Tatsiana Suprankova Minsk, Belarus Belarusian Faust-Concept at The

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Tatsiana Suprankova Minsk, Belarus Belarusian Faust-concept at the crossroads of epochs and cultures Being involved into European cultural context Belarusian culture has always been open to the intercultural dialogue both with the West and the East. Reception of the Faust-concept in the Belarusian cultural heritage can verify this statement. In the 16th century a folk legend penetrate the German literature and was given to the world in several wordings. It got popular far beyond the Holy Roman Empire of the German nation. A contemporary of William Shakespeare, Christopher Marlowe, wrote "The Tragicall History of the Life and Death of Doctor Faustus". An original version of this legend appeared on the territory of the Polish-Lithuanian Commonwealth. Its personage was a pan Twardowski. On the territory of the Grand Duchy of Lithuania, he was associated with the legend about evocation the spirit of a beautiful Queen Barbara Radziwill. The pinnacle of the Faust literary processing became the great Goethe’s embodiment. He created three versions of the plot. They are "Urfaust", a well-known literature "Faust" and opera libretto of the same name. It was co-authored by the Belarusian composer A. G. Radziwill and became popular in the 19th century. Its staging in the National Academic Grand Opera and Ballet Theatre of the Republic of Belarus in 1999 was dedicated to the 250 anniversary of Goethe’s birthday. The opera "Faust" combines the best traditions of Enlightenment and Romanticism. Belarusian Faust-concept was revived again in the literature of the romantic writers Adam Mickiewicz (the ballad "Pani Twardowska", the poem "Dziady (Forefather’s Eve)"), J. Barszczewski (the novel "Twardowski and student" and Faust-allusions in "Nobleman Zawalnia, or Belarus in Fantastic Stories"), T. Zan (the poem about Pan Twardowski), neo-romanticism authors such as Janka Kupala (translation of the Mickiewicz's ballad "Pani Twardowska" from Polish into Belarusian, "The Eternal Song" and "Dream on the Barrow"), Ul. Karatkievich (essay "And our Faust", plays "The boat of despair" and "The legend about the Devil and about Satan’s Lawyers"). .

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