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The Cowl Island/Page 19 Vol
BACK PAGE: Focus on student health Deanna Cioppa '07 Men's hoops win Think twice before going tanning for spring Are you getting enough sleep? Experts say reviews Trinity over West Virginia, break ... and get a free Dermascan in Ray extra naps could save your heart Hear Repertory Theater's bring Friars back Cafeteria this coming week/Page 4 from the PC health center/Page 8 latest, A Delicate into the running for Balance/Page 15 NCAA bid Est. 1935 Sarah Amini '07 Men's and reminisces about women’s track win riding the RIPTA big at Big East 'round Rhose Championships The Cowl Island/Page 19 Vol. LXXI No. 18 www.TheCowl.com • Providence College • Providence, R.I. February 22, 2007 Protesters refuse to be silenced by Jennifer Jarvis ’07 News Editor s the mild weather cooled off at sunset yesterday, more than 100 students with red shirts and bal loons gathered at the front gates Aof Providence College, armed with signs saying “We will not stop fighting for an end to sexual assault,” and “Vaginas are not vulgar, rape is vulgar.” For the second year in a row, PC students protested the decision of Rev. Brian J. Shanley, O.P., president of Providence College, to ban the production of The Vagina Monologues on 'campus. Many who saw a similar protest one year ago are asking, is this deja vu? Perhaps, but the cast and crew of The Vagina Monologues and many other sup porters said they will not stop protesting just because the production was banned last year. -
Rakim the Militia Ii
The Militia Ii Rakim "A special guest" "It's the militia... It's the militia" This is a conquest, so I suggest you take a rest Or keep a breath, but definitely keep a vest on that chest Rymes I'm packin, just like a thug at a car-jackin' Shoot off your hat when I start cappin, this is no actin G-A-N-G, S-T-A double R And you don't want no trouble up in here, baby pa From the late-night drama, of the New York streets To the hoods of LA, real niggas likin Primo's beats Put suckers on glass, send em, back to class And kick hot shit, so we can stack the Johnny Cash I brought the God, Rakim, lyrically gunning you wanna dash? I got Dub C, from South C, what you doubt me? Travellin through warzones with my infrared microphone In the year One Mill, destroying, enemies chromozones Words burn through flesh, leavin nothing but skeletal You best pay resepect to the legends, boy I'm tellin you, Militia The illest Realest Representin Bringin the rukkus Let it be known The illest Realest Word up It's The Militia; Freddie Foxxx Makin a move, makin a move, who's that nigga thats makin a move? It's the Shadiest rhymin'-back, actin' a motherfucking fool Four-four packers, my jackets ?hittin the tag? saggin, baggin Foot on my rag, mess up a bag, leavin my enemies in bodybags You niggas was crackin, what y'all thought it wasn't gon' happen? Dub C and my East Coast sisters gettin together rappin Gun-clappin, chump smackin, kiss the ring of your highness Look while I'm in New York City, walkin with two of the Brooklyn's finest My two affiliates from the East -
James Edwin Pope
James Edwin Pope EXPERIENCE ─────────────────────────────────────────────────── Toyota (Demo) Husband (Lead) Commercial 2019 Amtrak Traveler (Lead) Commercial 2019 The Greatest Sketch Show in America Actor (Various Roles) Theatre 2019 Centra Health Father (Lead) Commercial 2019 Maryland Pride Be Like Director/Writer/Actor Film (Short) 2019 United Airlines Husband (Lead) Commercial 2018 Canon, Inc. Father (Lead) Commercial 2018 Moxy by Marriott Hotels Interior Designer (Lead) Commercial 2018 Maryland Live! Casino Casino Patron (Lead) Print 2018 Black and Decker Homeowner (Lead) Print 2018 Giant Foods Party-Goer (Lead) Commercial 2018 Thompson Creek Windows Homeowner (Lead) Commercial 2018 Dark City: Beneath the Beat Police Officer/Dancer Film 2018 New Year’s Daze Director/Writer/Actor (Lead) Film (Short) 2017 Epic Office XMas Party Director/Choreographer Film (Short) 2017 Microtel by Wyndham Hotels Father (Lead) Print 2017 Time Machine Dancer/Writer Theatre 2017 Tinder On-Demand Director/Writer/Actor Film (Short) 2017 The Motion Challenge Director/Choreographer Film (Short) 2017 Political Dance Battle Director/Writer/Actor Film (Short) 2016 Cards Against Humanity IRL (Web Series) Director/Writer/Actor Film (Short) 2016 Heroes and Villains Dancer Theatre 2016 New Year (Parody) Director/Writer Film (Short) 2016 Steve Harvey Show Guest Television 2016 The Today Show Guest Television 2015 Countertop Solutions Director/Writer/Actor (Lead) Commercial 2015 WORK EXPERIENCE ──────────────────────────────────────────────────── Krewski, LLC Founder -
Top R &B /Hip -Hop Catalog Albums
OCTOBER. E Compiled by SoundScan from a national subset 2001 Billboard I Top R. H Ho Albu panel of core R &B /Hip -Hop stores. Y O C 2 W Q O z 3 G O 3 n o ARTIST TITLE á Ñ I- ARTIST TITLE ¿ (7 -' 3 M P R I N T & NUMBER /DISTRIBUTING LABEL á ° g S IMPRINT & NUMBER /DISTRIBUTING LABEL á rs° _-t NUMBER 1 % := 2 WAIMhadia1 50 37 23 JANET v:rum 10144.11298/18981 All For You 1 1 59 3 JAY -Z RorA- Fella /Del Joel 586396' /IGJMG112.98/1998: The Blueprint 1 47 42 12 LIL' ROMEO Saulja501981/F1mM,(1198/1798) LB. Romeo 5 #' HOT SHOT DEBUT # 45 35 8 GANGSTA BOO Hypnotize Minds/Loud 19z5/CRG112.93E0/17981 Both Worlds, *69 8 1 GERALD LEVERT Elektra62855/EEGnz9aId98, Gerald's World 2 © 52 41 65 NELLYA' Fo Reel 157743 /Universa1It2.9w1a98) Country Grammar 1 2 2 FABOLOUS Duo, Storm/110ton132b79' /LLG11298119981 Ghetto Fabolous 2 53 43 27 112 P,nr Boy 53039 /Arslau298/IB991 Part Ill 1 34 2 KILLARMY Wu- Tang /Loud19Z7/CRG(ts- SOE0/17.98) Fear Love & War 34 4 3 6 MAXWELL A Columbia 67136/CRG11298ED/18981 Now 1 - Roc- ell 3 1 4 MARY J. BLIGE MCA 112616.11298/1898) No More Drama 1 51 46 13 BEANIE SIGEL AF a /0et.1 ant 549538 /IDJMG11298/18NI The Reason 2 7 4 4 BRIAN MCKNIGHT Motowo014743+Universal(12.98 /18.981 Superhero 4 55 44 7 SOUUA SLIM No Linda South 2001p198/1798I The Streets Made Me 42 5 2 1C AALIYAH A En:c+.g,ound10082'11298/1899I Aaliyah 2 58 52 50 JA RULE A M, u der Inc /Dot Jam 542934./IDJMG1129w18.98) Rule 3:36 1 Anna751083/Arrem1,11298,19981 5 9 5 12 ALICIA KEYS A' J2000211198/1798) Songs In A Minor 1 60 50 10 KURUPT Space Boogie: Smoke Oddessey 3 1 0298EOi18981 t PACESETTER 4 g 0} Lit MACY GRAY Emc85200' The ID 9 cia 96 - 2 DENNIS DA MENACE 1ssAvenu woos 9scRI, The Wonderful World Of Dennis 60 12 10 7 USHER Arista 14715'112.98/18981 8701 3 40 56 38 6 VARIOUS ARTISTS Del Jam 586239/IDJMGlt98n891D The Source Hip -Hop Music Awards 2001 34 64 66 8 MR. -
3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (Guest Post)*
“3 Feet High and Rising”--De La Soul (1989) Added to the National Registry: 2010 Essay by Vikki Tobak (guest post)* De La Soul For hip-hop, the late 1980’s was a tinderbox of possibility. The music had already raised its voice over tensions stemming from the “crack epidemic,” from Reagan-era politics, and an inner city community hit hard by failing policies of policing and an underfunded education system--a general energy rife with tension and desperation. From coast to coast, groundbreaking albums from Public Enemy’s “It Takes a Nation of Millions to Hold Us Back” to N.W.A.’s “Straight Outta Compton” were expressing an unprecedented line of fire into American musical and political norms. The line was drawn and now the stage was set for an unparalleled time of creativity, righteousness and possibility in hip-hop. Enter De La Soul. De La Soul didn’t just open the door to the possibility of being different. They kicked it in. If the preceding generation took hip-hop from the park jams and revolutionary commentary to lay the foundation of a burgeoning hip-hop music industry, De La Soul was going to take that foundation and flip it. The kids on the outside who were a little different, dressed different and had a sense of humor and experimentation for days. In 1987, a trio from Long Island, NY--Kelvin “Posdnous” Mercer, Dave “Trugoy the Dove” Jolicoeur, and Vincent “Maseo, P.A. Pasemaster Mase and Plug Three” Mason—were classmates at Amityville Memorial High in the “black belt” enclave of Long Island were dusting off their parents’ record collections and digging into the possibilities of rhyming over breaks like the Honey Drippers’ “Impeach the President” all the while immersing themselves in the imperfections and dust-laden loops and interludes of early funk and soul albums. -
NSR 006 CELPH TITLED & BUCKWILD Nineteen Ninety Now CD
01. The Deal Maker 02. Out To Lunch (feat. Treach of Naughty By Nature) 03. Eraserheads (feat. Vinnie Paz of Jedi Mind Tricks) 04. F*ckmaster Sex 05. Swashbuckling (feat. Apathy, Ryu & Esoteric) 06. I Could Write A Rhyme 07. Hardcore Data 08. Mad Ammo (feat. F.T. & R.A. The Rugged Man) 09. Tingin' 10. There Will Be Blood (feat. Sadat X, Grand Puba, A.G., O.C. & Diamond) 11. Miss Those Days 12. Step Correctly 13. Wack Juice 14. Styles Ain't Raw (feat. Apathy & Chino XL) 15. Where I Are 16. Time Travels On (feat. Majik Most & Dutchmassive) Nineteen Ninety Now is finally here and a Hip Hop renaissance is about to begin! The art form is brought KEY SELLING POINTS: full-circle through this groundbreaking collaboration • Long awaited debut album from Celph Titled, who between underground giant Celph Titled and production already has gained a huge underground following as a legend Buckwild of D.I.T.C. fame! Showing that the core member of Jedi Mind Tricks' Army of the Pharaohs crew and his own trademark Demigodz releases. Also lessons from the past can be combined with the as a part of Mike Shinoda's Fort Minor project and tour, innovations of the present, these two heavyweight his fanbase has continued to grow exponentially artists have joined forces to create a neo-classic. By • Multi-platinum producer Buckwild from the legendary Diggin’ In The Crates crew (D.I.T.C.) has produced having uninhibited access to Buckwild’s original mid-90s countless classics over the last two decades for artists production, Celph Titled was able to select and record ranging from Artifacts, Organized Konfusion, and Mic to over 16 unreleased D.I.T.C. -
The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians. -
Ishdarr Brings a Crowd,Iowa Band Speaks on Locality,Field Report To
IshDARR brings a crowd Photo by Jun Taek Lee A packed crowd gathered in Gardner on Friday, Nov. 6, to hear from three young hip-hop artists—Young Eddy, Kweku Collins and IshDARR (pictured to the left). IshDARR is based out of Milwaukee, Wis. The sharp-tongued 19- year-old released a critically acclaimed album, “Old Soul, Young Spirit,” earlier this year. He largely pulled material from that album during the performance. The youthful, ecstatic energy of his recorded material transferred seamlessly to the stage. IshDARR was totally engaging for the duration of the set and did not shy away from talking with the audience, eliciting laughter and cheers. It wasn’t a terribly long set, but one that kept the people in attendance rapt from start to finish. Milwaukee is an exciting place to be an MC in 2015. The Midwestern city has recently cultivated a vibrant and dynamic DIY hip hop scene that’s only getting larger. IshDaRR, one of the youngest and most prominent members of the scene, proved on Friday night that he’s got a lot to share with the world. Assuredly, he is only getting started. Friday night was the third time that Young Eddy, aka Greg Margida ’16, has performed on campus and he is sure to have more performances next semester. Kweku Collins hails from Evanston, Ill., and this was his first time performing in Grinnell. Iowa band speaks on locality The S&B’s Concerts Correspondent Halley Freger ‘17 sat down with Pelvis’ guitarist and vocalist, Nao Demand, before his Gardner set on Friday, Oct. -
Mash out Posse's Latest Release Keeps It Real Minority Warnings For
PAGE 22 THE RETRIEVER WEEKLY FEATURES October 24, 2000 Mash Out Posse's Latest Release Keeps It Real "We 're the voice of the streets, and The subsequent EP, Handle Ur Bizness, arms and step lightly. we're .not letting that title go anywhere," and the release First Family showed that I pop shots at foes Album Review says Mash Out MOP still knew how .to touch a vein. Soren that don't entice me," -------- Posse's Lil' Fame in Baker of the LA Times reported that MOP, warns Billy Danze in by Jada lokeman the Brooklyn rap besides of course Run D.M.C. and the the opener "Welcome group's fourth and latest release, Warriorz, Beastie Boys, "were the first to enjoy to Brownsville." from Loud Records. · respect in the hip-hop community while Here, a bass line And they haven't gone anywhere. combining rock and rap in tl:ieir music." Of ·ripped from a '70s Despite changes in the industry as well as today's acts that have found success in car chase television the group's own label switch, MOP contin combining hip-hop and rock, namely Limp show is interspersed ues to deliver the hardcore in abundance. Bizkit, Korn and Kid Rock, she observes with a one-handed Although their trademark style of "undilut that "these rockers were beaten to the piano riff and pun~tu ed, unapolegetically underground ·sounds punch by MOP." In this period, they uti ated with a screech for hip hop purists (i-Music)" is difficult to lized less of DJ Premier's vast resources ing carpet bomb justify as responsible music, Warriorz dis and cultivated their own unique sound. -
WXYC Brings You Gems from the Treasure of UNC's Southern
IN/AUDIBLE LETTER FROM THE EDITOR a publication of N/AUDIBLE is the irregular newsletter of WXYC – your favorite Chapel Hill radio WXYC 89.3 FM station that broadcasts 24 hours a day, seven days a week out of the Student Union on the UNC campus. The last time this publication came out in 2002, WXYC was CB 5210 Carolina Union Icelebrating its 25th year of existence as the student-run radio station at the University of Chapel Hill, NC 27599 North Carolina at Chapel Hill. This year we celebrate another big event – our tenth anni- USA versary as the first radio station in the world to simulcast our signal over the Internet. As we celebrate this exciting event and reflect on the ingenuity of a few gifted people who took (919) 962-7768 local radio to the next level and beyond Chapel Hill, we can wonder request line: (919) 962-8989 if the future of radio is no longer in the stereo of our living rooms but on the World Wide Web. http://www.wxyc.org As always, new technology brings change that is both exciting [email protected] and scary. Local radio stations and the dedicated DJs and staffs who operate them are an integral part of vibrant local music communities, like the one we are lucky to have here in the Chapel Hill-Carrboro Staff NICOLE BOGAS area. With the proliferation of music services like XM satellite radio Editor-in-Chief and Live-365 Internet radio servers, it sometimes seems like the future EDITOR-IN-CHIEF: Nicole Bogas of local radio is doomed. -
Rap in the Context of African-American Cultural Memory Levern G
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Empowerment and Enslavement: Rap in the Context of African-American Cultural Memory Levern G. Rollins-Haynes Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES EMPOWERMENT AND ENSLAVEMENT: RAP IN THE CONTEXT OF AFRICAN-AMERICAN CULTURAL MEMORY By LEVERN G. ROLLINS-HAYNES A Dissertation submitted to the Interdisciplinary Program in the Humanities (IPH) in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of Levern G. Rollins- Haynes defended on June 16, 2006 _____________________________________ Charles Brewer Professor Directing Dissertation _____________________________________ Xiuwen Liu Outside Committee Member _____________________________________ Maricarmen Martinez Committee Member _____________________________________ Frank Gunderson Committee Member Approved: __________________________________________ David Johnson, Chair, Humanities Department __________________________________________ Joseph Travis, Dean, College of Arts and Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is dedicated to my husband, Keith; my mother, Richardine; and my belated sister, Deloris. iii ACKNOWLEDGEMENTS Very special thanks and love to -
LITTLE BROTHER the Listening
LITTLE BROTHER The Listening KEY SELLING POINTS • White vinyl reissue • Includes bonus 7” DESCRIPTION ARTIST: Little Brother “In Little Brother’s music, the North Carolina group makes a specific TITLE: The Listening point to highlight the more refined aspects of mid-’90s hip-hop. CATALOG: l-ABB1038 Basing its 2002 sound upon the foundation previously established LABEL: ABB Records by the likes of Pete Rock, A Tribe Called Quest, Jay Dee, and Black GENRE: Hip-Hop/Rap Star, Little Brother makes somewhat of a political statement by BARCODE: N/A ABB1038 applying such standards to this modern age. The Listening does FORMAT: 2XLP + 7” an exceptional job of proving that soulful meditations have indeed RELEASE: 7/14/2017 retained their traditional relevancy within the contemporary realms LIST PRICE: $22.98 / CS of rap. 9th Wonder’s production leads the charge with distinct drum kicks pacing larger-than-life melodic samples, which are often TRACKLISTING enhanced with sultry female voice-overs. Meanwhile, Phonte and 1. Morning Big Pooh dig even deeper within the hip-hop vaults as they draw 2. For You upon classic routines by the likes of Rakim, Slick Rick, and Audio 2 3. Speed for their lyrical inspiration. 4. Whatever You Say 5. Make Me Hot Whether engaged in storytelling, braggadocio, or simple 6. The Yo-Yo reassurance, the rhyming duo complements 9th Wonder’s varying 7. Shorty on the Lookout 8. Love Joint Revisited shades of mood music with a consistent degree of skill and sincerity. 9. So Fabulous The album both starts and finishes strongly, with “For You,” “Speed,” 10.