Peter Kropotkin and His Influence on Czech Anarchism 55
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Fighting for France's Political Future in the Long Wake of the Commune, 1871-1880
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 Long Live the Revolutions: Fighting for France's Political Future in the Long Wake of the Commune, 1871-1880 Heather Marlene Bennett University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the European History Commons Recommended Citation Bennett, Heather Marlene, "Long Live the Revolutions: Fighting for France's Political Future in the Long Wake of the Commune, 1871-1880" (2013). Publicly Accessible Penn Dissertations. 734. https://repository.upenn.edu/edissertations/734 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/734 For more information, please contact [email protected]. Long Live the Revolutions: Fighting for France's Political Future in the Long Wake of the Commune, 1871-1880 Abstract The traumatic legacies of the Paris Commune and its harsh suppression in 1871 had a significant impact on the identities and voter outreach efforts of each of the chief political blocs of the 1870s. The political and cultural developments of this phenomenal decade, which is frequently mislabeled as calm and stable, established the Republic's longevity and set its character. Yet the Commune's legacies have never been comprehensively examined in a way that synthesizes their political and cultural effects. This dissertation offers a compelling perspective of the 1870s through qualitative and quantitative analyses of the influence of these legacies, using sources as diverse as parliamentary debates, visual media, and scribbled sedition on city walls, to explicate the decade's most important political and cultural moments, their origins, and their impact. -
The Anarchist Collectives Workers’ Self-Management in the Spanish Revolution, 1936–1939
The Anarchist Collectives Workers’ Self-Management in the Spanish Revolution, 1936–1939 Sam Dolgoff (editor) 1974 Contents Preface 7 Acknowledgements 8 Introductory Essay by Murray Bookchin 9 Part One: Background 28 Chapter 1: The Spanish Revolution 30 The Two Revolutions by Sam Dolgoff ....................................... 30 The Bolshevik Revolution vs The Russian Social Revolution . 35 The Trend Towards Workers’ Self-Management by Sam Dolgoff ....................................... 36 Chapter 2: The Libertarian Tradition 41 Introduction ............................................ 41 The Rural Collectivist Tradition by Sam Dolgoff ....................................... 41 The Anarchist Influence by Sam Dolgoff ....................................... 44 The Political and Economic Organization of Society by Isaac Puente ....................................... 46 Chapter 3: Historical Notes 52 The Prologue to Revolution by Sam Dolgoff ....................................... 52 On Anarchist Communism ................................. 55 On Anarcho-Syndicalism .................................. 55 The Counter-Revolution and the Destruction of the Collectives by Sam Dolgoff ....................................... 56 Chapter 4: The Limitations of the Revolution 63 Introduction ............................................ 63 2 The Limitations of the Revolution by Gaston Leval ....................................... 63 Part Two: The Social Revolution 72 Chapter 5: The Economics of Revolution 74 Introduction ........................................... -
The Regional Cosmopolitanism of George Woodcock
Transoceanic Canada: The Regional Cosmopolitanism of George Woodcock by Matthew Hiebert B.A., The University of Winnipeg, 1997 M.A., The University of Amsterdam, 2002 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy in THE FACULTY OF GRADUATE STUDIES (English) The University Of British Columbia (Vancouver) August 2013 c Matthew Hiebert, 2013 ABSTRACT Through a critical examination of his oeuvre in relation to his transoceanic geographical and intellectual mobility, this dissertation argues that George Woodcock (1912-1995) articulates and applies a normative and methodological approach I term “regional cosmopolitanism.” I trace the development of this philosophy from its germination in London’s thirties and forties, when Woodcock drifted from the poetics of the “Auden generation” towards the anti-imperialism of Mahatma Gandhi and the anarchist aesthetic modernism of Sir Herbert Read. I show how these connected influences—and those also of Mulk Raj Anand, Marie-Louise Berneri, Prince Peter Kropotkin, George Orwell, and French Surrealism—affected Woodcock’s critical engagements via print and radio with the Canadian cultural landscape of the Cold War and its concurrent countercultural long sixties. Woodcock’s dynamic and dialectical understanding of the relationship between literature and society produced a key intervention in the development of Canadian literature and its critical study leading up to the establishment of the Canada Council and the groundbreaking journal Canadian Literature. Through his research and travels in India—where he established relations with the exiled Dalai Lama and major figures of an independent English Indian literature—Woodcock relinquished the universalism of his modernist heritage in practising, as I show, a postcolonial and postmodern situated critical cosmopolitanism that advocates globally relevant regional culture as the interplay of various traditions shaped by specific geographies. -
Noam Chomsky Articulates a Clear, Uncompromising Defense of the Libertarian Socialist (Anarchist) Vision
This classic talk delivered in 1970 has never seemed more current. In it Noam Chomsky articulates a clear, uncompromising defense of the libertarian socialist (anarchist) vision. NOAM CHOMSKY GOVERNMENT IN THE FUTURE ceros press department of republication on the high seas Government in the Future Talk given at the Poetry Center, New York City, Feb. 16, 1970 I think it is useful to set up as a framework for discussion four somewhat idealized positions with regard to the role of the state in an advanced industrial society. I want to call these positions: 1. Classical Liberal 2. Libertarian Socialist 3. State Socialist 4. State Capitalist and I want to consider each in turn. Also, I'd like to make clear my own point of view in advance, so that you can evaluate and judge what I am saying. I think that the libertarian socialist concepts, and by that I mean a range of thinking that extends from left-wing Marxism through to anarchism, I think that these are fundamentally correct and that they are the proper and natural extension of classical liberalism into the era of advanced industrial society. In contrast, it seems to me that the ideology of state socialism, i.e. what has become of Bolshevism, and that of state capitalism, the modern welfare state, these of course are dominant in the industrial societies, but I believe that they are regressive and highly inadequate social theories, and a large number of our really fundamental problems stem from a kind of incompatibility and inappropriateness of these social forms to a modern industrial society. -
Peter Kropotkin and the Social Ecology of Science in Russia, Europe, and England, 1859-1922
THE STRUGGLE FOR COEXISTENCE: PETER KROPOTKIN AND THE SOCIAL ECOLOGY OF SCIENCE IN RUSSIA, EUROPE, AND ENGLAND, 1859-1922 by ERIC M. JOHNSON A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (History) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) May 2019 © Eric M. Johnson, 2019 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the dissertation entitled: The Struggle for Coexistence: Peter Kropotkin and the Social Ecology of Science in Russia, Europe, and England, 1859-1922 Submitted by Eric M. Johnson in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Examining Committee: Alexei Kojevnikov, History Research Supervisor John Beatty, Philosophy Supervisory Committee Member Mark Leier, History Supervisory Committee Member Piers Hale, History External Examiner Joy Dixon, History University Examiner Lisa Sundstrom, Political Science University Examiner Jaleh Mansoor, Art History Exam Chair ii Abstract This dissertation critically examines the transnational history of evolutionary sociology during the late-nineteenth and early-twentieth centuries. Tracing the efforts of natural philosophers and political theorists, this dissertation explores competing frameworks at the intersection between the natural and human sciences – Social Darwinism at one pole and Socialist Darwinism at the other, the latter best articulated by Peter Alexeyevich Kropotkin’s Darwinian theory of mutual aid. These frameworks were conceptualized within different scientific cultures during a contentious period both in the life sciences as well as the sociopolitical environments of Russia, Europe, and England. This cross- pollination of scientific and sociopolitical discourse contributed to competing frameworks of knowledge construction in both the natural and human sciences. -
The Rise of Ethical Anarchism in Britain, 1885-1900
1 e[/]pater 2 sie[\]cle THE RISE OF ETHICAL ANARCHISM IN BRITAIN 1885-1900 By Mark Bevir Department of Politics Newcastle University Newcastle upon Tyne NE1 7RU U.K. ABSTRACT In the nineteenth century, anarchists were strict individualists favouring clandestine organisation and violent revolution: in the twentieth century, they have been romantic communalists favouring moral experiments and sexual liberation. This essay examines the growth of this ethical anarchism in Britain in the late nineteenth century, as exemplified by the Freedom Group and the Tolstoyans. These anarchists adopted the moral and even religious concerns of groups such as the Fellowship of the New Life. Their anarchist theory resembled the beliefs of counter-cultural groups such as the aesthetes more closely than it did earlier forms of anarchism. And this theory led them into the movements for sex reform and communal living. 1 THE RISE OF ETHICAL ANARCHISM IN BRITAIN 1885-1900 Art for art's sake had come to its logical conclusion in decadence . More recent devotees have adopted the expressive phase: art for life's sake. It is probable that the decadents meant much the same thing, but they saw life as intensive and individual, whereas the later view is universal in scope. It roams extensively over humanity, realising the collective soul. [Holbrook Jackson, The Eighteen Nineties (London: G. Richards, 1913), p. 196] To the Victorians, anarchism was an individualist doctrine found in clandestine organisations of violent revolutionaries. By the outbreak of the First World War, another very different type of anarchism was becoming equally well recognised. The new anarchists still opposed the very idea of the state, but they were communalists not individualists, and they sought to realise their ideal peacefully through personal example and moral education, not violently through acts of terror and a general uprising. -
The Commune Movement During the 1960S and the 1970S in Britain, Denmark and The
The Commune Movement during the 1960s and the 1970s in Britain, Denmark and the United States Sangdon Lee Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of History September 2016 i The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement ⓒ 2016 The University of Leeds and Sangdon Lee The right of Sangdon Lee to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 ii Abstract The communal revival that began in the mid-1960s developed into a new mode of activism, ‘communal activism’ or the ‘commune movement’, forming its own politics, lifestyle and ideology. Communal activism spread and flourished until the mid-1970s in many parts of the world. To analyse this global phenomenon, this thesis explores the similarities and differences between the commune movements of Denmark, UK and the US. By examining the motivations for the communal revival, links with 1960s radicalism, communes’ praxis and outward-facing activities, and the crisis within the commune movement and responses to it, this thesis places communal activism within the context of wider social movements for social change. Challenging existing interpretations which have understood the communal revival as an alternative living experiment to the nuclear family, or as a smaller part of the counter-culture, this thesis argues that the commune participants created varied and new experiments for a total revolution against the prevailing social order and its dominant values and institutions, including the patriarchal family and capitalism. -
Anarchist Modernism and Yiddish Literature
i “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature by Anna Elena Torres A dissertation submitted in partial satisfaction of the requirements for the degree of Joint Doctor of Philosophy with the Graduate Theological Union in Jewish Studies and the Designated Emphasis in Women, Gender and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Chana Kronfeld, Chair Professor Naomi Seidman Professor Nathaniel Deutsch Professor Juana María Rodríguez Summer 2016 ii “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature Copyright © 2016 by Anna Elena Torres 1 Abstract “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature by Anna Elena Torres Joint Doctor of Philosophy with the Graduate Theological Union in Jewish Studies and the Designated Emphasis in Women, Gender and Sexuality University of California, Berkeley Professor Chana Kronfeld, Chair “Any Minute Now the World’s Overflowing Its Border”: Anarchist Modernism and Yiddish Literature examines the intertwined worlds of Yiddish modernist writing and anarchist politics and culture. Bringing together original historical research on the radical press and close readings of Yiddish avant-garde poetry by Moyshe-Leyb Halpern, Peretz Markish, Yankev Glatshteyn, and others, I show that the development of anarchist modernism was both a transnational literary trend and a complex worldview. My research draws from hitherto unread material in international archives to document the world of the Yiddish anarchist press and assess the scope of its literary influence. The dissertation’s theoretical framework is informed by diaspora studies, gender studies, and translation theory, to which I introduce anarchist diasporism as a new term. -
Political Conflict in the International Workers’ Association, 1864-1877
Political conflict in the International Workers’ Association, 1864-1877 A W Zurbrugg INTRODUCTION ............................................................... 2 German Socialism .........................................................................................6 The International in France ..........................................................................10 Politics in Switzerland .................................................................................13 Politics Elsewhere .......................................................................................14 The International in Switzerland .................................................................18 The Basel Congress .....................................................................................22 Unity, Debate and Expulsion .......................................................................25 Accountability and Control .........................................................................30 Delusions .....................................................................................................37 A Non-sectarian International? ....................................................................39 The Ongoing International ...........................................................................57 Conclusion ...................................................................................................69 Appendix 1: The Basel Congress of the International, 1869. ......................77 [A] Summary and extracts of the report -
Periods of Poetic Silence in Modern Canadian Creative Careers
“A Strange Gestation”: Periods of Poetic Silence in Modern Canadian Creative Careers Laura Cameron Department of English McGill University, Montreal July 2015 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Laura Cameron 2015 “The sun climbs to the middle of the sky and stops. It’s noon. It’s the first bell of noon ringing loud from the cathedral tower. … Great shovelfuls of sound dumped in the grave of our activity. The sound fills up every space and every thought. … The future is blocked. The past is plugged up. Layer after layer of the present seizes us, buries us in one vast amber paperweight. Sealed under twelve skyfuls of the only moment.” — Leonard Cohen, Death of a Lady’s Man (1978) “Sit in a chair and keep still. Let the dancer’s shoulders emerge from your shoulders, the dancer’s chest from your chest, the dancer’s loins from your loins, the dancer’s hips and thighs from yours; and from your silence the throat that makes a sound, and from your bafflement a clear song to which the dancer moves, and let him serve God in beauty. When he fails, send him again from your chair.” — Leonard Cohen, Book of Mercy (1984) Table of Contents Abstract ii Résumé iv Acknowledgements vi Abbreviations viii Introduction 1 PART I: Conceptions of Silence Chapter One: “From the Performance Point of View”: Critical Conceptions of Creative Silence 30 Chapter Two: “Why did you stop writing?”: Poets Accounting for Poetic Silence 76 PART II: The Experience of Silence Chapter Three: “The Whole Breathless Predicament”: The Experience of Creative Crisis 121 Chapter Four: “Then let us start again”: Writing Out of Silence 189 Conclusion 288 Works Cited 301 Cameron ii Abstract This dissertation unites a diverse group of Canadian poets who all fell silent for a prolonged period in the middle of otherwise productive and successful poetic careers: P.K. -
Peter Kropotkin
PETER KROPOTKIN READER ON HISTORY P RINCIPLES, PROPOSITIONS & D ISCUSSIONS FOR L AND & FREEDOM AN INTRODUCTORY WORD TO THE ANARCHIVE Anarchy is Order! I must Create a System or be enslav d by another Man s. I will not Reason & Compare: my business is to Create (William Blake) During the 19th century, anarchism has develloped as a result of a social current which aims for freedom and happiness. A number of factors since World War I have made this movement, and its ideas, dissapear little by little under the dust of history. After the classical anarchism of which the Spanish Revolution was one of the last representatives a new kind of resistance was founded in the sixties which claimed to be based (at least partly) on this anarchism. However this resistance is often limited to a few (and even then partly misunderstood) slogans such as Anarchy is order , Property is theft ,... Information about anarchism is often hard to come by, monopolised and intellectual; and therefore visibly disapearing.The anarchive or anarchist archive Anarchy is Order ( in short A.O) is an attempt to make the principles, propositions and discussions of this tradition available again for anyone it concerns. We believe that these texts are part of our own heritage. They don t belong to publishers, institutes or specialists. These texts thus have to be available for all anarchists an other people interested. That is one of the conditions to give anarchism a new impulse, to let the new 2 anarchism outgrow the slogans. This is what makes this project relevant for us: we must find our roots to be able to renew ourselves. -
Kropotkin in America
PAULAVRICH KROPOTKIN IN AMERICA It is a well-established fact that foreign immigrants and visitors played a major role in the emergence of American anarchism. During the nineteenth and twentieth centuries, European-born artisans and peasants — Germans and Czechs, Italians and Spaniards, Russians and Jews — constituted the mass base of the movement, while its intellectual leadership included well-known speakers and writers from diverse countries, who came either as permanent settlers or on extended lecture tours. Among the Russians, Michael Bakunin spent nearly two months in the United States after his flight from Siberia in 1861.1 Stepniak (S. M. Kravchinsky) went there to lecture in 1891, N. V. Chaikovsky to join a Utopian community and again to raise funds for the Russian revolutionary movement. The flood of Russian immigrants before and during the First World War included V. M. Eikhenbaum ("Volin"), Efim Yarchuk, Aaron and Fanny Baron, Boris Yelensky and William Shatoff, not to mention Emma Goldman and Alexander Berkman, who had arrived in the 188O's. After the Bolshevik consolidation of power came such figures as Gregory Maximoff, Abba Gordin and Mark Mratchny, who recently died in New York, the last of the Russian anarchists with an international reputation. (Maximoff died in Chicago in 1950 and Alexander Schapiro in New York in 1946, a refugee from Hitler's invasion of France.) Of all the Russian visitors, however, it was Peter Kropotkin who made the greatest impression. The leading figure in the international anarchist movement since Bakunin's death in 1876, Kropotkin was a founder of both the British and Russian anarchist movements, and exerted a strong in- fluence on anarchists throughout the world.