February 1915) James Francis Cooke
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THE MAGAZINE of INTEKNATIONAL FOLK DANCING 650 U^ ^Etk
F November 1977 r THE MAGAZINE OF INTEKNATIONAL FOLK DANCING 650 u^ ^etk. T^OHce TNE littAZIIIE OF INTEIIN tTIONtl FOLK OANCma November 1977 Vol 34, Ho. 9 TABLE OF CONTENTS OFFICIAL PUBLICATION OF THE FOLK DANCE FEDERATION OF CALIFORNIA, INC. TREASURER'S BALL.................1 EDITOR.........................Linda Horn ASSOCIATE EDITOR.................Max Horn Making a Polish Bodice...........2 DANCE RESEARCH EDITOR...Dorothy Tamburini COSTUME RESEARCH EDITOR.....Eleanor Bacon Folk Arts of Poland..............5 BUSINESS MANAGER.................Max Horn Easy Does It!....................8 NOVEMBER CONTRIBUTORS Fiesta de Sonoma.................9 Miriam Lidster Ruth Miller Vera Jones Virginia Wilder Food in the Polish Manner.......10 Mona Verzi Ruth Ruling Larry Miller_________ Vi Dexhelmer Let's do Squares................12 FEDERATION OFFICERS Polish Folk Dance...............15 (North) Dance Descriptions: PRESIDENT...................Raymond Olson ^ilald RzMzoiAJ-ilU (Poland)......18 24013 Fairlands Road, Hayward, CA 94541 Kujawiak t*3 (Poland).........20 VICE PRESIDENT..............Bruce Wyckoff TREASURER........................Al Lisin Poland, a land of Changing RECORDING SECRETARY.....Genevieve Pereira Boundaries........24 DIRECTOR OF PUBLICATIONS.........Max Horn DIRECTOR OF EXTENSION...........Walt Lang DIRECTOR OF PUBLICITY.......Leonore Fifer Kolo Kalendar...................26 HISTORIAN.....................Leona Faoro (South) Party Places....................27 PRESIDENT......................Ed Feldman Council Clips...................30 -
A Glad Obedience
A GLAD OBEDIENCE Why and What We Sing Walter Brueggemann Order Now from Your Preferred Retailer Contents Foreword by John D. Witvliet ix Preface xiii Part One: Why We Sing 1 1. Psalm 104 3 2. Psalm 107 17 3. Psalm 105 33 4. Psalm 106 47 Part Two: What We Sing 61 5. Blest Be the Tie That Binds 65 6. God of Grace and God of Glory 73 7. He Who Would Valiant Be 79 8. Holy, Holy, Holy 85 9. I Sing the Mighty Power of God 95 10. Jesus Calls Us o’er the Tumult 105 11. Love Divine, All Loves Excelling 113 12. O for a Closer Walk with God 121 13. O Master, Let Me Walk with Thee 129 14. Once to Every Man and Nation 135 15. Praise, My Soul, the King of Heaven 143 16. Sparrows as Models of Faith 147 17. Sparrow Song One: God’s Eye Is on the Sparrow 151 18. Sparrow Song Two: God of the Sparrow 157 vii viii Contents 19. Sparrow Song Three: Someone Asked the Question 165 20. We Are Marching in the Light of God 171 Conclusion: The Covenantal Fidelity of the Psalms 177 Acknowledgments 197 Notes 199 Index of Scripture 207 Index of Hymns 211 Foreword This book is a vocational summons offered to everyone baptized into Christ. Indeed, in our baptism we are “buried with him by baptism into death, so that, just as Christ was raised from the dead by the glory of the Father, so we too might walk in newness of life” (Rom. -
Poland, the Knight Among Nations;
POLAND THE KNIGHTAMONG NATIONS pw£ ZRAV* POLAND THE KNIGHT AMONG NATIONS NICHOLAS COPERNICrs THE FATHER OF MODERN ASTRON.MV. (This view of the Polish astronomer, (who w;is the first to propound the theory that the earth moves aroun 1 the sun) surrounded by the scientists and other worthies of his time, is reproduced from a rare old si pel em ing made in 1843, at the celebration of the three- hundredth anniversary of his death.) POLAND THE KNIGHT AMONG NATIONS LOUIS ifc VAN NORMAN With an Introduction by Helena Modjeska a illustrated n ^ * At i New Yohk Chicago Toronto Fleming H. Revell Company London and Edinburgh Copyright, 1907, by •FLEMING H. REVELL COMPANY All rights reserved SECOND EDITION New York: 158 Fifth Avenue Chicago : 80 Wabash Avenue Toronto : 15 Richmond St., W. London : 21 Paternoster Square Edinburgh : 100 Princes Street TO MY WIFE who taught me all the noble qualities of the Poles and made me very hopeful of their national destiny INTRODUCTORY fine characteristic I have especially ONEnoted in the American people. As a gen- eral rule, they are not led to an opinion by the verdict of any other nation. Of recent years, particularly, their popular verdicts have been based upon their own independent judg- ment, and some of these verdicts have afterwards been accepted by the whole world. They were the first to "discover" Sienkiewicz. They did not accept him on the claims of French, or Ger- man, or English criticism. By their own native perception they knew he was great, and now the whole world has accepted their judgment. -
Modelo De Prueba Lenguaje Y Comunicación
UNIVERSIDAD DE CHILE PROCESO DE ADMISIÓN 2017 MODELO DE PRUEBA LENGUAJE Y COMUNICACIÓN INSTRUCCIONES 1. Este modelo consta de 80 preguntas, de las cuales 75 serán consideradas para el cálculo de puntaje y 5 serán usadas para experimentación. Cada pregunt a tiene cinco 5 opciones, señaladas con las letras A, B, C, D y E, una sola de las cuales es la respuesta correcta. 2. COMPRUEBE QUE LA FORMA QUE APARECE EN SU HOJA SEA LA MISMA QUE TIENE EN SU FOLLETO. Complete todos los datos solicitados, de acuerdo con las instrucciones contenidas en esa hoja, porque ESTOS SON DE SU EXCLUSIVA RESPONSABILIDAD. Cualquier omisión o error en ellos impedirá que se entreguen sus resultados. Se le dará tiempo para ello antes de comenzar la prueba. 3. DISPONE DE DOS (2) HORAS Y TREINTA (30) MINUTOS PARA RESPONDERLO. 4. Las respuestas a las preguntas se marcan en la hoja de respuestas que se le ha entregado. Marque su respuesta en la fila de celdillas que corresponde al número de la pregunta que está contestando. Ennegrezca completamente la celdilla, tratando no salirse de ella. Hágalo exclusivamente con lápiz de grafito Nº 2 o portaminas HB. 5. NO SE DESCUENTA PUNTAJE POR RESPUESTAS ERRADAS. 6. Si lo desea, puede usar este folleto como borrador, pero traspase oportunamente sus respuestas a la hoja. Tenga presente que se considerarán para la evaluación exclusivamente las respuestas marcadas en dicha hoja. 7. Cuide la hoja de respuestas. No la doble. No la manipule innecesariamente. Escriba en ella solo los datos solicitados y las respuestas. Evite bo rrar para no deteriorar la hoja. -
Chopin and Poland Cory Mckay Departments of Music and Computer Science University of Guelph Guelph, Ontario, Canada, N1G 2W 1
Chopin and Poland Cory McKay Departments of Music and Computer Science University of Guelph Guelph, Ontario, Canada, N1G 2W 1 The nineteenth century was a time when he had a Polish mother and was raised in people were looking for something new and Poland, his father was French. Finally, there exciting in the arts. The Romantics valued is no doubt that Chopin was trained exten- the exotic and many artists, writers and sively in the conventional musical styles of composers created works that conjured im- western Europe while growing up in Poland. ages of distant places, in terms of both time It is thus understandable that at first glance and location. Nationalist movements were some would see the Polish influence on rising up all over Europe, leading to an em- Chopin's music as trivial. Indeed, there cer- phasis on distinctive cultural styles in music tainly are compositions of his which show rather than an international homogeneity. very little Polish influence. However, upon Fryderyk Franciszek Chopin used this op- further investigation, it becomes clear that portunity to go beyond the conventions of the music that he heard in Poland while his time and introduce music that had the growing up did indeed have a persistent and unique character of his native Poland to the pervasive influence on a large proportion of ears of western Europe. Chopin wrote music his music. with a distinctly Polish flare that was influ- The Polish influence is most obviously ential in the Polish nationalist movement. seen in Chopin's polonaises and mazurkas, Before proceeding to discuss the politi- both of which are traditional Polish dance cal aspect of Chopin's work, it is first neces- forms. -
Singapore Ijefenders Rally for Attack; New Attacks Repulsed by Bataan
y > SATUKDAY, FEBRUARY 7,1942 FOUBTEEN £oanins IbraUk Average Dally Circulation The Weather For the Month of dnnanry, 1943 Forecnet of U. B. WentlMr Borena Scouts’ Court To EntcFtain Defense Group 7,088 Oontlniicd very cold tonight, dt- About Town Heard Along Main Street DINE and DANCE at mlnlshlng winds. Makes Awards Member of this Audit Is Organized And on Some of Manchetter*a Side Streets, Too Bnrenn of Clrculntlona ' lC«nb«n or tlM Hl-LMCue «nd DANTE’S RESTAURANT MancheHer-~A City of Village Charm tlM Bpwortli Lm c u c of the South The manager of a Main street' the north end. The hounds were Badges and Merits Given io,East Center street Odd FelhiwR BuHdtaf Itethodlat church are reminded of having a merry fight over an arti PRICE THREE CENTS auaper tomorrow evenlnj; at Rev. Dr. Walson Wood business house whose home is In (Claaaliled Advertiaing On Page 13) MANCHESTER, CONN., MONDAY, FEBRUARY 9, 1942 (FOURTEEN PAGES) cle that proved to be an inner tube. To Local Boys for ITALIAN AND AMERICAN COOKING VOL.V WA-ie LXI.,a^Am*e* ' *NO. 'w o I l l . ______ __ ____________________ ■ ^ ^ alx o’clock at'the church. Each ruff Is Nainefl (’.hair- Hartford, experienced 'one of those They were tearing away at the Festdrinx Chicken, Steaks, Spnghetti and Ravioli. one attendlnf U reque^ to days" this past week. And when tube in true Japanese ferocity. Passing Their Tests. 7 Orders Pat Up To Take Ont. brtnc a baeket lunch. Tea Md man of Unit. we say he had "one of those dasra" Dogs must be taught they can't do coffee wUl be fumtohed. -
Tattersalls Catalogue Page
THE PROPERTY OF MR. JOE DEVANNY LOT 1 1 Danzig Lure Orpen (USA) Endear WALK IN MY Bonita Francita Devil's Bag SHADOW (IRE) Raise The Standard (2001) Be My Guest Astronef BAY MARE Be My Folly (IRE) Mill Princess (1992) Folly Gale Strong Gale Sans Sabots Covered by ONE COOL CAT (USA). Last Service March 13th. Pregnancy and Covering Certificates at Sale. WALK IN MY SHADOW (IRE), 5 wins at 4 to 6 years, 2007 and £33,822 and placed 5 times; also placed 4 times over hurdles at 5 and 6 years, 2007. 1st dam BE MY FOLLY (IRE): 3 wins, £11,554: winner at 2 years and £5744 and placed 7 times; also 2 wins over hurdles at 4 and 6 years and £5810 and placed 3 times; dam of a winner from 4 runners and 4 foals: Walk In My Shadow (IRE): see above. 2nd dam FOLLY GALE: winner at 2 years and placed once; also placed once over hurdles at 3 years; dam of 3 winners from 3 runners and 7 foals inc.: Wise Guy (GB): 3 wins at 4 and 5 years in Macau and £5705. 3rd dam SANS SABOTS: unraced; dam of 9 winners from 11 runners and 11 foals inc.: Dorset Eagle: 7 wins, £39,189: 3 wins at 2 years; 4 wins in Hong Kong, £31,463, 2nd Stewards' Cup, Sha Tin, L. (twice) and 3rd Chairman's Prize, Sha Tin, L. Gibson Gayle: 8 wins: 2 wins at 2 years; also 6 wins in Norway. L'eveque: 7 wins at 3, 5 and 6 years and £9444; also placed once over jumps. -
HOWARD GOODALL CHORAL MUSIC AVAILABLE from FABER MUSIC LTD BIOGRAPHICAL NOTES CONTENTS Howard Goodall Is One of Britain’S Most Distinguished and Versatile Composers
for CONCERT · STAGE · WORLD · DANCE HOWARD GOODALL CHORAL MUSIC AVAILABLE FROM FABER MUSIC LTD BIOGRAPHICAL NOTES CONTENTS Howard Goodall is one of Britain’s most distinguished and versatile composers. Almost everyone knows at least one of Howard's popular TV themes for __LIST OF WORKS: Blackadder, Mr Bean, Red Dwarf, The Catherine Tate Show, Q.I. or The Vicar of Dibley. Film scores Chorus & Orchestra __3 include the BAFTA-nominated The Gathering Storm, Bean: The Ultimate Disaster __4 Upper Voices Movie, Bernard and the Genie, Blackadder Back & Forth and Mr Bean’s Holiday. __8 Mixed Voices In the theatre his many musicals, from The Hired Man (1984) to Two Cities (2006) __10 Male Voices have been performed throughout the English-speaking world, including London’s West End and Off-Broadway, and won many international awards, including Ivor Novello __10 As Presenter and TMA Awards for Best Musical. In 2009 his A Winter’s Tale will be seen around the __10 Selected Discography country performed by Youth Music Theatre: UK, The Dreaming will be produced by National Youth Music Theatre, and in 2010 Love Story will have its professional première. __11 Reviews He is a prodigious writer of choral music, his settings of Psalm 23 and Love Divine are CONTACTS amongst the most performed of all sacred music, his works have been commissioned to mark several national ceremonies and memorials, and he has contributed songs to USA/CANADA: several platinum-selling CDs. Autumn 2008 saw the début UK tour of his (Sales/Marketing) Eternal Faber Music Inc Light: A Requiem by the Rambert Dance Company, a choral-orchestral ballet & concert 16320 Roscoe Boulevard work commissioned by London Musici, simultaneously released on an EMI Classics CD Van Nuys CA 91406 featuring the Choir of Christ Church Cathedral Oxford, Alfie Boe and Natasha Marsh, USA conducted by Stephen Darlington, for which Howard won the 2009 Classical Brit Tel:+1818 891 5999 ex.237 [email protected] Award for ‘Composer of the Year’. -
“It's Just a Matter of Time”: African American Musicians and The
“It’s just a matter of time”: African American Musicians and the Cultural Boycott in South Africa, 1968-1983 by Ashrudeen Waggie Thesis presented in fulfilment of the requirements for the degree of Master of Arts (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Dr. L. Lambrechts Co-supervisor: Dr. C. J. P. Fransch March 2020 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third-party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Ashrudeen Waggie March 2020 Copyright © 2020 Stellenbosch University All rights reserved i Stellenbosch University https://scholar.sun.ac.za Abstract In 1968 the United Nations General Assembly instituted a cultural boycott against apartheid South Africa. The cultural boycott prevented South Africa from having cultural, educational and sporting ties with the rest of the world, and it was an attempt by the international community to sever ties with South Africa. A culmination of this strategy was the publication of an annual registry by the United Nations of all international entertainers, actors, and others who performed in South Africa from 1983. Based on this registry a number of academic studies have been conducted, but very few studies have investigated those who came to perform in South Africa before the publication of the registry even though renowned artists such as Percy Sledge (1970), Brook Benton (1971 & 1982), Jimmy Smith (1978 & 1982) and Isaac Hayes (1978) performed in South Africa during this time. -
Helen Annie Benker Obst 1918 and 1920 Diaries of Helen Annie Benker Obst 1918 and 1920
Diaries of Helen Annie Benker Obst 1918 and 1920 Diaries of Helen Annie Benker Obst 1918 and 1920 Helen Benker Obst Helen Annie Benker was born on February 21, 1898 to Hermann Franz Benker and Anna Hirsch Benker. Hermann came from Meerane of Saxony, Germany and Anna from Gera of Thuringia, Germany. Hermann’s and Anna’s fathers had both been weavers. No dates have been found when Hermann arrived in the US but he first went to St. Joseph, Missouri before moving to Lawrence for work as a weaver in the wool mills. Anna Hirsch at age 17 arrived with her family in New York on August 14, 1891 on the ship SS Taormina. She met Hermann Benker in Lawrence and they were married on March 11, 1897. Helen was baptized “Nellie”. When she started 1st grade in public school, the teacher told her that Nellie was a nickname and she had to choose between Helen and Ellen. Her parents told her it was her choice, so she named herself “Helen”. But many friends still thought of her as Nellie. She lived the first 11 years of her life at 66 Alston St. Lawrence, MA. Graduated from Allgemeine Deutsche Schule in 1910 In 1910, Helen’s parents built a 3 family house at 199 East Haverhill St. Lawrence. Helen was to spend the rest of her childhood and all of her married life there and died in her bed at this address. Graduated from John R Rollins grammar school in 1911 Graduated from Lawrence Evening High School in 1914. -
Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue. -
Polish Katarzyna DZIUBALSKA-KOŁACZYK and 1 Bogdan WALCZAK ( )
Polish Katarzyna DZIUBALSKA-KOŁACZYK and 1 Bogdan WALCZAK ( ) 1. The identity 1.1. The name In the 10th century, individual West Slavic languages were differentiated from the western group, Polish among others. The name of the language comes from the name of a tribe of Polans (Polanie) who inhabited the midlands of the river Warta around Gniezno and Poznań, and whose tribal state later became the germ of the Polish state. Etymologically, Polanie means ‘the inhabitants of fields’. The Latin sources provide also other forms of the word: Polanii, Polonii, Poloni (at the turn of the 10th and 11th century king Bolesław Chrobry was referred to as dux Poloniorum in The Life of St. Adalbert [Żywot św. Wojciecha]) (cf. Klemensiewicz : 1961-1972). 1.2. The family affiliation 1.2.1. Origin The Polish language is most closely related to the extinct Polabian- Pomeranian dialects (whose only live representative is Kashubian) and together with them is classified by Slavicists into the West Lechitic subgroup of the Slavic languages. It is less closely related to the remaining West Slavic languages, i.e. Slovak, Czech and High- and Low Sorbian, and still less closely to the East and (1) Katarzyna Dziubalska-Kołaczyk (School of English at Adam Mickiewicz University, Poznań) is Professor of English linguistics and Head of the School. She has published extensively on phonology and phonetics, first and second language acquisition and morphology, in all the areas emphasizing the contrastive aspect (especially with Polish, but also other languages, e.g. German, Italian). She has taught Polish linguistics at the University of Vienna.