Worship of Mother Kali
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Devi Mahatmyam Translated by P
Devi Mahatmyam Translated by P. R. Ramachander * © Under the blessings of the holy mother. * Please contact the author at ramya475@gmail. com Devi Mahatmyam Contents: Devi Mahatmyam I Contents: II Introduction 1 Appendix 1 4 THE ESOTERIC SIGNIFICANCE OF THE DEVI-MAHATMYA 4 Appendix 2 11 DEVI MAHATMYA STOTHRA ASHTAKAM 11 DEVI KAVACHAM 16 (Armour of the Goddess) 16 DEVI KEELAGAM 26 (The nail of the goddess) 26 Sri Devi Mahatmyam 30 Prathama Charitham 30 (First Part) 30 Pradhmao adhyaya: Madhu Kaidaba Vadha Varnanam 30 Chapter 1: Description of Killing of Madhu and Kaidabha. 30 Madhyama Charitham 43 (Middle part) 43 Chapter 2: Killing of the armies of Mahishasura. 43 Chapter 3: Killing of Mahishasura. 53 Chapter 4: The prayer of Sakradi devathas. 59 Uthama Charitha 67 (The holy story) 67 Chapter 5: The argument between devi and the emissary. 67 Chapter 6: The killing of Dhoomra lochana. 79 Chapter 7: Killing of Chanda and Munda 83 Chapter 8: Killing of Raktha Bheeja. 87 Chapter 9: Killing of Nishumbha. 96 Chapter 10: Killing of Shumbha. 102 Chapter 11: Prayer to Narayani. 107 Chapter 12: The greatness of the story of Devi. 116 Chapter 13: The getting of boons by Suradha and Vaisya. 122 II Introduction Introduction This book which relates het story of how the devi (mother Goddess) killed Madhu and Kaidabha as Vishnu Maya (Thamasic-base), killed Mahishasura as Lakshmi (Rajashic form- materialistic) and killed Shumbha and Nishumbha in the form of Goddess Saraswathi (Sathvic -spiritual) is known as Devi Mahatmya in South India, Chandi in West Bengal and as Durga Sapthasathi in the northern parts of the country including Varanasi. -
The Lion : Mount of Goddess Durga
Orissa Review * October - 2004 The Lion : Mount of Goddess Durga Pradeep Kumar Gan Shaktism, the cult of Mother Goddess and vast mass of Indian population, Goddess Durga Shakti, the female divinity in Indian religion gradually became the supreme object of 5 symbolises form, energy or manifestation of adoration among the followers of Shaktism. the human spirit in all its rich and exuberant Studies on various aspects of her character in variety. Shakti, in scientific terms energy or our mythology, religion, etc., grew in bulk and power, is the one without which no leaf can her visual representation is well depicted in stir in the world, no work can be done without our art and sculpture. It is interesting to note 1 it. The Goddess has been worshipped in India that the very origin of her such incarnation (as from prehistoric times, for strong evidence of Durga) is mainly due to her celestial mount a cult of the mother has been unearthed at the (vehicle or vahana) lion. This lion is usually pre-vedic civilization of the Indus valley. assorted with her in our literature, art sculpture, 2 According to John Marshall Shakti Cult in etc. But it is unfortunate that in our earlier works India was originated out of the Mother Goddess the lion could not get his rightful place as he and was closely associated with the cult of deserved. Siva. Saivism and Shaktism were the official In the Hindu Pantheon all the deities are religions of the Indus people who practised associated in mythology and art with an animal various facets of Tantra. -
Temple Calendar
Year : SHAARVARI MARGASIRA - PUSHYA Ayana: UTTARA MARGAZHI - THAI Rtu: HEMANTHA JANUARY DHANU - MAKARAM SUN MON TUE WED THU FRI SAT Tritiya 8.54 D Recurring Events Special Events Tritiya 9.40 N Chaturthi 8.52 N Temple Hours Chaturthi 6.55 ND Daily: Ganesha Homam 01 NEW YEAR DAY Pushya 8.45 D Aslesha 8.47 D 31 12 HANUMAN JAYANTHI 1 2 P Phalguni 1.48 D Daily: Ganesha Abhishekam Mon - Fri 13 BHOGI Daily: Shiva Abhishekam 14 MAKARA SANKRANTHI/PONGAL 9:30 am to 12:30 pm Tuesday: Hanuman Chalisa 14 MAKARA JYOTHI AYYAPPAN 5:30 pm to 8:30 pm PUJA Thursday : Vishnu Sahasranama 28 THAI POOSAM VENKATESWARA PUJA Friday: Lalitha Sahasranama Moon Rise 9.14 pm Sat, Sun & Holidays Moon Rise 9.13 pm Saturday: Venkateswara Suprabhatam SANKATAHARA CHATURTHI 8:30 am to 8:30 pm NEW YEAR DAY SANKATAHARA CHATURTHI Panchami 7.44 N Shashti 6.17 N Saptami 4.34 D Ashtami 2.36 D Navami 12.28 D Dasami 10.10 D Ekadasi 7.47 D Magha 8.26 D P Phalguni 7.47 D Hasta 5.39 N Chitra 4.16 N Swati 2.42 N Vishaka 1.02 N Dwadasi 5.23 N 3 4 U Phalguni 6.50 ND 5 6 7 8 9 Anuradha 11.19 N EKADASI PUJA AYYAPPAN PUJA Trayodasi 3.02 N Chaturdasi 12.52 N Amavasya 11.00 N Prathama 9.31 N Dwitiya 8.35 N Tritiya 8.15 N Chaturthi 8.38 N 10 Jyeshta 9.39 N 11 Mula 8.07 N 12 P Ashada 6.51 N 13 U Ashada 5.58 D 14 Shravana 5.34 D 15 Dhanishta 5.47 D 16 Satabhisha 6.39 N MAKARA SANKRANTHI PONGAL BHOGI MAKARA JYOTHI AYYAPPAN SRINIVASA KALYANAM PRADOSHA PUJA HANUMAN JAYANTHI PUSHYA / MAKARAM PUJA SHUKLA CHATURTHI PUJA THAI Panchami 9.44 N Shashti 11.29 N Saptami 1.45 N Ashtami 4.20 N Navami 6.59 -
The Hindu Deity Durga (PDF)
The Hindu deity Durga victorious over the buffalo demon, 1000–1100 India; Tamil Nadu state Granite The Avery Brundage Collection, B64S10 WHO IS DEPICTED HERE? This is an image of the goddess Durga. She is shown in a triumphant pose as the slayer of the buffalo demon, Mahisha. Durga is a manifestation of the Goddess, who can also appear as the consort Parvati or as a destructive figure Kali. Durga is a powerful manifestation of Parvati and as such appears on her own rather than as a consort of Shiva. Durga appeared when the gods were unable to subdue a demon who was threatening the entire world. Individually, the gods were unable to defeat the demon. They summoned Durga and gave her all their weapons. The battle went on and on, prolonged by the fact that Mahisha continually changed shapes. Finally, Durga was able to cut off his head as the demon emerged from a buffalo. In this scene, the struggle and violence of the combat between Goddess and demon is only subtly suggested. Durga stands victorious over the head of the buffalo, alluding to the famous story but focusing most of the viewers’ attention on the powerful goddess herself. In Hindu imagery, many divine figures are often portrayed with their vehicles, animals associated with them such as the eagle Garuda earlier seen portrayed with the god Vishnu. In the visual arts, gods’ vehicles will often be seen to physically support and transport them. In this sculpture, as well as in other South Indian renditions of the subject, the artist has creatively subverted the idea of vehicle to create a deft suggestion of a mythic story, using a basic iconographic device. -
Joys of Worshiping Maa Bhavani
Glory of Maa Commemorating Navaratri 2008 vakratunDa mahaakaaya koTisuuryasamaprabha | nirvighnaM kuru me deva sarvakaaryeshhu sarvadaa || O Lord Ganesha, radiant as millions of Suns, Please, remove obstacles from all my tasks throughout the life 1 Glory of Maa Commemorating Navaratri 2008 “Jai Ambe Maa Bhavani Maha Kali Bhagavati Nava Durga Devi” Written and composed by: Jyotikar Pattni © Copyrights September 2008 2 sarvamangala maangalye sive sarvaarthasaadhike saranye trayambake gouri narayani namo’stu te. “O Narayani, Devi, the three-eyed, the Refuge, the Auspiciousness, the bestower of all wishes, the blessedness that is in all that is blessed. Prostrations be to Thee!” Aum Sharanaagata-deenaarta, Paritraana-paraayaney| Sarvasyaarti-harey Devi, Naaraayanni namohstutey|| 3 “Shiva-Shakti” is the epitome of Vedic Hindu divinity. 1 Devi-Mahatmya is portrayal of Devi Maa glory in majestic Sanskrit poetries depicting the dance of karma from the joys of realising essential spiritual freedom, to the great divine worship of the Divine Mother Goddess and rejoicing the triumph of Devi Maa towards the light of million delights. “Prathama charitra”, “Madhyama charitra”, and “Uttama charitra” are sections of the Devi Purana, of which there are thirteen chapters in total including the recital of the “MAHA-DEVI-shloka”.2 1 The Dasa-Mahavidyas, or Ten Great or Transcendent Wisdoms, is a circle of Ten Goddesses associated with Tantric practice. There are several accounts on how this dynamic circle was formed. In one version, Shiva is living with the Goddess Kali in the Satya Yuga, the first and perfect of the four periods of the world cycle. Eventually, Shiva grows restless and decides he is tired of living with Kali. -
Dr. Babasaheb Ambedkar Writings & Speeches Vol. 4
Babasaheb Dr. B.R. Ambedkar (14th April 1891 - 6th December 1956) BLANK DR. BABASAHEB AMBEDKAR WRITINGS AND SPEECHES VOL. 4 Compiled by VASANT MOON Dr. Babasaheb Ambedkar : Writings and Speeches Vol. 4 First Edition by Education Department, Govt. of Maharashtra : October 1987 Re-printed by Dr. Ambedkar Foundation : January, 2014 ISBN (Set) : 978-93-5109-064-9 Courtesy : Monogram used on the Cover page is taken from Babasaheb Dr. Ambedkar’s Letterhead. © Secretary Education Department Government of Maharashtra Price : One Set of 1 to 17 Volumes (20 Books) : Rs. 3000/- Publisher: Dr. Ambedkar Foundation Ministry of Social Justice & Empowerment, Govt. of India 15, Janpath, New Delhi - 110 001 Phone : 011-23357625, 23320571, 23320589 Fax : 011-23320582 Website : www.ambedkarfoundation.nic.in The Education Department Government of Maharashtra, Bombay-400032 for Dr. Babasaheb Ambedkar Source Material Publication Committee Printer M/s. Tan Prints India Pvt. Ltd., N. H. 10, Village-Rohad, Distt. Jhajjar, Haryana Minister for Social Justice and Empowerment & Chairperson, Dr. Ambedkar Foundation Kumari Selja MESSAGE Babasaheb Dr. B.R. Ambedkar, the Chief Architect of Indian Constitution was a scholar par excellence, a philosopher, a visionary, an emancipator and a true nationalist. He led a number of social movements to secure human rights to the oppressed and depressed sections of the society. He stands as a symbol of struggle for social justice. The Government of Maharashtra has done a highly commendable work of publication of volumes of unpublished works of Dr. Ambedkar, which have brought out his ideology and philosophy before the Nation and the world. In pursuance of the recommendations of the Centenary Celebrations Committee of Dr. -
Sathya Sai Speaks, Volume 41
16. All Are One, Be Alike To Everyone Karma is responsible for the birth, existence, and death of people. It holds sway over all stages of their lives as the very deity of human existence. It is responsible for joy and sorrow. (Telugu poem) eople experience pleasure and pain, sorrow and difficulties in this world. When they experience pleasure, they Pwould say it is due to their deservedness. On the other hand, when they undergo difficulties, they attribute it to their destiny. Really speaking, both pleasure and pain are the result of one’s own actions (karma). “As are the feel- ings, so is the result (Yad bhavam tad bhavathi).” As are the actions, so will be the result. As is the food, so will be the belch. Similarly, the entire world is based on karma. Hence, the karmas performed by people should be sacred. The three facets of the divine female principle It is now Dasara festival time. What is Dasara? The celebration of Dasara festival is meant to purify the ac- tions performed by the dasendriyas (5 senses of action and 5 senses of perception). Every human being in this world has to perform some kind of karma (action). The presiding deity or the driving force behind these actions is Devi (also known as Durga), who is the personification of energy. She is the bestower of all kinds of energy to perform various kinds of karma by the human beings. Goddess Lakshmi bestows various kinds of wealth like money, food grains, gold, different kinds of objects, vehicles for movement, etc., to human beings so that they can lead a happy life in this world. -
Mahishasuramardini Stotram
||qÉÌWûwÉÉxÉÑUqÉÌSïÌlÉxiÉÉå§ÉqÉç|| Mahishasuramardini stotram (English translation by S.N.Sastri) Mahishasuramardini stotram is based on Devi mahatmyam in which Devi takes the forms of Durga, Lakshmi and Sarasvati to slay Madhu and Kaitabha, Mahishasura, and Sumbha and Nisumbha respectively. This stotra is said to have been composed by Ramakrishna Kavi about whom no details are available. AÌrÉ ÌaÉËUlÉÎlSÌlÉ lÉÎlSiÉqÉåÌSÌlÉ ÌuɵÉÌuÉlÉÉåÌSÌlÉ lÉÎlSlÉÑiÉå ÌaÉËUuÉUÌuÉlkrÉÍzÉUÉåÍkÉÌlÉuÉÉÍxÉÌlÉ ÌuÉwhÉÑÌuÉsÉÉÍxÉÌlÉ ÎeÉwhÉÑlÉÑiÉå| pÉaÉuÉÌiÉ Wåû ÍzÉÌiÉMühPûMÑüOÒûÎqoÉÌlÉ pÉÔËUMÑüOÒûÎqoÉÌlÉ pÉÔiÉM×üiÉå eÉrÉ eÉrÉ Wåû qÉÌWûwÉÉxÉÑUqÉÌSïÌlÉ UqrÉMümÉÌSïÌlÉ zÉæsÉxÉÑiÉå ||1 1. O Daughter of the Mountain, who delight the earth, who make the whole universe enjoy, who are praised by Nandikesvara, who dwell on the summit of the king of mountains, the Vindhyas, who took the form of the consort of Vishnu (as Lakshmi), who are praised by Indra, O consort of Siva (the blue-necked), who have innumerable families, who are the Creatrix of the whole universe, who slew the demon Mahisha, who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You. xÉÑUuÉUWûÌwÉïÍhÉ SÒkÉïUkÉÌwÉïÍhÉ SÒqÉÑïZÉqÉÌwÉïÍhÉ WûwÉïUiÉå §ÉpÉÑuÉlÉmÉÉåÌwÉÍhÉ zÉÇMüUiÉÉåÌwÉÍhÉ MüsqÉwÉqÉÉåÌwÉÍhÉ bÉÉåwÉUiÉå | SlÉÑeÉÌlÉUÉåÌwÉÍhÉ SÒqÉïSUÉåÌwÉÍhÉ SÒSïqÉzÉÉåÌwÉÍhÉ ÍxÉlkÉÑxÉÑiÉå eÉrÉ eÉrÉ Wåû qÉÌWûwÉÉxÉÑUqÉÌSïÌlÉ UqrÉMümÉÌSïÌlÉ zÉæsÉxÉÑiÉå ||2 2. O Daughter of the Mountain, who delight Indra, who crushed the demon Durdhara, who subdued Durmukha, who are immersed in bliss, who nourish all the three worlds, who make Sankara happy, who remove all sins, who delight in celebration, who are angry with Asuras, who destroy evil pride, who destroyed the demon Durdama, who was born as the daughter of the ocean (as Lakshmi), who have charming locks of hair, O Daughter of the Mountain, hail unto You, hail unto You. -
Book History Essay 4
Books in the British Raj: The Contradictions of Liberal Imperialism The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Darnton, Robert. 2001. Books in the British Raj: The contradictions of liberal imperialism. In Stephan Füssel, ed., Sonderdruck aus Gutenberg-Jahrbuch, 36-59. Mainz: Gutenberg-Ges. Previously published as "Literary Surveillance in the British Raj: The Contradictions of Liberal Imperialism" in Book History 4:133-176. Published Version http://dx.doi.org/10.1353/bh.2001.0007 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:2625468 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Books in the British Raj: The Contradictions of Liberal Imperialism Robert Darnton William Lawler made a most unlikely literary policeman. He was a librarian, a learned librarian, who looked out on the teeming city of Calcutta from the perspective of Roman antiquity and Victorian morality. Before him, spread out on a table, lay a huge sheet of paper divided into sixteen columns. Behind him, in endless rows of shelves, were books, a huge harvest of books from Bengal in the year 1879. Lawler’s job was to fill in the columns. The first columns posed no problem. They organized the information required for the registration of new books; and their printed headings conformed to Act XXV of the Governor General of India in Council for 1867: language of text, author, subject, place of printing and publication, name of printer and publisher, date of publication, number of pages, format, edition, pressrun, printing by movable type or lithography, price, owner of copyright. -
Hindu-Goddesses As Role Models for Women
Beteckning: Rel D fält vt 2007:2 Institutionen för humaniora och samhällsvetenskap Hindu goddesses as role models for women? A qualitative study of some middle class women’s views on being a woman in the Hindu society Hanna Hedman Juni 2007 D-uppsats, 10 poäng Religionsvetenskap Religionsvetenskapliga fältstudier D Handledare: Lena Roos ACKNOWLEDGEMENT Initially, I would like to point out that this study would not have been possible if I had not been given a scholarship from the Swedish Mission Council. First, I would like to thank Mr. Olov Dahlin at the Department of Religious Studies at University of Gävle for helping me throughout the entire process. Without his help I would not have been able to go to India. After my arrival in India, Ms. Neerja Chauhan, Dr. Partap Chauhan, Mrs. Chander Lata Chauhan and her husband Mr. Richi Pal Chauhan at Jiva Institute were very helpful in trying to make my stay as pleasant as possible. Ms. Neerja Chauhan and Mrs. Chander Lata Chauhan also helped me to get in contact with people to interview. Therefore I would like to thank them. I stayed with members of the Chauhan family during my field work. I would like to thank them for their hospitality and for teaching me more about the culture. Finally I would like to thank all the informants for taking their time and sharing their experiences with me. Gävle 2007-06-10 Hanna Hedman ABSTRACT This report is based on a field study that was carried out in Faridabad, India in the spring of 2007. The aim is to study what role the Hindu goddesses play for Hindu women. -
CONCEIVING the GODDESS an Old Woman Drawing a Picture of Durga-Mahishasuramardini on a Village Wall, Gujrat State, India
CONCEIVING THE GODDESS An old woman drawing a picture of Durga-Mahishasuramardini on a village wall, Gujrat State, India. Photo courtesy Jyoti Bhatt, Vadodara, India. CONCEIVING THE GODDESS TRANSFORMATION AND APPROPRIATION IN INDIC RELIGIONS Edited by Jayant Bhalchandra Bapat and Ian Mabbett Conceiving the Goddess: Transformation and Appropriation in Indic Religions © Copyright 2017 Copyright of this collection in its entirety belongs to the editors, Jayant Bhalchandra Bapat and Ian Mabbett. Copyright of the individual chapters belongs to the respective authors. All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building, 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/cg-9781925377309.html Design: Les Thomas. Cover image: The Goddess Sonjai at Wai, Maharashtra State, India. Photograph: Jayant Bhalchandra Bapat. ISBN: 9781925377309 (paperback) ISBN: 9781925377316 (PDF) ISBN: 9781925377606 (ePub) The Monash Asia Series Conceiving the Goddess: Transformation and Appropriation in Indic Religions is published as part of the Monash Asia Series. The Monash Asia Series comprises works that make a significant contribution to our understanding of one or more Asian nations or regions. The individual works that make up this multi-disciplinary series are selected on the basis of their contemporary relevance. -
Summary of Hinduism Beliefs
Summary of Hinduism Beliefs Meaning of name Major Holidays Hinduism, from the Persian hindu (Sanskrit sindhu ), Mahashivarati (mid-February) literally "river." Means "of the Indus Valley" or simply Holi (Spring) "Indian." Hindus call their religion sanatama Ramnavami (late March) dharma, "eternal religion" or "eternal truth." Dusserah (early November) Diwali (mid-November) Date/Place Founded & Founder Dates to 1500 BC or earlier / India / Founder: None Three Paths karmamarga - path of works and action Adherents jnanamarga - path of knowledge or philosophy 900 million (third largest in the world) bhaktimarga - path of devotion to God Main Location Three Debts India, also United Kingdom and United States debt to God Major Sects debt to sages and saints Saivism, Vaisnavism, Saktism debt to ancestors Sacred Texts Four Stages of Life Vedas, Upanishads, Sutras, Bhagavad Gita brahmacharga - school years - grow and learn Original Language grhastha - marriage, family and career vanaprastha - turn attention to spiritual things Sanskrit sanrgasu - abandon world to seek spiritual things Spiritual Leader Guru or sage Four Purposes of Life dharma - fulfill moral, social and religious duties Place of Worship artha - attain financial and worldy success Temple or home shrine kama - satisfy desires and drives in moderation moksha - attain freedom from reincarnation Theism Pantheism with polytheistic elements Seven Sacred Cities Ultimate Reality Ayodhya, Mathura, Gaya (Bodhgaya), Kasi (Varanasi, Benares), Kanci, Avantika (Ujjain), Dvaraka Brahman Human Nature Ten Commandments In bondage to ignorance and illusion, but able to escape 1. Ahimsa - do no harm 2. Satya - do not lie Purpose of Life 3. Asteya - do not steal To attain liberation (moksa) from the cycle of 4.