Diane Dufresne À L’Orchestre Métropolitain an Interview with Yannick Nézet-Séguin En Entrevue Jazz : La Filière Asiatique II

Total Page:16

File Type:pdf, Size:1020Kb

Diane Dufresne À L’Orchestre Métropolitain an Interview with Yannick Nézet-Séguin En Entrevue Jazz : La Filière Asiatique II Mars 2004 March Vol. 9.6 GRATUIT FREE GRATUIT Diane Dufresne à l’Orchestre Métropolitain An Interview with Yannick Nézet-Séguin en entrevue Jazz : la filière asiatique II Société canadienne des postes – Envois de publication convention nº 40025257 de publication convention Société canadienne des postes – Envois No.Agreement Publications Mail Sales Canada Post 40025257 Leon Fleisher: The Music Comes First Get close to Canada Discover it by train Découvrez le Canada Voyagez en train For more information, contact us at 1 888 VIA-RAIL (1 888 842-7245) TTY 1 800 268-9503 (hearing impaired) Pour plus de renseignements, contactez-nous au 1 888 VIA-RAIL (1 888 842-7245) ATS 1 800 268-9503 (malentendants) La Nouvelle collection GEMINI Les Trésors d’EMI Déjà 25 titres de 2 cd, dont plusieurs sont disponible pour la première fois à prix économique 2 CDs pour le prix de 1 seul Parmi les artistes en vedettes : Sir Simon Rattle, Sir Thomas Beecham, Carlo Maria Giulini, Vladimir Ashkenazy, Itzhak Perlman, Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, Daniel Barenboim, Yehudi Menuhin & Cécile Ousset Son remasterisé numériquement aux Studios Abbey Road Textes et traductions disponibles à l’adresse www.emiclassics.com Une gamme d’oeuvres jumelées en parfaite harmonie Photos: Photonica En vente dans tous les bons magasins ou sur le www.shopemi.com/classical ATMAclassique « À entendre, le Mahler de Nézet-Séguin. Un Mahler vécu, plein de surprises ... qui chante continuellement. » — CLAUDE GINGRAS, LA PRESSE « Un Mahler éblouissant à l’Orchestre Métropolitain ! Avec ce nouvel enregistrement, cet orchestre acquiert ses lettres de noblesse... » — MICHEL FERLAND, RADIO-CANADA « ... Karina Gauvin dans le mouvement final, ne fait pas défaut à sa réputation d’être l’une des plus belles voix d’ici. » — RÉJEAN BEAUCAGE, VOIR « Voici une surprise qui s’annonce comme l’un des grands disques de l’année. La prise de son est exceptionnelle de bout en bout. » — CHRISTOPHE RODRIGUEZ, JOURNAL DE MONTRÉAL ACD2 2306 Le nouvel album de CONSTANTINOPLE : un voyage musical en Méditerranée. ACD2 2314 Enfin réunis sur disque : le réputé flûtiste BARTHOLD KUIJKEN et les gambistes expressives des VOIX HUMAINES. ACD2 2310 ACD2 2245 Découvrez l’atmosphère unique de la musique d’ARVO PÄRT sur instruments anciens. Une expérience émouvante. www.atmaclassique.com Un club pour les mélomanes • The club for music lovers avantages Abonnement à La Scena Musicale (10 numéros) 10 % de rabais chez Archambault (6 fois par année) Rabais dans des magasins tels que Dans un jardin, L’Art des artisans du Québec, Main Fleuriste et dans divers restaurants Prix préférentiels pour certains concerts et spectacles (ex. : Les Grands Explorateurs, Théâtre de la Chapelle) Rabais sur les activités de La Scena Musicale benefits Free subscription to La Scena Musicale (10 issues) 10% discount at Archambault (6 coupons per year) Discounts in shops such as Dans un jardin, L’Art des Artisans du Québec, Main Florists as well as in various restaurants Preferential rates for selected concerts and entertainment (e.g.: Les Grands Explorateurs, Théâtre de la Chapelle) Reductions on other La Scena Musicale activities formulaire d’adhésion/membership form prénom et nom / name and surname _________________________________________________________________________________ verdi adresse / address ___________________________________________________________________________________________________ ville / city ___________________________________________________________________________________________________________ province et code postal / province and postal code ____________________________________________________________________ téléphone / phone __________________________________________________________________________________________________ courriel / e-mail _____________________________________________________________________________________________________ ! régulier / regular 40 $ ! étudiant / student 30 $ modes de paiement / payment methods carte de crédit / credit card nº _____________________________________________________________ exp. _________________ ! Visa ! MasterCard ! American Express ! chèque / cheque ! comptant / cash signature ___________________________________________________________________________________________________________ LaScenaMusicale 5409, rue Waverly, Montréal (Québec) H2T 2X8 tél. : 514 948.2520 / téléc.–fax : 514 274.9456 / www.scena.org Votre dernière chance! Last Call! Opéra Weekend à/in Toronto au profit de / to benefit La Scena Musicale die walküre 17 avril April 17 19 h rigoletto 18 avril April 18 verdi wagner 19 h Deux grands opéras et visite des coulisses Two major operas and a backstage tour http://operaweekend.scena.org [email protected] 514 948.2520 nombre de places limité / limited number of tickets available date limite : 30 mars 2004 / deadline: March 30, 2004 Au Québec La culture est dans le rouge MANIFESTATION Mardi MIDI le 9 mars Place-d’Armes 2004 Montréal www.mal.qc.ca www.scena.org VOLUME 9.6 MARS / MARCH 2004 SOMMAIRE CONTENTS YANNICK NÉZET-SÉGUIN EN COUVERTURE | COVER STORY 12 Yannick Nézet-Séguin : À la belle étoile ! / Up Among the Stars 12 20 Diane Dufresne et Kurt Weill ACTUALITÉS | IN THE NEWS 10 Notes 28 Nouveautés : instruments 53 Concerts à venir / Previews COUPS DE CŒUR DES CHEFS | MAESTRO’S CHOICE 39 Opéra de Montréal : Erwartung, Le Château de Barbe-Bleue LE COIN DU MUSICIEN | MUSICIAN’SCORNER 23 Hommage à Yves Beaupré 26 La recherche de l’archet idéal / The Right Bow 30 Mes étés en musique / My Summers in Music 32 Guide des camps musicaux / Camps Guide PIANO 22 Nouveaux enregistrements de Felicja Blumental 24 Leon Fleisher en entrevue AUDIO 63 SACD Super Audio Surround LEON FLEISHER JAZZ 65 Au rayon du disque / Off the Record 66 La filière asiatique : second volet 24 68 Calendrier jazz CRITIQUES | REVIEWS 42 Les disques / CD Reviews 46 Les livres / Book Reviews 48 Les DVD / DVD Reviews CALENDRIERS | CALENDARS 36 Calendrier détachable / Pull-Out Calendar 52 Calendrier régional : Montréal, Québec, Ottawa, radio, télévision 62 Sortez votre ado ! / Bring a Teen! 62 Petites annonces / Classified OPÉRA DE MONTRÉAL Prochain numéro / Next Issue >> Avril 2004 April Science et technologie / Science and Technology Date de tombée (calendrier): 12 mars / Deadline (calendar): March 12 39 Date de tombée (publicité): 16 mars / Deadline (ads): March 16, 2004 Publicité / Advertising 514 948.2520 www.scena.org LA SCENA MUSICALE Founding Editors / Rédacteurs fondateurs Philip Anson – Wah Keung Chan MARS 2004 MARCH VOL. 9.6 Éditeur / Publisher La Scène Musicale Directeurs Wah Keung Chan (prés.), Sandro Scola, Anne-Marie Babkine Rédacteur en chef / Editor Wah Keung Chan Rédacteur adjoint / Assistant Editor Réjean Beaucage Rédacteur CD / CD Editor Réjean Beaucage Rédacteur Jazz / Jazz Editor Marc Chénard Collaborateurs / Contributors Phil Anson, Misha Aster, Pierre-Marc Bellemare, Frédéric Cardin, Bruno Deschênes, Daniel Desrochers, Olivier Giroud-Fleigner, Jean-Sébastien Gascon, Natasha Gauthier, W.S. Habington, Martin Labbé, Alexandre Lazaridès, Patrick Mathieu, Gillian Pritchett, Lucie Renaud, Anna Sampson, Joseph K. So, Paul Serralheiro Coordinateur section audio / Audio Coordinator Jean-Sébastien Gascon Traducteurs / Translators Réjean Beaucage, Jane Brierley, Tim Brierley, Alain Cavenne, Wah Keung Chan Réviseurs / Proofreaders Daniel Desrochers, Eric Ginestier, Tom Holzinger, Lilian Liganor, Anna Sampson, Jef Wijns Calendrier régional / Regional Calendar Eric Legault Graphisme / Graphics Albert Cormier, Eric Ginestier, Martin L’Allier Photo couverture (D. Dufresne) / Cover photo Jean-François Bérubé Site Web / Website Normand Vandray, Mike Vincent Coordonnatrice du bureau et Directrice de la distribution / Office Coordinator and Distribution Manager Anne Gilbert Adjoints administratifs / Admin.Assistants Gabriel Malenfant, Antoine Letendre, Johanne Poirier Comptabilité / Accounting Joanne Dufour Directrice financement et marketing / Fundraising & Marketing Director Gillian Pritchett Bénévoles / Volunteers Yelka Acimovic, Wah Wing Chan, Tom Holzinger, Dean Jobin-Bevans, Linda Lee, Lilian Liganor, Stephen Lloyd, Phyllis Potts, Annie Prothin, Sydney Que, Renée Rouleau Distributeurs / Distributors Distribution Macri (Montréal), Québec Micro (Montréal), Distribution Affiche Tout (Québec), Diffusart (Ottawa) Imprimeurs / Printers Payette & Simms, Solisco Adresses / Addresses 5409, rue Waverly, Montréal (Québec) Canada H2T 2X8 Tél. : (514) 948-2520 / Téléc./Fax : (514) 274-9456 [email protected] • Web : www.scena.org production – artwork : [email protected] Publicité /Advertising (514) 948-2520 Bernadette Lacroix-Bjornson (514) 935-3781 été 2004 Jean-Sébastien Gascon (514) 948-2520 Classes de maître Lyette Soucy (514) 733-9941 Musique de chambre Mike Webber (514) 287-7668 Atelier d'opéra - Wozzeck Ventes nationales / National Sales (non-musical) Jusqu'à trois concerts étudiant par semaine Relations Media (450) 661-8200 La Scena Musicale, publié dix fois par année, est consacré à la promotion de la musique classique. Chaque numéro contient des articles et des critiques ainsi qu’un calendrier de concerts, de confé- rences, de films et d’émissions. LSM est publié par La Scène Musicale, un organisme sans but lucratif. La Scena Musicale est la traduction italienne de La Scène musicale. La Scena Musicale is dedicated to the promotion of classical music. It is published ten times per year. Inside, readers will find articles académie and reviews, as well as listings of live concerts,
Recommended publications
  • Ariadna En Naxos
    RICHARD STRAUSS ARIADNA EN NAXOS STREAMING METROPOLITAN OPERA HOUSE Presenta RICHARD STRAUSS ARIADNA EN NAXOS Ópera en dos partes: Prólogo y Ópera Libreto de Hugo von Hofmannsthal, basado en “El burgués gentilhombre” de Molière y el mito griego de Ariadna y Baco. Reparto Ariadna - Prima Donna Jessye Norman Baco - Tenor James King Zerbinetta Kathleen Battle Compositor Tatiana Troyanos Maestro de música Franz Ferdinand Nentwig Arlequín Stephen Dickson Scaramuccio Allan Glassman Trufaldín Artur Korn Brighella Anthony Laciura Nayade Barbara Bonney Driada Gweneth Bean Echo Dawn Upshaw Mayordomo Nico Castel Coro y Orquesta del Metropolitan Opera House Dirección: James Levine Producción escénica Dirección teatral Bodo Igesz Escenografía Oliver Messel Vestuario Jane Greenwood Miércoles 13 de mayo de 2020 Transmisión vía streaming desde Metropolitan Opera House – New York, USA TEATRO NESCAFÉ DE LAS ARTES Temporada 2020 ARIADNA EN NAXOS ANTECEDENTES te el nombre de Hugo von Haffmannsthal, poeta, escritor y dramaturgo austriaco, quien creó los libretos de las más famo- sas producciones del compositor para la escena. Entre ellos los de la terna citada y el de “Ariadna en Naxos”, su sexta con- tribución para la lírica, con una gestación muy compleja. Strauss compuso la ópera “Ariadna en Naxos” en un acto y como homenaje a Max Reinhardt, quien fuera en 1911 el re- gisseur (director de escena) en el estreno mundial de “El caballero de la rosa”. “Ariadna en Naxos” se representó en Strauss y Hofmannsthal octubre de 1912 en el marco de una ce- remonia turca, inserta a su vez en el de- Junto al inglés Benjamin Britten (1913- sarrollo de una adaptación alemana de la 1976), Richard Strauss (1864-1949) forma la comedia “El burgués gentilhombre” de pareja de los más importantes y prolíficos Molière, hecha por Hoffmansthal.
    [Show full text]
  • OCT 2005NEW.Qxd
    AAGGMMAAZZIINNEE Official Publication of the American Guild of Musical Artists A Branch of the Associated Actors and Artistes of America • Affiliated with the AFL-CIO Summer 2015 Volume 69, Number 1 How Technology Affects our Careers Page 2 AGMAzine Summer 2015 It would be inappropriate to go to press without recognizing the victory for many of our members and all supporters of civil rights from the Supreme Court’s decision on Marriage Equality (Obergefell v Hodges) . AGMA Establishes a New System for Reporting Illegal Discrimination By Alan S. Gordon, National Executive Director AGMA has estab - retaliation. Unfortunately, it’s a valid fear. act; the nature of the abuse, harassment or lished a system However, reporting abuse or harassment to discrimination; the employment position of for members to con - your employer remains one of the ONLY two that person (composer, coach, etc.); their fidentially report truly effective ways of dealing with sexual work relationship to the person making the instances of any abuse or other illegal discrimination. report (unless it’s obvious from their posi - illegal discrimina - tion); whether or not there were witnesses to tion, including sex - The other possible remedy exists because dis - the situation, including their names or identi - ual abuse, harass - crimination is also a violation of AGMA’s fication by job titles; and any other informa - ment and conduct collective bargaining agreements and tion you think relevant to the report. that creates a hostile Standard Artist Agreements, and so it can also Although members can report abuse encoun - work environment. be pursued through the grievance and arbitra - tered at non-union companies, we have no tion provision of our contracts and decided by ability to influence behavior among non- A number of members, including participants an arbitrator.
    [Show full text]
  • Iolanta Bluebeard's Castle
    iolantaPETER TCHAIKOVSKY AND bluebeard’sBÉLA BARTÓK castle conductor Iolanta Valery Gergiev Lyric opera in one act production Libretto by Modest Tchaikovsky, Mariusz Treliński based on the play King René’s Daughter set designer by Henrik Hertz Boris Kudlička costume designer Bluebeard’s Castle Marek Adamski Opera in one act lighting designer Marc Heinz Libretto by Béla Balázs, after a fairy tale by Charles Perrault choreographer Tomasz Wygoda Saturday, February 14, 2015 video projection designer 12:30–3:45 PM Bartek Macias sound designer New Production Mark Grey dramaturg The productions of Iolanta and Bluebeard’s Castle Piotr Gruszczyński were made possible by a generous gift from Ambassador and Mrs. Nicholas F. Taubman general manager Peter Gelb Additional funding was received from Mrs. Veronica Atkins; Dr. Magdalena Berenyi, in memory of Dr. Kalman Berenyi; music director and the National Endowment for the Arts James Levine principal conductor Co-production of the Metropolitan Opera and Fabio Luisi Teatr Wielki–Polish National Opera The 5th Metropolitan Opera performance of PETER TCHAIKOVSKY’S This performance iolanta is being broadcast live over The Toll Brothers– Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Valery Gergiev America’s luxury in order of vocal appearance homebuilder®, with generous long-term marta duke robert support from Mzia Nioradze Aleksei Markov The Annenberg iol anta vaudémont Foundation, The Anna Netrebko Piotr Beczala Neubauer Family Foundation, the brigit te Vincent A. Stabile Katherine Whyte Endowment for Broadcast Media, l aur a and contributions Cassandra Zoé Velasco from listeners bertr and worldwide. Matt Boehler There is no alméric Toll Brothers– Keith Jameson Metropolitan Opera Quiz in List Hall today.
    [Show full text]
  • Central Opera Service Bulletin
    CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee.
    [Show full text]
  • NEWSLETTER of the American Handel Society
    NEWSLETTER of The American Handel Society Volume XVIII, Number 1 April 2003 A PILGRIMAGE TO IOWA As I sat in the United Airways terminal of O’Hare International Airport, waiting for the recently bankrupt carrier to locate and then install an electric starter for the no. 2 engine, my mind kept returning to David Lodge’s description of the modern academic conference. In Small World (required airport reading for any twenty-first century academic), Lodge writes: “The modern conference resembles the pilgrimage of medieval Christendom in that it allows the participants to indulge themselves in all the pleasures and diversions of travel while appearing to be austerely bent on self-improvement.” He continues by listing the “penitential exercises” which normally accompany the enterprise, though, oddly enough, he omits airport delays. To be sure, the companionship in the terminal (which included nearly a dozen conferees) was anything but penitential, still, I could not help wondering if the delay was prophecy or merely a glitch. The Maryland Handel Festival was a tough act to follow and I, and perhaps others, were apprehensive about whether Handel in Iowa would live up to the high standards set by its august predecessor. In one way the comparison is inappropriate. By the time I started attending the Maryland conference (in the early ‘90’s), it was a first-rate operation, a Cadillac among festivals. Comparing a one-year event with a two-decade institution is unfair, though I am sure in the minds of many it was inevitable. Fortunately, I feel that the experience in Iowa compared very favorably with what many of us had grown accustomed Frontispiece from William Coxe, Anecdotes fo George Frederick Handel and John Christopher Smith to in Maryland.
    [Show full text]
  • CHAN 9983 BOOK.Qxd 15/5/07 2:44 Pm Page 2
    CHAN 9983 Book Cover.qxd 15/5/07 2:43 pm Page 1 CHAN 9983 CHANDOS CHAN 9983 BOOK.qxd 15/5/07 2:44 pm Page 2 Michael Berkeley (b. 1948) premiere recording Jane Eyre An opera in two acts Libretto by David Malouf Dramatis personae: Jane Eyre ..........................................................................................................................Natasha Marsh soprano Adèle............................................................................................................................................Fflur Wyn soprano Mrs Fairfax............................................................................................................Beverley Mills mezzo-soprano Mrs Rochester..........................................................................................................Emily Bauer-Jones contralto Rochester .................................................................................................................................Andrew Slater bass The Music Theatre Wales Ensemble Michael Rafferty Jane Eyre was commissioned by the Cheltenham International Festival of Music with the generous support of the Vivian Duffield Foundation, Bob and Kate Gavron and contribution from the Cheltenham Festival of New Music Fund and the Arts Council of England. The first performance was given on 30 June 2000 by Music Theatre Wales at the Cheltenham International Festival of Music. Michael Berkeley This recording is based on the Music Theatre Wales production. 3 CHAN 9983 BOOK.qxd 15/5/07 2:44 pm Page 4 Act I Time
    [Show full text]
  • Georg Friedrich Händel (1685-1759)
    Georg Friedrich Händel (1685-1759) Sämtliche Werke / Complete works in MP3-Format Details Georg Friedrich Händel (George Frederic Handel) (1685-1759) - Complete works / Sämtliche Werke - Total time / Gesamtspielzeit 249:50:54 ( 10 d 10 h ) Titel/Title Zeit/Time 1. Opera HWV 1 - 45, A11, A13, A14 116:30:55 HWV 01 Almira 3:44:50 1994: Fiori musicali - Andrew Lawrence-King, Organ/Harpsichord/Harp - Beate Röllecke Ann Monoyios (Soprano) - Almira, Patricia Rozario (Soprano) - Edilia, Linda Gerrard (Soprano) - Bellante, David Thomas (Bass) - Consalvo, Jamie MacDougall (Tenor) - Fernando, Olaf Haye (Bass) - Raymondo, Christian Elsner (Tenor) - Tabarco HWV 06 Agrippina 3:24:33 2010: Akademie f. Alte Musik Berlin - René Jacobs Alexandrina Pendatchanska (Soprano) - Agrippina, Jennifer Rivera (Mezzo-Soprano) - Nerone, Sunhae Im (Soprano) - Poppea, Bejun Mehta (Counter-Tenor) - Ottone, Marcos Fink (Bass-Bariton) - Claudio, Neal Davis (Bass-Bariton) - Pallante, Dominique Visse (Counter-Tenor) - Narciso, Daniel Schmutzhard (Bass) - Lesbo HWV 07 Rinaldo 2:54:46 1999: The Academy of Ancient Music - Christopher Hogwood Bernarda Fink (Mezzo-Sopran) - Goffredo, Cecilia Bartoli (Mezzo-Sopran) - Almirena, David Daniels (Counter-Tenor) - Rinaldo, Daniel Taylor (Counter-Tenor) - Eustazio, Gerald Finley (Bariton) - Argante, Luba Orgonasova (Soprano) - Armida, Bejun Mehta (Counter-Tenor) - Mago cristiano, Ana-Maria Rincón (Soprano) - Donna, Sirena II, Catherine Bott (Soprano) - Sirena I, Mark Padmore (Tenor) - Un Araldo HWV 08c Il Pastor fido 2:27:42 1994: Capella
    [Show full text]
  • HOWARD GOODALL CHORAL MUSIC AVAILABLE from FABER MUSIC LTD BIOGRAPHICAL NOTES CONTENTS Howard Goodall Is One of Britain’S Most Distinguished and Versatile Composers
    for CONCERT · STAGE · WORLD · DANCE HOWARD GOODALL CHORAL MUSIC AVAILABLE FROM FABER MUSIC LTD BIOGRAPHICAL NOTES CONTENTS Howard Goodall is one of Britain’s most distinguished and versatile composers. Almost everyone knows at least one of Howard's popular TV themes for __LIST OF WORKS: Blackadder, Mr Bean, Red Dwarf, The Catherine Tate Show, Q.I. or The Vicar of Dibley. Film scores Chorus & Orchestra __3 include the BAFTA-nominated The Gathering Storm, Bean: The Ultimate Disaster __4 Upper Voices Movie, Bernard and the Genie, Blackadder Back & Forth and Mr Bean’s Holiday. __8 Mixed Voices In the theatre his many musicals, from The Hired Man (1984) to Two Cities (2006) __10 Male Voices have been performed throughout the English-speaking world, including London’s West End and Off-Broadway, and won many international awards, including Ivor Novello __10 As Presenter and TMA Awards for Best Musical. In 2009 his A Winter’s Tale will be seen around the __10 Selected Discography country performed by Youth Music Theatre: UK, The Dreaming will be produced by National Youth Music Theatre, and in 2010 Love Story will have its professional première. __11 Reviews He is a prodigious writer of choral music, his settings of Psalm 23 and Love Divine are CONTACTS amongst the most performed of all sacred music, his works have been commissioned to mark several national ceremonies and memorials, and he has contributed songs to USA/CANADA: several platinum-selling CDs. Autumn 2008 saw the début UK tour of his (Sales/Marketing) Eternal Faber Music Inc Light: A Requiem by the Rambert Dance Company, a choral-orchestral ballet & concert 16320 Roscoe Boulevard work commissioned by London Musici, simultaneously released on an EMI Classics CD Van Nuys CA 91406 featuring the Choir of Christ Church Cathedral Oxford, Alfie Boe and Natasha Marsh, USA conducted by Stephen Darlington, for which Howard won the 2009 Classical Brit Tel:+1818 891 5999 ex.237 [email protected] Award for ‘Composer of the Year’.
    [Show full text]
  • 20 February 2009 Page 1 of 19
    Radio 3 Listings for 14 – 20 February 2009 Page 1 of 19 SATURDAY 14 FEBRUARY 2009 5.13am 07:29 Morley, Thomas (1557/8-1602): It was a lover and his lasse SAT 01:00 Through the Night (b00hgg06) Paul Agnew (tenor) JENKINS With Jonathan Swain. Christopher Wilson (lute) Newark siege (for 2 violins, 2 viols and organ) Ensemble Jérôme Hantaï 1.00am 5.17am NAIVE E8895 T.10 Busnois, Antoine (c.1430-1492): Bel accueil Schiavetto, Giulio (fl.1562-1565): Three madrigals: O dolce 1.06am amore; Amor quando fioria; Fior ch' all' intatta 07:35 Gombert, Nicolas (c.1495-c.1560): Tous les regretz Slovenian Chamber Choir 1.09am Vladimir Kranjcevic (director) JANACEK Lassus, Orlande de (1532-1594): Sanctus; Agnus Dei (Missa Sonata 1.X.1905 Tous les regretz) 5.24am Mikhail Rudy (piano) 1.17am Sibelius, Jean (1865-1957): Rakastava (The lover), Op 14 - EMI CDC7540942 T,1 & 2 Rore, Cipriano de (c.1515-1565): Se ben il duol - madrigal arranged for string orchestra, triangle and timpani 1.21am CBC Vancouver Orchestra 07:48 Brumel, Antoine (c.1460-1512/13): Agnus Dei (Missa Mario Bernardi (conductor) Berzerette savoyenne) RODGERS 1.27am 5.36am My Funny Valentine Gombert: Media vitae in morte sumus - sacred motet d'India, Sigismondo (c.1582-c.1629): Tow madrigals: Interdette Stephane Grappelli (violin) 1.32am speranz'e van desio (Forbidden dreams and hopeless love); Al Eddie Lewis (organ) Le Jeune, Claude (1528/30-1600): Cigne je suis de candeur (I partir del mio sole (At the departure of my beloved) MUSIDISC 440162 T.9 am as pure as a swan); Que nul' etoile sur
    [Show full text]
  • Contents Price Code an Introduction to Chandos
    CONTENTS AN INTRODUCTION TO CHANDOS RECORDS An Introduction to Chandos Records ... ...2 Harpsichord ... ......................................................... .269 A-Z CD listing by composer ... .5 Guitar ... ..........................................................................271 Chandos Records was founded in 1979 and quickly established itself as one of the world’s leading independent classical labels. The company records all over Collections: Woodwind ... ............................................................ .273 the world and markets its recordings from offices and studios in Colchester, Military ... ...208 Violin ... ...........................................................................277 England. It is distributed worldwide to over forty countries as well as online from Brass ... ..212 Christmas... ........................................................ ..279 its own website and other online suppliers. Concert Band... ..229 Light Music... ..................................................... ...281 Opera in English ... ...231 Various Popular Light... ......................................... ..283 The company has championed rare and neglected repertoire, filling in many Orchestral ... .239 Compilations ... ...................................................... ...287 gaps in the record catalogues. Initially focussing on British composers (Alwyn, Bax, Bliss, Dyson, Moeran, Rubbra et al.), it subsequently embraced a much Chamber ... ...245 Conductor Index ... ............................................... .296
    [Show full text]
  • Music Academy of the West Archives PA Mss 65
    http://oac.cdlib.org/findaid/ark:/13030/kt9m3nd615 No online items Guide to the Music Academy of the West archives PA Mss 65 Finding aid prepared by David Seubert and Danielle Hoffman, 2007; revised by Zachary Liebhaber, 2019. UC Santa Barbara Library, Department of Special Research Collections University of California, Santa Barbara Santa Barbara 93106-9010 [email protected] URL: http://www.library.ucsb.edu/special-collections 2007; 2019 Guide to the Music Academy of PA Mss 65 1 the West archives PA Mss 65 Title: Music Academy of the West archives Identifier/Call Number: PA Mss 65 Contributing Institution: UC Santa Barbara Library, Department of Special Research Collections Language of Material: English Physical Description: 102 linear feet(117 document boxes, 19 half document boxes, 784 audiotape reels, 38 videocassettes) Date (inclusive): 1946-2014 Abstract: Audio and video recordings of Music Academy of the West concerts, recitals and masterclasses dating from 1961 to 2001, as well as Music Academy of the West organizational records dating from 1946 to 2012. Physical Location: Special Research Collections, UC Santa Barbara Library Access Restrictions The collection is open for research. Access copies must be made before listening to recordings. Use Restrictions Copyright has not been assigned to the Department of Special Research Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Research Collections. Permission for publication is given on behalf of the Department of Special Research Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained.
    [Show full text]
  • Met Opera Feb 02-Feb 08 2021
    Met Opera Feb 02-Feb 08 2021 https://www.metopera.org/ Week 47 - Black History Month at the Met, Part I https://www.metopera.org/user-information/nightly-met-opera-streams/ Tuesday, February 02 — 00:30-23:30 The Gershwins’ Porgy and Bess Starring Angel Blue, Golda Schultz, Latonia Moore, Denyce Graves, Frederick Ballentine, Eric Owens, AlFred Walker, and Donovan Singletary, conducted by David Robertson. Production by James Robinson. From February 1, 2020. Wednesday, February 03 — 00:30-23:30 Verdi’s La Forza del Destino Starring Leontyne Price, Isola Jones, Giuseppe Giacomini, Leo Nucci, and Bonaldo Giaiotti, conducted by James Levine. Production by John Dexter. From March 24, 1984. Thursday, February 04 — 00:30-23:30 Poulenc’s Dialogues des Carmélites Starring Maria Ewing, Jessye Norman, Betsy Norden, Régine Crespin, and Florence Quivar, conducted by Manuel Rosenthal. Production by John Dexter. From April 4, 1987. Friday, February 05 — 00:30-23:30 Rossini’s La Cenerentola Starring Elina Garanča, Lawrence Brownlee, Simone Alberghini, Alessandro Corbelli, and John Relyea, conducted by Maurizio Benini. Production by Cesare Lievi. From May 9, 2009. Saturday, February 06 — 00:30-23:30 Mozart’s Le Nozze di Figaro Starring Carol Vaness, Kathleen Battle, Frederica von Stade, Thomas Allen, and Ruggero Raimondi, conducted by James Levine. Production by Jean-Pierre Ponnelle. From December 14, 1985. Sunday, February 07 — 00:30-23:30 Strauss’s Ariadne auf Naxos Starring Jessye Norman, Kathleen Battle, Tatiana Troyanos, and James King, conducted by James Levine. Production by Bodo Igesz. From March 12, 1988. Monday, February 08 — 00:30-23:30 Puccini’s TosCa Starring Shirley Verrett, Luciano Pavarotti, and Cornell MacNeil, conducted by James Conlon.
    [Show full text]