Everything Subject to Change. SXSW Showcasing Artists Current As of March 8, 2017
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Directory P&E 2021X Copy with ADS.Indd
Annual Directory of Producers & Engineers Looking for the right producer or engineer? Here is Music Connection’s 2020 exclusive, national list of professionals to help connect you to record producers, sound engineers, mixers and vocal production specialists. All information supplied by the listees. AGENCIES Notable Projects: Alejandro Sanz, Greg Fidelman Notable Projects: HBO seriesTrue Amaury Guitierrez (producer, engineer, mixer) Dectective, Plays Well With Others, A440 STUDIOS Notable Projects: Metallica, Johnny (duets with John Paul White, Shovels Minneapolis, MN JOE D’AMBROSIO Cash, Kid Rock, Reamonn, Gossip, and Rope, Dylan LeBlanc) 855-851-2440 MANAGEMENT, INC. Slayer, Marilyn Manson Contact: Steve Kahn Studio Manager 875 Mamaroneck Ave., Ste. 403 Tucker Martine Email: [email protected] Mamaroneck, NY 10543 Web: a440studios.com Ryan Freeland (producer, engineer, mixer) facebook.com/A440Studios 914-777-7677 (mixer, engineer) Notable Projects: Neko Case, First Aid Studio: Full Audio Recording with Email: [email protected] Notable Projects: Bonnie Raitt, Ray Kit, She & Him, The Decemberists, ProTools, API Neve. Full Equipment list Web: jdmanagement.com LaMontagne, Hugh Laurie, Aimee Modest Mouse, Sufjan Stevens, on website. Mann, Joe Henry, Grant-Lee Phillips, Edward Sharpe & The Magnetic Zeros, Promotional Videos (EPK) and concept Isaiah Aboln Ingrid Michaelson, Loudon Wainwright Mavis Staples for bands with up to 8 cameras and a Jay Dufour III, Rodney Crowell, Alana Davis, switcher. Live Webcasts for YouTube, Darryl Estrine Morrissey, Jonathan Brooke Thom Monahan Facebook, Vimeo, etc. Frank Filipetti (producer, engineer, mixer) Larry Gold Noah Georgeson Notable Projects: Vetiver, Devendra AAM Nic Hard (composer, producer, mixer) Banhart, Mary Epworth, EDJ Advanced Alternative Media Phiil Joly Notable Projects: the Strokes, the 270 Lafayette St., Ste. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Beefs, Diss Tracks E a Repercussão Do Discurso Do Rap E Do Hip- Hop Na Imprensa Norte-Americana
UNIVERSIDADE FEDERAL DO RIO DE JANEIRO ESCOLA DE COMUNICAÇÃO CENTRO DE FILOSOFIA E CIÊNCIAS HUMANAS JORNALISMO TOO AGGRESSIVE – BEEFS, DISS TRACKS E A REPERCUSSÃO DO DISCURSO DO RAP E DO HIP- HOP NA IMPRENSA NORTE-AMERICANA WENNY MIOZZO BELFORT SANTOS RIO DE JANEIRO 2017 UNIVERSIDADE FEDERAL DO RIO DE JANEIRO ESCOLA DE COMUNICAÇÃO CENTRO DE FILOSOFIA E CIÊNCIAS HUMANAS JORNALISMO TOO AGGRESSIVE – BEEFS, DISS TRACKS E A REPERCUSSÃO DO DISCURSO DO RAP E DO HIP- HOP NA IMPRENSA NORTE-AMERICANA Monografia submetida à Banca de Graduação como requisito para obtenção do diploma de Comunicação Social/ Jornalismo. WENNY MIOZZO BELFORT SANTOS Orientador: Prof. Dr. Micael Herschmann RIO DE JANEIRO 2017 UNIVERSIDADE FEDERAL DO RIO DE JANEIRO ESCOLA DE COMUNICAÇÃO TERMO DE APROVAÇÃO A Comissão Examinadora, abaixo assinada, avalia a Monografia Too Aggressive – Beefs, Diss Tracks e a Repercussão do Discurso do Rap e do Hip-Hop na Imprensa Norte-Americana, elaborada por Wenny Miozzo Belfort Santos. Monografia examinada: Rio de Janeiro, no dia ........./........./.......... Comissão Examinadora: Orientador: Prof. Dr. Micael Herschmann Doutor em Comunicação pela Escola de Comunicação - UFRJ Departamento de Comunicação - UFRJ Prof. Igor Sacramento Doutor em Comunicação pela Escola de Comunicação - UFRJ Departamento de Comunicação -. UFRJ Profa. Marialva Barbosa Doutora em História pela Universidade Federal Fluminense - UFF Departamento de Comunicação -. UFRJ RIO DE JANEIRO 2017 FICHA CATALOGRÁFICA SANTOS, Wenny Miozzo Belfort. Too Aggressive – Beefs, Diss Tracks e a Repercussão do Discurso do Rap e do Hip-Hop na Imprensa Norte-Americana. Monografia (Graduação em Comunicação Social/ Jornalismo) – Universidade Federal do Rio de Janeiro – UFRJ, Escola de Comunicação – ECO. Orientador: Micael Maiolino Herschmann SANTOS, Wenny Miozzo Belfort. -
Full Length Album "Usual Suspects: Season III)
8 PIECE HIP-HOP COLLECTIVE BIOGRAPHY Formed in a basement in Ottawa, Ontario, in late 2012, BLAKDENIM blends genres like no Canadian act today. The group fuses hip-hop, funk, rock and soul with lyrical content that ranges from identity issues to daily issues, like picking yourself up after a bad day, perseverance, self- esteem and hope. Influenced by artists like The Roots to Earth, Wind and Fire, there’s no shortage of musical expertise with the line-up consisting of an emcee, female vocalist, 2 trumpets, saxophone, bass guitar, guitar, keys and drums. They soon became known as an incredible live act not to be missed within the Nation’s Capital across a spectrum of music genre fans alike. As finalists in the Live 88.5 Big Money Shot radio competition in 2013, the band was awarded a small sum of money that allowed them to record their debut EP. “Vanguard(EN)” was independently released in 2014, and made top hip-hop charts on college radio and selective rotation on commercial FM stations. Their professional music videos quickly gained traction with thousands of views each. Serious media buzz came from a highly successful club tour in February 2015, and well-attended showcases at Indie Week, where they were a top finalist. BLAKDENIM was destined to become a festival favourite across Ontario and Quebec and soon found them-selves opening for iconic artists like Charles Bradley and Karim Ouellet. BLAKDENIM continues to prove that Ottawa is more than capable of putting out truly elite talent. For an emerging band to have been invited to play these festivals and showcases, including Canadian Music Week, indicates the great potential for career longevity that major festival promoters and industry recognize in them. -
MICHIGAN MONTHLY ______December, 2017 Diane Klakulak, Editor & Publisher ______
MICHIGAN MONTHLY ________________________________________________________________________________________________________________ December, 2017 Diane Klakulak, Editor & Publisher __________________________________________________________________________________________________________________ DETROIT LIONS – on Fox unless otherwise noted DETROIT RED WINGS – LITTLE CAESAR’S ARENA – on FSD unless otherwise stated Dec. 3 at Baltimore Ravens; 1 pm Dec. 10 at Tampa Bay Buccaneers; 1 pm Dec. 2 at Montreal Canadiens; 7 pm; FSD, CBC Dec. 16 vs. Chicago Bears; 4:30 pm; NFL Dec. 5 vs. Winnipeg Jets; 7:30 pm Dec. 24 at Cincinnati Bengals; 1 pm Dec. 9 vs. St. Louis Blues; 3 pm Dec. 31 vs. Green Bay Packers; 1 pm Dec. 11 vs. Florida Panthers; 7:30 pm Dec. 13 vs. Boston Bruins; 8 pm; NBCSN LITTLE CAESARS ARENA – 313presents.com Dec. 15 vs. Toronto Maple Leafs; 7:30 pm Dec. 19 at N.Y. Islanders; 7 pm Dec. 2 UFC 218 Dec. 20 at Philadelphia Flyers; 8 pm; NBCSN Dec. 3 Andrea Bocelli Dec. 23 at Boston Bruins; 1 pm Dec. 16 The District Detroit College Basketball Dec. 27 at New Jersey Devils; 7 pm Showcase: University of Michigan, Michigan Dec. 29 vs. N.Y. Rangers; 7:30 pm State University, Oakland & Detroit Mercy Dec. 31 vs. Pittsburgh Penguins; 7 pm Dec. 21 Xscape with Monica & Tamar Braxton Jan. 3 vs. Ottawa Senators; 7:30 pm; FSD+ Dec. 23 Trans-Siberian Orchestra Jan. 5 vs. Florida Panthers; 7:30 pm Dec. 27 WWE Live Holiday Tour Jan. 7 vs. Tampa Bay Lightning; 7 pm Dec. 28 Big Show: Chris Brown, Tee Grizzly, more Jan. 13 at Pittsburgh Penguins; 1 pm Jan. 1-2 College Hockey: Great Lakes Invitational Jan. -
Una Ley Agraria Para Bengala
Colabora con la cultura libre Desde sus inicios Traficantes de Sueños ha apostado por licencias de publicación que permiten compartir, como las Creative Commons, por eso sus libros se pueden copiar, distribuir, comunicar pública- mente y descargar desde su web. Entendemos que el conocimiento y las expresiones artísticas se producen a partir de elementos previos y contemporáneos, gracias a las redes difusas en las que participamos. Están hechas de retazos, de mezclas, de experiencias colectivas; cada persona las recompone de una forma original, pero no se puede atribuir su propiedad total y excluir a otros de su uso o replicación. Sin embargo, «cultura libre» no es sinónimo de «cultura gratis». Producir un libro conlleva costes de derechos de autor, traducción, edición, corrección, maquetación, diseño e impresión. Tú puedes colaborar haciendo una donación al proyecto editorial; con ello estarás contribuyendo a la liberación de contenidos. Puedes hacer una donación (si estás fuera de España a través de PayPal ), suscribirte a la editorial o escribirnos un mail Una ley agraria para Bengala Los comienzos de la dominación británica en la India Ranajit Guha traficantes de sueños Traficantes de Sueños no es una casa editorial, ni siquiera una editorial independiente que contempla la publicación de una colección variable de textos críticos. Es, por el contrario, un proyecto, en el sentido es- tricto de «apuesta», que se dirige a cartografiar las líneas constituyentes de otras formas de vida. La construcción teórica y práctica de la caja de herramientas que, con palabras propias, puede componer el ciclo de luchas de las próximas décadas. Sin complacencias con la arcaica sacralidad del libro, sin concesiones con el narcisismo literario, sin lealtad alguna a los usurpadores del sa- ber, TdS adopta sin ambages la libertad de acceso al conocimiento. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
Market Access Guide – Brazil 2020 – Table of Contents 01
Market Access Guide – Brazil 2020 – Table of Contents 01. COUNTRY OVERVIEW ....................................................................................................................................... 3 02. BRAZILIAN RECORDED MUSIC MARKET .................................................................................................... 5 THE MAJORS .......................................................................................................................................................... 1 INTERVIEW WITH PAULO JUNQUEIRO, PRESIDENT, SONY MUSIC BRASIL ................................ 10 THE INDEPENDENTS ........................................................................................................................................ 11 CHART SERVICES ................................................................................................................................................. 1 03. POPULAR BRAZILIAN MUSIC - GENRES ...................................................................................................... 1 GOSPEL .................................................................................................................................................................. 16 FUNK ...................................................................................................................................................................... 20 SERTANEJA .......................................................................................................................................................... -
AXS TV Schedule for Mon. September 30, 2019 to Sun. October 6, 2019
AXS TV Schedule for Mon. September 30, 2019 to Sun. October 6, 2019 Monday September 30, 2019 3:00 PM ET / 12:00 PM PT 6:00 AM ET / 3:00 AM PT The Big Interview Tom Green Live Olivia Newton-John - Still with the magical voice, the star of Grease sits down with Dan and we Cheech & Chong - It’s double the funny on Tom Green Live as Tom sits down with one of the go backstage before her sold out Las Vegas performance. premiere comedy duos of all time: Cheech & Chong! Bringing their patented stoned-out humor to best-selling albums and feature films, Cheech Marin and Tommy Chong lit up the nation with 4:00 PM ET / 1:00 PM PT laughter, then carved out individual careers as TV actors on dramas and sitcoms. The Top Ten Revealed Epic Songs of ‘78 - Find out which Epic Songs of ‘78 make our list as rock experts like Steven Adler 7:00 AM ET / 4:00 AM PT (Guns ‘N Roses), Eddie Trunk, Clem Burke (Blondie) and Eddie Money, along with his daughter Classic Albums Jesse Money, count us down! Black Sabbath: Paranoid - The second album by Black Sabbath, released in 1970, has long at- tained classic status. Paranoid not only changed the face of rock music forever, but also defined 4:30 PM ET / 1:30 PM PT the sound and style of Heavy Metal more than any other record in rock history. Plain Spoken: John Mellencamp This stunning, cinematic concert film captures John with his full band, along with special guest 8:00 AM ET / 5:00 AM PT Carlene Carter, performing his most cherished songs. -
Unexpected Charges Leave Students Distrustful of Courtesy Meals Program
4 CULTURE 9 OPINION This First-Year Finds Community Courtesy Meals Shouldn’t Come in Cooking at a Price 6 ARTS 10 SPORTS Charly Bliss Comes of Age, Led by Judo at NYU, a Balancing Act Clive Davis Alumna VOLUME LIII | ISSUE 12 MONDAY, NOVEMBER 11, 2019 Unexpected Charges Leave Students Distrustful of Courtesy Meals Program Some of those who used the Courtesy Meals Program found funds from their financial aid diverted to covering its cost. By VICTOR PORCELLI News Editor The Courtesy Meals Program, which is supposed to be free, affected some financially vulnerable stu- dents’ aid packages this week, leading to confusion and distrust of the program. The CMP provides students with Dining Dol- lars — and, as of recently, meal swipes — to ensure they don’t go hungry. However, a small group of users received an email from the Office of Financial Aid on Wednesday notifying them that their finan- cial aid packages would be adjusted due to their use of the program. Student government Chairperson and Gallatin se- nior Jakiyah Bradley previously served as a Senator at- Large for food-insecure students. Bradley first learned about the policy change through a constituent, but saw Instagram stories drawing attention to it being widely circulated by students. Bradley said immedi- ately after hearing about students’ financial aid being affected, she brought the issue to administrators who said they would begin working to resolve it. One of the first to post it to their story, Steinhardt senior Elaine Cao had $150 taken out of their work- study to go toward the CMP. -
To See the 2018 Pier Concert Preview Guide
2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper. -
Cubed Circle Newsletter 241 – Consistency Is Hard
Cubed Circle Newsletter 241 – Consistency is Hard As many of probably noticed, we have been posting late and sporadically for the last month. This was, obviously, not our intention, but with the second semester eating into my free time, staying up to date is a tall order. Even without the newsletter itself seeing weekly publication the site has still remained up to date on a weekly basis, thanks primarily to co-author Ben Carass, as well as guest writers Paul Cooke and Leslie Lee III. But, the newsletter has survived for well over 241 weeks, and will hopefully thrive in the years to come. I have attempted to make provisions for publishing related tasks which should minimize the risk of major delays (obviously there will be some regular delays, as this late issue can attest), but we have some fail safes in place in order to keep this to a minimum. With all of this said, we have a great issue for everyone this week with Paul Cooke discussing the Pro-Wrestling Only Greatest Wrestler Ever project and his personal experience with the poll, Ben covers the news including tons of results from Japan and the Lesnar USADA violation, the Mixed Bag returns with a look at comedy wrestling, Ricochet/Ospreay, and a potential WWE match of the year -- plus Ben also looks at last Sunday's Battleground show and the first RAW of the brand split (a very good show). Also, for those unaware, we now have an official Twitter account @CubedCircleWres allowing the banger to unprecedented highs at @BenCarass and @RyanClingman.