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HIP HOP & Philosophy
Devil and Philosophy 2nd pages_HIP HOP & philosophy 4/8/14 10:43 AM Page 195 21 Souls for Sale JEFF EWING F Y O Selling your soul to the Devil in exchaPnge for a longer life, wealth, beauty, power, or skill has long been a theme in Obooks, movies, and even music. Souls have Obeen sold for Rknowledge and pleasure (Faust), eternal youth (Dorian Gray), the ability to play the guitar (Tommy JohnCson in O Brother, Where Art P Thou?) or the harmonica (Willie “Blind Do g Fulton Smoke House” Brown in the 1986 Emovie, Crossroads), or for rock’n’roll itself (the way Black SCabbath did on thDeir 1975 greatest hits album, We Sold Our Soul for Rock’n’ERoll). The selling of aN soul as an object of exchange for nearly any- thing, as a sort of fictitious comTmodity with nearly universal exchange valuAe, makes it perChaps the most unique of all possi- ble commVodities (and as such, contracts for the sales of souls are the most unique of aEll possible contracts). One theorist in partiDcular, Karl MaRrx (1818–1883), elaborately analyzed con- tracts, exchange, and “the commodity” itself, along with all the hAidden implicatRions of commodities and the exchange process. Let’s see what Marx has to tell us about the “political economy” of the FaustOian bargain with the Devil, and try to uncover what it trulyC is to sell your soul. N Malice and Malleus Maleficarum UWhile the term devil is sometimes used to refer to minor, lesser demons, in Western religions the term refers to Satan, the fallen angel who led a rebellion against God and was banished from Heaven. -
"With His Blood He Wrote"
:LWK+LV%ORRG+H:URWH )XQFWLRQVRIWKH3DFW0RWLILQ)DXVWLDQ/LWHUDWXUH 2OH-RKDQ+ROJHUQHV Thesis for the degree of philosophiae doctor (PhD) at the University of Bergen 'DWHRIGHIHQFH0D\ © Copyright Ole Johan Holgernes The material in this publication is protected by copyright law. Year: 2017 Title: “With his Blood he Wrote”. Functions of the Pact Motif in Faustian Literature. Author: Ole Johan Holgernes Print: AiT Bjerch AS / University of Bergen 3 Acknowledgements I would like to thank the following for their respective roles in the creation of this doctoral dissertation: Professor Anders Kristian Strand, my supervisor, who has guided this study from its initial stages to final product with a combination of encouraging friendliness, uncompromising severity and dedicated thoroughness. Professor Emeritus Frank Baron from the University of Kansas, who encouraged me and engaged in inspiring discussion regarding his own extensive Faustbook research. Eve Rosenhaft and Helga Muellneritsch from the University of Liverpool, who have provided erudite insights on recent theories of materiality of writing, sign and indexicality. Doctor Julian Reidy from the Mann archives in Zürich, with apologies for my criticism of some of his work, for sharing his insights into the overall structure of Thomas Mann’s Doktor Faustus, and for providing me with some sources that have been valuable to my work. Professor Erik Bjerck Hagen for help with updated Ibsen research, and for organizing the research group “History, Reception, Rhetoric”, which has provided a platform for presentations of works in progress. Professor Lars Sætre for his role in organizing the research school TBLR, for arranging a master class during the final phase of my work, and for friendly words of encouragement. -
A Picture of Doctor Faustus309
530 S PATIAL R ELATIONS a play’s star turns was by Harriet Roberts as the saucy and coquettish Julia, the Cardinal’s mistress. Her timing was excellent. Maybe the essence of this production’s tackling of the absurd contradic- tions in John Webster’s tragic revenge play was embodied in Mark Tilly’s Bosolo (‘a malcontent’) and his perversities. Tilly played Bosolo as both panto-villain and traumatized wrestler of split personality – a Jekyll and Hyde act that could have fallen flat on its face, but didn’t. In fact, insofar as he is the machine driving the plot and the ephemeral nature of ‘conscience’, I think he nailed Bosolo. A Picture of Doctor Faustus309 HE LEGENDARY STORY OF FAUST, the scholar and physician who sold his soul to the devil in exchange for knowledge and insight into T the workings of the universe, and later from a lust for earthly passions and goods, is a central Western cultural metaphor and symbol for moral equi- vocation, false gain and inevitable punishment. It also has equivalents in other cultural spaces around the world, and has been adapted to illuminate a uni- versal human quandary in numerous reformulations through many geogra- phies and languages. What is so appealing about this tale that in many way derives from a crisis of church and state and indeed Christianity, in the late-fifteenth and the six- teenth century, that reaches a peak with Luther and his followers, and the violent break away from the Catholic church in the sixteenth century, is that it applies to the grand and the obscure, to the famous and the anonymous person, in equal measure. -
Curiosità - Zjawiska Osobliwe W Sztuce, Literaturze I Obyczaju
Curiosità - zjawiska osobliwe w sztuce, literaturze i obyczaju redakcja Anna Sylwia Czyż Janusz Nowiński INSTYTUT HISTORII SZTUKI MIĘDZYNARODOWE CENTRUM DIALOGU MIĘDZYKULTUROWEGO I MIĘDZYRELIGIJNEGO UNIWERSYTET KARDYNAŁA STEFANA WYSZYŃSKIEGO WARSZAWA • 2013 Publikacja została przygotowana do druku dzięki pomocy finansowej Jego Magnificencji Rektora UKSW ks. prof. dra hab. Henryka Skorowskiego oraz Dziekana Wydziału Nauk Historycznych i Społecznych ks. prof. dra hab. Jarosława Korala Recenzenci: prof. dr hab. Katarzyna Mikocka-Rachubowa prof. dr hab. Waldemar Deluga Redakcja naukowa: Anna Sylwia Czyż Janusz Nowiński korekta: Małgorzata Danowska opracowanie graficzne: Sławomir Krajewski realizacja: © Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie Instytut Historii Sztuki Wszelkie prawa zastrzeżone Nieautoryzowane kopiowanie i rozpowszechnianie całości lub fragmentu niniejszej publikacji powoduje naruszenie praw autorskich. Warszawa 2013 Printed in Poland ISBN 978-83-937339-0-3 JAKUB POKORA Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie Wprowadzenie Obok zjawisk typowych i rozwiązań konwencjonalnych, występujących w każdym czasie i w każdej dziedzinie i rodzaju twórczości artystycznej, a także w obyczajo- wości, istniały – kreowane świadomie w zamyśle twórców i mecenasów – zjawiska niezwykłe i osobliwe, trudne do zakwalifikowania w ramach przyjętych i powszech- nie akceptowanych kryteriów. Postrzegano je jako curiosità, rozumiejąc pod tym pojęciem między innymi: ciekawość – zwłaszcza nieumiarkowaną, żart, dowcip, przesadną -
D-Mickiewicz-00-Gesamt.Pdf
Der Teufelspakt als literarisches Motiv. Ein Vergleich von Goethes Faust und Literatur3 Frau Twardowska von Adam Mickiewicz. Kurzbeschreibung des Moduls Im Gegensatz zu den großen russischen (Puschkin, Tolstoi, Dostojewski u.a.), amerikanischen (Poe, Faulkner u.a.) oder französischen (Balzac, Flaubert u.a.) Schriftstellern des 19. und 20. Jahrhunderts sind die beiden polnischen Nationaldichter Adam Mickiewicz (gesprochen: mitzkjewitsch) und Juliusz Słowacki (gesprochen: swowacki) in Deutschland kaum bekannt. Das mag daran liegen, dass deren Werke zu einem Großteil nur im Kontext der nationalen Geschichte – und damit meist nur für Polen selber – verständlich waren und auch sein sollten. Um den deutschen SchülerInnen dennoch den Zugang zum meist verehrten Dichter Polens, Adam Mickiewicz, zu ermöglichen, wurde im folgenden Modul das Faustmotiv bei Goethe einer humorvollen Ballade von Mickiewicz gegenübergestellt. Beide Autoren lassen sich darüber hinaus auch im Hinblick auf ihre – wenn auch unterschiedlich geartete – nationale Bedeutung für ihr jeweiliges Land vergleichen. Im August 1829 kam es in Weimar sogar zu einem Treffen beider Schriftsteller, das der Autor Louis Fürnberg im Jahr 1952 in seiner Novelle "Die Begegnung in Weimar" verarbeitete. Das Modul enthält - Eine didaktische Einführung zum Thema - Hinweise zu Referatsthemen, weiterführender Literatur sowie Links - Arbeitsblatt 1: Textblatt ›Frau Twardowska‹ von Adam Mickiewicz - Arbeitsblatt 2: Leben und Werk von Adam Mickiewicz (1798 – 1855) - Arbeitsblatt 3: Goethes Faust I (drei Auszüge) - Arbeitsblatt 4: Goethe und Mickiewicz im Vergleich www.poleninderschule.de Seite 1 von 9 Der Teufelspakt als literarisches Motiv. Ein Vergleich von Goethes Faust und Literatur3 Frau Twardowska von Adam Mickiewicz. Didaktische Einführung zum Thema Frau Twardowska und Goethes Faust. Ein Vergleich des Teufelspakt-Motivs bei Adam Mickiewicz und Johann Wolfgang von Goethe Hinweise zum Einsatz im Unterricht Das Thema „Frau Twardowska und Goethes Faust. -
The Anti-Semitic Tradition of Reading Mephistopheles As the “Jewish Spirit”
Austausch, Vol. 1, No. 1, April 2011 The Dark Shadow of Faust: The Anti-Semitic Tradition of Reading Mephistopheles as the “Jewish Spirit” Jonas Karlsson Kenyon College, Gambier, Ohio ([email protected]) (I) Every student of European literature knows about Thomas Mann’s application of the Faust legend to German history in his novel Doktor Faustus, in which Mephistopheles comes to approximate the dark force of fascism that leads the country into the abyss. Mann’s appropriation of this 16th century story was so powerful, and the collapse of the Third Reich so total, that his interpretation almost completely wiped out even the traces of an earlier, and altogether different reading of the Faustian pact with the devil. This was the reading that formed a tradition among German anti-Semites, who saw in the devil not the spectre of a burgeoning movement of racist totalitarianism, but the spectre of Judaism. Particularly Goethe’s famous dramatization, which played a pivotal role in placing the Faust legend squarely at the centre of the German literary imagination, was interpreted in this light from time to time. Kurt Lüdecke, a high- ranking Nazi during the party’s early years who later fell from grace and emigrated to the US, relates in his memoirs how, when as a young boy he had attempted to read Goethe’s play, his father had admonished him: “Faust you cannot understand if you do not know that Goethe personified in Faust the struggling German soul and in Mephistopheles the tempting Jew.”1 The man Faust is still the embodiment of the German spirit, in restless pursuit of the beyond; but his eternal adversary, his metaphysical nemesis and greatest danger is not to be sought in any totalitarian ideology, but in the devilish force of “the Jew.” In what follows, we will trace the tradition of this sinister reading, from its hesitant emergence towards the end of the 19th century, through to its full-blown development in the fiercely aggressive works of Dietrich Eckart, a Nazi demagogue often identified as Hitler’s mentor. -
Parliamentary Language Canada[Edit]
Parliamentary Language Parliaments and legislative bodies around the world impose certain rules and standards during debates. Tradition has evolved that there are words or phrases that are deemed inappropriate for use in the legislature whilst it is in session. In a Westminster system, this is called unparliamentary language and there are similar rules in other kinds of legislative system. This includes, but is not limited to the suggestion of dishonesty or the use of profanity. The most prohibited case is any suggestion that another member is dishonourable. So, for example, suggesting that another member is lying is forbidden.[1] Exactly what constitutes unparliamentary language is generally left to the discretion of the Speaker of the House. Part of the speaker's job is to enforce the assembly's debating rules, one of which is that members may not use "unparliamentary" language. That is, their words must not offend the dignity of the assembly. In addition, legislators in some places are protected from prosecution and civil actions by parliamentary immunitywhich generally stipulates that they cannot be sued or otherwise prosecuted for anything spoken in the legislature. Consequently they are expected to avoid using words or phrases that might be seen as abusing that immunity. Like other rules that have changed with the times, speakers' rulings on unparliamentary language reflect the tastes of the period. Canada[edit] These are some of the words and phrases that speakers through the years have ruled "unparliamentary" in the Parliament -
Textblatt ›Frau Twardowska‹ Von Adam Mickiewicz (1798-1855)
Der Teufelspakt als literarisches Motiv. Ein Vergleich von Goethes Faust und Literatur3 Frau Twardowska von Adam Mickiewicz. Arbeitsblatt 1: Textblatt ›Frau Twardowska‹ von Adam Mickiewicz (1798-1855) Frau Twardowska Wie sie schmausen, rauchen, trinken, ›Ah! Twardowski, grüß dich, Bruder!‹ Und sich drehn in wilder Lust, Sagt’s und rempelt fast ihn an: Droht das Wirtshaus einzusinken ›Kennst du mich denn nicht, mein Guter? Beim Hurra aus jeder Brust. Bin Mephisto, dein Kumpan. Pan Twardowski sitzt daneben, Hast am Kahlen Berge drüben Lehnt sich wie ein Pascha an, Mir die Seele anvertraut, Lässt die Luft vom Heissa beben, Hast den Schuldschein unterschrieben, Schmäht und ängstigt jedermann. Stimmt’s? auf einer Ochsenhaut. Dem Soldat, der Wunderdinge Teufel sollten deinen Reimen Prahlt, die Welt zum Narren hält, Lauschen; nach zwei Jahren dann Schwingt er um das Ohr die Klinge Solltest du in Rom erscheinen, Und zum Hasen wird der Held. Als mein treuer Untertan. Dem Gerichtsrat, der sich heute Sieben Jahre sind verflossen, Still vertieft im Tellerrund, Und du hintergehst mich, Wicht, Klirrt er nur mit seinem Beutel, Spielst der Hölle Zauberpossen, Und der Richter wird zum Hund. Denkst an die Verträge nicht. Dreimal stupst er Schusters Näschen, Doch dein Leichtsinn und Gezänke Setzt drei Röhrchen ihm zum Kopf, Haben dich zu Fall gebracht; Saugt – und saugt ein halbes Fässchen »Rom« heißt nämlich diese Schenke, Danzigwasser aus dem Tropf. Und nun nehm ich dich in Haft.‹ Als er’s leer getrunken hatte, Pan Twardowski springt zur Türe, Sah er, was am Boden saß: Doch der Satan packt ihn: ›Steh! ›Ei, was suchst du hier, Gevatter?‹ Gelten so viel deine Schwüre Denn der Teufel saß im Glas. -
Poradnik Bibliograficzno – Metodyczny
Wojewódzka Biblioteka Publiczna i Centrum Animacji Kult u ry w P o z n a n i u PORADNIK BIBLIOGRAFICZNO – METODYCZNY K w a r t a l n i k P o z n a ń 2 0 1 9 ______________________________________________________________ Rok LII 2/205 – 2 – Przewodniczący Zespołu Redakcyjnego Iwona Smarsz Redaguje zespół: Aneta Szczepaniak-Głębocka Andrzej Dudziak ISSN 0238-9142 Materiał szkoleniowy Powielono w Wojewódzkiej Bibliotece Publicznej i Centrum Animacji Kultury w Poznaniu A-5 325 egz. – 3 – SPIS TREŚCI str. I. KALENDARZ ROCZNIC, OBCHODÓW I WYDARZEŃ (Oprac. Andrzej Dudziak) .......................................................................... 5 II. ZESTAWIENIA BIBLIOGRAFICZNE Mikołaj Paczkowski – Gustaw Herling-Grudziński: świadek niepoko- jów epoki ................................................................................... 17 Marcin Bzdawka – Droga do unii lubelskiej ............................................. 26 Anna Wawrzyniak – Społeczeństwo informacyjne. Szanse i zagrożenia .. 34 Bibliografie osobowe: Wojciech Korfanty............................................... 51 Joanna Kulmowa ................................................ 60 III. MATERIAŁY METODYCZNE Małgorzata Derwich – Opera Moniuszko, czyli związki Stanisława M. z Poznaniem ........................................................................................... 65 IV. MATERIAŁY REGIONALNE A. Przegląd nowości regionalnych .......................................................... 90 B. Imprezy kulturalne w bibliotekach publicznych woj. wielkopolskiego 101 C. -
PMA Polonica Catalog
PMA Polonica Catalog PLACE OF AUTHOR TITLE PUBLISHER DATE DESCRIPTION CALL NR PUBLICATION Concerns the Soviet-Polish War of Eighteenth Decisive Battle Abernon, De London Hodder & Stoughton, Ltd. 1931 1920, also called the Miracle on the PE.PB-ab of the World-Warsaw 1920 Vistula. Illus., index, maps. Ackermann, And We Are Civilized New York Covici Friede Publ. 1936 Poland in World War I. PE.PB-ac Wolfgang Form letter to Polish-Americans asking for their help in book on Appeal: "To Polish Adamic, Louis New Jersey 1939 immigration author is planning to PE.PP-ad Americans" write. (Filed with PP-ad-1, another work by this author). Questionnaire regarding book Plymouth Rock and Ellis author is planning to write. (Filed Adamic, Louis New Jersey 1939 PE.PP-ad-1 Island with PE.PP-ad, another work by this author). A factual report affecting the lives Adamowski, and security of every citizen of the It Did Happen Here. Chicago unknown 1942 PA.A-ad Benjamin S. U.S. of America. United States in World War II New York Biography of Jan Kostanecki, PE.PC-kost- Adams , Dorothy We Stood Alone Longmans, Green & Co. 1944 Toronto diplomat and economist. ad Addinsell, Piano solo. Arranged from the Warsaw Concerto New York Chappell & Co. Inc. 1942 PE.PG-ad Richard original score by Henry Geehl. Great moments of Kosciuszko's life Ajdukiewicz, Kosciuszko--Hero of Two New York Cosmopolitan Art Company 1945 immortalized in 8 famous paintings PE.PG-aj Zygumunt Worlds by the celebrated Polish artist. Z roznymi ludzmi o roznych polsko- Ciekawe Gawedy Macieja amerykanskich sprawach. -
Moin-Moin N21 Completa.Pdf
MÓIN-MÓIN REVISTA DE ESTUDOS SOBRE TEATRO DE FORMAS ANIMADAS ANO 15 - VOL. II - NÚMERO 21 - 2019 ISSN 1809-1385 / e-ISSN 25950347 EXPEDIENTE Editor-Gerente (2019) Prof. Dr. Paulo Balardim (UDESC) Editores (Portal de Periódicos UDESC - 2019) Profª. Drª. Fabiana Lazzari de Oliveira (UDESC) Prof. Dr. Paulo Balardim (UDESC) Editores-bolsistas (2019) Caê Beck da Silva (PROEX/UDESC) Liliana Pérez Recio (PROMOP/UDESC) / El Arca Teatro Museo de Títeres (Cuba) Comitê Consultivo (2019-2020) Profª. Drª. Ana Maria Amaral (Universidade de São Paulo - USP, Brasil) Profª. Drª. Amabilis de Jesus da Silva (Faculdade de Artes do Paraná - FAP, Brasil) Profª Drª Cariad Astles (University of London, Reino Unido) Profª. Drª. Christine Zurbach (Universidade de Évora, Portugal) Profª. Drª. Cristina Grazioli (Università di Padova, Itália) Prof. Dr. Didier Plassard (Université Paul Valéry – Montpellier, França) Prof. Dr. Francisco Cornejo (Universidad de Sevilla, Espanha) Profª. Drª. Izabela Costa Brochado (Universidade de Brasília - UNB, Brasil) Profª. Drª. Marthe Adam (Université du Québec à Montréal - UQAM, Canadá) Prof. Dr. Miguel Vellinho (Universidade Federal do Estado do Rio de Janeiro - UNIRIO, Brasil) Prof. Dr. Tácito Borralho (Universidade Federal do Maranhão - UFMA, Brasil) Prof. Dr. Valmor Níni Beltrame (Universidade do Estado de Santa Catarina - UDESC, Brasil) Prof. Dr. Wagner Cintra (Universidade Estadual Paulista - UNESP, Brasil) Comitê de Pareceristas (2019-2020) Profª. Ma. Ana Pessoa (Fundação Casa de Rui Barbosa - Rio de Janeiro, Brasil) Profª. Drª. Adriana Schneider Alcure (Universidade Federal do Rio de Janeiro - UFRJ, Brasil) Prof. Dr. Alex de Souza (Instituto Federal de Santa Catarina - IFSC, Brasil) Prof. Dr. Almir Ribeiro (Universidade Federal de Santa Catarina - UFSC, Brasil) Profª. -
Marija Todorovska SOULS for SALE
99 ЗА ДУШАТА, Зборник, стр. 99-111, лето 2018 УДК: 2-167.64 : 128 прегледен труд Marija Todorovska PhD, Associate professor Institute for Philosophy, Faculty of Philosophy University Sts. Cyril and Methodius, Skopje SOULS FOR SALE: AN INTRODUCTION TO THE MOTIF OF BARGAINING WITH THE DARK SIDE Abstract The concept of a pact with some representative of the dark side persists in numerous cultural narratives and it almost always includes the steps of assumption of a soul, the possibility to trade it, and the risk/benefit ratio of doing so, a constant being the longing to gain superhu- man abilities and/or skills and successes. The motif of the soul-selling to dark, evil beings in terms of exchange of submission and servitude for earthly advantages and superhuman abil- ities and the promise of happiness in this life or the next is briefly examined, through some understandings of evil in the world (various instances of evil demons, devilish adversaries, Satan); along the need for exculpation for wrong-doing and the implications of free deci- sion-making; via the perception of the denouncement of the mainstream belief-systems and the contract with the Devil; and by pointing out some pact-with-the-Devil foundation stories. Keywords pact, devil, soul, Satan The concept of the contract between man and some representative of the im- agined forces of evil or darkness persists in a variety of stories for thousands of years and is usually about an exchange of the soul for extraordinary gains, with additional conditions depending on the characteristics of the parties involved, the period, the cultural climate and the dominant belief-system.