How Nonviolent Warrior Feels on Firing Line in Rural Dixie
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The Student Interracial Ministry, Liberal Protestantism, and the Civil Rights Movement, 1960-1970
Revolution and Reconciliation: The Student Interracial Ministry, Liberal Protestantism, and the Civil Rights Movement, 1960-1970 David P. Cline A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for a degree of doctor of philosophy in the Department of History. Chapel Hill 2010 Approved by: Advisor: Jacquelyn Dowd Hall Reader: W. Fitzhugh Brundage Reader: William H. Chafe Reader: Laurie F. Maffly-Kipp Reader: Heather A. Williams © 2010 David P. Cline ALL RIGHTS RESERVED ii ABSTRACT DAVID P. CLINE: Revolution and Reconciliation: The Student Interracial Ministry, Liberal Protestantism, and the Civil Rights Movement, 1960-1970 (Under the direction of Jacquelyn Dowd Hall) The Student Interracial Ministry (SIM) was a seminary-based, nationally influential Protestant civil rights organization based in the Social Gospel and Student Christian Movement traditions. This dissertation uses SIM’s history to explore the role of liberal Protestants in the popular revolutions of the 1960s. Entirely student-led and always ecumenical in scope, SIM began in 1960 with the tactic of placing black assistant pastors in white churches and whites in black churches with the goal of achieving racial reconciliation. In its later years, before it disbanded in mid-1968, SIM moved away from church structures, engaging directly in political and economic movements, inner-city ministry and development projects, and college and seminary teaching. In each of these areas, SIM participants attempted to live out German theologian Dietrich Bonhoeffer's exhortation to “bring the church into the world.” Revolution and Reconciliation demonstrates that the civil rights movement, in both its “classic” phase from the mid-1950s to the mid-1960s and its longer phase stretching over most of the twentieth century, was imbued with religious faith and its expression. -
2014 OAH Annual Meeting Program
INTRODUCING The American Historian A NEW OAH MAGAZINE The OAH is pleased to announce a The American Historian new magazine for all of our members. OrgA NIZATI O N O F AMEricA N HISTORIA NS The American Historian will cover the broad variety of needs and interests of our members, including primary and secondary teaching, professional development, research, recent schol- arship, public history, digital history, and contemporary debates about the past. We believe that it will educate and excite OAH members and the entire Race, Rights, and Relocation ALSO INSIDE U.S. history community. The Forgotten Debate of ‘76 p. 24 Labor, Gender, and Unrest in the Gilded Age p. 28 PLUS News, Reviews, and More We will be distributing a prototype issue of the magazine at our 2014 Annual Meeting in Atlanta. We hope you will pick up a copy. The American Historian will officially debut in the summer of 2014. Finally, we welcome your submis- sions. For information, please contact The American Historian’s acting editor, William Gillis, at [email protected]. APRIL 10 – 13 | HILTON ATLANTA • 1 We l c o m e Welcome to the 105th Annual Meeting of the Organization of American Historians! Meeting themes are rarely “ripped from the headlines” as if they were scripts from television’s Law and Order. However, the heated national debate over comprehensive immigration reform calls attention to American history’s perennial themes: the peopling of the United States and the great vitality derived from the diversity of the American population. “Crossing Borders,” then, seemed the appropriate choice to be the thematic focus of this year’s meeting. -
Mim M Warn Regard to the Mason Races
'mm mmm aaventy of the relatives and rHeodtof Binder>-J. C. Steves. Dry Goods.—Barnhun & Gompany. Legal. the Mutraotlng. partita gathiBrw at tn« rwldence of BlrrWalker. The houM OBTOAOE' 8ALK.-BKFAULT HAVIKQ been made In the payment nf eighteen waa tastenilly trimmed with evergreena Ired and sovon dollsrs and fortyliva cents, and two horse sboea of white flowers Mnow claimed lobe due snd unpsld. upon a cer arranged by Mrs. J. B. Fay were BUB- tain martgaRo buarinit dale. Ihe first day of Feb pended overthb bride and tfroom. The ruary, 1881, oxocutod hy Waggle A. Iiunhamto ceremony was performed oy Bev. L. H. Monroe, in a brief butimpieMive Mipnie Hodget;of ikieu il ttkcbing manner. After the marriagea bounti* , _. mortgages on page ninetjr- a olasa 111 liiBtrumental muaio. Dine. No suit or proceedings nt law or in All and elegant B r. u. dinner was ^9*or Warm Dayft-J^f^ chancery having beun instituted to recover any The fkrmera are very buay cultivat served to tbe guests which spoke well part tbcrool, and the power ol sulo therein con- ing corn and getting ready for haying. Ibr the culinary department of tbe tU-^ lalnod, having hocomo absolute by virtue of tho statute In such caao, made nnd i'rovided nolleo Thisre ia talk In flivor of having a ture Maishail mansion. Below -is a VOL. XXVII.-NO. 26. list of the presents and the donors with is hereby given that upoBllHlMrrtiiy.lhoaBlil MASON, MICH., THURSDAY. JUNE 25, 1885. oelebration at Holt the coming 4th uf <lny of inly. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Revised Agenda Meeting Of
REVISED AGENDA MEETING OF THE BOARD OF TRUSTEES OF SOUTHERN ILLINOIS UNIVERSITY Thursday, December 13, 2018 Approximately 10 a.m. Ballroom B Student Center Southern Illinois University Carbondale Call to Order by Chair Pledge of Allegiance Roll Call Approval of Minutes of the Meetings Held September 12 and 13, 2018, and November 9, 2018 BOARD OF TRUSTEES ACTIVITIES A. Trustee Reports B. Committee Reports Executive Committee EXECUTIVE OFFICER REPORTS C. President, Southern Illinois University D. Chancellor, Southern Illinois University Carbondale E. Chancellor, Southern Illinois University Edwardsville F. Dean and Provost, Southern Illinois University School of Medicine PUBLIC COMMENTS AND QUESTIONS RECEIPT OF INFORMATION AND NOTICE ITEMS G. Report of Purchase Orders and Contracts, August, September and October 2018, SIUC H. Report of Purchase Orders and Contracts, August, September and October 2018, SIUE RATIFICATION OF PERSONNEL MATTERS I. Changes in Faculty-Administrative Payroll – SIUC J. Changes in Faculty-Administrative Payroll – SIUE ITEMS RECOMMENDED FOR APPROVAL BY THE PRESIDENT K. Approval of Change to 5 Policies of the Board A, Budgets and Article III, Section 3 of Board Bylaws L. Approval of Administrative Reorganization of Academic Units and the Use of the Reasonable and Moderate Extension Process of the Illinois Board of Higher Education, SIUC M. Approval of Purchase: Constituent Relations Management Software, Carbondale Campus, SIUC N. Project and Budget Approval and Award of Contract: Turf Replacement Saluki Stadium, Carbondale Campus, SIUC O. Approval of Purchase: Aircraft for Aviation Flight Program, SIUC P. Approval of Purchase: Electrical Supplies, Carbondale Campus, SIUC Q. Award of Contract: Medical Instruction Facility, Lobby Renovations, School of Medicine Campus, SIUC R. -
Smifnwessun Jeru 17.12.11 DRESDEN Pressetext
krasscore concerts presents SMIF N WESSUN & JERU THA DAMAJA „90ies Rap X-Mas Special pt.2“ date: Sa. 17.12.2011 venue: Scheune Alaunstr. 36/40 01099 Dresden acts: Smif N Wessun (Brooklyn / NYC) Jeru tha Damaja (Brooklyn / NYC) special: AFTER-SHOW-PARTY mit DJ Access (New DEF / Dresden) Einlass: 21:00 Beginn: 22:00 Eintritt: 18 € im VVK (incl. After-Show-Party!) ohne Gebühren: in allen Harlem Stores, Supreme, Titus und Späti (Striesen) zzgl. VVK-Geb.: VVK bundesweit an allen VVK-Stellen, online unter www.krasscore.com/tickets und in Dresden z.B. bei Dresden Ticket, KoKa Florentinum & Schillergalerie allen SZ-Treffpunkten (Altmarktgalerie, Elbe Park, Karstadt, Seidnitz Center) & Sax-Ticket www.krasscore.com Seit 2001 kümmert sich die Crew von krasscore concerts um die Belange der Rap-Fans in Dresden & Umgebung. Seit letztem Jahr ist es nun fast schon Tradition, dass sich alle Ami-Rap Fans am letzten Samstag vor Weihnachten auf ein Highlight in dieser Sparte freuen können. Denn am 17.12. werden nach Group Home, Dilated Peoples, Lootpack, Black Milk, Sean Price, Brand Nubian, Camp Lo, Das EFX, Masta Ace und vielen anderen amerikanischen Rap- Größen endlich auch SMIF N WESSUN die Bühne der Scheune rocken - und das zum ersten Mal überhaupt in Dresden! Um die Sache richtig abzurunden, konnte der ebenfalls aus Brooklyn stammende JERU THA DAMAJA gewonnen werden, der nach über neun Jahren Pause Dresden erneut beehren wird. Und da Weihnachten nun mal die Zeit der Geschenke ist, möchte sich das Team von krasscore bei allen Gästen für die teilweise jahrelange Treue bedanken, weshalb die Karten für das X-mas-HipHop-Spektakel im Supreme & den Harlem Stores lediglich 18 Euro kosten. -
Brevard Live June 2017- 1 2 - Brevard Live June 2017 Brevard Live June 2017- 3 4 - Brevard Live June 2017 Brevard Live June 2017- 5 6 - Brevard Live June 2017
Brevard Live June 2017- 1 2 - Brevard Live June 2017 Brevard Live June 2017- 3 4 - Brevard Live June 2017 Brevard Live June 2017- 5 6 - Brevard Live June 2017 Content June 2017 FEATURES A NIGHT OF ROMANCE Columns Brevard Music Group presents “A Night BUCKSHOT Of Romance” at the King Center with Charles Van Riper Throughout the decades Brevard’s music three headliners on one big stage: Am- 22 Political Satire taste has changed from mainly country, brosia, Firefall and Al Stewart are leg- “The Column” to blues, classic rock, top 40. Until four ends in the music industry. It will be a polished musicians came together to play lovely evening Calendars it again - country music. Page 15 25 Live Entertainment, Page 10 ORLANDO IN HEAVEN Concerts, Festivals & BAND OF BROTHERS Local Download COCOA VILLAGE’S BBQ & BLUES Two new full length records, releasing Cocoa Village will host fifty Pro teams within a month of each other, both for 33 by Andy Harrington for the Seventh Annual, FBA Sanctioned, worthy causes, featuring a grand cast Local Music Scene Historic Cocoa Village BBQ & Blues. of high level musical talent, were con- Besides fingerlicking BBQ this festival ceived, written, and produced by Brian In The Spotlight always serves a great music line-up. Tarquin in his Merritt Island studio.. 34 by Matt Bretz Page 13 Page 16 Flori-duh! JMC: ZACH DEPUTY PHONELESS IN PHOENIX, PART 3 36 by Charles Knight Zach Deputy is a multi-instrumentalist There he was, bumped from the airline and songwriter based in Savannah, GA into a rental car - all without his cell The Dope Doctor and best known for his live looping phone that he accidentially left at home. -
Charles Neblett Activist, Organizer, Speaker and Performer
SIU BOARD OF TRUSTEES’ 2019 Diversity Excellence LECTURE AWARDS CHARLES NEBLETT ACTIVIST, ORGANIZER, SPEAKER AND PERFORMER CHARLES NEBLETT, Doctor of Humane Letters, 2019, came to SIU in 1959 and quickly convinced President Delyte Morris to desegregate all student housing on campus. During his time at the university, Dr. Neblett was influential in building a bridge between the students, campus, and community of Carbondale. In 1961, Neblett joined the Student Non-violent Coordinating Committee (SNCC) to organize black voter registrations. He is a Charter member of “The Freedom Singers,” which sang at protests, marches, picket lines and sit-ins in over 40 states during the civil rights movement. Wednesday Neblett was among those to join Dr. Martin Luther King, Jr. during the 1963 March on Washington and led December 4 participants in song after Dr. King’s “I Have A Dream” speech. 7 PM He also participated in the 1965 March from Selma to Montgomery, and the 2001 Million Man March. SIUC CAMPUS During his career, Neblett would go on to perform with Student Center Auditorium luminaries such as Pete Seeger, Bob Dylan, Miles Davis, International Lounge: Harry Belafonte, Joan Baez, Odetta, Mahalia Jackson and 6 pm Reception for guests Nina Simone. attending lecture (wine and hors d’oeuvres) He was elected the first African American magistrate 8 pm Reception immediately in Logan County, Kentucky, in 1989. following lecture (cake, coffee, wine) In 2010, President and First Lady Obama invited the Freedom Singers to perform at the White House at Free event, open to the the “Celebration of Music for the Civil Rights Movement.” community. -
Record Dreams Catalog
RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores. -
Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption. -
The Effects of Hip-Hop and Rap on Young Women in Academia
The Effects of Hip-Hop and Rap on Young Women in Academia by Sandra C Zichermann A thesis submitted in conformity with the requirements for the degree of Doctor of Education Sociology in Education Ontario Institute for Studies in Education University of Toronto © Copyright by Sandra C Zichermann 2013 The Effects of Hip-Hop and Rap on Young Women in Academia Sandra C Zichermann Doctor of Education Sociology in Education University of Toronto 2013 Abstract This thesis investigates the rise of the cultures and music of hip-hop and rap in the West and its effects on its female listeners and fans, especially those in academia. The thesis consists of two parts. First I conducted a content analysis of 95 lyrics from the book, Hip-Hop & Rap: Complete Lyrics for 175 Songs (Spence, 2003). The songs I analyzed were performed by male artists whose lyrics repeated misogynist and sexist messages. Second, I conducted a focus group with young female university students who self-identify as fans of hip-hop and/or rap music. In consultation with my former thesis supervisor, I selected women enrolled in interdisciplinary programmes focused on gender and race because they are equipped with an academic understanding of the potential damage or negative effects of anti-female or negative political messaging in popular music. My study suggests that the impact of hip-hop and rap music on young women is both positive and negative, creating an overarching feeling of complexity for some young female listeners who enjoy music that is infused with some lyrical messages they revile. -
BRK-CR 093 SUPERSTAR QUAMALLAH 88 Jordans with a 93
1. North American Pie Intro 2. The Comeback 3. Its A Go featuring Torae 4. Nothing Less featuring Ab Soul, Jay Rock and K Dot 5. C.O.D. 6. Move featuring Darien Brockington 7. Something Like Stars featuring Big Treal 8. Step Up 9. Reality Check featuring Big Dho, D. Black & Mykestro 10. Problems featuring Jozeemo 11. Amo A Su Papi De La Barra (skit) 12. Roll Call featuring Jozeemo, Chaundon, and Joe Scudda 13. The Life featuring Mushinah 14. Rearview Mirror 15. Empanada Norte Americana Outro As one half of the critically acclaimed duo Little Brother, Rapper Big Pooh has toured the globe and back, dropped three critically acclaimed albums, The Listening (2003), The Minstrel Show (2005) and Getback (2007), numerous classic mixtapes, his own solo record Sleepers (2005) and has worked with some of the biggest and most respected names in the industry including Lil Wayne, Kanye West, Pete Rock, Consequence, Big Daddy Kane, Buckshot, 9th Wonder, MURS, Mos Def, Bun B, Kurupt, Nottz, Rhymefest, Talib Kweli, Cormega, Kardinal Offishal, and Hi-Tek, among others. Big Pooh’s latest vehicle is a street-LP entitled The Delightful Bars. The lead-single is the Khrysis produced track called “The Comeback”. The album is further bolstered by guest spots from Pooh’s Justus League cohorts Chaundon, Joe Scudda, Jozeemo, Big Dho and Darien Brockington. Production from Khrysis, 9th Wonder, Jake One, Illmind, Young RJ, The Co-Op and OhNo makes this release a must own for any fan of Little Brother, Rapper Big Pooh, North Carolina Hip Hip or good music in general.