DAILYBHAJAN Rupang Dehi Lyrics with Meaning in English
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Devi Mahatmyam Translated by P
Devi Mahatmyam Translated by P. R. Ramachander * © Under the blessings of the holy mother. * Please contact the author at ramya475@gmail. com Devi Mahatmyam Contents: Devi Mahatmyam I Contents: II Introduction 1 Appendix 1 4 THE ESOTERIC SIGNIFICANCE OF THE DEVI-MAHATMYA 4 Appendix 2 11 DEVI MAHATMYA STOTHRA ASHTAKAM 11 DEVI KAVACHAM 16 (Armour of the Goddess) 16 DEVI KEELAGAM 26 (The nail of the goddess) 26 Sri Devi Mahatmyam 30 Prathama Charitham 30 (First Part) 30 Pradhmao adhyaya: Madhu Kaidaba Vadha Varnanam 30 Chapter 1: Description of Killing of Madhu and Kaidabha. 30 Madhyama Charitham 43 (Middle part) 43 Chapter 2: Killing of the armies of Mahishasura. 43 Chapter 3: Killing of Mahishasura. 53 Chapter 4: The prayer of Sakradi devathas. 59 Uthama Charitha 67 (The holy story) 67 Chapter 5: The argument between devi and the emissary. 67 Chapter 6: The killing of Dhoomra lochana. 79 Chapter 7: Killing of Chanda and Munda 83 Chapter 8: Killing of Raktha Bheeja. 87 Chapter 9: Killing of Nishumbha. 96 Chapter 10: Killing of Shumbha. 102 Chapter 11: Prayer to Narayani. 107 Chapter 12: The greatness of the story of Devi. 116 Chapter 13: The getting of boons by Suradha and Vaisya. 122 II Introduction Introduction This book which relates het story of how the devi (mother Goddess) killed Madhu and Kaidabha as Vishnu Maya (Thamasic-base), killed Mahishasura as Lakshmi (Rajashic form- materialistic) and killed Shumbha and Nishumbha in the form of Goddess Saraswathi (Sathvic -spiritual) is known as Devi Mahatmya in South India, Chandi in West Bengal and as Durga Sapthasathi in the northern parts of the country including Varanasi. -
Bhadrakali - Wikipedia, the Free Encyclopedia
בהאדראקאלי http://www.tripi.co.il/ShowItem.action?item=948 بهادراكالي http://ar.hotels.com/de1685423/%D9%86%D9%8A%D8%A8%D8%A7%D9%84-%D9%83%D8%A 7%D8%AA%D9%85%D8%A7%D9%86%D8%AF%D9%88-%D9%85%D8%B9%D8%A8%D8%AF-%D8 %A8%D9%87%D8%A7%D8%AF%D8%B1%D8%A7%D9%83%D8%A7%D9%84%D9%8A-%D8%A7% D9%84%D9%81%D9%86%D8%A7%D8%AF%D9%82-%D9%82%D8%B1%D8%A8 Bhadrakali - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Bhadrakali Bhadrakali From Wikipedia, the free encyclopedia Bhadrak ālī (Sanskrit: भकाली , Tamil: பரகாள, Telugu: wq, Malayalam: , Kannada: ಭದಾ, Kodava: Bhadrak ālī (Good Kali, Mahamaya Kali) ಭದಾ) (literally " Good Kali, ") [1] is a Hindu goddess popular in Southern India. She is one of the fierce forms of the Great Goddess (Devi) mentioned in the Devi Mahatmyam. Bhadrakali is the popular form of Devi worshipped in Kerala as Sri Bhadrakali and Kariam Kali Murti Devi. In Kerala she is seen as the auspicious and fortunate form of Kali who protects the good. It is believed that Bhadrak āli was a local deity that was assimilated into the mainstream Hinduism, particularly into Shaiva mythology. She is represented with three eyes, and four, twelve or eighteen hands. She carries a number of weapons, with flames flowing from her head, and a small tusk protruding from her mouth. Her worship is also associated with the Bhadrakali worshipped by the Trimurti – the male Tantric tradition of the Matrikas as well as the tradition of the Trinity in the North Indian Basohli style. -
Devi: the Great Goddess (Smithsonian Institute)
Devi: The Great Goddess Detail of "Bhadrakali Appears to Rishi Chyavana." Folio 59 from the Tantric Devi series. India, Punjab Hills, Basohli, ca 1660-70. Opaque watercolor, gold, silver, and beetle-wing cases on paper. Purchase, Freer Gallery of Art, Smithsonian Institution F1997.8 Welcome to Devi: The Great Goddess. This web site has been developed in conjunction with the exhibition of the same name. The exhibition is on view at the Arthur M. Sackler Gallery from March 29, 1999 through September 6, 1999. Like the exhibition, this web site looks at the six aspects of the Indian goddess Devi. The site offers additional information on the contemporary and historical worship of Devi, activities for children and families, and a list of resources on South Asian arts and cultures. You may also want to view another Sackler web site: Puja: Expressions of Hindu Devotion, an on-line guide for educators explores Hindu worship and provides lesson plans and activities for children. This exhibition is made possible by generous grants from Enron/Enron Oil & Gas International, the Rockefeller Foundation, The Starr Foundation, Hughes Network Systems, and the ILA Foundation, Chicago. Related programs are made possible by Victoria P. and Roger W. Sant, the Smithsonian Educational Outreach Fund, and the Hazen Polsky Foundation. http://www.asia.si.edu/devi/index.htm (1 of 2) [7/1/2000 10:06:15 AM] Devi: The Great Goddess | Devi Homepage | Text Only | | Who is Devi | Aspects of Devi | Interpreting Devi | Tantric Devi | For Kids | Resources | | Sackler Homepage | Acknowledgements | The Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, Washington, DC 20560. -
Mahishasuramardini Stotram
||qÉÌWûwÉÉxÉÑUqÉÌSïÌlÉxiÉÉå§ÉqÉç|| Mahishasuramardini stotram (English translation by S.N.Sastri) Mahishasuramardini stotram is based on Devi mahatmyam in which Devi takes the forms of Durga, Lakshmi and Sarasvati to slay Madhu and Kaitabha, Mahishasura, and Sumbha and Nisumbha respectively. This stotra is said to have been composed by Ramakrishna Kavi about whom no details are available. AÌrÉ ÌaÉËUlÉÎlSÌlÉ lÉÎlSiÉqÉåÌSÌlÉ ÌuɵÉÌuÉlÉÉåÌSÌlÉ lÉÎlSlÉÑiÉå ÌaÉËUuÉUÌuÉlkrÉÍzÉUÉåÍkÉÌlÉuÉÉÍxÉÌlÉ ÌuÉwhÉÑÌuÉsÉÉÍxÉÌlÉ ÎeÉwhÉÑlÉÑiÉå| pÉaÉuÉÌiÉ Wåû ÍzÉÌiÉMühPûMÑüOÒûÎqoÉÌlÉ pÉÔËUMÑüOÒûÎqoÉÌlÉ pÉÔiÉM×üiÉå eÉrÉ eÉrÉ Wåû qÉÌWûwÉÉxÉÑUqÉÌSïÌlÉ UqrÉMümÉÌSïÌlÉ zÉæsÉxÉÑiÉå ||1 1. O Daughter of the Mountain, who delight the earth, who make the whole universe enjoy, who are praised by Nandikesvara, who dwell on the summit of the king of mountains, the Vindhyas, who took the form of the consort of Vishnu (as Lakshmi), who are praised by Indra, O consort of Siva (the blue-necked), who have innumerable families, who are the Creatrix of the whole universe, who slew the demon Mahisha, who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You. xÉÑUuÉUWûÌwÉïÍhÉ SÒkÉïUkÉÌwÉïÍhÉ SÒqÉÑïZÉqÉÌwÉïÍhÉ WûwÉïUiÉå §ÉpÉÑuÉlÉmÉÉåÌwÉÍhÉ zÉÇMüUiÉÉåÌwÉÍhÉ MüsqÉwÉqÉÉåÌwÉÍhÉ bÉÉåwÉUiÉå | SlÉÑeÉÌlÉUÉåÌwÉÍhÉ SÒqÉïSUÉåÌwÉÍhÉ SÒSïqÉzÉÉåÌwÉÍhÉ ÍxÉlkÉÑxÉÑiÉå eÉrÉ eÉrÉ Wåû qÉÌWûwÉÉxÉÑUqÉÌSïÌlÉ UqrÉMümÉÌSïÌlÉ zÉæsÉxÉÑiÉå ||2 2. O Daughter of the Mountain, who delight Indra, who crushed the demon Durdhara, who subdued Durmukha, who are immersed in bliss, who nourish all the three worlds, who make Sankara happy, who remove all sins, who delight in celebration, who are angry with Asuras, who destroy evil pride, who destroyed the demon Durdama, who was born as the daughter of the ocean (as Lakshmi), who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You. -
Chapter 8 Th E Slaying of Raktabija
1 C H A P T E R 8 T H E S L AY I N G O F R A K TA B I JA The Rishi said: 1-3. After the daitya Chanda was slain and Munda was laid low, and many of the battalions were destroyed, the lord of the asuras, powerful Sumbha, with mid overcome by anger, commanded then the mobilization of all the daitya hosts: 4. ’Now let the eighty-six asuras - upraising their weapons - with all their forces, and the eighty-four Kambus, surrounded by their own forces, go out. 5. ’Let the fifty asura families of Kotiviryas and the hundred families of Dhaumras go forth at my command. 6. ’Let the asurasa Kalakas, Daurhrdas, the Mauryas and the Kalakeyas hasten at my command and march forth ready for battle.’ 7. After issuing these orders, Sumbha, the lord of the asuras and a ferocious ruler, went forth, attended by many thousands of big forces. 8. Seeing that most terrible army coming, Chandika filled into space between the earth and the sky with the twang of her bow-string. 9. Thereon her lion made an exceedingly loud roar, O King, and Ambika magnified those roars with the clanging of the bell. 10. Kali, expanding her mouth wide and filling the quarters with the sound (hum ) overwhelmed the noises of her bow-string, lion and bell by her terrific roars. 11. On hearing that roar the enraged asura battalions surrounded the lion, the Devi (Chandika) and Kali on all the four sides. 12-13. At this moment, O King, in order to annihilate the enemies of devas and for the well- being of the supreme devas, there issued forth, endowed with exceeding vigour and strength, Shaktis from the bodies of Brahma, Shiva, Guha, Vishnu and Indra, and with the form of those devas went to Chandika. -
Kali Narrative: Creativity in Crisis by Shilpa Darivemula and Tanvi Gandhi
_________________________________________________________________________ NON-FICTION | FALL 2020 Kali Narrative: Creativity in Crisis By Shilpa Darivemula and Tanvi Gandhi Om kreem kalika-yai namaha (I bow my head to Mother Kali, Destroyer of Illusion) Creativity in crises is the medicine of Mahakali She is the innate strength of feminine within She is in the destructive energy of chemotherapy She unveils space of vulnerability She is radical transformation and game changer of old into new Surrendering to the Vital Force or Will Power is the deepest wisdom of Mahakali Too often in medicine, we forget the parallels between our mythologies and our realities. Sometimes, the connections we recall can remind us of the innate strength within, the power and cost of healing, and the journey each patient facing cancer makes on their own. The space of vulnerability has the ability to transform the old narrative into new. We are grateful to share the space with you. Emily. She was eighteen and her eyes were bright green. She looked completely out of place in the chemotherapy suite, with her soccer jersey, cleats, and a cold cap covering the small wisps of golden hair. The IV would be inserted and within moments, the chemotherapy treatment for her granulosa cell tumor would start to infuse into her veins and search for the most rapidly dividing cells. Raktabija, the Blood Seed. Years prior per Hindu mythology, he had been a devout follower of a god named Shiva. After years of penance, he received a boon and asked for a special blessing. Thrilled with her penance, the God Shiva grants him his wish. -
Sapta Matrikas in Indian Art and Their Significance in Indian Sculpture and Ethos: a Critical Study
Anistoriton, vol. 9, March 2005, section A051 1 SAPTA MATRIKAS IN INDIAN ART AND THEIR SIGNIFICANCE IN INDIAN SCULPTURE AND ETHOS: A CRITICAL STUDY Meghali Goswami, Dr.Ila Gupta, Dr.P.Jha Indian Institute of Technology Roorkee, INDIA This paper focuses on the study of ancient Indian sculptures of seven mother goddesses called Sapta Matrikas, and brings out their distinctive features as conceived by the master sculptures of different periods. It also explains their importance in Indian art and cultural ethos. Introduction The seven mother goddesses are: Brahamani, Vaishnavi, Maheshwari, Kaumari, Varahi, Indrani and Chamunda.Their description in ancient Puranas, such as Varaha Purana, Matsya Purana, Markandeya Purana etc refers to their antiquity. Each of the mother goddesses (except for Chamunda) had come to take her name from a particular God: Brahamani form Brahma, Vaishnavi from Vishnu, Maheswari from Shiva, Kaumari from Skanda, Varahi from Varaha and Indrani from Indra1.They are armed with the same weapons,wears the same ornaments and rides the same vahanas and also carries the same banners like their corresponding male Gods do. The earliest reference of Sapta Matrika is found in Markandeya Purana and V.S Agarwalla dates it to 400 A.D to 600 A.D Mythology There are different Puranic versions related to the origin of Matrikas. According to Puranic myths Matrikas are Shakti of Shiva,Indra and other gods and they are goddesses of the battlefield. But in the sculptural portrayals, they are depicted differently as benevolent, compassionate and aristocratic mothers. It is said that the Sapta-Matrikas are connected with Shiva. -
Shakti Versus Sati
Shakti Versus Sati —A Reading of The Santoshi Ma Cult by Veena Das WITH the unprecedented success of the film Jai Santoshi Ma the main events work on the land. A marriage is arranged Jai Santoshi Ma, a Bombay film released of the story are briefly related here. The between Birju and Satyawati. Satyawati in the seventies, a little known goddess lord Ganesh creates a daughter called fulfils her vow to the goddess. became the centre of a new cult in many Santoshi at the request of his sons. When As Santoshi Ma’s fame spreads, the urban centres, particularly in north India. the girl grows up, she finds many devotees three great gods, Brahma, Vishnu and This paper seeks to explore the cultural on earth. One devotee is Satyawati, the Shiva, come in the garb of ascetics to idiom within which the story of Santoshi daughter of a Brahman priest. Satyawati receive the prasad of jaggery and roasted Ma was created, and speculates about the prays to Santoshi Ma to unite her with the chickpeas offered to Santoshi Ma, at nature of the social groups in which this man she loves who is called Birju, and Satyawati’s doorstep. This act of the gods goddess has elicited such an enthusiastic promises to visit all the shrines of the enrages their wives, Brahmani, Lakshmi response. goddess if she gets Birju as a husband. and Parvati. They appear in a dream to The Film Birju is a poet and singer but belongs Satyawati and threaten to punish her if she For those readers who have not Seen to a peasant family. -
3. from Curiousity to Devotion
ver since I was a little girl, I have heard in bits and pieces Emythological stories surroun- From Curiousity to Devotion ding the goddess Kali Ma. My mother is a Kali devoteed. She has graceful, as The Many Meanings of Kali well as grotesque images of the goddess in her home shrine. She also visits a Madhu Bazaz Wangu neighbourhood Kali temple. Once a year, my mother hosts a day-long, religious discourse given by her long- Durga, Shiva, and Sita? I realised that word ‘understand’ and continued. time teacher, Guru Maharajji, who often she was their personified rage, but what “Understanding is good, but, lectures on Kali and other Hindu did that mean to a devotee? And why eventually, it is only through feelings goddesses. did she dance a frantic dance of death and experience that we understand My early memories of the goddess after destroying demons? them.” Kali are those of wonder combined with One winter, Guru Maharaj ji spend a Kali’s Essence curiosity. Her gruesome appearance day giving a discourse about the Great “How do you ‘feel’ a goddess?” I and dreadful paraphernalia have kept Goddess Devi and her manifestations. asked. “When you have devoted me at bay. Kali did not pull me toward The segment about the goddess Kali yourself to the worship, adoration, and her, as did other goddesses. I wondered was stimulating to me. The following meditation of a deity for years, one day day after breakfast, he was sitting why a goddess would look so fearful. you get yoked to her essence. -
Select Stories from Puranas
SELECT STORIES FROM PURANAS Compiled, Composed and Interpreted by V.D.N.Rao Former General Manager of India Trade Promotion Organisation, Pragati Maidan, New Delhi, Ministry of Commerce, Govt. of India 1 SELECT STORIES FROM PURANAS Contents Page Preface 3 Some Basic Facts common to Puranas 3 Stories related to Manus and Vamshas 5 (Priya Vrata, Varudhini & Pravaraakhya, Swarochisha, Uttama, Tamasa, Raivata, Chakshusa, and Vaiwasvata) The Story of Surya Deva and his progeny 7 Future Manus (Savarnis, Rouchya and Bhoutya) 8 Dhruva the immortal; Kings Vena and Pruthu 9 Current Manu Vaiwasvata and Surya Vamsha 10 (Puranjaya, Yuvanashwa, Purukutsa, Muchukunda, Trishanku, Harischandra, Chyavana Muni and Sukanya, Nabhaga, Pradyumna and Ila Devi) Other famed Kings of Surya Vamsha 14 Origin of Chandra, wedding, Shaapa, re-emergence and his Vamsha (Budha, Pururava, Jahnu, Nahusha, Yayati and Kartaveeryarjuna) 15 Parashurama and his encounter with Ganesha 17 Matsya, Kurma, Varaha, Nrisimha, Vamana and Parashurama Avataras 18 Quick retrospective of Ramayana (Birth of Rama, Aranya Vaasa, Ravana Samhara, Rama Rajya, Sita Viyoga, Lava Kusha and Sita-Rama Nidhana) 21 Maha Bharata in brief (Veda Vyasa, Ganga, Bhishma& Pandava-Kauravas & 43 Quick proceedings of Maha Bharata Battle Some doubts in connection with Maha Bharata 50 Episodes related to Shiva and Parvati (Links of Sandhya Devi, Arundhati, Sati and Parvati; Daksha Yagna, Parvati’s wedding, and bitrh of Skanda) 52 Glories of Maha Deva, incarnations, Origin of Shiva Linga, Dwadasha Lingas, Pancha -
We Meditate on (Mata Amritanandamayi)
Chants for Virtual Navaratri 2020 MA Center, San Ramon Nightly Navaratri Program I: Sri Lalitha Sahasranama Stotram (See Navaratri Chants I pdf) II: 108 Names of Amma, p. 1 III: Mahishasura Mardini Stotram, p. 13 Bhajans - Online bhajan lyrics available with subscription: https://sing.withamma.com/ IV: Ya Devi, p. 21 V: Amritesvari Mangalam, Arati & Closing Prayers, p. 22 VI: Prayers for Vijayadashami – Tenth Morning Day of Victory, p. 26 II: Mata Amritanandamayi Açâòttara Éata Nàmàvali (108 Names of Amma) During Navaratri we chant 108 Names of Amma with a different response for each Goddess: Nights 1-3: Response for Goddess Durga: Om Durgayai Namah Nights 4-6: Response for Goddess Lakshmi: Om Maha Lakshmyai Namah Nights 7- 9: Response for Goddess Saraswati: Om Saraswatyai Namah Dhyàyàmo-dhavalàvaguåâhanavatim tejomayìm-naiçâhikìm snigdhàpàêga-vilokinìm bhagavatìm mandasmita-érì-mukhìm vàtsalyàmäta-varçiåìm sumadhuram saêkìrtanàlàpinìm éyàmàêgìm madhu-sikta-sùktìm amätànandàtmikàm ìévarìm We meditate on (Mata Amritanandamayi), who is clad with a white garment, who is effulgent, who is ever established (in Truth), whose glances beam with binding love, who is the seat of the six godly qualities, whose radiant smile adorns Her face with auspiciousness, who incessantly showers the nectar of affection, who sings devotional songs most sweetly, whose complexion resembles that of rain clouds, whose words are soaked in honey, who is bliss immortal, and who is the Supreme Goddess Herself. 1 Chants for Virtual Navaratri 2020 MA Center, San Ramon 1. Om pùråa-brahma-svarùpiåyai namaã Salutations to Her who is the complete manifestation of the absolute Truth. 2. Om saccidànanda-mùrtaye namaã ...who is existence, knowledge, and bliss embodied. -
Devī Māhātmyam Audio Recitation
THE GLORY OF THE GODDESS devī māhātmyam durgā saptaśatī · caṇdī path THIRUGNANAM The IAST transliteration adopted here is relatively easy to foreword master, especially when simultaneously listened with the Devī Māhātmyam audio recitation. Special thanks and acknowledgement to Dr. Satya Prakash Choudary for his comprehensive and enlightening article; “The Glory of the Goddess-Devi Mahatmyam”. Special thanks and acknowledgement to Ajit Krishnan, Mahadeva S Sarma, PVR Narasimha and Rajarshi Nandy. Their invaluable commentaries sourced from various discussion forums have been incorporated in the notes. Please read the pronunciation guide section first, to familiarise with the basic nuances of Sanskrit vocal sounds. ॐ Some key transliteration characters have been color coded and also long words have breaks indicated to assist sarva maṅgala māṅgalye śive sarvārtha sādhike | pronunciation. śaraṇya tryambake gauri nārāyaṇi namo’stu te || Audio clips (available only with iBook applications) are also This dedication has been undertaken as an offering to the included for selected sections to help with vedic lotus feet of Adi Parashakti, the Supreme Being and Divine pronunciation. Mother. Please visit the link below for Devī Māhātmyam audio files, The aim is to share the sacred Durgā Saptaśatī (“Durgā’s commentaries, translations and other related resources: 700”), which is also known as the Devī Māhātmyam (“The www.facebook.com/devi.mahatmyam Greatness of the Goddess”) and the Caṇdī Pātha (“Caṇdī’s [email protected] Text”) through the use of romanized Sanskrit with Devi devotees, who may not be proficient in Sanskrit. i DEVĪ MĀHĀTMYA The Devī Māhātmyam scripture constitutes chapters 81-93 of the Markandeya Purana. It is basically in a form of dialogue paramaśakti between Markandeya and Kroshtuki.