Sapta Matrikas Bharati Pal
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Durga Worship in Upper Mahanadi Valley
Orissa Review * September-October - 2008 Durga Worship in Upper Mahanadi Valley Sasanka S. Panda We find the traces of the worship of goddess We find another two-handed Durga image Durga in her Mahisasuramardini aspect as early at Dharapgarh village of Balangir district, which as the sixth century A.D. This is evident from the can be dated to the same period. The textual discovery of the ruins of a references to the goddess collapsed brick temple with two arms is quite rare, containing a two-handed though Suprabhedagama, Mahisasuramardini Durga Purvakarmagama and image in the Alidha posture in Uttarakarmagama describe the Garbhagriha and having Durga as having two hands.2 an inscription on the pedestal R. Chanda has suggested that in the box-headed Brahmi the two-armed figures of the alphabets of the sixth century goddess were confined to the 3 mentioning goddess pre-Gupta period. But as the Mahesvari. The temple was Brahmanisation process unearthed by the noted seems to have started in western part of Orissa only historian, late Prof. N.K. after the subjugation of this Sahu, in 1983, during area by the Gupta monarch excavation in the Maraguda Samudragupta during his valley of the Nuapada district. military expedition to the A Sakta Math (Monastery), Goddess Durga, Lalei, Sundargarh District Daksinapatha in the middle said to be the earliest of its of the fourth century A.D., kind was also unearthed near this temple during 1 both the two-handed Durga images of Western this excavation. The discovery of the two-handed Orissa can be taken to be of the post-Gupta Mahisasuramardini Durga image in the period. -
Devi Mahatmyam Translated by P
Devi Mahatmyam Translated by P. R. Ramachander * © Under the blessings of the holy mother. * Please contact the author at ramya475@gmail. com Devi Mahatmyam Contents: Devi Mahatmyam I Contents: II Introduction 1 Appendix 1 4 THE ESOTERIC SIGNIFICANCE OF THE DEVI-MAHATMYA 4 Appendix 2 11 DEVI MAHATMYA STOTHRA ASHTAKAM 11 DEVI KAVACHAM 16 (Armour of the Goddess) 16 DEVI KEELAGAM 26 (The nail of the goddess) 26 Sri Devi Mahatmyam 30 Prathama Charitham 30 (First Part) 30 Pradhmao adhyaya: Madhu Kaidaba Vadha Varnanam 30 Chapter 1: Description of Killing of Madhu and Kaidabha. 30 Madhyama Charitham 43 (Middle part) 43 Chapter 2: Killing of the armies of Mahishasura. 43 Chapter 3: Killing of Mahishasura. 53 Chapter 4: The prayer of Sakradi devathas. 59 Uthama Charitha 67 (The holy story) 67 Chapter 5: The argument between devi and the emissary. 67 Chapter 6: The killing of Dhoomra lochana. 79 Chapter 7: Killing of Chanda and Munda 83 Chapter 8: Killing of Raktha Bheeja. 87 Chapter 9: Killing of Nishumbha. 96 Chapter 10: Killing of Shumbha. 102 Chapter 11: Prayer to Narayani. 107 Chapter 12: The greatness of the story of Devi. 116 Chapter 13: The getting of boons by Suradha and Vaisya. 122 II Introduction Introduction This book which relates het story of how the devi (mother Goddess) killed Madhu and Kaidabha as Vishnu Maya (Thamasic-base), killed Mahishasura as Lakshmi (Rajashic form- materialistic) and killed Shumbha and Nishumbha in the form of Goddess Saraswathi (Sathvic -spiritual) is known as Devi Mahatmya in South India, Chandi in West Bengal and as Durga Sapthasathi in the northern parts of the country including Varanasi. -
An Analysis of Tantric Practices at Kamakhya and Tarapith
International Journal of Applied Research 2018; 4(4): 39-41 ISSN Print: 2394-7500 ISSN Online: 2394-5869 Impact Factor: 5.2 Re-examining the cult of the feminine: An analysis of IJAR 2018; 4(4): 39-41 www.allresearchjournal.com tantric practices at Kamakhya and Tarapith Received: 15-02-2018 Accepted: 17-03-2018 Dr. Chandni Sengupta Dr Chandni Sengupta Assistant Professor, Department of History, Amity Abstract School of Liberal Arts, Amity Tantricism is inextricably inter-linked with the cult of the feminine. Tantric rituals exalt the female University Haryana, Haryana, deity and celebrate the power (Shakti) of the female form of divinity. In India, alongside the Vedic India system of worship, Tantricism has co-existed for centuries. There are references to the Tantric tradition in the epics; similar references have also been found in the Indus Valley civilization. There are many shakti peeths in India but only a few are associated with Tantricism. This article aims to explore the Tantric rituals at the temples of Kamakhya in Assam and Tarapith in West Bengal, in order to establish the significance of the Tantric tradition even in the 21st century. Keywords: tantricism, tantra, ritual, goddess, Shakti, Devi, cult, practices Introduction In India, since the ancient time, two distinct and parallel forms of worship have existed- Vedic and Non-Vedic. Kallukabhatta, the first scholar who presented an exhaustive interpretation of the Manusmriti, made a clear distinction between two branches of Indian thought. He divided Indian wisdom into Vedic and Tantric [1]. The former was based on a male-centric social order, while the latter was based on the principles of matriarchy and consequently the notions of fertility. -
The Lion : Mount of Goddess Durga
Orissa Review * October - 2004 The Lion : Mount of Goddess Durga Pradeep Kumar Gan Shaktism, the cult of Mother Goddess and vast mass of Indian population, Goddess Durga Shakti, the female divinity in Indian religion gradually became the supreme object of 5 symbolises form, energy or manifestation of adoration among the followers of Shaktism. the human spirit in all its rich and exuberant Studies on various aspects of her character in variety. Shakti, in scientific terms energy or our mythology, religion, etc., grew in bulk and power, is the one without which no leaf can her visual representation is well depicted in stir in the world, no work can be done without our art and sculpture. It is interesting to note 1 it. The Goddess has been worshipped in India that the very origin of her such incarnation (as from prehistoric times, for strong evidence of Durga) is mainly due to her celestial mount a cult of the mother has been unearthed at the (vehicle or vahana) lion. This lion is usually pre-vedic civilization of the Indus valley. assorted with her in our literature, art sculpture, 2 According to John Marshall Shakti Cult in etc. But it is unfortunate that in our earlier works India was originated out of the Mother Goddess the lion could not get his rightful place as he and was closely associated with the cult of deserved. Siva. Saivism and Shaktism were the official In the Hindu Pantheon all the deities are religions of the Indus people who practised associated in mythology and art with an animal various facets of Tantra. -
Bhadrakali - Wikipedia, the Free Encyclopedia
בהאדראקאלי http://www.tripi.co.il/ShowItem.action?item=948 بهادراكالي http://ar.hotels.com/de1685423/%D9%86%D9%8A%D8%A8%D8%A7%D9%84-%D9%83%D8%A 7%D8%AA%D9%85%D8%A7%D9%86%D8%AF%D9%88-%D9%85%D8%B9%D8%A8%D8%AF-%D8 %A8%D9%87%D8%A7%D8%AF%D8%B1%D8%A7%D9%83%D8%A7%D9%84%D9%8A-%D8%A7% D9%84%D9%81%D9%86%D8%A7%D8%AF%D9%82-%D9%82%D8%B1%D8%A8 Bhadrakali - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Bhadrakali Bhadrakali From Wikipedia, the free encyclopedia Bhadrak ālī (Sanskrit: भकाली , Tamil: பரகாள, Telugu: wq, Malayalam: , Kannada: ಭದಾ, Kodava: Bhadrak ālī (Good Kali, Mahamaya Kali) ಭದಾ) (literally " Good Kali, ") [1] is a Hindu goddess popular in Southern India. She is one of the fierce forms of the Great Goddess (Devi) mentioned in the Devi Mahatmyam. Bhadrakali is the popular form of Devi worshipped in Kerala as Sri Bhadrakali and Kariam Kali Murti Devi. In Kerala she is seen as the auspicious and fortunate form of Kali who protects the good. It is believed that Bhadrak āli was a local deity that was assimilated into the mainstream Hinduism, particularly into Shaiva mythology. She is represented with three eyes, and four, twelve or eighteen hands. She carries a number of weapons, with flames flowing from her head, and a small tusk protruding from her mouth. Her worship is also associated with the Bhadrakali worshipped by the Trimurti – the male Tantric tradition of the Matrikas as well as the tradition of the Trinity in the North Indian Basohli style. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Tamil Nadu Government Gazette
© [Regd. No. TN/CCN/467/2009-11. GOVERNMENT OF TAMIL NADU [R. Dis. No. 197/2009. 2010 [Price: Rs. 19.20 Paise. TAMIL NADU GOVERNMENT GAZETTE PUBLISHED BY AUTHORITY No. 8] CHENNAI, WEDNESDAY, MARCH 3, 2010 Maasi 19, Thiruvalluvar Aandu–2041 Part VI—Section 4 Advertisements by private individuals and private institutions CONTENTS PRIVATE ADVERTISEMENTS Pages Change of Names .. 22297-342 Notice .. 342-343 Notice .. 116N NOTICE NO LEGAL RESPONSIBILITY IS ACCEPTED FOR THE PUBLICATION OF ADVERTISEMENTS REGARDING CHANGE OF NAME IN THE TAMIL NADU GOVERNMENT GAZETTE. PERSONS NOTIFYING THE CHANGES WILL REMAIN SOLELY RESPONSIBLE FOR THE LEGAL CONSEQUENCES AND ALSO FOR ANY OTHER MISREPRESENTATION, ETC. (By Order) Director of Stationery and Printing. CHANGE OF NAMES I, P. Sankaravadivoo alias Sathiavani, wife of Thiru I, S. Umarkatha, son of Thiru M.S. Syed Mohamad, born S.A. Kalyanasundaram, born on 7th March 1959 on 11th April 1974 (native district: Theni), residing at (native district: Thoothukkudi), residing at Old No. 9-B, No. Old No. 64, New No. 44, South Street, Thenkarai, New No. 13, Bethania Nagar, Nazareth, Thoothukkudi- Periyakulam-625 601, shall henceforth be known 628 617, shall henceforth be known as P.S. VANI. as M.S. UMARKATHAB. S. UMARKATHA. P. SANKARAVADIVOO ALIAS SATHIAVANI. Periyakulam, 22nd February 2010. Nazareth, 22nd February 2010. I, P. Dhivakaran, son of Thiru A. Perumal Pillai, born on I, P. Dharmishtha Bhavanbhai, wife of Thiru Navin 5th April 1960 (native district: Madurai), residing at S. Patel, born on 13th September 1978 (native district: No. 5/3, M.G.R. Street, T. Meenakshi Nagar, Villapuram, Nakhatrana-Gujarat), residing at No. -
Bahuchara Mata
Intermountain West Journal of Religious Studies Volume 7 Number 1 Fall 2016 Article 4 2016 Bahuchara Mata Kunal Kanodia Columbia University Follow this and additional works at: https://digitalcommons.usu.edu/imwjournal Recommended Citation Kanodia, Kunal "Bahuchara Mata." Intermountain West Journal of Religious Studies 7, no. 1 (2016). https://digitalcommons.usu.edu/imwjournal/vol7/iss1/4 This Article is brought to you for free and open access by the Journals at DigitalCommons@USU. It has been accepted for inclusion in Intermountain West Journal of Religious Studies by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. KUNAL KANODIA: BAHUCHARA MATA 87 KUNAL KANODIA is in his last year at Columbia University where he is pursuing a major in Human Rights with a concentration in Middle Eastern, South Asian and African Studies. His research interests lie in the intersectionality of identities of marginalized and subaltern communities in different social contexts. His interests include contemporary Hindi poetry, skydiving, cooking, Spanish literature and human rights advocacy. Kunal aspires to become a human rights lawyer someday. 88 IMW JOURNAL OF RELIGIOUS STUDIES VOL. 7:1 Kunal Kanodia BAHUCHARA MATA: LIBERATOR, PROTECTOR AND MOTHER OF HIJRAS IN GUJARAT INTRODUCTION The most prominent of myths surrounding the Hindu goddess Bahuchara Mata is that she belonged to the Charan caste, members of the Brahman class in Gujarat associated with divinity.1 As the narrative proceeds, one day Bahuchara Mata and her sisters were travelling when a looter named Bapiya attacked their caravan. This was considered a heinous sin.2 Bahuchara Mata cursed Bapiya with impotency and according to legend, self-immolated and cut off her own breasts. -
Sakti Centres in Cuttack District : a Historical Perspective
Click Here & Upgrade Expanded Features PDF Unlimited Pages CompleteDocuments Orissa Review * September - October - 2005 Sakti Centres in Cuttack District : A Historical Perspective Pareswar Sahoo With its bountiful nature, Orissa is an enchanting Kathajodi on the south. The stone embankment state of old charms and new glamour. Having protecting the river banks speak eloquently of the thirty districts in her heart it has a kaleidoscope engineering skills of the earlier era and is regarded of tourist attractions. Cuttack, as an interregnum in the the previous capital city of history of the Somavamsi rule modern Orissa, is famous for in Orissa. filigree silverware, horn and The origin of Sakti cult brass work. The old Cuttack is shrouded in mystery. Since district is known for its silk and time immemorial the worship cotton textiles, besides the of Sakti (power) has been an Buddhist golden triangle and important religious persuit. also for Sakti pithas The archaeologists, (Bhattarika, Charchika and historians, indologist, Maa Pragala). These places philosophers and scholars of are associated with Devi many other disciplines have Durga, the symbol of power expounded various theories and strength and are therefore with regard to the origin and regarded as traditional Sakti evolution of the Sakti cult. It Kshetras of Orissa dedicated is easy to understand that to Brahmanical Sakti means power and Panchadevatas. 1 These strength, which is expressed centers are honeycombed by through different phenomena. glamorous scenic beauty and the religious In Devisukta, the Saptasati records,2 potentialities are intended for all sections of visiting intelligence, satisfaction peity etc. as the various tourists, both inland and outland. -
Sri Vidya Mantra: Unravelling the Cosmos Niraj Kumar
Sri Vidya Mantra: Unravelling the Cosmos Niraj Kumar he visible world is only a small part a different sonic universe. Recent explorations in of reality, which again is relative to an ob some branches of theoretical physics have led to Tserver. Human beings experience only a the formulation of the idea of a multiverse. More sliver—20 Hz to 20,000 Hz—of the vast world over, many astrophysicists suggest that only about of sounds. For bats and some other creatures it is five per cent of our universe comprises of visible 332 PB May 2014 —No bleed here— Sri Vidya Mantra: Unravelling the Cosmos 29 matter. The rest is composed of dark energy and fusion of Shiva and Shakti—the spandana, vi dark matter, whose properties are elusive. bratory, principle. Ordinarily, a bindu takes half The human mind is unaware of many things the time taken for uttering a phoneme. But the outside and inside the body. However, to an bindu also tapers into the subtler sound of nāda, introspective person, the universe appears to be which is equivalent to 1/16th of a phoneme. The a graded existence from the gross to the subtle. further subtle division of sound ends at the level Sri Vidya is a subtle conception of tracing the of unmanā, mind in extremely low vibration, relationship between various levels of existence. which corresponds to 1/512th of the time taken This vidya, science, structurally correlates the to utter a mātra. microcosm and the macrocosm and establishes Since sparśa, touch, always produces sound, a connection between the human body, the cos the sages developed a paradigm for phonemic mic body, and the geographical body. -
Devi: the Great Goddess (Smithsonian Institute)
Devi: The Great Goddess Detail of "Bhadrakali Appears to Rishi Chyavana." Folio 59 from the Tantric Devi series. India, Punjab Hills, Basohli, ca 1660-70. Opaque watercolor, gold, silver, and beetle-wing cases on paper. Purchase, Freer Gallery of Art, Smithsonian Institution F1997.8 Welcome to Devi: The Great Goddess. This web site has been developed in conjunction with the exhibition of the same name. The exhibition is on view at the Arthur M. Sackler Gallery from March 29, 1999 through September 6, 1999. Like the exhibition, this web site looks at the six aspects of the Indian goddess Devi. The site offers additional information on the contemporary and historical worship of Devi, activities for children and families, and a list of resources on South Asian arts and cultures. You may also want to view another Sackler web site: Puja: Expressions of Hindu Devotion, an on-line guide for educators explores Hindu worship and provides lesson plans and activities for children. This exhibition is made possible by generous grants from Enron/Enron Oil & Gas International, the Rockefeller Foundation, The Starr Foundation, Hughes Network Systems, and the ILA Foundation, Chicago. Related programs are made possible by Victoria P. and Roger W. Sant, the Smithsonian Educational Outreach Fund, and the Hazen Polsky Foundation. http://www.asia.si.edu/devi/index.htm (1 of 2) [7/1/2000 10:06:15 AM] Devi: The Great Goddess | Devi Homepage | Text Only | | Who is Devi | Aspects of Devi | Interpreting Devi | Tantric Devi | For Kids | Resources | | Sackler Homepage | Acknowledgements | The Arthur M. Sackler Gallery and Freer Gallery of Art, Smithsonian Institution, Washington, DC 20560.