Rapture of the Nerds

Total Page:16

File Type:pdf, Size:1020Kb

Rapture of the Nerds coerced purchase of our humble article of commerce. USA: Amazon Kindle (DRM-free) Barnes and Noble Nook (DRM-free) Google Books (DRM-free) Kobo (DRM-free) Apple iBooks (DRM-free) Amazon Booksense (will locate a store near you!) Barnes and Noble Powells Booksamillion UK: Forbidden Planet Waterstones Amazon Rapture of the Nerds Canada: by Cory Doctorow and Charles Stross Amazon Kindle (DRM-free) Kobo (DRM-free) Chapters/Indigo Amazon.ca A COMMERCIAL INTERLUDE Gondar primulon, Earthling! Welcome to the free READ THIS FIRST CC-licensed ebook! We know that there's no way This book is distributed under a Creative we could keep you from getting a free copy of this Commons Attribution-NonCommercial-NoDerivs from some dodgy corner of the Internet. Rather 3.0 license. That means: than send you off to the kind of site you'd better visit through a proxy with your cookies turned off, You are free: we're giving you this-here free, pristine, hand- to Share—to copy, distribute and transmit crafted ebook in a variety of formats. We hope you the work enjoy reading it as much as we enjoyed writing it (though, truth be told, we really enjoyed writing Under the following conditions: it). And we hope that, having read it, you rush Attribution. You must attribute the work in straight out to your local bookseller and buy a the manner specified by the author or copy—or, if you prefer to buy the ebook or have licensor (but not in any way that suggests the smashing and lovely physical book delivered that they endorse you or your use of the to you, here are some links that will let you reward work). our generosity and trust with a voluntary, non- Noncommercial. You may not use this work for commercial purposes. school classroom should have to talk to a lawyer at No Derivative Works—You may not alter, a giant global publisher before they put on a play transform, or build upon this work. based on one of my books. It's ridiculous to say For any reuse or distribution, you must that people who want to "loan" their electronic make clear to others the license terms of copy of my book to a friend need to get a license this work. The best way to do this is with a to do so. Loaning books has been around longer link http://craphound.com/rotn than any publisher on Earth, and it's a fine thing. Any of the above conditions can be waived Copyright laws are increasingly passed without if you get our permission democratic debate or scrutiny. In Great Britain, More info here: where I live, Parliament recently passed the https://creativecommons.org/licenses/by-nc- Digital Economy Act, a complex copyright law nd/3.0/ that allows corporate giants to disconnect whole families from the Internet if anyone in the house is See the end of this file for the complete legalese. accused (without proof) of copyright infringement; it also creates a "Great Firewall of Britain" that is used to censor any site that record companies and movie studios don't like. This law was passed in THE COPYRIGHT THING 2010 without any serious public debate in Parliament, rushed through using a dirty process What Cory Says: through which our elected representatives betrayed The Creative Commons license at the top of this the public to give a huge, gift-wrapped present to file probably tipped you off to the fact that I've got their corporate pals. some pretty unorthodox views about copyright. It gets worse: around the world, rich countries like Here's what I think of it, in a nutshell: a little goes the US, the EU and Canada have been negotiating a long way, and more than that is too much. a secret copyright treaty called "The Anti- I like the fact that copyright lets me sell rights to Counterfeiting Trade Agreement" (ACTA) and my publishers and film studios and so on. It's nice "Trans-Pacific Partnership" (TPP) that have all the that they can't just take my stuff without problems that the Digital Economy Act had and permission and get rich on it without cutting me in then some. The plan was to agree to this in secret, for a piece of the action. I'm in a pretty good without public debate, and then force the world's position when it comes to negotiating with these poorest countries to sign up for it by refusing to companies: I've got a great agent and a decade's allow them to sell goods to rich countries unless experience with copyright law and licensing they do. In America, the plan was to pass it (including a stint as a delegate at WIPO, the UN without Congressional debate, using the executive agency that makes the world's copyright treaties). power of the President. ACTA began under Bush, What's more, there's just not that many of these but the Obama administration has pursued it with negotiations—even if I sell fifty or a hundred great enthusiasm, and presided over the creation of different editions of Context (which would put it TPP. The secret part of the plan failed—ACTA ran in top millionth of a percentile for reprint essay into heavy opposition in Congress and has been collections), that's still only a hundred rejected by Mexico and the European Parliament negotiations, which I could just about manage. —but the treaty isn't dead yet, has supporters on both sides of the house who keep attempting to I hate the fact that fans who want to do what bring it back under a new name. This is a readers have always done are expected to play in bipartisan lunacy. the same system as all these hotshot agents and lawyers. It's just stupid to say that an elementary So if you're not violating copyright law right now, you will be soon. And the penalties are about to wasn't designed at all! Rather, it evolved over a get a lot worse. As someone who relies on period of centuries, from a tool of state censorship copyright to earn my living, this makes me sick. If (you could prevent sedition by licensing big, the big entertainment companies set out to destroy heavy, old-fashioned metal-type printing presses) copyright's mission, they couldn't do any better to a tool for revenue protection (Dickens and other than they're doing now. Victorian writers were frequently on the edge of So, basically, screw that. Or, as the singer, Wobbly poverty because their works were copied without and union organizer Woody Guthrie so eloquently credit or royalty payment by any printer who put it: could get their hands on them), and finally, recently, into a tool for rent-seeking by big "This song is Copyrighted in U.S., under Seal of corporations with paid lobbyists. Nobody in their Copyright #154085, for a period of 28 years, and right mind would have designed the current anybody caught singin' it without our permission, system—but we're stuck with it, largely because will be mighty good friends of ourn, cause we it's now a global mess, enshrined in law by don't give a dern. Publish it. Write it. Sing it. international treaty: a many-headed hydra that Swing to it. Yodel it. We wrote it, that's all we would require broad international agreement in wanted to do." order to be replaced. What Charlie says: I am a copyright criminal, and so (in all Cory has covered the groundwork pretty well probability) are you. above, so I've got relatively little to add. No, I'm not exaggerating. I will confess to having There's an old story about a couple of tourists who cracked the DRM lock on novels that I wrote, so are on vacation in rural Ireland, and who get that I could have my very own copy of the as- themselves lost. They've got a map but they can't published text! That puts me in breach of the figure out where they are (this is the pre-GPS era). DMCA (in the United States) and the Copyright, Finally they come to a rural five-way crossroads, Designs and Patents Act (in the United Kingdom, and a farmer with a herd of sheep. "Excuse me, where I live). I've also cracked DRM on ebooks I my good man," says one of the tourists, "we're bought so that I could read them on other devices. lost! Can you tell us how to get back to Dublin?" (Did I say "on ebooks I bought"? That's the The farmer meditates for a minute, and then offers problem: I paid for them, but I don't own them in up his advice: "Sure I can, but if I were youse, I the same way that I own a chunk of dead tree; the wouldn't start from here." major ebook vendors insist that I'm merely paying a license fee to use the ebook, and that they retain (Pre-emptive apology: This old story applies to ownership of it.) You may think that's hair- just about all rural districts; it's just traditional to splitting, but it's an important point; if I complied set it in Ireland. Please don't hurt me!) with the letter of the law I wouldn't be able to use Copyright puts us all in those tourists' shoes, and those ebooks after the ereader they were licensed they pinch and they don't fit very well.
Recommended publications
  • Razorcake Issue #82 As A
    RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS.
    [Show full text]
  • The Devils' Dance
    THE DEVILS’ DANCE TRANSLATED BY THE DEVILS’ DANCE HAMID ISMAILOV DONALD RAYFIELD TILTED AXIS PRESS POEMS TRANSLATED BY JOHN FARNDON The Devils’ Dance جينلر بازمي The jinn (often spelled djinn) are demonic creatures (the word means ‘hidden from the senses’), imagined by the Arabs to exist long before the emergence of Islam, as a supernatural pre-human race which still interferes with, and sometimes destroys human lives, although magicians and fortunate adventurers, such as Aladdin, may be able to control them. Together with angels and humans, the jinn are the sapient creatures of the world. The jinn entered Iranian mythology (they may even stem from Old Iranian jaini, wicked female demons, or Aramaic ginaye, who were degraded pagan gods). In any case, the jinn enthralled Uzbek imagination. In the 1930s, Stalin’s secret police, inveigling, torturing and then executing Uzbekistan’s writers and scholars, seemed to their victims to be the latest incarnation of the jinn. The word bazm, however, has different origins: an old Iranian word, found in pre-Islamic Manichaean texts, and even in what little we know of the language of the Parthians, it originally meant ‘a meal’. Then it expanded to ‘festivities’, and now, in Iran, Pakistan and Uzbekistan, it implies a riotous party with food, drink, song, poetry and, above all, dance, as unfettered and enjoyable as Islam permits. I buried inside me the spark of love, Deep in the canyons of my brain. Yet the spark burned fiercely on And inflicted endless pain. When I heard ‘Be happy’ in calls to prayer It struck me as an evil lure.
    [Show full text]
  • Indie Blijft Ons Bezighouden Gratis Epub, Ebook
    INDIE BLIJFT ONS BEZIGHOUDEN GRATIS Auteur: Ant. P. De Graaff Aantal pagina's: 143 pagina's Verschijningsdatum: 2003-06-21 Uitgever: Uitgeverij van Wijnen EAN: 9789051942668 Taal: nl Link: Download hier Indie blijft ons bezighouden / druk 1 De auteur, die van maart tot begin oktober zelf uitgezonden was naar het toenmalige Nederlands-Indië als sergeant -gewondenverzorger van het ste Bataljon Infanterie , heeft twintig boeken geschreven over de problematiek van de vooral dienstplichtige militairen die in de jaren na de Tweede Wereldoorlog naar Nederlands-Indië werden gezonden tijdens de politionele acties. Het bekendst werd zijn boek De heren worden bedankt , met in totaal zeven drukken. Met zijn boeken was De Graaff een spreekbuis geworden voor veel Indiëveteranen en stelde hij misstanden aan de kaak die Nederlandse soldaten destijds en als veteraan overkwamen. In leidde een verzoeningsreis van hem naar Indonesië waarbij ook met voormalige vijanden gesproken werd, tot commotie onder Indiëveteranen. Voor zijn boeken kreeg hij van het Ministerie van Defensie in de Kolonel Antoni Waardering uitgereikt. De Graaff overleed op 4 januari aan een herseninfarct. Hij werd 79 jaar. Zijn 19e boek Eindelijk erkenning verscheen in het voorjaar van Zijn 20e en laatste boek, waarvan bij zijn overlijden pagina 56 in de typemachine bleef steken, is alsnog uitgegeven in januari De titel hiervan is: "Vaarwel Kameraad! Uit Wikipedia, de vrije encyclopedie. Het dagboek van soldaat A. Naamruimten Artikel Overleg. Weergaven Lezen Bewerken Brontekst bewerken Geschiedenis. Gebruikersportaal Snelcursus Hulp en contact Donaties. Links naar deze pagina Verwante wijzigingen Bestand uploaden Speciale pagina's Permanente koppeling Paginagegevens Deze pagina citeren Wikidata-item.
    [Show full text]
  • Epistolary Fictions by Women Writers in Spain (1986-2002)
    University of Kentucky UKnowledge Theses and Dissertations--Hispanic Studies Hispanic Studies 2013 LETTERS AS SELF-PORTRAITS: EPISTOLARY FICTIONS BY WOMEN WRITERS IN SPAIN (1986-2002) Lynn Y. Celdran University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Celdran, Lynn Y., "LETTERS AS SELF-PORTRAITS: EPISTOLARY FICTIONS BY WOMEN WRITERS IN SPAIN (1986-2002)" (2013). Theses and Dissertations--Hispanic Studies. 17. https://uknowledge.uky.edu/hisp_etds/17 This Doctoral Dissertation is brought to you for free and open access by the Hispanic Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Hispanic Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies.
    [Show full text]
  • Order Form Full
    JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE
    [Show full text]
  • Slugmag.Com 1
    slugmag.com 1 SaltLakeUnderGround • Vol. 25 • Issue #311 • November 2014 • slugmag.com Publisher: Eighteen Percent Gray Marketing Coordinator: CONTRIBUTOR LIMELIGHT: Editor: Angela H. Brown Robin Sessions Managing Editor: Alexander Ortega Marketing Team: Alex Topolewski, Carl Acheson, Alex Springer Junior Editor: Christian Schultz Cassie Anderson, Cassandra Loveless, Ischa B., Janie Senior Staff Writer Office Coordinator:Gavin Sheehan Greenberg, Jono Martinez, Kendal Gillett, Lindsay Digital Content Coordinator: Henry Glasheen Clark, Raffi Shahinian, Robin Sessions, Zac Freeman Fact Checker: Henry Glasheen Social Media Coordinator: Catie Weimer Copy Editing Team: Alex Cragun, Alexander Distribution Manager: Eric Granato Ortega, Allison Shephard, Christian Schultz, Cody Distro: Andrea Silva, Daniel Alexander, Eric Kirkland, Henry Glasheen, John Ford, Jordan Granato, John Ford, Jordan Deveraux, Julia Sachs, Deveraux, Julia Sachs, Laikwan Waigwa-Stone, Maria Valenzuela, Michael Sanchez, Nancy Maria Valenzuela, Mary E. Duncan, Shawn Soward, Burkhart, Nancy Perkins, Phil Cannon, Ricky Vigil, Traci Grant Ryan Worwood, Tommy Dolph, Tony Bassett, Content Consultants: Jon Christiansen, Xkot Toxsik Matt Hoenes Senior Staff Writers: Alex Springer, Alexander Cover Photo: Chad Kirkland Ortega, Ben Trentelman, Brian Kubarycz, Brinley Lead Designer: Joshua Joye Froelich, Bryer Wharton, Christian Schultz, Cody Design Team: Chad Pinckney, Lenny Riccardi, Hudson, Cody Kirkland, Dean O. Hillis, Gavin Mason Rodrickc, Paul Mason Sheehan, Henry Glasheen, Ischa
    [Show full text]
  • 2014 Your Fortune Awaits
    APRIL 3-9, 2014 yOuR FortUNe aWAITS. 2 ----------------------------------------------------------------------------------- www.whatzup.com ------------------------------------------------------------------April 3, 2014 whatzup APRIL 12, 2014 | 8PM Volume 18, Number 34 AUER PERFORMANCE HALL, IPFW s it over? Seems like it might be. Here at World Headquarters we’ve opened our windows and let the breeze in for the first time since last November. When you think about it, that makes five months of winter. OverI 40 percent of the past 365 days have been, if not officially winter, at least winter-like, and that’s just not right. But, like we said above, it appears the worst is over and we can look forward to warm weather and fun in the sun. If that’s what you’re looking for, you’ve come to the right place: the Fort Wayne area’s one and only free entertainment weekly. How many things can you think of that are free and weekly? Yeah, we thought so. Inside this free weekly issue of whatzup (sorry, but we thought it bears repeat- ing) you’ll find feature stories on local artist Jim Merz and local metal band CARNIVAL OF ANDREW CONSTANTINE MUSIC DIRECTOR Demonwolf. You’ll also find a review of the Civic Theatre’s production of THE ANIMALS SUSIE PARK GUEST CONCERTMASTER , a restaurant review of The Friendly Fox, a number of res- JENNIFER REGAN VOLK FLUTE Grace and Glorie SponSored by The Mildred roeSe taurant and book reviews, some columns worth reading and the hands-down, and Gloria naSh ChariTable Fund CAMPBELL MACDONALD CLARINET without a doubt most extensive and complete art and entertainment calendars, APRIL 6, 2014 if not on the planet, well at least in northeast Indiana.
    [Show full text]
  • June 2-8, 2016
    JUNE 2-8, 2016 FACEBOOK.COM/WHATZUPFORTWAYNE | WWW.WHATZUP.COM | FACEBOOK.COM/WHATZUPFORTWAYNE 2 ----------------------------------------------------------------------------------- www.whatzup.com ------------------------------------------------------------------June 2, 2016 whatzup Volume 20, Number 42 ort Wayne must really love Germanfest because every year, when we feature the annual festival on our cover, the issues fly off our news- racks like German hotcakes. We assume the popularlity of this particu- larF issue has everything to do with German music and dancing, contests and games and food and beer and not the buxom fraulein that graces its cover, but we could be wrong. Whatever your reason for picking up this week’s issue of GO TO OUR WEBSITE whatzup, you’ll find all things Germanfest in Deborah Kennedy’s cover story FOR TICKET INFO & MORE on page 4. And if you happen to leave your copy at home while you’re out and about during the festival, you’ll be able to access a complete daily schedule at ALL SHOWS ALL AGES UPCOMING EVENTS www.whatzup.com on your cellular device. Genießen! If your tastes run more toward classic rock n’ roll and pop, we’re guessing The Monkees might be the thing for you. The 60s TV and pop music darlings are part of this summer’s Foellinger Theatre concert lineup and are featured by Michele DeVinney on page 5 (and yes, she’s a fan). Finally, we feature one of Fort Wayne’s undiscovered treasures and yet another CuteCute ByBy NatureNature blessing bestowed upon our community by Sweetwater Sound. Expanding Man, a collective consisting of some of Sweetwater’s very best players, play every so JewelryJewelry June 6 | 7pm often at Don Hall’s Guesthouse and are some of the most talented musicians you’re ever going to see.
    [Show full text]
  • Twin Peaks Release Wild Onion Demos on Bandcamp
    March 5, 2015 For Immediate Release TWIN PEAKS RELEASE WILD ONION DEMOS ON BANDCAMP ANNOUNCE SXSW SHOWS & NEW TOUR DATES Having just returned from their second batch of European tour dates, the Twin Peaks dudes are back in the States and stoked to share a set of demos that’ll keep you satisfied until they play your town this spring. Earlier today, the band posted demos for their breakout album, Wild Onion (out now on Grand Jury), to their Bandcamp page. You can download the set, which they are calling Mind Frames, here for free. Also, seizing an opportunity that was too good to pass up, the boys filmed an alternate video for “Making Breakfast” in London’s Cereal Killer Cafe. Finally, they’ll be hitting the road starting this weekend with performances that include SXSW, Sasquatch Festival, Canadian Mu- sic Week, Forecastle, Free Press Summer Fest, and a tribute to David Lynch’s work with music in TV and film that will see both forms of Twin Peaks unite. That show will feature the likes of Donovan, Karen O, Duran Duran, Jim James, Sky Ferreira, Wayne Coyne, and more. Check out their demos, SXSW shows (more to be announced soon!), and new tour dates below! DOWNLOAD MIND FRAMES, THE WILD ONION DEMOS https://twinpeakschicago.bandcamp.com/album/mind-frames ! TWIN PEAKS @ SXSW Monday, Mar 16 12:30AM - Tumblr Fuck Yeah Party Sponsored by Entourage @ Mohawk (912 Red River St.) w/Spoon, ASTR, Tei Shi Tuesday, Mar 17 12AM - Chicago Made Official Showcase @ The Main (610 E 6th St.) w/Vic Mensa, Gemini Club Wednesday, Mar 18 5PM - Waterloo In-Store (600A North Lamar Boulevard) w/Will Butler, The Districts 10PM - Jansport Bonfire Sessions Official Showcase @ Cheer Up Charlie’s (900 Red River St.) w/Real Estate, Waxahatchee, and Only Reel Friday, Mar 20 5:40PM - IFC Fairgrounds @ Palm Park (601 E.
    [Show full text]
  • Bay Guardian
    THE SAN FRANCISCO B A Y OCTOBER 17, 1990/VOL 25/NO. 2 ^AY AREA'S BEST. .. EVERY WEEK ON THE COVER: UNKNOWN NO MORE After five years of struggle, SFs Faith No More is on its way, with a Grammy nomination, an MTV video award and an album that's gone platinum (p. 23) ARTS ^ MILLION PG&EiOVER-UP For two years, ArtAgnos has had a study on his desk showing that the city would make as much as $500 million by buying out PG&E. Why has he kept it secret? (p. 17) DARK PASSAGES It's anomie again in America as the literary world rediscovers the hard-boiled noir fiction style of the '40s. ►P/us: Lesbian detective fiction. The SF Book Festival, reviews and more. Our quarterly literary supplement ESSL'i". MONSTER LECTRONICS UNCLE WHO?? Uncle Ralph’s is the East Bay’s largest independent audio/video specialist, with some of the best prices in the country, in 8 years we’ve grown at an incredible rate, and our reputation has spread far and wide. Our customers come from as far away as New York, Tokyo, an even Minsk! This is your big chance to gobble up hundreds of amazing buys from our gargantuan inventory. WHArS GOING ON?? Our warehouse is stocked to the gills with top name merchandise, and it’s gotta go! Every¬ thing is new, in the box, with the manufac¬ turer’s warranty. But shop early, because the sale is limited to stock on hand! There are ac¬ tually hundred of items on sale.
    [Show full text]
  • Best of 2014 Listener Poll Nominees
    Nominees For 2014’s Best Albums From NPR Music’s All Songs Considered Artist Album ¡Aparato! ¡Aparato! The 2 Bears The Night is Young 50 Cent Animal Ambition A Sunny Day in Glasgow Sea When Absent A Winged Victory For The Sullen ATOMOS Ab-Soul These Days... Abdulla Rashim Unanimity Actress Ghettoville Adia Victoria Stuck in the South Adult Jazz Gist Is Afghan Whigs Do To The Beast Afternoons Say Yes Against Me! Transgender Dysphoria Blues Agalloch The Serpent & The Sphere Ages and Ages Divisionary Ai Aso Lone Alcest Shelter Alejandra Ribera La Boca Alice Boman EP II Allah-Las Worship The Sun Alt-J This is All Yours Alvvays Alvvays Amason Duvan EP Amen Dunes Love Ana Tijoux Vengo Andrew Bird Things Are Really Great Here, Sort Of... Andrew Jackson Jihad Christmas Island Andy Stott Faith In Strangers Angaleena Presley American Middle Class Angel Olsen Burn Your Fire For No Witness Animal Magic Tricks Sex Acts Annie Lennox Nostalgia Anonymous 4 David Lang: love fail Anthony D'Amato The Shipwreck From The Shore Antlers, The Familiars The Apache Relay The Apache Relay Aphex Twin Syro Arca Xen Archie Bronson Outfit Wild Crush Architecture In Helsinki NOW + 4EVA Ariel Pink Pom Pom Arturo O’Farrill & the Afro Latin Orchestra The Offense of the Drum Ásgeir In The Silence Ashanti BraveHeart August Alsina Testimony Augustin Hadelich Sibelius, Adès: Violin Concertos The Autumn Defense Fifth Avey Tare Enter The Slasher House Azealia Banks Broke With Expensive Taste Band Of Skulls Himalayan Banks Goddess Barbra Streisand Partners Basement Jaxx Junto Battle Trance Palace Of Wind Beach Slang Cheap Thrills on a Dead End Street Bebel Gilberto Tudo Beck Morning Phase Béla Fleck & Abigail Washburn Béla Fleck & Abigail Washburn Bellows Blue Breath Ben Frost A U R O R A Benjamin Booker Benjamin Booker Big K.R.I.T.
    [Show full text]
  • Friday, March 14 15 Saturday
    compiled by Pamela Beach, [email protected] pasa week pasatiempomagazine.com Café Café Friday, March 14 Trio Los Primos, Latin favorites, 6 p.m., GALLERY/MUSEUM OPENINGS no cover. Axle Contemporary Cowgirl BBQ Michelle McAfee and Mobile gallery, 505-670-7612 or 505-670-5854. David Jacob Strains, folk/pop/blues, 5 p.m.; Excavations, installation by Laurie Ann Larimer, cover band Chango, 8:30 p.m.; no cover. look for the van outside Ellsworth Gallery, Duel Brewing 215 E. Palace Ave., reception 5-7 p.m., Alternative band TV Killers, 7-10 p.m., no cover. visit axle.com for locations through April 6. El Farol Back Street Bistro John Kurzweg Band, rock, 9 p.m., call for cover. 513 Camino de los Marquez, 505-982-3500. Evangelo’s Rolling Stones tribute band Little Detailed Whimsy, Autumn Buddemeier’s oils; Leroy and His Pack of Lies, 9 p.m., call for cover. Airbrush Portraits, by Grant Kosh; reception Hotel Santa Fe 5:30-7:30 p.m. Guitarist/flutist Ronald Roybal, 7-9 p.m., David Richard Gallery no cover. 544 S. Guadalupe St., 505-983-9555. Lineal La Fiesta Lounge at La Fonda Pathways, paintings by Julian Stanczak, Danny Duran and Slo Burning, country licks, reception 5-7 p.m., through April 19. 8-11 p.m., no cover. Ellsworth Gallery Lodge Lounge at The Lodge at Santa Fe 215 E. Palace Ave., 505-989-7900. Mind Gears, Pachanga! Club Fridays with DJ Gabriel “Aztec paintings by Timothy Nero, artist talk 3 p.m., Sol” Ortega spinning salsa, cumbia, bachata, reception 5-7 p.m., through May 14 (See story, and merenge, dance lesson, 8:30-9:30 p.m., Page 30) call for cover.
    [Show full text]