DOCSLIB.ORG

Black Moon Enta Da Stage

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Black Moon Enta Da Stage BBBLLLAAACCCKKK MMMOOOOOONNNEEENNNTTTAAA DDDAAA SSSTTTAAAGGGEEE 1. Powaful Impak! Lyrically I freak your funk you never heard My shit is so fly, when I kick it, it's absurd Intro: Buckshot Damn, how I wrecked your life with one record Hey yo, this is straight up for all them niggaz out there Made your crew break up and girl get naked Who fronted on some bullshit in the beginning, fuck dat Respected, because I work hard for my cash (some reggae shouting) Shakin' more flavor then Mrs. Dash Verse 1: Buckshot Look out below, my flow will hit your brain Blaaaww! Here comes the Buckshot Shorty I got dough, but I still hop the train I kill black real, so guard your grill like naughty I'm bustin' niggaz open, Attica style Niggaz call me Jeffrey Dahmer, why Yo, straight to the jugular, brother you're mad foul I'm quick to bombercars Gimme dat, because I rock with the best That fuck your armor, cause I cause mad trauma Yo, peace to the hardcore niggaz, fuck the rest No comma, straight through your mama like acid Chorus I fucked her, then I did it, that's why you's a little bastard Verse 3: Buckshot You talk mad shit with no back up, what's up, act up Free, to the five, to the four, to the funk You punk niggaz get smacked up, word life I pop junk and keep the bump in the trunk You fuckin' with the wrong nigga Puff the skunk and get high, Oh lord I fuck too many on the mic, they call me daddy long trigger Get on my skateboard and do a motherfuckin' driveby Mister Buckshot, makin' the gun hot You little crab ass flea >From niggaz that fiend to see my little ass rot Biting my style, you know the original rudeboy is me Peep my style, check my level Buckshot, no joke, smoke a nigga like buddha I'm so hot, I shot a fuckin' fair one with the devil Who the fuck you think you playin' wit Booyakya!, watch your back, grab your fuckin' gat Yeah, I'm sayin' it Here come brothers who are ready to act Cause I want beef, for you can hang here right Chorus: [samples of Busta Rhymes] Yo, sometimes I wonder how the fuck you get a mic [Powafal Impak] 4x But I don't sweat that, cause I 'm still paid Boom!! [the cannon] Niggaz get bucked down, bitches get sprayed (Repeat) I do what I want, just so I can make loot Verse 2: Buckshot If it's an eagle, pack the gat son Some pack a mac, I choose to pack a black 22 You know how we do, true By my waistline, buckin' your whole crew Chorus I step through, and represent Black Moon (Assorted shout outs 'til end) First, before I kick a verse, I puff a bag of boo 1 You're wack, face the fact, you're all on my jock 2. Niguz Talk Shit Till the ehm tic-toc, I don't pop So yo make way so I can make my day [ VERSE 1: Buckshot Shorty ] I'm fonky but you're Pepe Le Pew Somebody call the morgue, I just caught a DOA [ CHORUS ] Two to the head, I shot the bitch in broad day [ VERSE 3: Buckshot Shorty ] No joke, I smoke gunshots you heard from blocks and blocks Watch your mouth, nigga, I heard you're talkin mad shit I bust Mac-10s, oo-wops and Glocks If you're really on my dick, bend, take a lick Shit, killin every nigga in sight Here's your choice cause my voice'll break backbones and necks Bust a cap and crack a joke over your grave like Dolemite Who's next to flex and feel the wrath of my tec Cause I'm a sick-ass nigga with no brains I spray, no delay, more jabs than Sugar Ray Burst in flames, turn the mic into blood stains I murder then I drop dead bodies in the lake Any thought I think, you blink and drink death Beats with mad funk, pop the trunk So I rip the mic and pat my nigga to the left Play my tape while you lay back, puff the skunk 5ft. Excellerator, greater than your crew I'm no joke, I flip the script like De Niro Bring in your whole mob, muthafucka, you're still through I'm a full-course meal, you're a one-dollar Hero Yo nigga, where's my four-fifth? I'm sorta like the mob when I get a job done I got more riff for any pussy niggas who forfeit Contracts and all that, guns, guns Bring it on, what, I got no shame So stay the fuck back or feel the heat from my gat Buckshot's in the house and you know my name Buckshot Shorty, see, I always stay strapped [ CHORUS ] With the nickel nine on my muthafuckin waistline Niggas talk shit but that ain't my steel' Bitch, you know my name, bring it in Niggas talk shit but that ain't my steel' [ CHORUS ] Niggas talk shit but that ain't my steel' I'm the type of nigga to put lead in your grill [ VERSE 2: Buckshot Shorty ] 3. Who Got da Props? Slow it down one pitch for that hoe with the lick Pass the automatic, I'm about to flip Put up, what up, BO BO BO! And spray niggas with my vocal ( ? ) Suckers want to flow but they got no show Lead to the chest penetrate through the vest So I'm a grab the mic, flip a script, and leave ya stunned And when I roll mad deep niggas back off Buckshot's the one that gets the job done Fuckin with Buckshot it's blood you cough Mic check, I get paid to wreck your set I don't laugh or joke, I never choke on a blunt Get ready and jet, cause I'm a threat to your fret But I chocke a stunt if it's beef she want No holds barred, and complete move fakers So bring the muthafuckin arrow and I play Rambo Best to play the back and watch your girl, I might take her When I shoot the crossbow inside the hoe If she's a crab I'm a diss her and slide And her nigga, triggers I'm addicted to If she try to riff I got my Smith on my side Like angel dust I bust holes in your crew 2 Word to God, here I come so make way One trigger, one nigga ??? heads drop Rugged and rough, killing your set every day Don't even try to play me out cause static Microphone check 1, 2, here we go Buckshot Shorty, he sounds like an automatic And I'm a let you know, who got the flow Rip the set, my friend's mad tight Spitting my verbs like an automatic weapon Cause I rocks the mic and keeps the crowd hype Suckers keep stepping, so I'm a let you know Straight from Bumrush, I crush and cause chaos yo, and I'm a let you Who got the props? *bo!* know Who got the props? *bo!* Who got the props? *bo!* 5ft, Evil Dee, and Buckshot! *bo!* (Repeat 4x) Who got the props? *bo!* One Mississippi, two mississippi 5ft, Evil Dee, and Buckshot! *bo!* (Repeat 4x) Sucker tried to diss me so I played him like a hippie from the 60's One, two, melody shows But I'm a get paid from the 90's And before I flip a script you know I must keep you dozing Quick to play you Little Rascals out like Stymie Into the stage of the Buckshot Shorty Kicking flavor, with my life saver techniques Son pass the boom, keep the top on the 40 Guaranteed to move feets and I go on for weeks Never ever ever get played, KILL THAT Maybe years if my peers give me ears to fill Bust a mad cap in your back cause I'm all that Lick off a shot and act ill, parlay and chill Straight from Crooklyn, better known as Brooklyn See I paid my dues, now you can't tell me nothing Elude the hook and, your whole beat's tookin' This is dedicated to the ones who kept fronting Must take charge, bomb guard, I'm the man The ones who tried to diss and play high? Oh no Bust my plan, it feeds back on my fam Just cause you had low, see now I got dough Once I cruise, pay dues, I never lose And I'm paid out my rectum, meaing my backbone When I break on fools, wake up, you don't snooze Grab the mic, flip a mad script to your dome Bust a move, I get smooth like Roadie Suckers, I kick 'em like tae kwon do Kick it like the Four Horsemen, yeah you know me Yes and low, from head to toe to let you know Booming like a speaker with my 100 dollar sneakers Who got the props? *bo!* Baggy black jeans, knapsack, and my beeper Who got the props? *bo!* keep a fresh cut, never see me with a busted fro 5ft, Evil Dee, and Buckshot! *bo!* (Repeat 4x) And I'm a let you know... I'm the rugged operator like Arnold Schwarzenegger Who got the props? *bo!* Buckshot quick to play your nigga like Sega Who got the props? *bo!* Smooth trigger-happy snappy, keep my hair nappy 5ft, Evil Dee, and Buckshot! *bo!* (Repeat) When I swing an ep girls call me "big pappy" I used to play a game called "Ring Around the Rosey" But now I play the mic, that's why the whole world knows me I'm sort of like a Chevy heavy when I bumrush You'd better bring your whole damn crew or get your head crushed, sucker Cause I'm a set it off with one shot 3 4.
Load more

Recommended publications
  • Polyphonic Spree the Beginning Stages of Zip
    1 / 5 Polyphonic Spree The Beginning Stages Of Zip Sep 5, 2019 — AUSTIN, TEXAS (SEPTEMBER 5, 2019) – The first batch of Dale's Pale ... band to come out of central Texas in a very long time, takes the stage. ... Graves, Peelander-Z, White Denim and the Polyphonic Spree. ... Zip Code:.. ... CRASH ADEN SEMIAUTOMATIC POLYPHONIC SPREE LOWFISH CINEMATIC ORCHEST TRANS AM ... Address: Suite/Floor City: State: Zip: Country: Phone:( ) Fax:( ) E-mail: Mail this to: CMJ New Music ... weeks for delivery of first issue).. ... JULIE DOIRON PANTYBOY BEEF TERMINAL POLYPHONIC SPREE RADIO 4 ... WENDY CARLOS CINEMATIC ORCHEST OUTRAGEOUS CHERRY EARLY ... Cardholder Signature: Name: Company: Address: Suite/Floor: City: State: Zip: .... (2011) Black Moon "Enta Da Stage" (1993) Black Moon "War Zone" (1999) Black ... The Aftermath" (1996) Dr. Dre "2001" (1999) Dr. Dre "Presents The Early Years ... Epidemic "Illin Spree" (2011) Epidemic "Monochrome Skies" (2012) Epidemic ... Official "The Anti-Album" (2003) Serengeti & Polyphonic "Terradactyl" (2009) .... The Polyphonic Spree - The Beginning Stages Of... | Section 1,Section 2 ... MP3-Version ZIP-Größe: 2892 mb. FLAC-Version ZIP-Größe: 1133 mb. WMA-Version .... MARSVOLTA 2 JANE'S ADDICTION 3 MONEEN 4 ME FIRST AND THE 5 SWORDS PROJECT 6 ... LANES 22 POLYPHONIC SPREE 23 BURNING SPEAR 24 DANDY WARHOLS 25. ... Cardholder Signature Company State: Suite/Floor Zip: .... Aug 22, 2014 — The criterium is perfect for spectators since the action is fast, as riders zip through a circular ... Taking the stage at Finish Line Village will be Wichita Falls-based cover ... of Polyphonic Spree — kick drummer and guitarist Taylor Young and ... at the HHH breakfast beginning at 5 a.m.
    [Show full text]
  • Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
    A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas.
    [Show full text]
  • How Nonviolent Warrior Feels on Firing Line in Rural Dixie
    CHICAGO SUN-TIMES, Mon., May 20, 1963 STUDENTS7 ROLE IN RACIAL STRUGGLE How Nonviolent Warrior Feels On Firing Line In Rural Dixie Here is the second of two articles by strain of white hatred, threats, beatings, and the lawyer and the field hand and the Robert S. Bird of the New York Herald arrest, jail and even shootings? servant girls are all going to jail together. Tribune. His survey of Negroes' views Carver Neblett is 19 and a sophomore at Becomes Community Project on white America, described as "brilliant" Southern Illinois University, who has been "Then it is that we have become part of the by Walter Lippmann last week, has re­ on leave for more than a year. He was born community ourselves, and everybody is knit ceived widespread attention. into a sharecropper's family in rural Tennes­ together and the whole Negro group is ready see. The family moved north six years ago, to do anything—anything—to get their goal." By Robert S. Bird to Carbondale, 111., but he was not able to rid Carver was not able to express very well the Special from the New York Herald Tribune himself of the resentments he felt in growing quality of the peril which envelops such a up as a segregated Negro in the South. Snick-invaded rural Negro community like a I met Carver Neblett in about the same way When he was in his last year of high school chill miasma. But older and more mature you reach in and pull a number out of the hat.
    [Show full text]
  • Mim M Warn Regard to the Mason Races
    'mm mmm aaventy of the relatives and rHeodtof Binder>-J. C. Steves. Dry Goods.—Barnhun & Gompany. Legal. the Mutraotlng. partita gathiBrw at tn« rwldence of BlrrWalker. The houM OBTOAOE' 8ALK.-BKFAULT HAVIKQ been made In the payment nf eighteen waa tastenilly trimmed with evergreena Ired and sovon dollsrs and fortyliva cents, and two horse sboea of white flowers Mnow claimed lobe due snd unpsld. upon a cer­ arranged by Mrs. J. B. Fay were BUB- tain martgaRo buarinit dale. Ihe first day of Feb­ pended overthb bride and tfroom. The ruary, 1881, oxocutod hy Waggle A. Iiunhamto ceremony was performed oy Bev. L. H. Monroe, in a brief butimpieMive Mipnie Hodget;of ikieu il ttkcbing manner. After the marriagea bounti* , _. mortgages on page ninetjr- a olasa 111 liiBtrumental muaio. Dine. No suit or proceedings nt law or in All and elegant B r. u. dinner was ^9*or Warm Dayft-J^f^ chancery having beun instituted to recover any The fkrmera are very buay cultivat­ served to tbe guests which spoke well part tbcrool, and the power ol sulo therein con- ing corn and getting ready for haying. Ibr the culinary department of tbe tU-^ lalnod, having hocomo absolute by virtue of tho statute In such caao, made nnd i'rovided nolleo Thisre ia talk In flivor of having a ture Maishail mansion. Below -is a VOL. XXVII.-NO. 26. list of the presents and the donors with is hereby given that upoBllHlMrrtiiy.lhoaBlil MASON, MICH., THURSDAY. JUNE 25, 1885. oelebration at Holt the coming 4th uf <lny of inly.
    [Show full text]
  • Smifnwessun Jeru 17.12.11 DRESDEN Pressetext
    krasscore concerts presents SMIF N WESSUN & JERU THA DAMAJA „90ies Rap X-Mas Special pt.2“ date: Sa. 17.12.2011 venue: Scheune Alaunstr. 36/40 01099 Dresden acts: Smif N Wessun (Brooklyn / NYC) Jeru tha Damaja (Brooklyn / NYC) special: AFTER-SHOW-PARTY mit DJ Access (New DEF / Dresden) Einlass: 21:00 Beginn: 22:00 Eintritt: 18 € im VVK (incl. After-Show-Party!) ohne Gebühren: in allen Harlem Stores, Supreme, Titus und Späti (Striesen) zzgl. VVK-Geb.: VVK bundesweit an allen VVK-Stellen, online unter www.krasscore.com/tickets und in Dresden z.B. bei Dresden Ticket, KoKa Florentinum & Schillergalerie allen SZ-Treffpunkten (Altmarktgalerie, Elbe Park, Karstadt, Seidnitz Center) & Sax-Ticket www.krasscore.com Seit 2001 kümmert sich die Crew von krasscore concerts um die Belange der Rap-Fans in Dresden & Umgebung. Seit letztem Jahr ist es nun fast schon Tradition, dass sich alle Ami-Rap Fans am letzten Samstag vor Weihnachten auf ein Highlight in dieser Sparte freuen können. Denn am 17.12. werden nach Group Home, Dilated Peoples, Lootpack, Black Milk, Sean Price, Brand Nubian, Camp Lo, Das EFX, Masta Ace und vielen anderen amerikanischen Rap- Größen endlich auch SMIF N WESSUN die Bühne der Scheune rocken - und das zum ersten Mal überhaupt in Dresden! Um die Sache richtig abzurunden, konnte der ebenfalls aus Brooklyn stammende JERU THA DAMAJA gewonnen werden, der nach über neun Jahren Pause Dresden erneut beehren wird. Und da Weihnachten nun mal die Zeit der Geschenke ist, möchte sich das Team von krasscore bei allen Gästen für die teilweise jahrelange Treue bedanken, weshalb die Karten für das X-mas-HipHop-Spektakel im Supreme & den Harlem Stores lediglich 18 Euro kosten.
    [Show full text]
  • DANNY WATTS Black Boy Meets World
    DANNY WATTS Black Boy Meets World LP COMING SOON KEY SELLING POINTS • Entirely produced by Jonwayne • Guest contributions and features include Ray Wright of Warm Brew, DIBIA$E, Leaving Records’ Kiefer, Dr. Octagon collaborator Juan Alderete de la Pena, Zeroh, and many others • The release of Black Boy Meets World will coincide with the Jonwyne’s Rap Album Two US Tour, beginning in October and running for an extended stretch of over 40 dates from coast to coast DESCRIPTION ARTIST: Danny Watts This fall, Danny Watts will release his debut album Black Boy Meets World TITLE: Black Boy Meets World on Jonwayne’s imprint Authors Recording Company. Beats were supplied CATALOG: cd-ARC003 in full by Jonwayne, creating the environments that mesh to Danny Watts’ LABEL: Authors Recording Company introspective lyricism and soulful cadences on the mic. The Houston based GENRE: Hip-Hop/Rap rapper has created a body of work that details his life experiences with an BARCODE: 669158533466 honest and uncompromising lens, jumping out of the Authors Recording FORMAT: CD Company gates as the first release after the critically acclaimed Rap Album HOME MARKET: Texas / Los Angeles Two. Before the release of Black Boy Meets World, Danny Watts is offering RELEASE: 10/6/2017 up the album’s lead single “Young & Reckless” feat. Aye Mitch! today. LIST PRICE: $11.98 / AK Danny Watts and Jonwayne recently captured Black Boy Meets World TRACKLISTING (Click Tracks In Blue To Preview Audio) in the span of only a week, recording the 11-track LP at the Los Angeles recording facility Cosmic Zoo.
    [Show full text]
  • Brevard Live June 2017- 1 2 - Brevard Live June 2017 Brevard Live June 2017- 3 4 - Brevard Live June 2017 Brevard Live June 2017- 5 6 - Brevard Live June 2017
    Brevard Live June 2017- 1 2 - Brevard Live June 2017 Brevard Live June 2017- 3 4 - Brevard Live June 2017 Brevard Live June 2017- 5 6 - Brevard Live June 2017 Content June 2017 FEATURES A NIGHT OF ROMANCE Columns Brevard Music Group presents “A Night BUCKSHOT Of Romance” at the King Center with Charles Van Riper Throughout the decades Brevard’s music three headliners on one big stage: Am- 22 Political Satire taste has changed from mainly country, brosia, Firefall and Al Stewart are leg- “The Column” to blues, classic rock, top 40. Until four ends in the music industry. It will be a polished musicians came together to play lovely evening Calendars it again - country music. Page 15 25 Live Entertainment, Page 10 ORLANDO IN HEAVEN Concerts, Festivals & BAND OF BROTHERS Local Download COCOA VILLAGE’S BBQ & BLUES Two new full length records, releasing Cocoa Village will host fifty Pro teams within a month of each other, both for 33 by Andy Harrington for the Seventh Annual, FBA Sanctioned, worthy causes, featuring a grand cast Local Music Scene Historic Cocoa Village BBQ & Blues. of high level musical talent, were con- Besides fingerlicking BBQ this festival ceived, written, and produced by Brian In The Spotlight always serves a great music line-up. Tarquin in his Merritt Island studio.. 34 by Matt Bretz Page 13 Page 16 Flori-duh! JMC: ZACH DEPUTY PHONELESS IN PHOENIX, PART 3 36 by Charles Knight Zach Deputy is a multi-instrumentalist There he was, bumped from the airline and songwriter based in Savannah, GA into a rental car - all without his cell The Dope Doctor and best known for his live looping phone that he accidentially left at home.
    [Show full text]
  • Top 75 R&B Albums
    CASH BOX JULY 30, 1994 12 TOP 75 R&B ALBUMS CASH BOX • JULY 30, 1994 ByM.R. Martinez THE AGE AIN’T NOTHING BUT A NUMBER (Jive 41533) Aaliyah 3 8 2 REGULATE...G-FUNK-ERA (Violator 52333) Warren G 1 6 RHYTHM FUNKDAFIED (So So Def/Chaos/Columbia 66164) Da Brat 4 3 4 GET UP ON IT (Bekira 61550) Keith Sweat 2 3 5 GEMS (MCA 10870) Patti Labelle 5 6 ^SOMETHIN’ SERIOUS (Priority 53907) Big Mike 9 3 167 12 PLAY (Jive 41527) R. Kelly 6 28 17 8 NUTTIN’ BUT LOVE (UptowrvMCA 10998) . Heavy D. & The Boys 7 8 18 19 THE TRUTH (Silas/MCA 10810) Aaron Hall 10 29 I’M READY (QwestAAbmer Bros 45388) Tevin Campbell 12 29 P22 so UTH ERN PLAYAL1STICAD1LLACMU2IK 23 (LaFace/Arista 2-6010) Outkast 11 11 2412 ABOVE THE RIM (Death Row/Interscope/AG 92359) .... Soundtrack 8 17 BLACKSTREET (Interscope 92351) Blackstreet 15 4 il25 14 ON THE OUTSIDE LOOKING IN (Suave 40002) . Eightball & MJG 14 6 GREATEST HITS 1980-1994 (Arista 18722) Aretha Franklin 17 19 TONI BRAXTON (UFace/Arista 2-6007) Toni Braxton 13 35 PRONOUNCED JAH-NAY (IIHovwiVMotown 6369) Zhane 16 20 31 Janet. (Virgin 87825) Janet Jackson 18 45 32 33 ALL-4-ONE (Blitzz/Atlantic/AG 82588) AII-4-One 20 13 lLLMATIC (Columbia 57684) NAS 23 12 34 a FUNKIFIED (Wap'lchiban 8133) MC Breed 24 6 JEWEL OF THE NILE (RAUisiand 52336) Nice N Smooth 22 2 DOGGY STYLE MargI Coleman Is about “Winnin’ Ova You,” the first single from her Priority (Death Row/Interscope/AG 92279) SnOOp Doggy Dogg 19 27 40 Records, Total Track Productions, Inc.
    [Show full text]
  • Record Dreams Catalog
    RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores.
    [Show full text]
  • Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy
    Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-2-2017 On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy Evan Nave Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, Creative Writing Commons, Curriculum and Instruction Commons, and the Educational Methods Commons Recommended Citation Nave, Evan, "On My Grind: Freestyle Rap Practices in Experimental Creative Writing and Composition Pedagogy" (2017). Theses and Dissertations. 697. https://ir.library.illinoisstate.edu/etd/697 This Dissertation is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. ON MY GRIND: FREESTYLE RAP PRACTICES IN EXPERIMENTAL CREATIVE WRITING AND COMPOSITION PEDAGOGY Evan Nave 312 Pages My work is always necessarily two-headed. Double-voiced. Call-and-response at once. Paranoid self-talk as dichotomous monologue to move the crowd. Part of this has to do with the deep cuts and scratches in my mind. Recorded and remixed across DNA double helixes. Structurally split. Generationally divided. A style and family history built on breaking down. Evidence of how ill I am. And then there’s the matter of skin. The material concerns of cultural cross-fertilization. Itching to plant seeds where the grass is always greener. Color collaborations and appropriations. Writing white/out with black art ink. Distinctions dangerously hidden behind backbeats or shamelessly displayed front and center for familiar-feeling consumption.
    [Show full text]
  • Black Moon Come Get Some
    Come Get Some Black Moon Sippin my henny Don't start none, won't be none 2X Wan't some, get some Like, Buckshot, Hennyville Guess who? punk chunk, ya brain just blew It is he, gun two, L.O.U. You want some? Shit, come and get it Bout this Bob Mar' split bitch, nah you can't hit this Moked like Jeff Bridges while we takin pictures Smilin at these bitches, not thinkin bout our digits You want some, come come, I got some Fifth of Henny and some friends, we can all get dumb Everybody had a cup and in a pot put nut Half to gettin mines, I told her regulate that son Spillin some, for my fam that past I miss my nana always, but I'mma still get ass Get more cash, jump off and whip some ass Ville clickin, and off and think my niggas a blad It's like that, mad cuz my fam don't brag Fuck a finer dime and shine it to a Hefty bag Fire one, Buckshot, comin with a gun Fire two, Buckshot, blast that too Actin like you solid witcha plastic prue Schemin on my nigga L.U., who the hell are you What? you think I'mma talk and flap Fuck the chit-chat, man I should've of been put this in your back You ain't have to act like that But you did, now I'm bout to aim for ya wig Word up my nigga, see whatever they want, they get Want me to flip? I flip The rhymes I whip, hence back to Brooklyn in a flash Thinkin about the weed and the stash, in the ash tray Man I got ass on the way Shit I got a call from Renee today She got that bombay, I'm bout to put her on the block where the drugs and the thugs stay Pick up my money and send her on the way You know what it's like
    [Show full text]
  • The Revive Big Band Resource Guide
    THE REVIVE BIG BAND RESOURCE GUIDE ABOUT REVIVE MUSIC GROUP Revive Music launched in 2006 as a boutique live music agency that specializes in producing genre-bending, creative-concept live music shows that tour worldwide with the purpose of educating and inspiring audiences about artistic and authentic forms of music. In effort further provide an advocacy platform for musicians, Revive launched the leading online journal, www.revive-music.com, for the burgeoning jazz community dedicated to their musicianship, artistry and creative expression as a part of www.okayplayer.com and a label imprint with the legendary Blue Note Records. ABOUT THE REVIVE BIG BAND “We’re carrying on within the tradition of big bands, what would be relevant today – modifying the message and making it translatable and accessible to the people, so that they have something to connect to. We represent that bridge” -Igmar Thomas Heralded by the Village Voice for having New York City’s “most electrifying young lions in jazz, Revive Big Band has a finger on the pulse of today’s emerging progressive sound while pointing to things yet to come for a new era of music. Formed in 2010 by trumpeter, composer and arranger Igmar Thomas, this multi-generational ensemble knows no limits while seeking to advance, celebrate and re-imagine sonic freedom in big band form. The Revive Big Band’s well-honed musical sensibilities powerfully synthesize the art of the beat, treatment of melody, reverence of the standard, and nuances of time. Expanding the contemporary canon of composition as it dwells at the intersection of jazz, hip hop, soul and beyond, the band's repertoire features original compositions and inventive orchestrations of jazz standards and contemporary classics by artists ranging from Oliver Nelson, Wayne Shorter and Freddie Hubbard to A Tribe Called Quest, J Dilla, Gangstarr, Bilal and more, in rare live performances.
    [Show full text]