The Significance of Devi Mahatmya
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Devi Mahatmyam Translated by P
Devi Mahatmyam Translated by P. R. Ramachander * © Under the blessings of the holy mother. * Please contact the author at ramya475@gmail. com Devi Mahatmyam Contents: Devi Mahatmyam I Contents: II Introduction 1 Appendix 1 4 THE ESOTERIC SIGNIFICANCE OF THE DEVI-MAHATMYA 4 Appendix 2 11 DEVI MAHATMYA STOTHRA ASHTAKAM 11 DEVI KAVACHAM 16 (Armour of the Goddess) 16 DEVI KEELAGAM 26 (The nail of the goddess) 26 Sri Devi Mahatmyam 30 Prathama Charitham 30 (First Part) 30 Pradhmao adhyaya: Madhu Kaidaba Vadha Varnanam 30 Chapter 1: Description of Killing of Madhu and Kaidabha. 30 Madhyama Charitham 43 (Middle part) 43 Chapter 2: Killing of the armies of Mahishasura. 43 Chapter 3: Killing of Mahishasura. 53 Chapter 4: The prayer of Sakradi devathas. 59 Uthama Charitha 67 (The holy story) 67 Chapter 5: The argument between devi and the emissary. 67 Chapter 6: The killing of Dhoomra lochana. 79 Chapter 7: Killing of Chanda and Munda 83 Chapter 8: Killing of Raktha Bheeja. 87 Chapter 9: Killing of Nishumbha. 96 Chapter 10: Killing of Shumbha. 102 Chapter 11: Prayer to Narayani. 107 Chapter 12: The greatness of the story of Devi. 116 Chapter 13: The getting of boons by Suradha and Vaisya. 122 II Introduction Introduction This book which relates het story of how the devi (mother Goddess) killed Madhu and Kaidabha as Vishnu Maya (Thamasic-base), killed Mahishasura as Lakshmi (Rajashic form- materialistic) and killed Shumbha and Nishumbha in the form of Goddess Saraswathi (Sathvic -spiritual) is known as Devi Mahatmya in South India, Chandi in West Bengal and as Durga Sapthasathi in the northern parts of the country including Varanasi. -
Wish You All a Very Happy Diwali Page 2
Hindu Samaj Temple of Minnesota Oct, 2012 President’s Note Dear Community Members, Namaste! Deepavali Greetings to You and Your Family! I am very happy to see that Samarpan, the Hindu Samaj Temple and Cultural Center’s Newslet- ter/magazine is being revived. Samarpan will help facilitate the accomplishment of the Temple and Cultural Center’s stated threefold goals: a) To enhance knowledge of Hindu Religion and Indian Cul- ture. b) To make the practice of Hindu Religion and Culture accessible to all in the community. c) To advance the appreciation of Indian culture in the larger community. We thank the team for taking up this important initiative and wish them and the magazine the Very Best! The coming year promises to be an exciting one for the Temple. We look forward to greater and expand- ed religious and cultural activities and most importantly, the prospect of buying land for building a for- mal Hindu Temple! Yes, we are very close to signing a purchase agreement with Bank to purchase ~8 acres of land in NE Rochester! It has required time, patience and perseverance, but we strongly believe it will be well worth the wait. As soon as we have the made the purchase we will call a meeting of the community to discuss our vision for future and how we can collectively get there. We would greatly welcome your feedback. So stay tuned… Best wishes for the festive season! Sincerely, Suresh Chari President, Hindu Samaj Temple Wish you all a Very Happy Diwali Page 2 Editor’s Note By Rajani Sohni Welcome back to all our readers! After a long hiatus, we are bringing Samarpan back to life. -
Review of Research Journal:International Monthly
Review Of Research Impact Factor : 5.7631(UIF) UGC Approved Journal No. 48514 ISSN: 2249-894X Volume - 8 | Issue - 5 | fEBRUARY - 2019 __________________________________________________________________________________________________________________________ SHAKTI DIETIES IN KALABURAGI DISTRICT-A STUDY ON BHANKUR KARIYAMMA DEVI AND CHINCHANSUR MAHAPURATAI Maheshkumar Shivasharanappa1 and Dr. Birdar Shrishail2 1Research Student Dept. History & Research Centre Gulbarga University Kalaburagi. 2 M.A.,M.Phil.,Ph.D Associate Professor Research Guide Dept. History & Research Centre Nrupatunga First Grade College, Sedam Dist: Kalaburagi, Karnataka. ABSTRACT : Shakti cult is one of the major traditions of Hinduism followed in India since ancient times. It is considers metaphysical reality as metaphorically a woman and Shakti is regarded as the supreme godhead. It includes many goddesses, who are considered as different aspects of the same supreme goddess.1 It has different sub-traditions that range from those focused on gracious Parvati to that of fierce and horrifying Kali.2 KEYWORDS : Shakti cult , supreme godhead. INTRODUCTION : Sruti and Smriti literatures are important sources that deal with the Shakti tradition. In addition, it reveres the texts like Devi Mahatmya, Devi-Bhagavata Purana, Mahabhagwata Purana and Shakta Upanishads like the Devi Upanishad.3 The Devi Mahatmya particularly, is considered in Shaktism to be as important as the Bhagavad Gita.4 Shaktism is popular for its various sub-traditions of Tantra,5 and a number of goddesses -
Joys of Worshiping Maa Bhavani
Glory of Maa Commemorating Navaratri 2008 vakratunDa mahaakaaya koTisuuryasamaprabha | nirvighnaM kuru me deva sarvakaaryeshhu sarvadaa || O Lord Ganesha, radiant as millions of Suns, Please, remove obstacles from all my tasks throughout the life 1 Glory of Maa Commemorating Navaratri 2008 “Jai Ambe Maa Bhavani Maha Kali Bhagavati Nava Durga Devi” Written and composed by: Jyotikar Pattni © Copyrights September 2008 2 sarvamangala maangalye sive sarvaarthasaadhike saranye trayambake gouri narayani namo’stu te. “O Narayani, Devi, the three-eyed, the Refuge, the Auspiciousness, the bestower of all wishes, the blessedness that is in all that is blessed. Prostrations be to Thee!” Aum Sharanaagata-deenaarta, Paritraana-paraayaney| Sarvasyaarti-harey Devi, Naaraayanni namohstutey|| 3 “Shiva-Shakti” is the epitome of Vedic Hindu divinity. 1 Devi-Mahatmya is portrayal of Devi Maa glory in majestic Sanskrit poetries depicting the dance of karma from the joys of realising essential spiritual freedom, to the great divine worship of the Divine Mother Goddess and rejoicing the triumph of Devi Maa towards the light of million delights. “Prathama charitra”, “Madhyama charitra”, and “Uttama charitra” are sections of the Devi Purana, of which there are thirteen chapters in total including the recital of the “MAHA-DEVI-shloka”.2 1 The Dasa-Mahavidyas, or Ten Great or Transcendent Wisdoms, is a circle of Ten Goddesses associated with Tantric practice. There are several accounts on how this dynamic circle was formed. In one version, Shiva is living with the Goddess Kali in the Satya Yuga, the first and perfect of the four periods of the world cycle. Eventually, Shiva grows restless and decides he is tired of living with Kali. -
Dr. Babasaheb Ambedkar Writings & Speeches Vol. 4
Babasaheb Dr. B.R. Ambedkar (14th April 1891 - 6th December 1956) BLANK DR. BABASAHEB AMBEDKAR WRITINGS AND SPEECHES VOL. 4 Compiled by VASANT MOON Dr. Babasaheb Ambedkar : Writings and Speeches Vol. 4 First Edition by Education Department, Govt. of Maharashtra : October 1987 Re-printed by Dr. Ambedkar Foundation : January, 2014 ISBN (Set) : 978-93-5109-064-9 Courtesy : Monogram used on the Cover page is taken from Babasaheb Dr. Ambedkar’s Letterhead. © Secretary Education Department Government of Maharashtra Price : One Set of 1 to 17 Volumes (20 Books) : Rs. 3000/- Publisher: Dr. Ambedkar Foundation Ministry of Social Justice & Empowerment, Govt. of India 15, Janpath, New Delhi - 110 001 Phone : 011-23357625, 23320571, 23320589 Fax : 011-23320582 Website : www.ambedkarfoundation.nic.in The Education Department Government of Maharashtra, Bombay-400032 for Dr. Babasaheb Ambedkar Source Material Publication Committee Printer M/s. Tan Prints India Pvt. Ltd., N. H. 10, Village-Rohad, Distt. Jhajjar, Haryana Minister for Social Justice and Empowerment & Chairperson, Dr. Ambedkar Foundation Kumari Selja MESSAGE Babasaheb Dr. B.R. Ambedkar, the Chief Architect of Indian Constitution was a scholar par excellence, a philosopher, a visionary, an emancipator and a true nationalist. He led a number of social movements to secure human rights to the oppressed and depressed sections of the society. He stands as a symbol of struggle for social justice. The Government of Maharashtra has done a highly commendable work of publication of volumes of unpublished works of Dr. Ambedkar, which have brought out his ideology and philosophy before the Nation and the world. In pursuance of the recommendations of the Centenary Celebrations Committee of Dr. -
Mahishasuramardini Stotram
||qÉÌWûwÉÉxÉÑUqÉÌSïÌlÉxiÉÉå§ÉqÉç|| Mahishasuramardini stotram (English translation by S.N.Sastri) Mahishasuramardini stotram is based on Devi mahatmyam in which Devi takes the forms of Durga, Lakshmi and Sarasvati to slay Madhu and Kaitabha, Mahishasura, and Sumbha and Nisumbha respectively. This stotra is said to have been composed by Ramakrishna Kavi about whom no details are available. AÌrÉ ÌaÉËUlÉÎlSÌlÉ lÉÎlSiÉqÉåÌSÌlÉ ÌuɵÉÌuÉlÉÉåÌSÌlÉ lÉÎlSlÉÑiÉå ÌaÉËUuÉUÌuÉlkrÉÍzÉUÉåÍkÉÌlÉuÉÉÍxÉÌlÉ ÌuÉwhÉÑÌuÉsÉÉÍxÉÌlÉ ÎeÉwhÉÑlÉÑiÉå| pÉaÉuÉÌiÉ Wåû ÍzÉÌiÉMühPûMÑüOÒûÎqoÉÌlÉ pÉÔËUMÑüOÒûÎqoÉÌlÉ pÉÔiÉM×üiÉå eÉrÉ eÉrÉ Wåû qÉÌWûwÉÉxÉÑUqÉÌSïÌlÉ UqrÉMümÉÌSïÌlÉ zÉæsÉxÉÑiÉå ||1 1. O Daughter of the Mountain, who delight the earth, who make the whole universe enjoy, who are praised by Nandikesvara, who dwell on the summit of the king of mountains, the Vindhyas, who took the form of the consort of Vishnu (as Lakshmi), who are praised by Indra, O consort of Siva (the blue-necked), who have innumerable families, who are the Creatrix of the whole universe, who slew the demon Mahisha, who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You. xÉÑUuÉUWûÌwÉïÍhÉ SÒkÉïUkÉÌwÉïÍhÉ SÒqÉÑïZÉqÉÌwÉïÍhÉ WûwÉïUiÉå §ÉpÉÑuÉlÉmÉÉåÌwÉÍhÉ zÉÇMüUiÉÉåÌwÉÍhÉ MüsqÉwÉqÉÉåÌwÉÍhÉ bÉÉåwÉUiÉå | SlÉÑeÉÌlÉUÉåÌwÉÍhÉ SÒqÉïSUÉåÌwÉÍhÉ SÒSïqÉzÉÉåÌwÉÍhÉ ÍxÉlkÉÑxÉÑiÉå eÉrÉ eÉrÉ Wåû qÉÌWûwÉÉxÉÑUqÉÌSïÌlÉ UqrÉMümÉÌSïÌlÉ zÉæsÉxÉÑiÉå ||2 2. O Daughter of the Mountain, who delight Indra, who crushed the demon Durdhara, who subdued Durmukha, who are immersed in bliss, who nourish all the three worlds, who make Sankara happy, who remove all sins, who delight in celebration, who are angry with Asuras, who destroy evil pride, who destroyed the demon Durdama, who was born as the daughter of the ocean (as Lakshmi), who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You. -
Book History Essay 4
Books in the British Raj: The Contradictions of Liberal Imperialism The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Darnton, Robert. 2001. Books in the British Raj: The contradictions of liberal imperialism. In Stephan Füssel, ed., Sonderdruck aus Gutenberg-Jahrbuch, 36-59. Mainz: Gutenberg-Ges. Previously published as "Literary Surveillance in the British Raj: The Contradictions of Liberal Imperialism" in Book History 4:133-176. Published Version http://dx.doi.org/10.1353/bh.2001.0007 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:2625468 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Books in the British Raj: The Contradictions of Liberal Imperialism Robert Darnton William Lawler made a most unlikely literary policeman. He was a librarian, a learned librarian, who looked out on the teeming city of Calcutta from the perspective of Roman antiquity and Victorian morality. Before him, spread out on a table, lay a huge sheet of paper divided into sixteen columns. Behind him, in endless rows of shelves, were books, a huge harvest of books from Bengal in the year 1879. Lawler’s job was to fill in the columns. The first columns posed no problem. They organized the information required for the registration of new books; and their printed headings conformed to Act XXV of the Governor General of India in Council for 1867: language of text, author, subject, place of printing and publication, name of printer and publisher, date of publication, number of pages, format, edition, pressrun, printing by movable type or lithography, price, owner of copyright. -
Sri Durga Saptasati ~ ~ Chandi
Devi Mahatmyam~ Sri Durga Saptasati ~ ~ Chandi 48 A sound recording of the 4 chapters, made at the Kanyapeeth in Varanasi can be found at this link (5.4mb) http://www.anandamayi.org/ashram/Durga.mp3 Chapter 1, Verses 72-87 Opening sloka: Sarva mangalamangalye sive sarvārthā sādhike sharanye tryambake gouri nārāyani namostute I bow to Thee Gouri Narayani, Who art the cause of the welfare of the world. Who art good, who grants every wish, in whom one takes refuge, Who art three-eyed. Brahma uvaca: 72 Brahma said: tvam svāhā tvam svadhā tvam hi vasat-kārah svara-ātmikā sudhā tvam akasare nitye trithāmātra-ātmikā sthitā 73 You are svaha and svadha. You are verily the vasat-karah (vedic sacrifice) and embodiment of svara You are the nectar of immortality, oh eternal and imperishable One You are the embodiment of the threefold matra, the Om sound. ardha-mātrā sthitā nityā yā an-uccaryā a-visesatah, tvam eva sā tvam sāvitri tvam devi-janani parā. 74 You are half a matra, though eternal You are verily that which cannot be uttered specifically. 49 You are the Savitra hymn and The supreme Mother of the devas tvayā etad dhāryate viswam tvayā etat srjyate jagat, tvayā etat pālyate devi tvam atsy ante ca sarvadā. 75 By you this universe is born, By you this universe is created, By you it is protected oh Devi And you always consume it at the end visrstau srsti-rūpā tvam sthiti-rūpā ca pālane, tathā samhrti-rūpāante jagato ‘sya jagan-maye. 76 Oh you who are of the form of the whole world, at the time of creation You are the form of the creative force, at the time of the sustentation You are the form of the protective power, and at the time of dissolution of the world, You are the form of the destructive power. -
The Portrayal of Kālī in the Devī Māhātmya
University of Calgary PRISM: University of Calgary's Digital Repository Graduate Studies Legacy Theses 2011 Goddesses, Monsters, and Monstrous Goddesses: The Portrayal of Kālī in the Devī Māhātmya Marks, Kendra Darynne Brougham Marks, K. D. (2011). Goddesses, Monsters, and Monstrous Goddesses: The Portrayal of Kālī in the Devī Māhātmya (Unpublished master's thesis). University of Calgary, Calgary, AB. doi:10.11575/PRISM/11892 http://hdl.handle.net/1880/48392 master thesis University of Calgary graduate students retain copyright ownership and moral rights for their thesis. You may use this material in any way that is permitted by the Copyright Act or through licensing that has been assigned to the document. For uses that are not allowable under copyright legislation or licensing, you are required to seek permission. Downloaded from PRISM: https://prism.ucalgary.ca UNIVERSITY OF CALGARY Goddesses, Monsters, and Monstrous Goddesses: The Portrayal of Kālī in the Devī Māhātmya by Kendra Darynne Brougham Marks A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF RELIGIOUS STUDIES CALGARY, ALBERTA JANUARY, 2011 © Kendra Darynne Brougham Marks 2011 The author of this thesis has granted the University of Calgary a non-exclusive license to reproduce and distribute copies of this thesis to users of the University of Calgary Archives. Copyright remains with the author. Theses and dissertations available in the University of Calgary Institutional Repository are solely for the purpose of private study and research. They may not be copied or reproduced, except as permitted by copyright laws, without written authority of the copyright owner. -
The Qualities of Devī in Devīmāhātmyam
THE QUALITIES OF DEVĪ IN DEVĪMĀHĀTMYAM NILACHAL MISHRA Lecturer in sanskrit K.C.P.A.N Jr.College, Bankoi, Khurda (Odisha) INDIA The devī māhātmyam is glory of the goddess and which text has gained a vital role in Hindu religion. The text contains 700 verses and it is a part of mārkaṇdeya purāṇa and there are thirteen chapters in the text. Devī māhātmyam is famous as durgāsaptaśatī and caṇḍī pātha. Devī is described as kāli,lakṣhmī and sarasvatī and text is divided into three parts. Devī is āidśakti and called as mahiṣāsuramardinī. Śakti’s power is originated from trimūrti (brahmā,viṣṇu and maheśvara). She is the origin of all power. Keywords. Devi mahatmyam, markandeya purana,devi, mahisasuramardini, kali, lakshmi. Sarasvati, sakti, trimurti. INTRODUCTION The Devī māhātmyam means the glory of the goddess is a famous text in Hindu religion which describes the victory of the Devī Durgā over the devil named mahiṣāsura . Devī māhātmyam is known as Durgāsaptaśatī or saptaśatī, caṇḍī or caṇḍī pātha. The text of Devī māhātmyam contains 700 verses and it comes from mārkaṇḍeya purāṇa,the secondary scripture of Hindus and also it was composed by the sage mārkaṇḍeya in 400-500 C.E.There are thirteen(13) chapters in Devī māhātmyam which is the most valuable scripture of shaktism. It has gained vital role in śākta ritual.Every sloka of Devī māhātmya is very powerful and there is no ghost or evil influence looked in the way of man, when he goes out in the night time. Devī māhātmya is renowned as caṇḍī in Bengal and the people read that with full of devotion during Navarātri and other sacred occasions. -
Sakti Cult in Upper Mahanadi Valley
Orissa Review * September - 2004 Sakti Cult in Upper Mahanadi Valley S.S. Panda Saptamatrka carved on monolithic rock at village Ghudar near Titilagarh, District Balangir 7 Learned scholar Rajeshwari1 writes, “The more. Varahamihira is silent about their conception of God as Mother is natural and number and has just mentioned that “Mothers ultimate. In almost all the ancient civilizations are to be made with cognisances of gods God is conceived as Mother. She is Prakrti, corresponding to their names.” The Earth and Mother Supreme.” Saptamatrkas are generally carved in relief Saptamatrka on a rectangular stone slab in the order of Brahmani, Mahesvari, Kaumari, Vaisnavi, The creation of Matrkas is associated Varahi, Indrani and Camunda, being flanked by with the destruction of the asura Andhaka by Virabhadra and Ganesa in both sides (first and Siva, which is elaborately described in the 2 last). Matsya Purana (179.1-90). We find details about the creation of the Saptamatrkas also in In the Varaha and Kurma Puranas8 it is 3 the Vaman Purana (44.1-96). T.A. Gopinatha mentioned that after Prahalada, Andhakasura 4 Rao has dealt in detail about the purpose of became the king of the Asuras and by his auster the creation of these Matrkas. He has quoted penances he obtained several boons from the stories from Matsya Purana, Vamana Brahma and became invincible. Being haressed Purana, Varaha Purana, Kurma Purana and by him, the Devas prayed Lord Siva in Kailasa the Suprabhedagama. The iconographical to come to their rescue. When Lord Siva was features of Saptamatrkas are found in Agni listening to their complaints, Andhakasura 5 Purana, Amsumadbhedagama, and arrived there and challenged the Lord and even 6 Markandeya Purana also. -
3. from Curiousity to Devotion
ver since I was a little girl, I have heard in bits and pieces Emythological stories surroun- From Curiousity to Devotion ding the goddess Kali Ma. My mother is a Kali devoteed. She has graceful, as The Many Meanings of Kali well as grotesque images of the goddess in her home shrine. She also visits a Madhu Bazaz Wangu neighbourhood Kali temple. Once a year, my mother hosts a day-long, religious discourse given by her long- Durga, Shiva, and Sita? I realised that word ‘understand’ and continued. time teacher, Guru Maharajji, who often she was their personified rage, but what “Understanding is good, but, lectures on Kali and other Hindu did that mean to a devotee? And why eventually, it is only through feelings goddesses. did she dance a frantic dance of death and experience that we understand My early memories of the goddess after destroying demons? them.” Kali are those of wonder combined with One winter, Guru Maharaj ji spend a Kali’s Essence curiosity. Her gruesome appearance day giving a discourse about the Great “How do you ‘feel’ a goddess?” I and dreadful paraphernalia have kept Goddess Devi and her manifestations. asked. “When you have devoted me at bay. Kali did not pull me toward The segment about the goddess Kali yourself to the worship, adoration, and her, as did other goddesses. I wondered was stimulating to me. The following meditation of a deity for years, one day day after breakfast, he was sitting why a goddess would look so fearful. you get yoked to her essence.