3. from Curiousity to Devotion
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Durga Worship in Upper Mahanadi Valley
Orissa Review * September-October - 2008 Durga Worship in Upper Mahanadi Valley Sasanka S. Panda We find the traces of the worship of goddess We find another two-handed Durga image Durga in her Mahisasuramardini aspect as early at Dharapgarh village of Balangir district, which as the sixth century A.D. This is evident from the can be dated to the same period. The textual discovery of the ruins of a references to the goddess collapsed brick temple with two arms is quite rare, containing a two-handed though Suprabhedagama, Mahisasuramardini Durga Purvakarmagama and image in the Alidha posture in Uttarakarmagama describe the Garbhagriha and having Durga as having two hands.2 an inscription on the pedestal R. Chanda has suggested that in the box-headed Brahmi the two-armed figures of the alphabets of the sixth century goddess were confined to the 3 mentioning goddess pre-Gupta period. But as the Mahesvari. The temple was Brahmanisation process unearthed by the noted seems to have started in western part of Orissa only historian, late Prof. N.K. after the subjugation of this Sahu, in 1983, during area by the Gupta monarch excavation in the Maraguda Samudragupta during his valley of the Nuapada district. military expedition to the A Sakta Math (Monastery), Goddess Durga, Lalei, Sundargarh District Daksinapatha in the middle said to be the earliest of its of the fourth century A.D., kind was also unearthed near this temple during 1 both the two-handed Durga images of Western this excavation. The discovery of the two-handed Orissa can be taken to be of the post-Gupta Mahisasuramardini Durga image in the period. -
Devi Mahatmyam Translated by P
Devi Mahatmyam Translated by P. R. Ramachander * © Under the blessings of the holy mother. * Please contact the author at ramya475@gmail. com Devi Mahatmyam Contents: Devi Mahatmyam I Contents: II Introduction 1 Appendix 1 4 THE ESOTERIC SIGNIFICANCE OF THE DEVI-MAHATMYA 4 Appendix 2 11 DEVI MAHATMYA STOTHRA ASHTAKAM 11 DEVI KAVACHAM 16 (Armour of the Goddess) 16 DEVI KEELAGAM 26 (The nail of the goddess) 26 Sri Devi Mahatmyam 30 Prathama Charitham 30 (First Part) 30 Pradhmao adhyaya: Madhu Kaidaba Vadha Varnanam 30 Chapter 1: Description of Killing of Madhu and Kaidabha. 30 Madhyama Charitham 43 (Middle part) 43 Chapter 2: Killing of the armies of Mahishasura. 43 Chapter 3: Killing of Mahishasura. 53 Chapter 4: The prayer of Sakradi devathas. 59 Uthama Charitha 67 (The holy story) 67 Chapter 5: The argument between devi and the emissary. 67 Chapter 6: The killing of Dhoomra lochana. 79 Chapter 7: Killing of Chanda and Munda 83 Chapter 8: Killing of Raktha Bheeja. 87 Chapter 9: Killing of Nishumbha. 96 Chapter 10: Killing of Shumbha. 102 Chapter 11: Prayer to Narayani. 107 Chapter 12: The greatness of the story of Devi. 116 Chapter 13: The getting of boons by Suradha and Vaisya. 122 II Introduction Introduction This book which relates het story of how the devi (mother Goddess) killed Madhu and Kaidabha as Vishnu Maya (Thamasic-base), killed Mahishasura as Lakshmi (Rajashic form- materialistic) and killed Shumbha and Nishumbha in the form of Goddess Saraswathi (Sathvic -spiritual) is known as Devi Mahatmya in South India, Chandi in West Bengal and as Durga Sapthasathi in the northern parts of the country including Varanasi. -
Sapta Matrikas Bharati Pal
Orissa Review September - 2009 Sapta Matrikas Bharati Pal The Sapta Matrikas or the seven divine mothers, weild the trisula in one of her hands and carry a representing the saktis, or the energies of the kapala in another. All the Matrikas are to be important familiar deities are Brahmani (Saraswati) seated images and should have two of their hands Mahesvari (Raudani) Kaumari (Karttikeyani) held in the Varada and Abhaya poses, while the Vaishnavi (Lakshmi) Varahi, Indrani and other two hands carry weapons appropriate to Chamunda (Chamundi). According to a legend the male counterparts of the female powers. described in the Isanasivagurudevapaddhati, The Varaha Purana states that these the Matrikas were created to help Lord Siva in mother-goddesses are eight in number and his fight against Andhakasura. When the Lord includes among them the goddess Yogesvari. It inflicted wounds on Andhaka, blood began to flow further says that these Matrikas represent eight profusely from his body. Each drop which touched mental qualities which are morally bad. the ground assumed the shape of another Accordingly, Yogesvari represents kama or Andhaka. Thus there were innumerable Asuras desire; Mahesvari, krodh or anger; Vaishnavi, fighting Siva. To stop the flow of the blood, Siva lobha or covetousness; Brahmani; mada or created a goddess called Yogesvari from the pride; Kaumari moha or illusion; Indrani, flames issuing out of his mouth. Brahma, Vishnu, matsarya or fault finding; Yami or Chumunda Maheswara, Kumara, Varaha, Indra and Yama paisunya, that is tale bearing; and Varahi asuya also sent their saktis to follow Yogesvari in or envy. stopping the flow of blood. -
Bhadrakali - Wikipedia, the Free Encyclopedia
בהאדראקאלי http://www.tripi.co.il/ShowItem.action?item=948 بهادراكالي http://ar.hotels.com/de1685423/%D9%86%D9%8A%D8%A8%D8%A7%D9%84-%D9%83%D8%A 7%D8%AA%D9%85%D8%A7%D9%86%D8%AF%D9%88-%D9%85%D8%B9%D8%A8%D8%AF-%D8 %A8%D9%87%D8%A7%D8%AF%D8%B1%D8%A7%D9%83%D8%A7%D9%84%D9%8A-%D8%A7% D9%84%D9%81%D9%86%D8%A7%D8%AF%D9%82-%D9%82%D8%B1%D8%A8 Bhadrakali - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Bhadrakali Bhadrakali From Wikipedia, the free encyclopedia Bhadrak ālī (Sanskrit: भकाली , Tamil: பரகாள, Telugu: wq, Malayalam: , Kannada: ಭದಾ, Kodava: Bhadrak ālī (Good Kali, Mahamaya Kali) ಭದಾ) (literally " Good Kali, ") [1] is a Hindu goddess popular in Southern India. She is one of the fierce forms of the Great Goddess (Devi) mentioned in the Devi Mahatmyam. Bhadrakali is the popular form of Devi worshipped in Kerala as Sri Bhadrakali and Kariam Kali Murti Devi. In Kerala she is seen as the auspicious and fortunate form of Kali who protects the good. It is believed that Bhadrak āli was a local deity that was assimilated into the mainstream Hinduism, particularly into Shaiva mythology. She is represented with three eyes, and four, twelve or eighteen hands. She carries a number of weapons, with flames flowing from her head, and a small tusk protruding from her mouth. Her worship is also associated with the Bhadrakali worshipped by the Trimurti – the male Tantric tradition of the Matrikas as well as the tradition of the Trinity in the North Indian Basohli style. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
DAILYBHAJAN Rupang Dehi Lyrics with Meaning in English
DAILYBHAJAN Rupang Dehi Lyrics with Meaning in English Jaya Tvam Devi Caamunndde Jaya Bhuu-Taapa-Haarinni | Jaya Sarva-Gate Devi Kaalaraatri Namostu Te ||1|| Jayantii Manggalaa Kaalii Bhadrakaalii Kapaalinii | Durgaa Shivaa Kssamaa Dhaatrii Svaahaa Svadhaa Namostu Te ||2|| Madhu-Kaittabha-Vidhvamsi Vidhaatr-Varade Namah | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||3|| Mahissaasura-Nirnaashi Bhaktaanaam Sukhade Namah | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||4|| Dhuumranetra-Vadhe Devi Dharma-Kaama-Artha-Daayini | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||5|| Raktabiija-Vadhe Devi Canndda-Munndda-Vinaashini | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||6|| Nishumbha-Shumbha-Nirnaashi Trailokya-Shubhade Namah | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||7|| Vandita-Angghri-Yuge Devi Sarva-Saubhaagya-Daayini | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||8|| Acintya-Ruupa-Carite Sarva-Shatru-Vinaashini | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||9|| Natebhyah Sarvadaa Bhaktyaa Ca-Aparnne Durita-Apahe | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||10|| Stuvadbhayo Bhakti-Puurvam Tvaam Cannddike Vyaadhi-Naashini | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||11|| Cannddike Satatam Yuddhe Jayanti Paapa-Naashini | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||12|| Dehi Saubhaagyam-Aarogyam Dehi Devi Param Sukham | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||13|| Vidhehi Devi Kalyaannam Vidhehi Vipulaam Shriyam | Ruupam Dehi Jayam Dehi Yasho Dehi Dvisso Jahi ||14|| Vidhehi Dvissataam Naasham Vidhehi -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
X ESSENCE of SHRI KAMAKSHI VILASA
ESSENCE OF SHRI KAMAKSHI VILASA LALITOPAKHYAANA OF MARKANDEYA PURANA INCLUDED x 1 TRANSLATED & COMPILED BY V D N RAO PREFACE On the conclusion of the Series of Essence of Puranas in English, HH Vijayendra Sarasvati of Kanchi mutt at Kanjeevaram, Tamil nadu instructed me to highlight Shri Kamakshi Vilasa, as Maharshi Markandeya described in the Vidya Khanda of Markandeya Maha Purana in great detail. Translations in Telugu and Tamil are also available. The ‘Essence of Kamakshi Vilasa’ has fourteen chapters viz.Devi Kamakshi as Tripura Sundari, Kanchipura as Bhuloka Vaikuntha, Hastishaila Mahatmya, details of Varadaraja Swami, the vastness and significance of Vegavati River, Rudra shaala, The Sacred Tree of Ekaamra, Ekaamreshwara and Tapah Kamakshi, SarvaTirtha Mahima in the Bhuvana Vaikuntha, Kamakoti Nagara Nirnaya, Kamakoti ‘bilwa’or the secret passage, glories of Maha Tripura Sundari, eminence of Janardana deva the destroyer of fears and difficulties, and superiority of Devi Kamakshi overMaha Deva Shiva Himself! Till date, a holy visit to Kanchi ever sustains lasting experience; the unity of the roads connecting the followings of Varada Raja Swami and Ekamareshwara is unique. And the outstanding ability to unify the routes of Shiva and Vishnu are truly amazing as reinforced by the Maha Shakti Devi Kamakshi’s outstanding presence at Kanchi; in the Ultimate Analysis one needs to deeply meditate the Power par excellencewhich is ‘Avyatam Shasvatam Vishnum Anantam Ajam Avyayam’ or the UltimateTruth is Unmanifested, Boundless, All Pervasive, Endless, Unborn, and Everlasting.! I am ever beholden to the lasting blessings of HH and the confidence that he has reposed in me to let larger audience reach in translating the original and present the same as Essence of Shri Kamakshi Vilasa into English. -
Devi: the Great Goddess (Smithsonian Institute)
Devi: The Great Goddess Detail of "Bhadrakali Appears to Rishi Chyavana." Folio 59 from the Tantric Devi series. India, Punjab Hills, Basohli, ca 1660-70. Opaque watercolor, gold, silver, and beetle-wing cases on paper. Purchase, Freer Gallery of Art, Smithsonian Institution F1997.8 Welcome to Devi: The Great Goddess. This web site has been developed in conjunction with the exhibition of the same name. The exhibition is on view at the Arthur M. Sackler Gallery from March 29, 1999 through September 6, 1999. Like the exhibition, this web site looks at the six aspects of the Indian goddess Devi. The site offers additional information on the contemporary and historical worship of Devi, activities for children and families, and a list of resources on South Asian arts and cultures. You may also want to view another Sackler web site: Puja: Expressions of Hindu Devotion, an on-line guide for educators explores Hindu worship and provides lesson plans and activities for children. This exhibition is made possible by generous grants from Enron/Enron Oil & Gas International, the Rockefeller Foundation, The Starr Foundation, Hughes Network Systems, and the ILA Foundation, Chicago. Related programs are made possible by Victoria P. and Roger W. Sant, the Smithsonian Educational Outreach Fund, and the Hazen Polsky Foundation. http://www.asia.si.edu/devi/index.htm (1 of 2) [7/1/2000 10:06:15 AM] Devi: The Great Goddess | Devi Homepage | Text Only | | Who is Devi | Aspects of Devi | Interpreting Devi | Tantric Devi | For Kids | Resources | | Sackler Homepage | Acknowledgements | The Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, Washington, DC 20560. -
Joys of Worshiping Maa Bhavani
Glory of Maa Commemorating Navaratri 2008 vakratunDa mahaakaaya koTisuuryasamaprabha | nirvighnaM kuru me deva sarvakaaryeshhu sarvadaa || O Lord Ganesha, radiant as millions of Suns, Please, remove obstacles from all my tasks throughout the life 1 Glory of Maa Commemorating Navaratri 2008 “Jai Ambe Maa Bhavani Maha Kali Bhagavati Nava Durga Devi” Written and composed by: Jyotikar Pattni © Copyrights September 2008 2 sarvamangala maangalye sive sarvaarthasaadhike saranye trayambake gouri narayani namo’stu te. “O Narayani, Devi, the three-eyed, the Refuge, the Auspiciousness, the bestower of all wishes, the blessedness that is in all that is blessed. Prostrations be to Thee!” Aum Sharanaagata-deenaarta, Paritraana-paraayaney| Sarvasyaarti-harey Devi, Naaraayanni namohstutey|| 3 “Shiva-Shakti” is the epitome of Vedic Hindu divinity. 1 Devi-Mahatmya is portrayal of Devi Maa glory in majestic Sanskrit poetries depicting the dance of karma from the joys of realising essential spiritual freedom, to the great divine worship of the Divine Mother Goddess and rejoicing the triumph of Devi Maa towards the light of million delights. “Prathama charitra”, “Madhyama charitra”, and “Uttama charitra” are sections of the Devi Purana, of which there are thirteen chapters in total including the recital of the “MAHA-DEVI-shloka”.2 1 The Dasa-Mahavidyas, or Ten Great or Transcendent Wisdoms, is a circle of Ten Goddesses associated with Tantric practice. There are several accounts on how this dynamic circle was formed. In one version, Shiva is living with the Goddess Kali in the Satya Yuga, the first and perfect of the four periods of the world cycle. Eventually, Shiva grows restless and decides he is tired of living with Kali. -
Sculptures of Kamakhya Temple: an Aesthetic View
International Journal of Scientific and Research Publications, Volume 3, Issue 10, October 2013 1 ISSN 2250-3153 Sculptures of Kamakhya Temple: An Aesthetic View Mousumi Deka Research Scholar, Department of Visual Arts, Assam University, Silchar Abstract- The Kamakhya temple is one of the world known religious centre. Though, the temple is regarded as the great religious Tantriccentre but, it lays great emphasis on the sculptural art. The temple exits at the Nilachal hill of Assam. The myth, religion and art are amalgamated in the Kamakhya temple. The reconstructed temple shows the sculptural art of different times. Numerous sculptural images are very similar to the Gupta art style. The study focuses upon the characteristics of the stone images and traces the myth behind the temple. The stone images are analyzed according to the subject matter. Index Terms- Aesthetic, Kamakhya temple, Myth, Sculptures I. Section I he Kamakhya temple is one of the main pithas (sacred place) among fifty oneSaktipithas and the temple is dedicated to Mother T Goddess Kamakhya. Kamakhya is another form of Goddess Parvati. The Kamakhya temple is located on the Nilachal hill in western part of Guwahati city in Assam. There is an incomplete stone staircase known as the Mekhalaujua path along with the Kamakhya temple. Mother Goddess Kamakhya is worshiped here in the „Yoni’ (genitalia)form. The most celebrated festival is the Ambubachi festival. It is widely believed that during the period of festival of each summer, Devi Kamakhya goes through her menstrual cycle. The history was silent that when the temple was originally built. But, it was estimated that the temple was built around the 4th -5th century A D. -
Reach Motto: Atmano Mokshartham Jagad Hitaya Cha
Reach Motto: Atmano mokshartham jagad hitaya cha, liberation and for the Newsletter of the Vedanta Centres of Australia welfare of the world.” Sayings and Teachings Attainment of the Supreme Self A man who spends his time in discussing the good and bad qualities of others simply wastes his own time. For it is time spent neither in thinking about one’s own self nor about the Supreme Self, but in fruitless thinking of others’ selves — Sri Ramakrishna Durga Puja Great sayings: Words of Sri Ramakrishna, Sarada Devi and Swami Vivekananda, The R. M. Institute of Culture, Kolkata, p. 2-3 Worship of God as Mother has prevailed from prehistoric times. Worship of the Divine Mother is Concentration of the mind prevalent all over India - from A disciple had written “I cannot calm my mind and Kanyakumari (famous for its concentrate” and so on. Mother became agitated at these words Kanyakumari temple) to Kash- and said, “It can be done if one repeats the Name fifteen or mir (Kshirbhavani temple) and twenty thousand times each day. I have seen it actually happen. from Rajasthan (Amba temple) Let him do that first and talk afterwards if it fails. One must put to Kolkata (Kalighat temple). one’s mind to it. But no, no one will do that. They only complain, Although the Divine Mother is “Why does nothing come of it?” only one, Her manifestations are — Sri Sarada Devi many. Teachings of Sri Sarada Devi The Holy Mother, Sri Ramakrishna The Divine Mother is regarded Math, Mylapore, Chennai, p. 42 as having ''Ten Great Wisdom Forms''.