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Ariadna En Naxos
RICHARD STRAUSS ARIADNA EN NAXOS STREAMING METROPOLITAN OPERA HOUSE Presenta RICHARD STRAUSS ARIADNA EN NAXOS Ópera en dos partes: Prólogo y Ópera Libreto de Hugo von Hofmannsthal, basado en “El burgués gentilhombre” de Molière y el mito griego de Ariadna y Baco. Reparto Ariadna - Prima Donna Jessye Norman Baco - Tenor James King Zerbinetta Kathleen Battle Compositor Tatiana Troyanos Maestro de música Franz Ferdinand Nentwig Arlequín Stephen Dickson Scaramuccio Allan Glassman Trufaldín Artur Korn Brighella Anthony Laciura Nayade Barbara Bonney Driada Gweneth Bean Echo Dawn Upshaw Mayordomo Nico Castel Coro y Orquesta del Metropolitan Opera House Dirección: James Levine Producción escénica Dirección teatral Bodo Igesz Escenografía Oliver Messel Vestuario Jane Greenwood Miércoles 13 de mayo de 2020 Transmisión vía streaming desde Metropolitan Opera House – New York, USA TEATRO NESCAFÉ DE LAS ARTES Temporada 2020 ARIADNA EN NAXOS ANTECEDENTES te el nombre de Hugo von Haffmannsthal, poeta, escritor y dramaturgo austriaco, quien creó los libretos de las más famo- sas producciones del compositor para la escena. Entre ellos los de la terna citada y el de “Ariadna en Naxos”, su sexta con- tribución para la lírica, con una gestación muy compleja. Strauss compuso la ópera “Ariadna en Naxos” en un acto y como homenaje a Max Reinhardt, quien fuera en 1911 el re- gisseur (director de escena) en el estreno mundial de “El caballero de la rosa”. “Ariadna en Naxos” se representó en Strauss y Hofmannsthal octubre de 1912 en el marco de una ce- remonia turca, inserta a su vez en el de- Junto al inglés Benjamin Britten (1913- sarrollo de una adaptación alemana de la 1976), Richard Strauss (1864-1949) forma la comedia “El burgués gentilhombre” de pareja de los más importantes y prolíficos Molière, hecha por Hoffmansthal. -
OCT 2005NEW.Qxd
AAGGMMAAZZIINNEE Official Publication of the American Guild of Musical Artists A Branch of the Associated Actors and Artistes of America • Affiliated with the AFL-CIO Summer 2015 Volume 69, Number 1 How Technology Affects our Careers Page 2 AGMAzine Summer 2015 It would be inappropriate to go to press without recognizing the victory for many of our members and all supporters of civil rights from the Supreme Court’s decision on Marriage Equality (Obergefell v Hodges) . AGMA Establishes a New System for Reporting Illegal Discrimination By Alan S. Gordon, National Executive Director AGMA has estab - retaliation. Unfortunately, it’s a valid fear. act; the nature of the abuse, harassment or lished a system However, reporting abuse or harassment to discrimination; the employment position of for members to con - your employer remains one of the ONLY two that person (composer, coach, etc.); their fidentially report truly effective ways of dealing with sexual work relationship to the person making the instances of any abuse or other illegal discrimination. report (unless it’s obvious from their posi - illegal discrimina - tion); whether or not there were witnesses to tion, including sex - The other possible remedy exists because dis - the situation, including their names or identi - ual abuse, harass - crimination is also a violation of AGMA’s fication by job titles; and any other informa - ment and conduct collective bargaining agreements and tion you think relevant to the report. that creates a hostile Standard Artist Agreements, and so it can also Although members can report abuse encoun - work environment. be pursued through the grievance and arbitra - tered at non-union companies, we have no tion provision of our contracts and decided by ability to influence behavior among non- A number of members, including participants an arbitrator. -
Iolanta Bluebeard's Castle
iolantaPETER TCHAIKOVSKY AND bluebeard’sBÉLA BARTÓK castle conductor Iolanta Valery Gergiev Lyric opera in one act production Libretto by Modest Tchaikovsky, Mariusz Treliński based on the play King René’s Daughter set designer by Henrik Hertz Boris Kudlička costume designer Bluebeard’s Castle Marek Adamski Opera in one act lighting designer Marc Heinz Libretto by Béla Balázs, after a fairy tale by Charles Perrault choreographer Tomasz Wygoda Saturday, February 14, 2015 video projection designer 12:30–3:45 PM Bartek Macias sound designer New Production Mark Grey dramaturg The productions of Iolanta and Bluebeard’s Castle Piotr Gruszczyński were made possible by a generous gift from Ambassador and Mrs. Nicholas F. Taubman general manager Peter Gelb Additional funding was received from Mrs. Veronica Atkins; Dr. Magdalena Berenyi, in memory of Dr. Kalman Berenyi; music director and the National Endowment for the Arts James Levine principal conductor Co-production of the Metropolitan Opera and Fabio Luisi Teatr Wielki–Polish National Opera The 5th Metropolitan Opera performance of PETER TCHAIKOVSKY’S This performance iolanta is being broadcast live over The Toll Brothers– Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Valery Gergiev America’s luxury in order of vocal appearance homebuilder®, with generous long-term marta duke robert support from Mzia Nioradze Aleksei Markov The Annenberg iol anta vaudémont Foundation, The Anna Netrebko Piotr Beczala Neubauer Family Foundation, the brigit te Vincent A. Stabile Katherine Whyte Endowment for Broadcast Media, l aur a and contributions Cassandra Zoé Velasco from listeners bertr and worldwide. Matt Boehler There is no alméric Toll Brothers– Keith Jameson Metropolitan Opera Quiz in List Hall today. -
Diane Dufresne À L’Orchestre Métropolitain an Interview with Yannick Nézet-Séguin En Entrevue Jazz : La Filière Asiatique II
Mars 2004 March Vol. 9.6 GRATUIT FREE GRATUIT Diane Dufresne à l’Orchestre Métropolitain An Interview with Yannick Nézet-Séguin en entrevue Jazz : la filière asiatique II Société canadienne des postes – Envois de publication convention nº 40025257 de publication convention Société canadienne des postes – Envois No.Agreement Publications Mail Sales Canada Post 40025257 Leon Fleisher: The Music Comes First Get close to Canada Discover it by train Découvrez le Canada Voyagez en train For more information, contact us at 1 888 VIA-RAIL (1 888 842-7245) TTY 1 800 268-9503 (hearing impaired) Pour plus de renseignements, contactez-nous au 1 888 VIA-RAIL (1 888 842-7245) ATS 1 800 268-9503 (malentendants) La Nouvelle collection GEMINI Les Trésors d’EMI Déjà 25 titres de 2 cd, dont plusieurs sont disponible pour la première fois à prix économique 2 CDs pour le prix de 1 seul Parmi les artistes en vedettes : Sir Simon Rattle, Sir Thomas Beecham, Carlo Maria Giulini, Vladimir Ashkenazy, Itzhak Perlman, Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, Daniel Barenboim, Yehudi Menuhin & Cécile Ousset Son remasterisé numériquement aux Studios Abbey Road Textes et traductions disponibles à l’adresse www.emiclassics.com Une gamme d’oeuvres jumelées en parfaite harmonie Photos: Photonica En vente dans tous les bons magasins ou sur le www.shopemi.com/classical ATMAclassique « À entendre, le Mahler de Nézet-Séguin. Un Mahler vécu, plein de surprises ... qui chante continuellement. » — CLAUDE GINGRAS, LA PRESSE « Un Mahler éblouissant à l’Orchestre Métropolitain ! Avec ce nouvel enregistrement, cet orchestre acquiert ses lettres de noblesse... » — MICHEL FERLAND, RADIO-CANADA « .. -
Central Opera Service Bulletin
CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee. -
Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world. -
STOXX EAST ASIA 1800 Selection List
STOXX EAST ASIA 1800 Last Updated: 20210401 ISIN Sedol RIC Int.Key Company Name Country Currency Component FF Mcap (BEUR) Rank (FINAL)Rank (PREVIOUS) TW0002330008 6889106 2330.TW TW001Q TSMC TW TWD Y 424.9 1 1 KR7005930003 6771720 005930.KS KR002D Samsung Electronics Co Ltd KR KRW Y 314.8 2 2 JP3633400001 6900643 7203.T 690064 Toyota Motor Corp. JP JPY Y 169.7 3 3 HK0000069689 B4TX8S1 1299.HK HK1013 AIA GROUP HK HKD Y 124.8 4 4 JP3435000009 6821506 6758.T 682150 Sony Corp. JP JPY Y 112.6 5 5 JP3436100006 6770620 9984.T 677062 Softbank Group Corp. JP JPY Y 94.6 6 6 JP3236200006 6490995 6861.T 649099 Keyence Corp. JP JPY Y 74.1 7 7 JP3970300004 BQRRZ00 6098.T JP503G RECRUIT HOLDINGS JP JPY Y 70.5 8 8 CNE1000002H1 B0LMTQ3 0939.HK CN0010 CHINA CONSTRUCTION BANK CORPCN H HKD Y 70 9 9 CNE1000003X6 B01FLR7 2318.HK CN0076 PING AN INSUR GP CO. OF CN 'H' CN HKD Y 61.1 10 11 HK0388045442 6267359 0388.HK 626735 Hong Kong Exchanges & Clearing HK HKD Y 59.7 11 12 JP3371200001 6804585 4063.T 680458 Shin-Etsu Chemical Co. Ltd. JP JPY Y 59.7 12 15 JP3902900004 6335171 8306.T 659668 Mitsubishi UFJ Financial Group JP JPY Y 58.5 13 17 JP3756600007 6639550 7974.T 663955 Nintendo Co. Ltd. JP JPY Y 56.7 14 13 JP3571400005 6895675 8035.T 689567 Tokyo Electron Ltd. JP JPY Y 56.6 15 18 JP3734800000 6640682 6594.T 664068 Nidec Corp. -
Jo Ellis (Completed 12/13/20) Page 1 of 15 Transcript by Rev.Com
This transcript was exported on Dec 18, 2020 - view latest version here. Speaker0 (00:12): You're listening to the journey on podcast with Warwck Schiller. Warwick is a horseman trainer, international clinician and author, whose mission is to help people achieve a deeper connection with their horses through his transformational training program. Warwick (00:35): G'day everybody it's Warwick Schiller and welcome back to another episode of the journey on podcast. You know, you might've heard at the start of this episode and the previous episodes, there's this catchy little song that plays that the lyrics started out journey on the magic laws within the trials we ride. And I want to tell you a little bit about that, uh, that song as a whole song, we'll play it for you here in a minute. But I was contacted a couple of years ago. Well, maybe a year or so ago by a fellow named Joe Ellis from South Africa. And he sent me an email and he said that he is a, uh, a music producer and he's also a subscriber to my online videos. And he had some epiphanies after to, after watching the online videos and going through the work with his own horses and, uh, that he used to be a musician and used to read a lot of songs and had not written or recorded for quite a while since he's been just doing that, the music producing. Warwick (01:29): And, uh, so he, he said he he'd written this song and he actually sent me a, um, an acoustic version of that song and I listened to it and I just absolutely loved it. -
Media/Entertainment Rise of Webtoons Presents Opportunities in Content Providers
Media/Entertainment Rise of webtoons presents opportunities in content providers The rise of webtoons Overweight (Maintain) Webtoons are emerging as a profitable new content format, just as video and music streaming services have in the past. In 2015, webtoons were successfull y monetized in Korea and Japan by NAVER (035420 KS/Buy/TP: W241,000/CP: W166,500) and Kakao Industry Report (035720 KS/Buy/TP: W243,000/CP: W158,000). In late 2018, webtoon user number s April 9, 2020 began to grow in the US and Southeast Asia, following global monetization. This year, NAVER Webtoon’s entry into Europe, combined with growing content consumption due to COVID-19 and the success of several webtoon-based dramas, has led to increasing opportunities for Korean webtoon companies. Based on Google Trends Mirae Asset Daewoo Co., Ltd. data, interest in webtoons is hitting all-time highs across major regions. [Media ] Korea is the global leader in webtoons; Market outlook appears bullish Jeong -yeob Park Korea is the birthplace of webtoons. Over the past two decades, Korea’s webtoon +822 -3774 -1652 industry has created sophisticated platforms and content, making it well-positioned for [email protected] growth in both price and volume. 1) Notably, the domestic webtoon industry adopted a partial monetization model, which is better suited to webtoons than monthly subscriptions and ads and has more upside potent ial in transaction volume. 2) The industry also has a well-established content ecosystem that centers on platforms. We believe average revenue per paying user (ARPPU), which is currently around W3,000, can rise to over W10,000 (similar to that of music and video streaming services) upon full monetization. -
Secret of the Ages by Robert Collier
Secret of the Ages Robert Collier This book is in Public Domain and brought to you by Center for Spiritual Living, Asheville 2 Science of Mind Way, Asheville, NC 28806 828-253-2325, www.cslasheville.org For more free books, audio and video recordings, please go to our website at www.cslasheville.org www.cslasheville.org 1 SECRET of THE AGES ROBERT COLLIER ROBERT COLLIER, Publisher 599 Fifth Avenue New York Copyright, 1926 ROBERT COLLIER Originally copyrighted, 1925, under the title “The Book of Life” www.cslasheville.org 2 Contents VOLUME ONE I The World’s Greatest Discovery In the Beginning The Purpose of Existence The “Open Sesame!” of Life II The Genie-of-Your-Mind The Conscious Mind The Subconscious Mind The Universal Mind VOLUME TWO III The Primal Cause Matter — Dream or Reality? The Philosopher’s Charm The Kingdom of Heaven “To Him That Hath”— “To the Manner Born” IV www.cslasheville.org 3 Desire — The First Law of Gain The Magic Secret “The Soul’s Sincere Desire” VOLUME THREE V Aladdin & Company VI See Yourself Doing It VII “As a Man Thinketh” VIII The Law of Supply The World Belongs to You “Wanted” VOLUME FOUR IX The Formula of Success The Talisman of Napoleon “It Couldn’t Be Done” X “This Freedom” www.cslasheville.org 4 The Only Power XI The Law of Attraction A Blank Check XII The Three Requisites XIII That Old Witch—Bad Luck He Whom a Dream Hath Possessed The Bars of Fate Exercise VOLUME FIVE XIV Your Needs Are Met The Ark of the Covenant The Science of Thought XV The Master of Your Fate The Acre of Diamonds XVI Unappropriated -
Korea Morning Focus
September 10, 2019 Korea Morning Focus Company News & Analysis Major Indices Close Chg Chg (%) Dongwon Industries (006040/Buy/TP: W330,000) KOSPI 2,019.55 10.42 0.52 Undervalued relative to improving fundamentals KOSPI 200 267.40 1.87 0.70 KOSDAQ 625.77 -5.38 -0.85 JYP Entertainment (035900/Buy/TP: W28,000) Foreign investor influx to begin Turnover ('000 shares, Wbn) Volume Value KOSPI 503,436 4,402 KOSPI 200 60,820 2,639 KOSDAQ 695,783 3,850 Market Cap (Wbn) Value KOSPI 1,348,800 KOSDAQ 219,019 KOSPI Turnover (Wbn) Buy Sell Net Foreign 1,112 879 234 Institutional 1,042 1,116 -75 Retail 2,203 2,376 -173 KOSDAQ Turnover (Wbn) Buy Sell Net Foreign 354 408 -53 Institutional 147 243 -95 Retail 3,321 3,175 146 Program Buy / Sell (Wbn) Buy Sell Net KOSPI 941 852 89 KOSDAQ 321 399 -78 Advances & Declines Advances Declines Unchanged KOSPI 320 508 63 KOSDAQ 388 835 84 KOSPI Top 5 Most Active Stocks by Value (Wbn) Price (W) Chg (W) Value Samsung Electronics 46,900 600 429 Hwacheon Machinery 5,060 -480 251 Works Korea Industrial 4,635 115 246 KODEX Leverage 11,685 165 229 Hynix 84,300 2,400 208 KOSDAQ Top 5 Most Active Stocks by Value (Wbn) Price (W) Chg (W) Value Kukil Paper 5,820 -280 203 KMW 69,800 -6,200 138 KBIOGEN 9,610 1,220 122 RFHIC 42,400 -5,000 95 Soulbrain 71,800 2,700 94 Note: As of September 09, 2019 This document is a summary of a report prepared by Mirae Asset Daewoo Co., Ltd. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.