Military Divination in China1
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by East Asian Science, Technology, and Medicine (EASTM - Universität Tübingen) EASTM 24 (2005): 15-43 The History of Military Divination in China1 Robin D.S. Yates [Robin D.S. Yates is James McGill Professor of History and East Asian Studies at McGill University, Chair of the Society for the Study of Early China and Edi- tor of Early China. He received his Ph.D. from Harvard University in 1980. He collaborated with Joseph Needham in writing Science and Civilisation in China, Volume 5, part 6, “Military Science and Technology” (1994) and is currently completing Volume 5, part 8, the third and final volume on the military in the Science and Civilisation in China series.] * * * Introduction The publication of Chen Songchang’s 陳 松 長 Mawangdui boshu “Xingde” yanjiu lungao 馬 王 堆 帛 書《刑 德》研 究 論 稿,2 in which the full transcrip- tions and analysis of the three versions (jia 甲, yi 乙, bing 丙) of the Xingde 刑 德 manuscripts found at Mawangdui in 1973 were presented to the scholarly world for the first time, was an important event for the study of the Mawangdui manuscripts and of Chinese military history. These hitherto neglected texts throw much light on one complex system of military divination and complement the numerous studies that have appeared over the past thirty years on the other philosophical, medical, and historical manuscripts found in the tomb. This paper will offer some preliminary reflections on the history of Chinese military divina- tion in general within the context of Chinese military practice. -
Codex Martialis: Weapons of the Ancient World
Cod ex Mart ial is Weapo ns o f t he An cie nt Wor ld : Par t 2 Arm or a nd M issile Weapo ns Codex Martialis : Weapons of the A ncient World Par t II : Ar mo r an d Mi ss il e We ap on s 1 188.6.65.233 Cod ex Mart ial is Weapo ns o f t he An cie nt Wor ld : Par t 2 Arm or a nd M issile Weapo ns Codex Martialis: Weapons of the Ancient World Part 2 , Ar mor an d Missile Weapo ns Versi on 1 .6 4 Codex Ma rtia lis Copyr ig ht 2 00 8, 2 0 09 , 20 1 0, 2 01 1, 20 1 2,20 13 J ean He nri Cha nd ler 0Credits Codex Ma rtia lis W eapons of th e An ci ent Wo rld : Jean He nri Chandler Art ists: Jean He nri Cha nd ler , Reyna rd R ochon , Ram on Esteve z Proofr ead ers: Mi chael Cur l Special Thanks to: Fabri ce C og not of De Tail le et d 'Esto c for ad vice , suppor t and sporad ic fa ct-che cki ng Ian P lum b for h osting th e Co de x Martia lis we bsite an d co n tinu in g to prov id e a dvice an d suppo rt wit ho ut which I nev e r w oul d have publish ed anyt hi ng i ndepe nd ent ly. -
3 · Reinterpreting Traditional Chinese Geographical Maps
3 · Reinterpreting Traditional Chinese Geographical Maps CORDELL D. K. YEE My interest in this chapter and the following four is tra frames in mind. These extended inquiries are obtained ditional Chinese geographic mapping-that is, Chinese at some cost, however. With a thematic approach one mapping of the earth before its Westernization in the late risks losing a clear sense of chronology, and one sacrifices nineteenth and early twentieth centuries. One of the first the power of narrative to maintain a sense of direction. lessons one learns when studying this subject is that the By keeping the focus on ideas or themes, one also risks traditional periodization used in scholarship is unsatis losing sight of the maps themselves. Detailed descriptions factory. The traditional scheme takes the rise and fall of of artifacts can disrupt the flow of an argument or at least China's ruling houses as constituting distinct periods (see make it harder to follow, and so in the thematic chapters table 2.1). Such a scheme may have been useful for orga that follow this one, artifacts are dealt with in only as nizing material dealing with political and institutional his much detail as is necessary to support the arguments pre tory, and as will be seen in a later chapter, cartography sented. was intimately connected to that history. But carto The loss of chronology and detail would be regret graphic developments do not neatly parallel changes in table, especially when at least part of the audience for politics. Historians of cartography in the past, however, this book-collectors and cartobibliographers, for exam have tried to tie cartography to dynastic changes in ways ple-could reasonably be expected to take an interest in I have found misleading.