HOWARD GOODALL CHORAL MUSIC AVAILABLE from FABER MUSIC LTD BIOGRAPHICAL NOTES CONTENTS Howard Goodall Is One of Britain’S Most Distinguished and Versatile Composers
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Film Music: an Analytical Approach to GCSE Specifications
With special guest speaker, Howard Goodall CBE Film music: An analytical approach to GCSE specifications A CPD day exploring approaches to analysing music designed to enhance the moving image Monday 2 March 2020 City, University of London > Examine how music paints a picture, from musical elements that provoke emotion to instrumentation that illustrates characters > Discover creative ways to approach composition briefs, including melodic and harmonic writing and writing for a stimulus > Delve into an inspiring film score: discuss and analyse Star Wars (GCSE Set Work) in depth All course Prices (subject to VAT at 20%) Price included materials £195 (PTI members) for PTI Unlimited and lunch £295 (non-members) schools! included £145 (second participant from dept.) Got a question? email us at [email protected] or call 020 3174 2403 This course is for you if: > You want to support your students in listening, analysing, composing and appraising film music from Key Stage 3 to GCSE > You’d like to be inspired by expert speakers and network with colleagues from around the country to share ideas > You want to take a closer look at a commonly used exam score Book now at www.ptieducation.org/events Speakers Putting you in touch with specialist subject knowedge Mr Howard Goodall CBE Howard Goodall is an award-winning composer of choral music, stage musicals, film and TV scores. He is also well known as a TV and radio broadcaster, and his musicals have been produced in the West End and all over the world. His best-known themes & scores include Blackadder, The Gathering Storm, The Borrowers, Red Dwarf, Q.I., Mr Bean, Johnny English and The Vicar of Dibley. -
A Glad Obedience
A GLAD OBEDIENCE Why and What We Sing Walter Brueggemann Order Now from Your Preferred Retailer Contents Foreword by John D. Witvliet ix Preface xiii Part One: Why We Sing 1 1. Psalm 104 3 2. Psalm 107 17 3. Psalm 105 33 4. Psalm 106 47 Part Two: What We Sing 61 5. Blest Be the Tie That Binds 65 6. God of Grace and God of Glory 73 7. He Who Would Valiant Be 79 8. Holy, Holy, Holy 85 9. I Sing the Mighty Power of God 95 10. Jesus Calls Us o’er the Tumult 105 11. Love Divine, All Loves Excelling 113 12. O for a Closer Walk with God 121 13. O Master, Let Me Walk with Thee 129 14. Once to Every Man and Nation 135 15. Praise, My Soul, the King of Heaven 143 16. Sparrows as Models of Faith 147 17. Sparrow Song One: God’s Eye Is on the Sparrow 151 18. Sparrow Song Two: God of the Sparrow 157 vii viii Contents 19. Sparrow Song Three: Someone Asked the Question 165 20. We Are Marching in the Light of God 171 Conclusion: The Covenantal Fidelity of the Psalms 177 Acknowledgments 197 Notes 199 Index of Scripture 207 Index of Hymns 211 Foreword This book is a vocational summons offered to everyone baptized into Christ. Indeed, in our baptism we are “buried with him by baptism into death, so that, just as Christ was raised from the dead by the glory of the Father, so we too might walk in newness of life” (Rom. -
2021 Anthology
CREATING SPACES 2021 A collection of the winning writings of the 2021 writing competition entitled Creating Spaces: Giving Voice to the Youth of Minnesota Cover Art: Ethan & Kitty Digital Photography by Sirrina Martinez, SMSU alumna Cover Layout: Marcy Olson Assistant Director of Communications & Marketing Southwest Minnesota State University COPYRIGHT © 2021 Creating Spaces: Giving Voice to the Youth of Minnesota is a joint project of Southwest Minnesota State University’s Creative Writing Program and SWWC Service Cooperative. Copyright reverts to authors upon publication. Note to Readers: Some of the works in Creating Spaces may not be appropriate for a younger reading audience. CONTENTS GRADES 3 & 4 Poetry Emma Fosso The Snow on the Trees 11 Norah Siebert A Scribble 12 Teo Winger Juggling 13 Fiction Brekyn Klarenbeek Katy the Super Horse 17 Ryker Gehrke The Journey of Color 20 Penni Moore Friends Forever 35 GRADES 5 & 6 Poetry Royalle Siedschlag Night to Day 39 Addy Dierks When the Sun Hides 40 Madison Gehrke Always a Kid 41 Fiction Lindsey Setrum The Secret Trail 45 Lindsey Setrum The Journey of the Wild 47 Ava Lepp A Change of Heart 52 Nonfiction Addy Dierks Thee Day 59 Brystol Teune My Washington, DC Trip 61 Alexander Betz My Last Week Fishing with my Great Grandpa 65 GRADES 7 & 8 Poetry Brennen Thooft Hoot 69 Kelsey Hinkeldey Discombobulating 70 Madeline Prentice Six-Word Story 71 Fiction Evie Simpson A Dozen Roses 75 Keira DeBoer Life before Death 85 Claire Safranski Asylum 92 Nonfiction Mazzi Moore One Moment Can Pave Your Future -
Part V Soloists, Guest Ensembles, and Guest Conductors, 1926-2001
174 Part V Soloists, Guest Ensembles, and Guest Conductors, 1926-2001 The following list does not include soloists for staged opera performances. I have also excluded soloists who performed art songs or chamber works. This list does include “Pops” performers, even though their repertoire might be listed only as “selections” and thus excluded from Part II. See the table of contents (p.iii) for the organization of the following. Pippa Borisey (Steenbock Award - twice) Piano Beethoven, Concerto No.1 for Piano and Steve Allen Orchestra (first mvt.) / 3/11/84(y) Pops soloist / 5/7/77(p) Schumann, Concerto for Piano and Orchestra Augustin Anievas (first mvt.) / 5/18/86(y) Rachmaninoff, Rhapsody on a Theme of Paganini, Gerald Borsuk for Piano and Orchestra / 10/24/70 Beethoven, Concerto No.2 for Piano and Claudio Arrau Orchestra (first mvt.) / 2/19/35 Beethoven, Concerto No.5 for Piano and Gershwin, Concerto in F for Piano and Orchestra / Orchestra, "Emperor" / 2/3/79 4/11/51 David Askins (Steenbock Award) John Browning Mozart, Concerto No.20 for Piano and Orchestra, Barber, Concerto for Piano and Orchestra / K.466 (first movement) / 4/6/74(y) 10/9/99 Emmanuel Ax Beethoven, Concerto No.3 for Piano and Chopin, Concerto No.1 for Piano and Orchestra / Orchestra / 12/8/73 9/29/79 Mozart, Concerto No.23 for Piano and Orchestra, Paul Badura-Skoda K.488 / 10/15/77 Beethoven, Concerto No.5 for Piano and Prokofiev, Concerto No.3 for Piano and Orchestra Orchestra, "Emperor" / 4/10/68 / 4/27/91 Allen Barker Ravel, Concerto in D Major for Piano Left Hand, -
Dispatches: Representatives
1 TIMECODE NAME Dialogue MUSIC 00.00.01 NARRATOR This is the BBC academy podcast, essential listening for the production, journalism and technology broadcast communities. Your guide to everything from craft skills, to taking your next step in the industry. 00.00.13 CHARLES Hello, I’m Charles Miller, this week we’re hearing about the world of television comedy from one of its most successful practitioners, Jon Plowman. If you haven’t heard of him don’t worry, he’s a producer not a performer but his work includes plenty of shows you will have heard of. French and Saunders, the Vicar of Dibley, Absolutely Fabulous, The Office, W1A and there are plenty more. At an event for the Media Society, Jon Plowman was interviewed by journalist Phil Harding, Jon offered his take on scripts, stars and what makes a great sitcom. 00.00.47 CHARLES Phil started by asking about Jon’s comic roots, which were back in school, he was no good at sport but he could make people laugh but he never expected that to turn into a career. 00.00.59 JON I didn’t spend my life thinking I want to make people laugh, if I thought anything, particularly a bit later than school, end of school I thought I want to be a theatre director and I was lucky enough to get a job early on at the Royal Court Theatre, with a wonderful guy called Lindsay Anderson, who made, if you’re old enough, movies like If and Oh Lucky Man and was a very, very good theatre director. -
Tattersalls Catalogue Page
THE PROPERTY OF MR. JOE DEVANNY LOT 1 1 Danzig Lure Orpen (USA) Endear WALK IN MY Bonita Francita Devil's Bag SHADOW (IRE) Raise The Standard (2001) Be My Guest Astronef BAY MARE Be My Folly (IRE) Mill Princess (1992) Folly Gale Strong Gale Sans Sabots Covered by ONE COOL CAT (USA). Last Service March 13th. Pregnancy and Covering Certificates at Sale. WALK IN MY SHADOW (IRE), 5 wins at 4 to 6 years, 2007 and £33,822 and placed 5 times; also placed 4 times over hurdles at 5 and 6 years, 2007. 1st dam BE MY FOLLY (IRE): 3 wins, £11,554: winner at 2 years and £5744 and placed 7 times; also 2 wins over hurdles at 4 and 6 years and £5810 and placed 3 times; dam of a winner from 4 runners and 4 foals: Walk In My Shadow (IRE): see above. 2nd dam FOLLY GALE: winner at 2 years and placed once; also placed once over hurdles at 3 years; dam of 3 winners from 3 runners and 7 foals inc.: Wise Guy (GB): 3 wins at 4 and 5 years in Macau and £5705. 3rd dam SANS SABOTS: unraced; dam of 9 winners from 11 runners and 11 foals inc.: Dorset Eagle: 7 wins, £39,189: 3 wins at 2 years; 4 wins in Hong Kong, £31,463, 2nd Stewards' Cup, Sha Tin, L. (twice) and 3rd Chairman's Prize, Sha Tin, L. Gibson Gayle: 8 wins: 2 wins at 2 years; also 6 wins in Norway. L'eveque: 7 wins at 3, 5 and 6 years and £9444; also placed once over jumps. -
Diane Dufresne À L’Orchestre Métropolitain an Interview with Yannick Nézet-Séguin En Entrevue Jazz : La Filière Asiatique II
Mars 2004 March Vol. 9.6 GRATUIT FREE GRATUIT Diane Dufresne à l’Orchestre Métropolitain An Interview with Yannick Nézet-Séguin en entrevue Jazz : la filière asiatique II Société canadienne des postes – Envois de publication convention nº 40025257 de publication convention Société canadienne des postes – Envois No.Agreement Publications Mail Sales Canada Post 40025257 Leon Fleisher: The Music Comes First Get close to Canada Discover it by train Découvrez le Canada Voyagez en train For more information, contact us at 1 888 VIA-RAIL (1 888 842-7245) TTY 1 800 268-9503 (hearing impaired) Pour plus de renseignements, contactez-nous au 1 888 VIA-RAIL (1 888 842-7245) ATS 1 800 268-9503 (malentendants) La Nouvelle collection GEMINI Les Trésors d’EMI Déjà 25 titres de 2 cd, dont plusieurs sont disponible pour la première fois à prix économique 2 CDs pour le prix de 1 seul Parmi les artistes en vedettes : Sir Simon Rattle, Sir Thomas Beecham, Carlo Maria Giulini, Vladimir Ashkenazy, Itzhak Perlman, Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, Daniel Barenboim, Yehudi Menuhin & Cécile Ousset Son remasterisé numériquement aux Studios Abbey Road Textes et traductions disponibles à l’adresse www.emiclassics.com Une gamme d’oeuvres jumelées en parfaite harmonie Photos: Photonica En vente dans tous les bons magasins ou sur le www.shopemi.com/classical ATMAclassique « À entendre, le Mahler de Nézet-Séguin. Un Mahler vécu, plein de surprises ... qui chante continuellement. » — CLAUDE GINGRAS, LA PRESSE « Un Mahler éblouissant à l’Orchestre Métropolitain ! Avec ce nouvel enregistrement, cet orchestre acquiert ses lettres de noblesse... » — MICHEL FERLAND, RADIO-CANADA « .. -
HEADLINE NEWS • 3/23/07 • PAGE 2 of 2
DISTAFF BC DRAWS 7 HEADLINE p. 2 NEWS For information about TDN, DELIVERED EACH NIGHT BY FAX AND FREE BY E-MAIL TO SUBSCRIBERS OF call 732-747-8060. www.thoroughbreddailynews.com FRIDAY, MARCH 23, 2007 BAILEY & NBC RECEIVE SPORTS EMMY NOMS ‘GOLD’ READY FOR FLORIDA DERBY Former jockey and ESPN horse racing analyst Jerry Adore the Gold (Formal Gold), last seen finishing a Bailey as well as NBC each received nominations for the good fourth behind Scat Daddy (Johannesburg) in the 28th annual Sports Emmy Mar. 3 GII Fountain of Youth S., Awards, it was announced yes- will take on that foe again in the terday. Bailey was nominated in Mar. 31 GI Florida Derby. AEv- the category of Outstanding erything is good,@ trainer Michael Sports Personality-Sports Event Gorham said. AWe just need to Analyst, while NBC was nomi- improve a length. Hopefully that nated for its coverage of the race helped him. He keeps get- ting a little fitter and that race 2006 GI Preakness S. in the Out- Adore The Gold helped. He's training good and standing Live Sports Special cat- Equi-Photo egory. AI=m flat- coming into tered to be this race really good. Having a race at nominated,@ “I look forward to a mile-and-an-eighth already should help as well.@ Adore the Gold, winner said Bailey. AIt=s receiving the TDN a tribute to the of the 1 1/16-mile Dover S. at Dela- Jerry Bailey every night. It has ware as a juvenile, notched Horsephotos people I work become the gold with, particu- Gulfstream=s 6 1/2-furlong GII Swale standard for learning larly Randy Moss, Chris Fowler, Kenny S. -
Futurism-Anthology.Pdf
FUTURISM FUTURISM AN ANTHOLOGY Edited by Lawrence Rainey Christine Poggi Laura Wittman Yale University Press New Haven & London Disclaimer: Some images in the printed version of this book are not available for inclusion in the eBook. Published with assistance from the Kingsley Trust Association Publication Fund established by the Scroll and Key Society of Yale College. Frontispiece on page ii is a detail of fig. 35. Copyright © 2009 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Nancy Ovedovitz and set in Scala type by Tseng Information Systems, Inc. Printed in the United States of America by Sheridan Books. Library of Congress Cataloging-in-Publication Data Futurism : an anthology / edited by Lawrence Rainey, Christine Poggi, and Laura Wittman. p. cm. Includes bibliographical references and index. ISBN 978-0-300-08875-5 (cloth : alk. paper) 1. Futurism (Art) 2. Futurism (Literary movement) 3. Arts, Modern—20th century. I. Rainey, Lawrence S. II. Poggi, Christine, 1953– III. Wittman, Laura. NX456.5.F8F87 2009 700'.4114—dc22 2009007811 A catalogue record for this book is available from the British Library. This paper meets the requirements of ANSI/NISO Z39.48–1992 (Permanence of Paper). 10 9 8 7 6 5 4 3 2 1 CONTENTS Acknowledgments xiii Introduction: F. T. Marinetti and the Development of Futurism Lawrence Rainey 1 Part One Manifestos and Theoretical Writings Introduction to Part One Lawrence Rainey 43 The Founding and Manifesto of Futurism (1909) F. -
Turf-Times Der Deutsche Newsletter Für Vollblutzucht & Rennsport Mit Dem Galopp-Portal Unter
Ausgabe 269 • 36 Seiten Freitag, 14. Juni 2013 powered by TURF-TIMES www.bbag-sales.de Der deutsche Newsletter für Vollblutzucht & Rennsport mit dem Galopp-Portal unter www.turf-times.de AUFGALOPP Probably läuft im Derby „Next stop German Derby“ lautete die Nachricht, die Die Bilder, die wir in den vergangenen Tagen in uns Trainer Rune Haugen am Mittwoch aus Norwe- den Medien gesehen haben, werden so schnell nicht gen bezüglich des von ihm betreuten Probably (Da- vergessen werden. Überschwemmte Landschaften, nehill Dancer) übermittelte. Damit wird das Sparda Menschen, die ihr Hab und Gut verloren haben, die 144. Deutsche Derby in jedem Fall international. Im vor den Trümmern ihrer Existenz stehen. Der Ga- vergangenen Jahr wurde der Hengst noch von David lopprennsport hat in der tagesaktuellen Berichter- Wachman für die Besitzergemeinschaft Tabor/Mag- stattung naturgemäß überhaupt keine Rolle gespielt, nier/Smith trainiert, gewann die Railway Stakes (Gr. auch wenn es zwei Rennbahnen betroffen hat, Halle II), war u.a. Dritter in den Beresford Stakes (Gr. II) und Magdeburg, nicht zum ersten Mal. Ausgerech- und Vierter in den National Stakes (Gr. I) in aller- net. Bahnen, die ohnehin nicht gerade mit Reichtum dings stets kleinen Feldern, über Winter wurde er an gesegnet sind, deren Überleben in der Vergangenheit den Stall NOR verkauft. Beim Jahresdebut belegte des Öfteren am seidenen Faden gehangen hat, denen er sieben Längen hinter Nicolosio (Peintre Celebre) schon mehrfach die Existenzberechtigung abgespro- Rang zwei im Derby-Trial in Hannover. Am Dienstag chen wurde, weil sie wirtschaftlich angeblich nicht gewann er im schwedischen Jägersro ein übersichtlich tragfähig sind. Doch wo in diesen Tagen trotzdem besetztes 2400-m-Rennen als 11:10-Favorit mit 22 Menschen arbeiten und alles erdenklich mögliche Längen Vorsprung. -
NEWSLETTER of the American Handel Society
NEWSLETTER of The American Handel Society Volume XVIII, Number 1 April 2003 A PILGRIMAGE TO IOWA As I sat in the United Airways terminal of O’Hare International Airport, waiting for the recently bankrupt carrier to locate and then install an electric starter for the no. 2 engine, my mind kept returning to David Lodge’s description of the modern academic conference. In Small World (required airport reading for any twenty-first century academic), Lodge writes: “The modern conference resembles the pilgrimage of medieval Christendom in that it allows the participants to indulge themselves in all the pleasures and diversions of travel while appearing to be austerely bent on self-improvement.” He continues by listing the “penitential exercises” which normally accompany the enterprise, though, oddly enough, he omits airport delays. To be sure, the companionship in the terminal (which included nearly a dozen conferees) was anything but penitential, still, I could not help wondering if the delay was prophecy or merely a glitch. The Maryland Handel Festival was a tough act to follow and I, and perhaps others, were apprehensive about whether Handel in Iowa would live up to the high standards set by its august predecessor. In one way the comparison is inappropriate. By the time I started attending the Maryland conference (in the early ‘90’s), it was a first-rate operation, a Cadillac among festivals. Comparing a one-year event with a two-decade institution is unfair, though I am sure in the minds of many it was inevitable. Fortunately, I feel that the experience in Iowa compared very favorably with what many of us had grown accustomed Frontispiece from William Coxe, Anecdotes fo George Frederick Handel and John Christopher Smith to in Maryland. -
AS SEEN on ITV 1 HOWARD GOODALL B.1958 the Seasons Suite for Strings and Cello Autumn Spring 1 I
AS SEEN ON ITV 1 HOWARD GOODALL b.1958 The Seasons Suite for strings and cello Autumn Spring 1 I. Russet fall 3.52 10 I. Ripening seed 1.54 2 II. Charcoal burning 4.40 11 II. Emerald dawn 2.12 3 III. Cider harvest 3.21 12 III. Migrants’ return 3.24 4 IV. Poppies 3.40 13 IV. Rebirth 4.57 Winter Summer 5 I. Sepia landscape 2.26 14 I. Cornflower sky 8.40 6 II. Frozen light 6.38 15 II. Racing green 1.41 7 III. Storm warnings 4.58 16 III. End of the pier 1.59 8 IV. Solstice night 1.37 17 IV. Dippers 2.37 9 V. Snow carpet 1.08 60.00 Bozidar Vukotic cello The Tippett Quartet John Mills, Jeremy Isaac violin Maxine Moore viola · Bozidar Vukotic cello with Patrick Savage violin Marianna Szymanowska harp The Seasons Several composers over the centuries have responded to the idea of the changing seasons, notably Vivaldi,Haydn, Spohr,Verdi, Glazunov and Tchaikovsky, but I believe I am the first composer to create my Seasons suite over the period of a year in the respective seasons themselves. I would like to take credit for this approach, but in all honesty the season-by-season time scale was dictated by the filming schedule of the ITV series The Seasons, for which the suite provides a soundtrack. Composing ‘Autumn’ in the autumn or ‘Spring’ in the spring turned out to be more stimulating than I had anticipated, especially as the 12 months from September 2008 to August 2009 were unusually rich in seasonal difference in the British Isles, with a ‘proper’ snowy winter even in the temperate south of England where my family and I live, something that only comes around once a decade or so.