Sri Durga Saptasati ~ ~ Chandi
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An Exploration of Hindu Goddess Iconography Evyn Venkateswaran
Venkateswaran 1 Devi: An Exploration of Hindu Goddess Iconography Evyn Venkateswaran ‘Devi’ is a collection of illustrations that emphasize the unifying feminine power in Hinduism, commonly known as shakti. Portrayed within are several deities that have unique stories and corporeal forms, re-contextualized through a modern lens. The ways in which I have achieved this is through my depiction of each of the goddesses, featuring a separate culture or ethnicity found within the Indian Subcontinent. This challenges the current market of Hindu illustrations where all goddesses share the same facial-features, skin-tone, and clothing. In addition, each of the artworks contain compositions that are unique and break away from the typical forward-facing, subject gazing directly at the audience compositions found in the aforementioned illustrations. Lastly, when creating my illustrations, I strove to capture a story or a meaning that would distinguish the identity of that specific deity. Initially, the technique in which I completed this project was through using either oil pastels or nupastels, later adding a layer of digital paint with Photoshop. However, due to different situational changes, I have finished my last images utilizing Procreate on my iPad Pro. With both situations, I focused on impressionistic mark-making, using several colors to create an iridescent quality in each of the pieces. Within my color palettes, I used golden-yellow in each of the pieces to draw significance between the goddesses, for example using the most amount of gold in Durga to emphasize how she’s the ultimate form of shakti. My intent of displaying these images is through posters that can either be used as iconography within worship or hung up as decoration. -
Wish You All a Very Happy Diwali Page 2
Hindu Samaj Temple of Minnesota Oct, 2012 President’s Note Dear Community Members, Namaste! Deepavali Greetings to You and Your Family! I am very happy to see that Samarpan, the Hindu Samaj Temple and Cultural Center’s Newslet- ter/magazine is being revived. Samarpan will help facilitate the accomplishment of the Temple and Cultural Center’s stated threefold goals: a) To enhance knowledge of Hindu Religion and Indian Cul- ture. b) To make the practice of Hindu Religion and Culture accessible to all in the community. c) To advance the appreciation of Indian culture in the larger community. We thank the team for taking up this important initiative and wish them and the magazine the Very Best! The coming year promises to be an exciting one for the Temple. We look forward to greater and expand- ed religious and cultural activities and most importantly, the prospect of buying land for building a for- mal Hindu Temple! Yes, we are very close to signing a purchase agreement with Bank to purchase ~8 acres of land in NE Rochester! It has required time, patience and perseverance, but we strongly believe it will be well worth the wait. As soon as we have the made the purchase we will call a meeting of the community to discuss our vision for future and how we can collectively get there. We would greatly welcome your feedback. So stay tuned… Best wishes for the festive season! Sincerely, Suresh Chari President, Hindu Samaj Temple Wish you all a Very Happy Diwali Page 2 Editor’s Note By Rajani Sohni Welcome back to all our readers! After a long hiatus, we are bringing Samarpan back to life. -
Folk Hinduism in West Bengal
1 Folk Hinduism in West Bengal In the rural areas of India, we see a variety of notions about the nature of gods and goddesses. They are not “high gods,” as we see in the pan-Indian brahmanical forms of Hinduism, but rather regional deities, intimately associated with villages and towns. Indeed, some would not be characterized as gods and goddesses by most people, for those supernatural entities given offerings and worship include ghosts, ancestors, water and plant essences, guardian spirits, and disease con- trollers. We see some overlap of tribal deities, the deities of non-Hindu or semi- Hindu villagers, with the village gods or gramadevatas of village Hinduism. These may be µeld or mountain spirits, or angry ghosts of women who died violent deaths. All of these may be seen in the large area of folk Hinduism. There is no sharp differentiation between the tribal deities, village deities, and gods and god- desses of brahmanical Hinduism. Rather than a polarity, we see a continuum, for these traditions worship many deities in common. Some themes that may be noted in the worship of folk gods and goddesses: Regionalism: These deities are associated with speciµc places, temples, µelds, and streams. The Kali of one village is not the same as the next village’s Kali. One Chandi gives good hunting, another Chandi cures disease. Goddesses are not pan-Indian; they are speciµc to a person’s tribal or caste group, ex- tended family, neighborhood, or village. Pragmatism: These deities are rarely worshiped in a spirit of pure and ab- stract devotion. -
S.No Roll No Name Eng San Mat Sci Soc Cgpa 1 4114130 Adithya Dutt A1 B1
SRI SATHYA SAI HIGHER SECONDARY SCHOOL, PRASANTHI NILAYAM X CLASS BOARD EXAMINATION RESULT 2016-17 S.NO ROLL NO NAME ENG SAN MAT SCI SOC CGPA 1 4114130 ADITHYA DUTT A1 B1 B2 B1 A2 8,40 2 4114131 AJITH R M K A2 B1 B1 B1 B1 8,20 3 4114132 ANANTHA KRISHNAN P M A1 A1 A2 A1 A1 9,80 4 4114133 ANISH K A1 A1 A1 A2 A1 9,80 5 4114134 AYUSH AGRAWAL A1 A1 A1 A1 A1 10,00 6 4114135 BHAVYA CHARAN Y A2 B1 B1 B1 B1 8,20 7 4114136 BHAGAWAN P A1 A1 A1 A1 A1 10,00 8 4114137 BIBHU PRASAD SAHU A1 A1 A1 A1 A1 10,00 9 4114138 JAGANNIL BANERJEE A1 A1 A1 A1 A1 10,00 10 4114139 KESHAV P A1 A2 A2 A2 A2 9,20 11 4114140 MEGHA SAI C A1 A2 A2 A2 A1 9,40 12 4114141 MRUNAL SIMHA K A1 A2 B1 A1 A1 9,40 13 4114142 NAVEEN SAI KUMAR REDDY N A1 A1 A1 A1 A1 10,00 14 4114143 NITHIN KUMAR REDDY U A1 A1 A1 A1 A1 10,00 15 4114144 OM SAI RUKVITH S A1 A2 A2 A1 A2 9,40 16 4114145 PREM SUDHEER REDDY T A1 A1 A2 A1 A1 9,80 17 4114146 PRUTHVI KRISHNA M A1 A1 A2 A1 A1 9,80 18 4114147 RAM PRASAD G A1 A1 A2 A2 A1 9,60 19 4114148 RISHABH TOOR A1 A1 A1 A1 A1 10,00 20 4114149 RISHI G KANNAN A1 A1 A1 A1 A1 10,00 21 4114150 ROHIT MOHUN RAJU N A2 A2 B1 A2 A2 8,80 22 4114151 SAHIL MEHRA A1 B1 B1 B1 A2 8,60 23 4114152 SAI AASHISH D A1 A2 B1 A2 A2 9,00 24 4114153 SAI GOVINDA V A1 A1 A2 A1 A1 9,80 25 4114154 SAI JATHIN RAJU C A1 B2 B2 B1 B1 8,00 26 4114155 SAI KESHAV S A1 A2 A2 A1 A2 9,40 27 4114156 SAI MADHAV B Y A1 B1 B1 A2 A2 8,80 28 4114157 SAI MOHIT GARG A1 A1 A2 A2 A2 9,40 29 4114158 SAI SANATHANN K A1 A1 A1 A1 A1 10,00 30 4114159 SAI SANTOSH N A1 A1 A1 A1 A1 10,00 31 4114160 SAI SATHVIK M V -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
Why I Became a Hindu
Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita -
WHIP of the WILD GOD WILD the of WHIP MIRA PRABHU MIRA WHIP OFTHE WILD GOD MIRA PRABHU a Noveloftantra in Ancientindia 4/10/2013 5:47:18 PM
Mira Prabhu’s fascination with eastern philosophy inspired her to write this novel, the seed of which sprouted during the freezing Manhattan winter of 1993. Whip of the Wild God WHIP OF THE WILD GOD reached its current form twenty years later, in the shadow WHIP OF THE of Arunachala, the ancient hill considered by millions to be Shiva incarnate. Mira now lives in the deep south of India, where she focuses on spiritual and creative work. WILD GOD Photo Credit: Danuta Otfinowski Whip of the Wild God is an epic novel set in a time reminiscent of the Indus Valley Civilization. The “Wild God” is Rudra, precursor to the great God Shiva, while “whip” refers to the suffering inflicted by this paradoxical deity on gifted souls who stray into sensual and ethical weaknesses arising from primal ignorance. As this saga ingeniously reveals, it is intense suffering that dissolves the ego, even as it unfurls the petals of the spiritual heart–leading the seeker to the undying bliss of the Self. The novel’s protagonist is Ishvari, an angry and spirited girl plucked out of abject rural poverty on the advice of a royal astrologer. Meticulously groomed by venerable tantric monks, Ishvari is sent to serve as spiritual consort to a powerful but corrupt monarch. Narrated in vivid cinematic style, Ishvari’s tumultuous journey–from terrified peasant to High Tantrika of the sacred city of Melukhha in the year 1839 BCE–spins the reader through a gripping tale into which yogic, tantric and other high teachings are brilliantly woven. Altogether a magnificent work of visionary fiction you will find impossible to put down! “I absolutely love it! Ishvari is a compelling protagonist whom I really “felt” as I read of her incredible adventures and personal journey…. -
Review of Research Journal:International Monthly
Review Of Research Impact Factor : 5.7631(UIF) UGC Approved Journal No. 48514 ISSN: 2249-894X Volume - 8 | Issue - 5 | fEBRUARY - 2019 __________________________________________________________________________________________________________________________ SHAKTI DIETIES IN KALABURAGI DISTRICT-A STUDY ON BHANKUR KARIYAMMA DEVI AND CHINCHANSUR MAHAPURATAI Maheshkumar Shivasharanappa1 and Dr. Birdar Shrishail2 1Research Student Dept. History & Research Centre Gulbarga University Kalaburagi. 2 M.A.,M.Phil.,Ph.D Associate Professor Research Guide Dept. History & Research Centre Nrupatunga First Grade College, Sedam Dist: Kalaburagi, Karnataka. ABSTRACT : Shakti cult is one of the major traditions of Hinduism followed in India since ancient times. It is considers metaphysical reality as metaphorically a woman and Shakti is regarded as the supreme godhead. It includes many goddesses, who are considered as different aspects of the same supreme goddess.1 It has different sub-traditions that range from those focused on gracious Parvati to that of fierce and horrifying Kali.2 KEYWORDS : Shakti cult , supreme godhead. INTRODUCTION : Sruti and Smriti literatures are important sources that deal with the Shakti tradition. In addition, it reveres the texts like Devi Mahatmya, Devi-Bhagavata Purana, Mahabhagwata Purana and Shakta Upanishads like the Devi Upanishad.3 The Devi Mahatmya particularly, is considered in Shaktism to be as important as the Bhagavad Gita.4 Shaktism is popular for its various sub-traditions of Tantra,5 and a number of goddesses -
Devi: the Great Goddess (Smithsonian Institute)
Devi: The Great Goddess Detail of "Bhadrakali Appears to Rishi Chyavana." Folio 59 from the Tantric Devi series. India, Punjab Hills, Basohli, ca 1660-70. Opaque watercolor, gold, silver, and beetle-wing cases on paper. Purchase, Freer Gallery of Art, Smithsonian Institution F1997.8 Welcome to Devi: The Great Goddess. This web site has been developed in conjunction with the exhibition of the same name. The exhibition is on view at the Arthur M. Sackler Gallery from March 29, 1999 through September 6, 1999. Like the exhibition, this web site looks at the six aspects of the Indian goddess Devi. The site offers additional information on the contemporary and historical worship of Devi, activities for children and families, and a list of resources on South Asian arts and cultures. You may also want to view another Sackler web site: Puja: Expressions of Hindu Devotion, an on-line guide for educators explores Hindu worship and provides lesson plans and activities for children. This exhibition is made possible by generous grants from Enron/Enron Oil & Gas International, the Rockefeller Foundation, The Starr Foundation, Hughes Network Systems, and the ILA Foundation, Chicago. Related programs are made possible by Victoria P. and Roger W. Sant, the Smithsonian Educational Outreach Fund, and the Hazen Polsky Foundation. http://www.asia.si.edu/devi/index.htm (1 of 2) [7/1/2000 10:06:15 AM] Devi: The Great Goddess | Devi Homepage | Text Only | | Who is Devi | Aspects of Devi | Interpreting Devi | Tantric Devi | For Kids | Resources | | Sackler Homepage | Acknowledgements | The Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, Washington, DC 20560. -
Institut Universitari De La Dona
INSTITUT UNIVERSITARI DE LA DONA DE KOSALA A BOLLYWOOD: DOS MIL AÑOS CONTANDO HISTORIAS. UN ESTUDIO SEMIÓTICO DEL RAMAYANA ROSER NOGUERA MAS UNIVERSITAT DE VALÈNCIA Servei de Publicacions 2008 Aquesta Tesi Doctoral va ser presentada a València el dia 10 de març de 2008 davant un tribunal format per: - D. José María Bernardo Paniagüa - D. Josep Gavaldà Roca - D. Juan Arnau Navarro - Dª. Eva Fernández del Campo Barbadillo - D. Ramón X. Roselló Ivars Va ser dirigida per: Dª. Antonia Cabanilles Sanchís ©Copyright: Servei de Publicacions Roser Noguera Mas Depòsit legal: I.S.B.N.: 978-84-370-7160-2 Edita: Universitat de València Servei de Publicacions C/ Artes Gráficas, 13 bajo 46010 València Spain Telèfon: 963864115 UNIVERSITAT DE VALÈNCIA INSTITUT UNIVERSITARI D’ESTUDIS DE LA DONA FACULTAT DE FILOLOGIA, TRADUCCIÓ I COMUNICACIÓ DE KOSALA A BOLLYWOOD: DOS MIL AÑOS CONTANDO HISTORIAS. UN ESTUDIO SEMIÓTICO DEL RAMAYANA TESIS DOCTORAL Presentada por: ROSER NOGUERA MAS Dirigida por: Dra. ANTONIA CABANILLES SANCHIS VALÈNCIA, 2007 I II AGRADECIMIENTOS En primer lugar agradezco a Antonia Cabanilles, mi directora y profesora de crítica literaria y semiótica de la cultura, su entusiamo, apoyo incondicional y tarea de supervisión y dirección. A las personas que me han ayudado todos estos años en la burocracia y el aprendizaje: el profesor Ximo Espinosa del Departamento de Italiano de la Universitat de València, el Prof. Patrizio Rigobon de la Universidad de Bologna, Vicen Belenguer del Institut de la Dona, Sonsoles Vázquez de la Agencia Española de Cooperación Internacional; a todos mis compañeros del Department of Germanic and Romance Studies (GRS) de la University of Delhi, especialmente a Shaswati Mazumdar, Jyoti Sabharwal, Manisha Taneja, Mircea, Sabina, Stefano y Dominique; al profesor H. -
Pahari Paintings from the Eva and Konrad Seitz Collection
PAHARI PAINTINGS FROM THE EVA AND KONRAD SEITZ COLLECTION francesca galloway ww.francescagalloway.com 1 2 Pahari paintings, meaning paintings from the hills, come from the in Jammu, and Chamba had returned to their non-naturalistic Rajput roots mountainous regions of northern India once known as the Punjab Hills but and were illustrating traditional Hindu texts such as the Ramayana (cat. 2), the which now form the present day states of Jammu and Kashmir, Himachal Rasamanjari and Ragamalas (cat. 1) in brilliantly assured fashion, dependent Pradesh and Uttarakhand. They include some of the most brilliant as well as again on line and colour with their figures set against conceptual renderings the most lyrically beautiful of all Indian painting styles. of architecture and landscape. Such a style had spread throughout most of the Pahari region in the early 18th century. In the 17th and 18th centuries this area was divided into over 30 kingdoms, some of moderate size, but others very small. The kingdoms were established in Although much of the hill region formed strongholds for the worship of Shiva the fertile valleys of the rivers that eventually flowed into the plains – the Ravi, and the Devi, and paintings and manuscripts reflected this (e.g. cats. 12, 13), the Beas, Sutlej, and the Jumna and Ganges and their tributaries – and divided spread of Vaishnavism and, especially the worship of Krishna, induced patrons from each other by high mountains. The Himalayas to the north-east formed to commission illustrated versions of Vaishnava texts, such as the Bhagavata the almost impenetrable barrier between these little kingdoms and Tibet. -
Editors Seek the Blessings of Mahasaraswathi
OM GAM GANAPATHAYE NAMAH I MAHASARASWATHYAI NAMAH Editors seek the blessings of MahaSaraswathi Kamala Shankar (Editor-in-Chief) Laxmikant Joshi Chitra Padmanabhan Madhu Ramesh Padma Chari Arjun I Shankar Srikali Varanasi Haranath Gnana Varsha Narasimhan II Thanks to the Authors Adarsh Ravikumar Omsri Bharat Akshay Ravikumar Prerana Gundu Ashwin Mohan Priyanka Saha Anand Kanakam Pranav Raja Arvind Chari Pratap Prasad Aravind Rajagopalan Pavan Kumar Jonnalagadda Ashneel K Reddy Rohit Ramachandran Chandrashekhar Suresh Rohan Jonnalagadda Divya Lambah Samika S Kikkeri Divya Santhanam Shreesha Suresha Dr. Dharwar Achar Srinivasan Venkatachari Girish Kowligi Srinivas Pyda Gokul Kowligi Sahana Kribakaran Gopi Krishna Sruti Bharat Guruganesh Kotta Sumedh Goutam Vedanthi Harsha Koneru Srinath Nandakumar Hamsa Ramesha Sanjana Srinivas HCCC Y&E Balajyothi class S Srinivasan Kapil Gururangan Saurabh Karmarkar Karthik Gururangan Sneha Koneru Komal Sharma Sadhika Malladi Katyayini Satya Srivishnu Goutam Vedanthi Kaushik Amancherla Saransh Gupta Medha Raman Varsha Narasimhan Mahadeva Iyer Vaishnavi Jonnalagadda M L Swamy Vyleen Maheshwari Reddy Mahith Amancherla Varun Mahadevan Nikky Cherukuthota Vaishnavi Kashyap Narasimham Garudadri III Contents Forword VI Preface VIII Chairman’s Message X President’s Message XI Significance of Maha Kumbhabhishekam XII Acharya Bharadwaja 1 Acharya Kapil 3 Adi Shankara 6 Aryabhatta 9 Bhadrachala Ramadas 11 Bhaskaracharya 13 Bheeshma 15 Brahmagupta Bhillamalacarya 17 Chanakya 19 Charaka 21 Dhruva 25 Draupadi 27 Gargi