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Local Commercial Radio Content
Local commercial radio content Qualitative Research Report Prepared for Ofcom by Kantar Media 1 Contents Contents ................................................................................................................................................. 2 1 Executive summary .................................................................................................................... 5 1.1 Background .............................................................................................................................. 5 1.2 Summary of key findings .......................................................................................................... 5 2 Background and objectives ..................................................................................................... 10 2.1 Background ............................................................................................................................ 10 2.2 Research objectives ............................................................................................................... 10 2.3 Research approach and sample ............................................................................................ 11 2.3.1 Overview ............................................................................................................................. 11 2.3.2 Workshop groups: approach and sample ........................................................................... 11 2.3.3 Research flow summary .................................................................................................... -
11 — 27 August 2018 See P91—137 — See Children’S Programme Gifford Baillie Thanks to All Our Sponsors and Supporters
FREEDOM. 11 — 27 August 2018 Baillie Gifford Programme Children’s — See p91—137 Thanks to all our Sponsors and Supporters Funders Benefactors James & Morag Anderson Jane Attias Geoff & Mary Ball The BEST Trust Binks Trust Lel & Robin Blair Sir Ewan & Lady Brown Lead Sponsor Major Supporter Richard & Catherine Burns Gavin & Kate Gemmell Murray & Carol Grigor Eimear Keenan Richard & Sara Kimberlin Archie McBroom Aitken Professor Alexander & Dr Elizabeth McCall Smith Anne McFarlane Investment managers Ian Rankin & Miranda Harvey Lady Susan Rice Lord Ross Fiona & Ian Russell Major Sponsors The Thomas Family Claire & Mark Urquhart William Zachs & Martin Adam And all those who wish to remain anonymous SINCE Scottish Mortgage Investment Folio Patrons 909 1 Trust PLC Jane & Bernard Nelson Brenda Rennie And all those who wish to remain anonymous Trusts The AEB Charitable Trust Barcapel Foundation Binks Trust The Booker Prize Foundation Sponsors The Castansa Trust John S Cohen Foundation The Crerar Hotels Trust Cruden Foundation The Educational Institute of Scotland The Ettrick Charitable Trust The Hugh Fraser Foundation The Jasmine Macquaker Charitable Fund Margaret Murdoch Charitable Trust New Park Educational Trust Russell Trust The Ryvoan Trust The Turtleton Charitable Trust With thanks The Edinburgh International Book Festival is sited in Charlotte Square Gardens by the kind permission of the Charlotte Square Proprietors. Media Sponsors We would like to thank the publishers who help to make the Festival possible, Essential Edinburgh for their help with our George Street venues, the Friends and Patrons of the Edinburgh International Book Festival and all the Supporters other individuals who have donated to the Book Festival this year. -
Housing Tenure and Urban Unrest: Responding to Contemporary Rioting Through Housing-Related Mechanisms
Housing tenure and urban unrest: Responding to contemporary rioting through housing-related mechanisms By: Gareth James Young A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Social Sciences Department of Urban Studies and Planning September 2016 Front Matter Abstract Abstract In 2011 England experienced the worst outbreak of urban unrest in a generation (Newburn, 2015). The cost to the public purse was significant, lives were lost and property destroyed. Immediate political pronouncements and media coverage reporting the disorder painted a picture of lawlessness and anarchy. The focus of responses from political figures and in mainstream media was on the declining moral and respect of those involved (Flint & Powell, 2012). The day before the riots the Department for Communities and Local Government launched a consultation seeking views on extending the powers of possession to social housing providers to make the process of eviction easier and more flexible. This consultation was updated on the 10 August 2011; just four days after the riots had begun, to reflect the disorder. Within this consultation a question was added as to whether more eviction powers needed to be given to housing providers to deal with situations such as riots. Despite vociferous contestation from organisations such as Shelter, the proposals passed into legislation under the Anti-social Behaviour, Crime and Policing Act (2014). To this day there remains little evidence about the actual housing tenure of the rioters. Very little has since been discussed about the use of housing-related mechanisms as a suitable way of dealing with urban unrest. -
Trish Reid, Theatre & Scotland (Houndmills
Ian Brown, editor, The Edinburgh Companion to Scottish Drama (Edinburgh: Edinburgh University Press, 2011); Trish Reid, Theatre & Scotland (Houndmills: Palgrave Macmillan, 2013) Alan Riach What might be described as the conventional wisdom about Scottish drama is summed up in the first two sentences of chapter 10 of Marshall Walker’s book, Scottish Literature since 1707 (1996): ‘There is no paucity of Scottish theatrical heritage, but there is a shortage of durable Scottish plays. Drama is the genre in which Scottish writers have shown least distinction.’ It is a judgement that has been perpetuated over generations but only relatively recently has the necessary scholarship and engagement been advanced, by both academics and theatre practitioners, to interrogate the assumptions that lie behind it. Walker refers to ‘the circumstances of theatrical history’ and questions of suppression and censorship, the Reformation, the removal of the court to London in 1603, the Licensing Act of 1737, and concludes his introduction to the chapter by saying that despite familiar references to Allan Ramsay, John Home, Joanna Baillie, and the vitality of folk, music-hall and variety theatre, nothing much happens between Sir David Lyndsay in the sixteenth century and the ‘return’ of Scottish drama in the twentieth century. Most of his chapter then goes on to discuss incisively and refreshingly the achievements of J.M. Barrie, James Bridie and John McGrath but the context he sketches out is barren. As a summary, there is some brutal truth in this, but as an appraisal of the whole complex story, there is much more to be said, and much more has been discovered and made public in the decades since Walker’s book appeared. -
CHICAGO SUN-TIMES :: Paige Wiser Page 1 of 3
TV's message: We're broke :: CHICAGO SUN-TIMES :: Paige Wiser Page 1 of 3 Back to regular view Print this page suntimes.com Member of Sun-Times Media Site All Papers Web Search by YAHOO! Become a member of our community! BECOME A | MEMBER! Sign In Register What's this? TV's message: We're broke TELEVISION | Shows laugh and cry with us about our great national malaise Comments November 5, 2010 BY PAIGE WISER TV Critic/[email protected] Whatever happened to TV as escapism? Traditionally, we have turned to the small screen as a way to forget our pathetic problems, not be faced with them in high definition. But the poor recession even is affecting our precious TV leisure time, and the sets haven't looked so realistic since "Sanford and Son" ran a junkyard. MTV's "16 and Pregnant" has spun off into "Teen Mom," with the drama of underprivileged single moms taking the place of the overprivileged blonds of "Laguna Beach." A selection of other titles on the current schedule: "Downsized" "Outsourced" "Fairy Jobmother" "Design on a Dime" Even "The Apprentice" has acknowledged the economic downtown, with candidates who have been laid off or have failed companies. (Fittingly, the show hasn't been a ratings success; next season will be another installment of "Celebrity Apprentice.") Is Debbie Downer the head of programming these days? "TV producers are more in tune now that people are in bad shape," says Elayne Rapping, a pop culture expert with a particular interest in TV. "I don't think it's changed the TV landscape forever, nor has it changed it completely. -
P R O C E E D I N G S
T Y N W A L D C O U R T O F F I C I A L R E P O R T R E C O R T Y S O I K O I L Q U A I Y L T I N V A A L P R O C E E D I N G S D A A L T Y N HANSARD Douglas, Tuesday, 15th June 2021 All published Official Reports can be found on the Tynwald website: www.tynwald.org.im/business/hansard Supplementary material provided subsequent to a sitting is also published to the website as a Hansard Appendix. Reports, maps and other documents referred to in the course of debates may be consulted on application to the Tynwald Library or the Clerk of Tynwald’s Office. Volume 138, No. 24 ISSN 1742-2256 Published by the Office of the Clerk of Tynwald, Legislative Buildings, Finch Road, Douglas, Isle of Man, IM1 3PW. © High Court of Tynwald, 2021 TYNWALD COURT, TUESDAY, 15th JUNE 2021 Present: The President of Tynwald (Hon. S C Rodan OBE) In the Council: The Lord Bishop of Sodor and Man (The Rt Rev. P A Eagles), The Attorney General (Mr J L M Quinn QC), Mr P Greenhill, Mr R W Henderson, Mrs K A Lord-Brennan, Mrs M M Maska, Mr R J Mercer, Mrs J P Poole-Wilson and Mrs K Sharpe with Mr J D C King, Deputy Clerk of Tynwald. In the Keys: The Speaker (Hon. J P Watterson) (Rushen); The Chief Minister (Hon. -
The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates
THE BBC TRUST REPORT: ON-SCREEN AND ON-AIR TALENT INCLUDING AN INDEPENDENT ASSESSMENT AND REPORT BY OLIVER & OHLBAUM ASSOCIATES MAY 2008 2 BBC TRUST CONCLUSIONS The issue of talent costs The BBC Trust operates to protect the interests of licence fee payers who pay for and own the BBC. As part of this we seek to ensure quality and value for money for licence fee payers and to challenge BBC management to use everything at their disposal to deliver both. An area where this is particularly complex is the salaries paid to on-screen and on-air talent. During the course of 2006, press reports about presenters’ salaries aroused industry and public concern and led some people to question the BBC’s approach to the talent it employs. This debate was still live when the Trust was established as the BBC’s governing body in January 2007. It was and has remained a topic raised by the public with Trustees during our appearances on radio phone-ins and at public meetings in all parts of the UK. Against this background the Trust commissioned an independent review, conducted by Oliver and Ohlbaum Associates Ltd (O&O), to provide an in depth examination of the BBC’s use of on air and on screen talent. We posed O&O three specific questions: • How do the size and structure of the BBC's reward packages for talent compare with the rest of the market? • What has been the impact of the BBC's policy on the talent market, particularly in relation to cost inflation? • To what extent do the BBC's policy and processes in relation to investment in, and reward of, talent support value for money? We are publishing O&O’s report which seeks to answer these questions, the BBC management’s response to the points it raises and our own judgements informed by this evidence. -
BBC Management Review 2010/11
Northern Ireland Management review 2010/11 a 01 Introduction 12 Looking ahead 19 Contacts 02 Two minute summary 18 Key priorities for next year 20 Northern Ireland 04 Service performance management “ Broadcasting makes an important contribution to the wealth and well-being of local society.” Peter Johnston, Director, BBC Northern Ireland Cover image Cover shows BBC Radio Ulster presenters at the launch of Open House in Broadcasting House, Belfast. Introduction The BBC’s mission may be constant and enduring, but the business of broadcasting, like society itself, is always changing. We can report on a year in which our services enjoyed broad and popular appeal, and much critical success. Network production increased and has now begun to achieve the critical mass on which its long-term sustainability depends; we enhanced our newsgathering with the appointment of new area-based reporters; and our local television portfolio was refreshed with additional landmark programmes and commissions that were intended to reflect community life in all its different aspects and diversity. We introduced schedule changes at BBC Radio Foyle; extended the availability of the BBC’s national DAB network in Northern Ireland; secured some necessary capital investment to facilitate local television outside broadcasts into the future; and delivered a range of BBC recordings and events – showcasing talent and providing moments of celebration for the whole community. All of this activity has been taken forward in the midst of real financial constraints. Further savings are in prospect and will require difficult choices about priorities and a clear focus on how we can maximise the impact and value of our service offering. -
Local BBC Radio New Voices Terms and Conditions
Local BBC Radio New Voices Terms and Conditions The BBC's New Voices talent search is open for 2021. We are looking for new voices to be heard on air at a some of our local BBC radio stations across England. This year it’s easier than ever to take part. All you need to do to is to upload a 60 second audition film. Use your 60 seconds to tell us a story about anything you like. It could be something serious or funny, it could be something that’s happened to you or someone you know. ROUND ONE Your uploaded submission will be reviewed by a panel of judges and you’ll have up to 60 seconds to tell an engaging story. Your story could be about you or something local that you care about, in fact anything, so long as it’s your own story. Each judge will give mark the entry "Yes" or "No". Three "Yesses" mean you're through to Round Two. You’ll be judged on your ability to tell an engaging story.. ROUND TWO The team at your local BBC radio station will review your audition and decide who they’d like to hear more of. If you’re successful in Round Two, we’ll be back in touch. You could be invited in to tell your story on-air as part of one our programmes, but you could also be invited in to discuss further opportunities with your local BBC management team. • Successful auditionees will be contacted, and name publicised on BBC Radio, possibly TV and online. -
The Evolution of British Asian Radio in England: 1960 – 2004
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Bournemouth University Research Online The Evolution of British Asian Radio in England: 1960 – 2004 Gloria Khamkar Thesis submitted in fulfillment of the requirements of Bournemouth University for the degree of Doctor of Philosophy June 2016 COPYRIGHT STATEMENT This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and due acknowledgement must always be made of the use of any material contained in, or derived from, this thesis. II ABSTRACT Title: The Evolution of British Asian Radio in England: 1960 – 2004 Author: Gloria Khamkar This doctoral research examines the evolution of British Asian radio in England from 1960 to 2004. During the post-war period an Asian community started migrating to Britain to seek employment as a result of the industrial labour shortage. The BBC and the independent local radio sector tried to cater to this newly arrived migrant community through its radio output either in their mother tongue or in the English language. Later, this Asian community started its own separate radio services. This research project explores this transformation of Asian radio, from broadcasting radio programmes for the Asian community on existing radio stations, to the creation of independent local and community radio stations, catering to the Asian community exclusively in England. Existing research concentrates on the stereotype images and lack of representation of Asian community on the British radio; it lacks a comprehensive overview of the role of radio during the settlement period of the newly migrant Asian community. -
Issue 26 of the Eildon Tree
SUMMER/AUTUMN 2015 ISSUE 26 THE EILDON TREE Issue 26. Spring/SummerFREE 2015 1 Reviews s e i ity un r o t S t mm Co r o h S Poetry s w e i v Enter our free writing competition er nt celebrating the re-opening of the I Borders Railway line - deadline Friday 26 June! THE EILDON TREE NEW WRITING FROM THE SCOTTISH BORDERS & BEYOND 2 CONTENTS GUIDELINES 3 The Unadopted Road – Tim Nevil 22 Ice Scream – Barbara Pollock 24 EDITORIAL 4 On Pharmacy Road – Margaret Skea 25 WAVERLEY LINES WRITING COMPETITION 5 The Secret – Lewis Teckkam 28 POETRY Remembering Jeanie – Sandra Whitnell 30 Hymn to Creation – Norman Bissett 6 Who Am I? – Patricia Watts 32 Tapestry of Hope – Eileen Cummings 6 INTERVIEW WITH COLIN WILL 36 Sugar Plum – Christopher Hall 6 The Heron – Elaine Heron 6 ARTICLES Bonnets on the Coat Stand – Mary Johnston 7 Scott’s Treasures – Mary Morrison 40 A Chemical Investigation of Melrose Abbey – Bridget Hugh MacDiarmid and the Borders of Scotland – Alan Khursheed 7 Riach 44 Hyena – Gordon Meade 7 Life Experience and Memoir Writing – Raghu B. Windfall – Roy Moller 7 Shukla 47 Rough Relic – Jamie Norman 8 BOOK REVIEWS 50 Stormy Day Eyemouth – Keith Parker 8 Very Big Numbers – Ronnie Price 8 BIOGRAPHIES 60 Yammer – Hamish Scott 8 War Talk – Jock Stein 8 Clearing Out Mum’s Flat – Alexander Gunther 9 Feral – Colin Will 9 Stopping for a Chat – Colin Will 9 Once Gone, Twice Returned – Davy MacTire 9 Hawick Common Riding = Men – Judy Steel 10 Crossing Lammermuir – Kate Campbell 11 Nineteen – Vee Freir 12 Still Runs the Teviot – Toni Parks 12 Happy – Rafael Miguel Montes 12 FICTION Trousers, Cockroaches & Quantum Universes – Oliver Eade 13 Running Up the Escalator – Jane Pearn 15 Every Picture – June Ritchie 16 Oscar’s Last Sunset – Sean Fleet 18 Sittin Here – Alistair Ferguson 18 Ticking Bomb – Janet Hodge 19 The River of Silver – Thomas Clark 20 THE EILDON TREE Issue 26. -
08.2013 Edinburgh International Book Festival
08.2013 Edinburgh International Book Festival Celebrating 30 years Including: Baillie Gifford Children’s Programme for children and young adults Thanks to all our Sponsors and Supporters The Edinburgh International Book Festival is funded by Benefactors James and Morag Anderson Jane Attias Geoff and Mary Ball Lel and Robin Blair Richard and Catherine Burns Kate Gemmell Murray and Carol Grigor Fred and Ann Johnston Richard and Sara Kimberlin Title Sponsor of Schools and Children’s Alexander McCall Smith Programmes & the Main Theatre Media Partner Fiona Reith Lord Ross Richard and Heather Sneller Ian Tudhope and Lindy Patterson Claire and Mark Urquhart William Zachs and Martin Adam and all those who wish to remain anonymous Trusts The Barrack Charitable Trust The Binks Trust Booker Prize Foundation Major Sponsors and Supporters Carnegie Dunfermline Trust The John S Cohen Foundation The Craignish Trust The Crerar Hotels Trust The final version is the white background version and applies to situations where only the wordmark can be used. Cruden Foundation The Educational Institute of Scotland The MacRobert Trust Matthew Hodder Charitable Trust The Morton Charitable Trust SINCE Scottish New Park Educational Trust Mortgage Investment The Robertson Trust 11 Trust PLC Scottish International Education Trust 909 Over 100 years of astute investing 1 Tay Charitable Trust Programme Supporters Australia Council for the Arts British Centre for Literary Translation and the Calouste Gulbenkian Foundation Edinburgh Unesco City of Literature Goethe Institute Italian Cultural Insitute The New Zealand Book Council Sponsors and Supporters NORLA (Norwegian Literature Abroad) Publishing Scotland Scottish Poetry Library South Africa’s Department of Arts and Culture Word Alliance With thanks The Edinburgh International Book Festival is sited in Charlotte Square Gardens by kind permission of the Charlotte Square Proprietors.