Ancient Fossil Discoveries and Interpretations by Adrienne Mayor
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Excerpt from Euripides' Herakles
Excerpt from Euripides’ Herakles (lines 1189-1426) The action up until now: The goddess Hera has sent Madness upon Herakles. Madness has driven Herakles to kill his wife and his children. He mistook them for his enemies, being under the influence of Madness. Herakles is just coming out of the frenzied state he was in, and beginning to realise what he has done. He is contemplating suicide. Suddenly, Theseus of Athens appears on the scene. After a discussion with Herakles’ father Amphitryon, Theseus learns what has happened. At this moment, Herakles is lying in among his dead family members, ashamed of his actions, not wanting Theseus to see his face. I have included some lines here of the discussion between Theseus and Amphitryon, that will lead into the essential discussion between Herakles and Theseus. Theseus What do you mean? What has he done? Amphitryon Slain them in a wild fit of frenzy with arrows dipped in the venom of the hundred-headed hydra. Theseus This is Hera's work; but who lies there among the dead, old man? Amphitryon My son, my own enduring son, that marched with gods to Phlegra's plain, there to battle with giants and slay them, warrior that he was. Theseus Ah, ah! whose fortune was ever so cursed as his? Amphitryon Never will you find another mortal that has suffered more or been driven harder. Theseus Why does he veil his head, poor wretch, in his robe? Amphitryon He is ashamed to meet your eye; his kinsman's kind intent and his children's blood make him abashed. -
Greek Mythology
Greek Mythology The Creation Myth “First Chaos came into being, next wide bosomed Gaea(Earth), Tartarus and Eros (Love). From Chaos came forth Erebus and black Night. Of Night were born Aether and Day (whom she brought forth after intercourse with Erebus), and Doom, Fate, Death, sleep, Dreams; also, though she lay with none, the Hesperides and Blame and Woe and the Fates, and Nemesis to afflict mortal men, and Deceit, Friendship, Age and Strife, which also had gloomy offspring.”[11] “And Earth first bore starry Heaven (Uranus), equal to herself to cover her on every side and to be an ever-sure abiding place for the blessed gods. And earth brought forth, without intercourse of love, the Hills, haunts of the Nymphs and the fruitless sea with his raging swell.”[11] Heaven “gazing down fondly at her (Earth) from the mountains he showered fertile rain upon her secret clefts, and she bore grass flowers, and trees, with the beasts and birds proper to each. This same rain made the rivers flow and filled the hollow places with the water, so that lakes and seas came into being.”[12] The Titans and the Giants “Her (Earth) first children (with heaven) of Semi-human form were the hundred-handed giants Briareus, Gyges, and Cottus. Next appeared the three wild, one-eyed Cyclopes, builders of gigantic walls and master-smiths…..Their names were Brontes, Steropes, and Arges.”[12] Next came the “Titans: Oceanus, Hypenon, Iapetus, Themis, Memory (Mnemosyne), Phoebe also Tethys, and Cronus the wily—youngest and most terrible of her children.”[11] “Cronus hated his lusty sire Heaven (Uranus). -
The Voyage of the Argo and Other Modes of Travel in Apollonius’ Argonautica
THE VOYAGE OF THE ARGO AND OTHER MODES OF TRAVEL IN APOLLONIUS’ ARGONAUTICA Brian D. McPhee A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Classics. Chapel Hill 2016 Approved by: William H. Race James J. O’Hara Emily Baragwanath © 2016 Brian D. McPhee ALL RIGHTS RESERVED ii ABSTRACT Brian D. McPhee: The Voyage of the Argo and Other Modes of Travel in Apollonius’ Argonautica (Under the direction of William H. Race) This thesis analyzes the Argo as a vehicle for travel in Apollonius’ Argonautica: its relative strengths and weaknesses and ultimately its function as the poem’s central mythic paradigm. To establish the context for this assessment, the first section surveys other forms of travel in the poem, arranged in a hierarchy of travel proficiency ranging from divine to heroic to ordinary human mobility. The second section then examines the capabilities of the Argo and its crew in depth, concluding that the ship is situated on the edge between heroic and human travel. The third section confirms this finding by considering passages that implicitly compare the Argo with other modes of travel through juxtaposition. The conclusion follows cues from the narrator in proposing to read the Argo as a mythic paradigm for specifically human travel that functions as a metaphor for a universal and timeless human condition. iii parentibus meis “Finis origine pendet.” iv ACKNOWLEDGEMENTS First and foremost, I owe a tremendous debt of gratitude to my director and mentor, William Race. -
Sani-Magazine-14-A-LLR.Pdf
The digital magazine of Sani Resort | Summer 2014 In the MOOD TO THE BLUE FAST? essence sparkle K What’s for he T VACATION THE UNIQUE order EFFECT Circle Yacht by BREA Behind the Zaha HADID eating MYTH matters HALKIDIKI through its SANI festival An interview with New PEOPLE NFINITY I SANI RESORT through your EYES Nicholas COLERIDGE WELCOME GOOD LIFE 5 Sani Resort through your eyes 51 Sani Marina 6 Sani Resort is... 52 The Classic and the new Guard 57 The vacation effect contents 59 Hollywood comes to Greece click or tap 61 Summer Up yourself to go to article 64 Temples of pleasure NATURE DESIGN 8 The Blue essence 69 Infinity matters the new pool of Sani Beach Hotel 9 Go Green 70 Design object of the season 13 Hermes, the black-winged stilt 71 The Unique Circle Yacht a work by Zaha Hadid ARTS, PEOPLE & CULTURE GASTRONOMY 17 An interview with Nicholas Coleridge 75 The Byblos Caviar Lounge 22 Arts Corner 76 New eating order featuring the Tomata restaurant in Sani Marina 24 Sani Festival 78 What’s for breakfast? 29 Writer’s corner Panos Karnezis Holiday 83 Super strong 33 Behind the Myth 86 Sani Gourmet 14 Halkidiki through the times a short review 34 Insider’s guide to Halkidiki 87 Sani Gourmet 14 a photo essay 39 The Holy Mountain 41 Halkidiki through its people SANI NEWS 2 navigation tips go to contents page play video go to link EDITOR IN CHIEF PHOTOGRAPHS SANI MAGAZINE id Georgia Dodou Andreas Sfiridis Edition Summer 2014 [email protected] Aris Rammos PUBLISHER Corbis/Apeiron EDITORIAL TEAM Heinz Troll Sani S.A., 55 Nik. -
The Classical Mythology of Milton's English Poems
YALE STUDIES IN ENGLISH ALBERT S. COOK, Editor VIII THE CLASSICAL MYTHOLOGY OF Milton's English poems CHARLES GROSVENOR OSGOOD, Ph.D. NEW YORK HENRY HOLT AND COMPANY igoo Ss9a Copyright, igoo, BY CHARLES GROSVENOR OSGOOD, Ph.D. J^ 7/SS TO PROFESSQR ALBERT S. COOK AND PROFESSOR THOMAS D. SEYMOUR — PREFACE The student who diligently peruses the lines of a great poem may go far toward a realization of its char- acter. He may appreciate, in a degree, its loveliness, strength, and direct hold upon the catholic truth of life. But he will be more sensitive to these appeals, and receive gifts that are richer and less perishable, accord- ing as he comprehends the forces by whose interaction the poem was produced. These are of two kinds the innate forces of the poet's character, and certain more external forces, such as, in the case of Milton, are represented by Hellenism and Hebraism. Their activ- ity is greatest where they meet and touch, and at this point their nature and measure are most easily dis- cerned. From a contemplation of the poem in its gene- sis one returns to a deeper understanding and enjoyment of it as a completed whole. The present study, though it deals with but one of the important cultural influ- ences affecting Milton, and with it but in part, endeav- ors by this method to deepen and clarify the apprecia- tion of his art and teaching. My interest in the present work has found support and encouragement in the opinions of Mr. Churton Collins, as expressed in his valuable book. -
Officers for 1923 Contents Fossil Lore in Greek and Latin Literature
MICHIGAN ACADEMY OF SCIENCE, ARTS AND OFFICERS FOR 1923 LETTERS President R. A. SMITH, Lansing VOLUME III Vice-Presidents ANTHROPOLOGY, H. H. Bartlett, Ann Arbor CONTAINING PAPERS SUBMITTED AT THE ANNUAL BOTANY, O. A. Farwell, Detroit MEETING IN 1923 ECONOMICS, C. E. Griffin, Ann Arbor he annual volume of Papers of the Michigan LANGUAGE AND LITERATURE, J. W. Scholl, Ann Arbor T Academy of Science, Arts and Letters is issued GEOLOGY AND GEOGRAPHY, A. B. Peck, Ann Arbor under the joint direction of the Council of the Academy PSYCHOLOGY, T. S. Henry, Kalamazoo and of the Executive Board of the Graduate School of SANITARY AND MEDICAL SCIENCE, R. L. Kahn, Lansing the University of Michigan. The editor for the Academy ZOOLOGY, T. L. Hankinson, Ypsilanti is Paul S. Welch; for the University, Eugene S. Secretary McCartney. CARL D. LA RUE, Ann Arbor Previous publications of The Michigan Academy of Librarian Science now known as The Michigan Academy of W. W. BISHOP, Ann Arbor Science, Arts and Letters, were issued under the title, Annual Report of the Michigan Academy of Science. Editor Twenty-two volumes were published, of which the first P. S. WELCH, Ann Arbor five are out of print. Copies of volumes numbered six to twenty-two are still available for distribution and will be sent on exchange so long as the editions last. CONTENTS Applications for copies should be addressed to the ANTHROPOLOGY Librarian of the University of Michigan. FOSSIL LORE IN GREEK AND LATIN LITERATURE. Eugene S. Annual Reports embracing the proceedings of the McCartney..........................................................................1 Academy will however, continue to be published. -
Ancient Texts on Giants and the Watchers
Ancient texts on Giants and the Watchers Genesis 6:1–10 (ESV) 1 When man began to multiply on the face of the land and daughters were born to them, 2 the sons of God saw that the daughters of man were attractive. And they took as their wives any they 3 chose. Then the LORD said, “My Spirit shall not abide in man forever, for he is flesh: his days shall be 120 years.” 4 The Nephilim were on the earth in those days, and also afterward, when the sons of God came in to the daughters of man and they bore children to them. These were the 5 mighty men who were of old, the men of renown. The LORD saw that the wickedness of man was great in the earth, and that every intention of the thoughts of his heart was only evil 6 continually. And the LORD regretted that he had made man on the earth, and it grieved him to 7 his heart. So the LORD said, “I will blot out man whom I have created from the face of the land, man and animals and creeping things and birds of the heavens, for I am sorry that I have made 8 9 them.” But Noah found favor in the eyes of the LORD. These are the generations of Noah. Noah was a righteous man, blameless in his generation. Noah walked with God. 10 And Noah had three sons, Shem, Ham, and Japheth. Genesis 14:3–6 (ESV) 3 And all these joined forces in the Valley of Siddim (that is, the Salt Sea). -
THE BIRDS by Aristophanes
THE BIRDS By Aristophanes (Translator uncredited. Footnotes have been retained because they provide the meanings of Greek names, terms and ceremonies and explain puns and references otherwise lost in translation. Occasional Greek words in the footnotes have not been included. Footnote numbers, in brackets, start anew at (1) for each piece of dialogue, and each footnote follows immediately the dialogue to which it refers, labeled thus: f(1). THE BIRDS INTRODUCTION 'The Birds' differs markedly from all the other Comedies of Aristophanes which have come down to us in subject and general conception. It is just an extravaganza pure and simple—a graceful, whimsical theme chosen expressly for the sake of the opportunities it afforded of bright, amusing dialogue, pleasing lyrical interludes, and charming displays of brilliant stage effects and pretty dresses. Unlike other plays of the same Author, there is here apparently no serious political MOTIF underlying the surface burlesque and buffoonery. Some critics, it is true, profess to find in it a reference to the unfortunate Sicilian Expedition, then in progress, and a prophecy of its failure and the political downfall of Alcibiades. But as a matter of fact, the whole thing seems rather an attempt on the dramatist's part to relieve the overwrought minds of his fellow-citizens, anxious and discouraged at the unsatisfactory reports from before Syracuse, by a work conceived in a lighter vein than usual and mainly unconnected with contemporary realities. The play was produced in the year 414 B.C., just when success or failure in Sicily hung in the balance, though already the outlook was gloomy, and many circumstances pointed to impending disaster. -
DOCTORAL THESIS Animal Metaphors and the Depiction of Female Avengers in Attic Tragedy Abbattista , Alessandra
DOCTORAL THESIS Animal metaphors and the depiction of female avengers in Attic tragedy Abbattista , Alessandra Award date: 2018 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 04. Oct. 2021 ANIMAL METAPHORS AND THE DEPICTION OF FEMALE AVENGERS IN ATTIC TRAGEDY by Alessandra Abbattista BA, MA A thesis submitted in partial fulfilment of the requirements for the degree of PhD Department of Humanities University of Roehampton 2017 2 ABSTRACT In the attempt to enrich classical literary criticism with modern theoretical perspectives, this thesis formulates an interdisciplinary methodological approach to the study of animal metaphors in the tragic depiction of female avengers. Philological and linguistic commentaries on the tragic passages where animals metaphorically occur are not sufficient to determine the effect that Attic dramatists would have provoked in the fifth-century Athenian audience. The thesis identifies the dramatic techniques that Aeschylus, Sophocles and Euripides deploy to depict vengeful heroines in animal terms, by combining gender studies of the classical world, classical studies of animals and posthumanism. -
A Contribution to the Knowledge of the Spiders of Crete
Belgian Arachnological Society ARABEL Spiders of Crete (Araneae). A catalogue of all currently known species from the Greek island of Crete. BY ROBERT BOSMANS, JOHAN VAN KEER, ANTHONY RUSSELL- SMITH, TORBJÖRN KRONESTEDT, MARK ALDERWEIRELDT, JAN BOSSELAERS AND HERMAN DE KONINCK. Arachnological Contributions Newsletter Belg. arachn. Soc., volume 28 (suppl. 1). 2013. ISSN (Online Edition) 2295-3035 ISSN (Print Edition) 0774-7225 Published: Brussels, September 2, 2013 Spiders of Crete. A catalogue with all currently known species (Araneae) from the Greek island of Crete. BY ROBERT BOSMANS (1), JOHAN VAN KEER (2), ANTHONY RUSSELL-SMITH (3), TORBJÖRN KRONESTEDT (4), MARK ALDERWEIRELDT (5), JAN BOSSELAERS (6) AND HERMAN DE KONINCK (†). (1) Terrestrial Ecology Unit, Ledeganckstraat 35, B-9000 Gent, Belgium (2) Bormstraat 204, bus 3, B-1880 Kapellen op den Bos, Belgium (3) 1 Bailiffs Cottage, Doddington, Sittingbourne, Kent ME9 0JU, United Kingdom (4) Department of Zoology, Swedish Museum of Natural History, POBox 50007, SE-104 05 Stockholm, Sweden (5) Begoniastraat 5, B-9090 Melle, Belgium (6) Rerumnovarumlaan, 2, B-2340 Beerse, Belgium Arachnological Contributions. Newsletter of the Belgian arachnological Society 28 (suppl.). 2013 urn:lsid:zoobank.org:pub:0B8D44F7-F784-43C7-BD96-AA8B2B2CD852 ARABEL v.z.w. / a.s.b.l. Bestuur/Bureau VOORZITTER/PRÉSIDENT: Léon Baert Koninklijk Belgisch Instituut voor Natuurwetenschappen Vautierstraat 29 1000 Brussel ONDERVOORZITTER/VICE-PRÉSIDENT: Mark Alderweireldt Begoniastraat 5 9090 Melle SECRETARIS/SÉCRÉTAIRE: Robert Kekenbosch Meerweg 51 1601 Ruisbroek PENNINGMEESTER/TRÉSORIER: Domir De Bakker Jozef Duthoylaan 64 8790 Waregem BIBLIOTHECARIS/BIBLIOTHÉCAIRE: Johan Van Keer Bormstraat 204 bus 3 1880 Kapelle-op-den-Bos WEBMASTER Dries Bonte Universiteit Gent, TEREC K. -
"The Argonautica" of Apollonius Rhodius
IH98 THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES From the Library of Henry Goldman, Ph.D. 1886-1972 HORN'S CLASSICAL LIBRARY. "THE ARGONAUTICA" OP APOLLONIUS BHODIUS. TRANSLATED INTO ENGLISH PROSE FEOM THE TEXT OF R. MEKKEL EDWARD P. COLERIDGE, B.A. E COLL. ORIEL, OXON. LONDON : GEORGE BELL AND SONS, YORK STREET, COVENT GARDEN. 1889. CHISWICK PRESS : c. WHITTINGHAM AND co., TOOKS COURT, CHANCERY LANE. Stack Annex TABLE OF CONTENTS. PAGE I. TRANSLATOR'S PREFACE ....... vii II. LIFE OF AFOLLONIUS RHODIUS ix " ' III. Two ANCIENT ARGUMENTS OF THE ARGONAUTICA . xv IV. GENEALOGICAL TREE OF THE ^EOLID.E .... xix V. ROUTE OF THE ARGONAUTS xx VI. APOLLONIUS'S USE OF POSSESSIVE ADJECTIVES AND PER- SONAL PRONOUNS X xiv VII. TRANSLATION OF THE POEM WITH NOTES 1 SHORT LIFE OF APOLLONIUS RHODIUS, WITH A FEW REMARKS ON HIS " ARGONAUTICA." A POLLONIUS RHODIUS was born about B.C. 235, in JL\. the reign of Ptolemy Euergetes, either at Alexandria or at Naucratis. Strabo is in favour of the former, while Athenseus and ./Elian declare for the latter place. He appears to have given himself up at an early age to- literary pursuits, and his choice is scarcely to be wondered at when we reflect upon the age in which he lived and the literary atmosphere in which he found himself. We are not expressly told whether it was choice or necessity that led him to select the career he did, but from the fact that the leading poet of that day took the young aspirant in hand and instructed him in his art, we may fairly infer that Apollonius was a man of some standing and position in life. -
Herakles' Virtus Between Etruscans and Romans1
Herakles’ virtus Between Etruscans and Romans1 Rivka Gersht The legend of Herakles’ arrival at the Tiber, his cult and his deeds on Italian soil preceded even the legend of Rome’ foundation. He was recognized as a god in Italy, and the Palatine dwellers were the first to dedicate a tithe of their goods to him to ensure a happy and prosperous life. Much has been written about the distinct directions in which the legend and the cult of Herakles took root in Italy in contrast to the Greek mainland. Equally copious is the scholarly literature relating to the complexities of the literary and visual representations of the mortal hero who became a god by virtue of his own virtus. Recently Erika Simon has claimed that Herakles was not a hero in Etruria as he had been in Greece, but a god from the very beginning.2 Yet, the evidence is not as clear-cut as it is made to appear. In many Etruscan representations Herakles, the hero, is shown in a variety of mythical contexts that can be regarded as significant landmarks along the pathway to his heavenly future life.3 In the late sixth century, the Greek myth of the hero’s apotheosis was adopted for Etruscan temple ornamentation. Six fragmentary terracotta groups of acroteria representing Herakles/Hercle and Athena/Menrva have been identified. One group decorated a small temple found below the church of Sant’Omobono in the Forum Boarium in Rome. Two groups come from the Portonaccio sanctuary in Veii, and three others are from Cerveteri, Pyrgi and Satricum.