Association for Chinese Music Research Bibliography 2017

Total Page:16

File Type:pdf, Size:1020Kb

Association for Chinese Music Research Bibliography 2017 Association for Chinese Music Research Bibliography 2017 Compiled by Alec McLane and Ai Mei Luo Books: Bao, Huai. 2017. Cross-Gender China: The Revival of Nandan Performance in Jingju. Routledge Advances in Theatre and Performance Studies;. Abingdon, Oxon: Routledge. [ISBN: 9781138057906] Chiu, Elena Suet-Ying. 2017. Bannermen Tales (Zidishu): Manchu Storytelling and Cultural Hybridity in the Qing Dynasty. Harvard-Yenching Institute Monographs; 105. Cambridge, MA: Harvard University Asia Center. [ISBN: 9780674975194] Clark, Paul, Laikwan Pang, and Tsan-Huang Tsai, eds. 2016. Listening to China's Cultural Revolution: Music, Politics, and Cultural Continuities. Chinese Literature and Culture in the World. Houndmills (Basingstoke, Hampshire): Palgrave Macmillan. [ISBN: 9781349565085] Cupchik, Jeffrey W. 2017. The Sound of Vultures' Wings: The Tibetan Buddhist Chöd Ritual Practice of the Female Buddha Machik Labdrön. Suny Series in Religious Studies. Albany: State University of New York Press. [ISBN: 9781438464411] Editorial Department of the Journal of the Central Conservatory of Music. 2016. Researches on Traditional and Contemporary Music in China. Beijing: Zhong yang yin yue xue yuan chu ban she. [ISBN: 9787810967372] Hanneken, Bernhard, and Tiago de Oliveira Pinto, eds. 2017. Music in China Today: Ancient Traditions, Contemporary Trends. Intercultural Music Studies. Würzburg: Department of Ethnomusicology, Institute for Music Research, Julius-Maximilian University of Würzburg. [ISBN: 9783861356523] Ho, Wai-chung. 2017. Popular Music, Cultural Politics and Music Education in China. Ashgate Popular and Folk Music Series. Abingdon, Oxon: Routledge. [ISBN: 9781472476548] Lawson, Francesca R. Sborgi. 2017. The Women of Quyi: Liminal Voices and Androgynous Bodies. Soas Musicology Series. Abingdon, Oxon: Routledge. [ISBN: 9781138234130] Meyer-Clement, Elena. 2016. Party Hegemony and Entrepreneurial Power in China: Institutional Change in the Film and Music Industries. Routledge Contemporary China Series; 130. London: Routledge. [ISBN: 9781138917231] Qi, Kun. 2016. Silk and Bamboo Music in Southern China. Trans. Yao, Qian. Masterpieces of the Oral and Intangible Heritage of Humanity. First American ed. Paramus, New Jersey: Homa & Sekey Books. [ISBN: 9781622460052] Thorpe, Ashley. 2016. Performing China on the London Stage: Chinese Opera and Global Power, 1759- 2008. London, UK: Palgrave Macmillan. [ISBN: 9781137597854] Thrasher, Alan R. 2016. Qupai in Chinese Music: Melodic Models in Form and Practice. Routledge Studies in Ethnomusicology; 6. New York: Routledge. [ISBN: 9781138936249] Xiao, Daheng. 2017. The Records of Mongolian Folklore by Xiao Daheng (1532-1612) and Two Rhapsodies on the Xun-Flute from Tang China (618-907): Two Primary Sources in the History of Chinese and Mongolian Folklore and Music. Trans. Zhang, Juwen. Lewiston, New York: The Edwin Mellen Press. [ISBN: 9781495505775] Xiao, Ying. 2017. China in the Mix: Cinema, Sound, and Popular Culture in the Age of Globalization. Jackson: University Press of Mississippi. [ISBN: 9781496812605 ] Xu, Fangfang. 2016. Galloping Horses: Artist Xu Beihong and His Family in Mao's China. Saint Louis, MO: Beihong Arts Publishing, LLC. [ISBN: 9780997057416] Yang, Hon-Lun, and Michael Saffle, eds. 2017. China and the West: Music, Representation, and Reception. Ann Arbor: University of Michigan Press. [ISBN: 9780472130313 ] Yu, Hui, ed. 2017. 东方音乐的体裁与形式 (Dong Fang Yin Yue De Ti Cai Yu Xing Shi). [Genres and Forms of Oriental Music]. 东方音乐学会文丛 (Dong Fang Yin Yue Xue Hui Wen Cong). Hefei Shi: Anhui wen yi chu ban she. [ISBN: 9787539659428] ---, ed. 2017. 东方音乐的历史与观念 (Dong Fang Yin Yue De Li Shi Yu Guan Nian). [History and Aesthetics of Oriental Music]. 东方音乐学会文丛 (Dong Fang Yin Yue Xue Hui Wen Cong). Hefei Shi: Anhui wen yi chu ban she. [ISBN: 9787539659435] Yu, Hui, and Tony Whyton, eds. 2016. 爵士世界主义 : 互联网时代爵士音乐的中国视野 (Jue Shi Shi Jie Zhu Yi : Hu Lian Wang Shi Dai Jue Shi Yin Yue De Zhongguo Shi Ye). [Jazz Cosmopolitanism: China's Perspectives of Jazz Music in the Internet Age]. 互联网语境中中外音乐交互影响 (Hu Lian Wang Yu Jing Zhong Zhong Wai Yin Yue Jiao Hu Ying Xiang). Hangzhou Shi: Zhejiang da xue chu ban she. [ISBN: 9787308163071] Yuan, Jingfang. 2016. Chinese Traditional Instrumental Music. Trans. Zhang, Boyu. Beijing: Zhong yang yin yue xue yuan chu ban she. [ISBN: 9787810967266] Zhu, Yaowei. 2017. Hong Kong Cantopop: A Concise History. Hong Kong: HKU Press. [ISBN: 9789888390588] Theses & Dissertations: Bi, Zhengyuan. 2017. "Chinese Music Reality Shows: A Case Study." M.S. Thesis. Drexel University, Television Management. Wang, Yuan. 2016. "Observations on the Chinese Metal Scene (1990-2013): History, Identity, Industry, and Social Interpretation." Ph.D. Dissertation. University of Glasgow, Music. Journal articles: Berounský, Daniel, and Jarmila Ptácková. 2016. "Tibetan Margins." Archiv Orientalni. (84, no 3, special issue): pages 463-657. Cao, Liang, and Xiaoping Wang. 2016. "海南岛古代青铜乐器研究 (Hainan Dao Gu Dai Qing Tong Yue Qi Yan Jiu)." [Ancient bronze instruments discovered on the Hainan Island.] Chinese Music (中国音 乐). (3:143): 70-79. Cui, Bin. 2016. "节日文化视野下维吾尔族纳格拉鼓吹乐调查研究—以新疆喀什地区麦麦提托合提鼓 吹乐班为例 (Jie Ri Wen Hua Shi Ye Xia Weiwu'er Zu Na Ge La Gui Chui Yue Diao Cha Yan Jiu: Yi Xinjiang Kashen Di Qu Maimaitituoheti Gu Chui Yue Ban Wei Li)." [The naqqāra drum and wind music of the Uyghur people: The Maimaitituoheti troupe in the Kashgar area as an example.] Chinese Music (中国音乐). (3:143): 113-117. Dong, Chen. 2016. "论南传佛教诵经音声系统的动态综合构成—以沧源县班老佤族总佛寺大殿开光 仪式为例 (Lun Nanchuan Fojiao Song Jing Yin Sheng Xi Tong De Dong Tai Zong He Gou Cheng: Yi Cangyuan Xian Ban Lao Wazu Zongfosi Da Dian Kaiguang Yi Shi Wei Li)." [The dynamic form of the chanting of the Nanchuan Buddhist tradition: The kaiguang ritual in the Zongfosi temple of the Wa people in Cangyuan county as an example.] Chinese Music (中国音乐). (4:144): 23-32. Feng, Zhuohui. 2016. "大云山汉墓编钟的测音分析与研究 (Dayunshan Han Mu Bianzhong De Ce Yin Fen Xi Yu Yan Jiu)." [Acoustic testing of the bianzhong excavated from a Han-dynasty tomb in Dayunshan.] Chinese Music (中国音乐). (1:141): 62-77. Gong, Hongyu. 2016. "晚清上海租界外侨音乐活动述略之二(1843~1911)—寓沪外侨乐人、业余音 乐组织及其演出活动 (Wan Qing Shanghai Zu Ji Wai Qiao Yin Yue Huo Dong Shu Lüe Zhi Er (1843–1911): Yu Hu Wai Qiao Yue Ren, Ye Yu Yin Yue Zu Zhi Ji Qi Yan Chu Huo Dong.)." [Outline of musical activities in the foreign concessions of Shanghai during the late Qing (1843– 1911). II: Foreign musicians resident in Shanghai, amateur music organizations and performing activities.] Art of Music: Journal of the Shanghai Conservatory of Music (音乐艺术:上海音乐学 院学报). (1): 87. Guo, Kejian. 2016. "都市乡戏:新见 20 世纪初婺剧海上搬演史料人文叙事 (Du Shi Xiang Xi: Xin Jian 20 Shi Ji Chu Wuju Hai Shang Ban Yan Shi Liao Ren Wen Xu Shi)." [Country operas in the city: Newly found historical materials of the performance of Wuju in Shanghai in the early 20th century.] Musicology in China (中国音乐学). 3(124): 56-63. Huang, Xiaotao. 2017. "福州吟诵调现状及其活态特征与成因分析 (Fuzhou Yinsong Diao Xian Zhuang Ji Qi Huo Tai Te Zheng Yu Cheng Yin Fen Xi)." [The current status of the Fuzhou yinsong melody and its characteristics.] Chinese Music (中国音乐). 2(146): 118-124. Kouwenhoven, Frank. 2016. "The New Beethovens." CHIME: Journal of the European Foundation for Chinese Music Research. 20: 1-10. Liu, Jingzhi. 2016. "香港的粤语流行曲—三个时期、三种不同风格 (Xianggang De Yueyu Liu Xing Qu: San Ge Shi Qi San Zhong Bu Tong Feng Ge)." [Cantonese-language popular songs in Hong Kong: Three periods, three styles.] Journal of Nanjing Arts Institute (Music & Performance) [南京艺术 学院学报(音乐与表演版)]. 2(148): 1-9. Liu, Wen. 2016. "苏州“十番鼓”音乐的调查与研究 (Suzhou Shifan Gu Yin Yue De Diao Cha Yu Yan Jiu)." [Research on shifan gu music in Suzhou.] Chinese Music (中国音乐). 4(144): 85-98. Liu, Yiqun. 2017. "沅陵民歌的音乐特征剖析与阐释 (Yuanling Min Ge De Yin Yue Te Zheng Po Xi Yu Chan Ming)." [Analysis and interpretation of the musical characteristics of folk songs in Yuanling.] Chinese Music (中国音乐). 2(146): 110-117,179. Rees, Helen. 2016. "Environmental Crisis, Culture Loss, and a New Musical Aesthetic: China’s 'Original Ecology Folksongs' in Theory and Practice." Ethnomusicology. 60(1): 53-88. Song, Kebin. 2016. "编钟“基组”的形成与定型—西周 4 件、8 件组编甬钟“编列—音列”结构的 微观分析 (Bianzhong 'Jizu' De Xing Cheng Yu Ding Xing: Xizhou 4 Jian, 8 Jian Zu Bian Yong Zhong 'Bian Lie–Yin Lie' Jie Gou De Wei Guan Fen Xi)." [The formation of 'jizu' of bianzhong: Micro- analysis of the 'arrangement–interval' relation in the Western Zhou-dynasty four and eight yong bell sets.] Chinese Music (中国音乐). 2(142): 49-55. Stock, Jonathan P. J. 2016. "Sounding the Bromance: The Chopstick Brothers’ 'Little Apple' Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music." Journal of World Popular Music. 3(2): 167-196. Wang, Yan. 2016. "流行音乐在哈尔滨的发轫 (Liu Xing Yin Yue Zai Ha'erbin De Fa Ren)." [The development of popular music in Harbin.] Journal of Nanjing Arts Institute (Music & Performance) [南京艺术学院学报(音乐与表演版)]. 2(148): 18-21. Wells, Marnix. 2016. "The Drunken Dotard Refrain." CHIME: Journal of the European Foundation for Chinese Music Research. 20: 85-105. Weng, Po-Wei. 2016. "If You Can Recite It You Can Play It: The Transmission and Transcription of Jingju (Peking Opera) Percussion Music." CHINOPERL. 35(2): 89-113. Xia, Yanzhou. 2016. "北魏乐人-乐户制度形成考论 (Bei Wei Yue Ren: Yuehu Zhi Du Xing Cheng Kao Lun)." [Musicians of the Northern Wei: An exploration of the formation of the yuehu system.] Art of music: Journal of the Shanghai Conservatory of Music (音乐艺术:上海音乐学院学报). (3): 90-101. Xiang, Xiaogang. 2016. "'后黎锦晖时代' (1937-1949)民国流行音乐的几个问题 ('Hou–Li Jinhui Shi Dai' (1937–1949) Min Guo Liu Xing Yin Yue De Ji Ge Wen Ti)." [Some problems in popular music of the 'post–Li Jinhui period' of the Republic (1937–1949).] Art of music: Journal of the Shanghai Conservatory of Music (音乐艺术:上海音乐学院学报). (1): 123-128. Xiao, Ping. 2016. "不可僭越的民间礼乐—妙峰山进香花会中的'皇会'乐社研究 (Bu Ke Jian Yue De Min Jian Li Yue: Miaofeng Shan Jinxiang Huahui Zhong De 'Huanghui' Yue She Yan Jiu)." [A case study of the 'Huanghui' Music Society in the Jinxiang Huahui activity at the Miaofeng Mountain.] Musicology in China (中国音乐学).
Recommended publications
  • Research on Li Bai and His Poetry Works from the Perspective of Tourism Jihong Xu Ma'anshan Teacher's College, Anhui, Ma'anshan, 243041, China Abstract
    Advances in Social Science, Education and Humanities Research (ASSEHR), volume 300 2018 International Workshop on Education Reform and Social Sciences (ERSS 2018) Research on Li Bai and His Poetry Works from the Perspective of Tourism Jihong Xu Ma'anshan Teacher's College, Anhui, Ma'anshan, 243041, China Abstract. Li Bai is a great poet and traveler in China. He leaves China precious tourism resources. His tourism poetry works enrich China tourism culture, Li Bai is an outstanding tourism aesthetics master. His poetry aesthetic artistic conception is far-reaching. Li Bai and his poetry works are comprehensively arranged and deeply studied from the perspective of tourism, thereby providing an important basis for developing tourism resources and enriching cultural connotation of tourism products in various regions, and further promoting inheritance and development of China tourism culture. Keywords: Li Bai; tourism resources; tourism culture; tourism aesthetics. 1. Introduction Li Bai is a great romantic poet of China, who 'traveled many famous mountains for his life'. He 'studied immortals in his fifteenth year and never stopped immortal trips'. He 'went to far places with sword' at the age of 25. Li Bai stayed in Dangtu of Anhui at the age of 60 till his death. Li Bai traveled all year round since 15 years old. His steps were radiated to the whole China. Li Bai was repeatedly frustrated in his political career and failed to realize his political ambition especially from 44 to 55 years old. Therefore, he mainly focused on travelling during the period. Such a long and extensive travel is rare among ancient Chinese literati, which also enabled him to transcend his status as a poet.
    [Show full text]
  • No.9 Thai-Yunnan Project Newsletter June 1990
    [Last updated: 28 April 1992] ----------------------------------------------------------------------------- No.9 Thai-Yunnan Project Newsletter June 1990 This NEWSLETTER is edited by Gehan Wijeyewardene and published in the Department of Anthropology, Research School of Pacific Studies; printed at Central Printery; the masthead is by Susan Wigham of Graphic Design (all of The Australian National University ).The logo is from a water colour , 'Tai women fishing' by Kang Huo Material in this NEWSLETTER may be freely reproduced with due acknowledgement. Correspondence is welcome and contributions will be given sympathetic consideration. (All correspondence to The Editor, Department of Anthropology, RSPacS, ANU, Box 4 GPO, Canberra, ACT 2601, Australia.) Number Nine June 1990 ISSN 1032-500X The International Conference on Thai Studies, Kunming 1990 There was some question, in the post Tien An Men period, as to whether the conference would proceed. In January over forty members of Thammasart University faculty issued an open letter to the organizers, which in part read, A meeting in China at present would mean a tacit acceptance of the measures taken by the state, unless there will be an open critical review. Many north American colleagues privately expressed similar views. This Newsletter has made its views on Tien An Men quite clear, and we can sympathize with the position taken by our colleagues. Nevertheless, there seems to be some selectivity of outrage, when no word of protest was heard from some quarters about the continuing support given by the Chinese government to the murderous Khmer Rouge. This does not apply to the Thai academic community, sections of which were in the vanguard of the movement to reconsider Thai government policy on this issue.
    [Show full text]
  • Counter Terrorist Trends and Analysis Volume 6, Issue 1 Jan/Feb 2014
    Counter Terrorist Trends and Analysis Volume 6, Issue 1 Jan/Feb 2014 Annual Threat Assessment SOUTHEAST ASIA Myanmar, Thailand, Indonesia, Philippines, Malaysia and Singapore SOUTH ASIA Afghanistan, Pakistan, India, Bangladesh and Sri Lanka EAST AND CENTRAL ASIA China and Central Asia MIDDLE EAST AND AFRICA Syria, Iraq, Yemen, Egypt, Libya and Somalia INTERNATIONAL CENTER FOR POLITICAL VIOLENCE AND TERRORISM RESEARCH S. RAJARATNAM SCHOOL OF INTERNATIONAL STUDIES NANYANG TECHNOLOGICAL UNIVERSITY 2 ANNUAL THREAT ASSESSMENT Terrorism and Political Violence in 2013 Southeast Asia peace talks were held in January 2014. Iraq, too, remains besieged by sectarian violence and constant attacks. In Yemen, Southeast Asia has seen some of its insurgencies and conflicts multiple insurgencies and a robust threat from Al Qaeda in the diminish while others have continued unabated. In Thailand, the Arabian Peninsula have hampered an already difficult political restive south continued to see violence in 2013 while Bangkok transition. In Egypt, Morsi’s ouster has seen protests continuing witnessed a political crisis with protests against the government to plague the country while the military attempts another turning violent. In Myanmar, reforms have moved forward but political transition. Libya, meanwhile, faces a persistent security communal violence continues to plague the country and has challenge in its southern border region and the success of its evolved from targeting Rohingyas towards Muslim minority transition after Gaddafi will depend on the militias which communities in general. Indonesia continues to face a potent deposed the former dictator giving up their arms. In Somalia, threat from radicalization and concern has emerged over the al-Shabaab has intensified its campaign against the role its “hard” counterterrorist approach is playing in fueling government in the wake of a hardline faction emerging further extremism.
    [Show full text]
  • Download Article
    Advances in Social Science, Education and Humanities Research, volume 324 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019) Exploration on the Protection Scheme of the Great Ruins of Southern Lifang District in the Luoyang City Site in Sui and Tang Dynasties Haixia Liang Luoyang Institute of Science and Technology Luoyang, China Peiyuan Li Zhenkun Wang Xi’an University of Architecture and Technology China Petroleum First Construction Company (Luoyang) Xi'an, China Luoyang, China Abstract—The great ruins are a kind of non-renewable district in a comprehensive and detailed way. Through the precious resources. The southern Lifang district in the analysis of the current situation of southern Lifang district, a Luoyang City Site in Sui and Tang Dynasties is the product of relatively reasonable planning proposal is obtained. This the development of ancient Chinese capital to a certain study can provide theoretical or practical reference and help historical stage. As many important relics and rich cultural on the protection and development of Luoyang City Site in history have been excavated here, the district has a rich Sui and Tang Dynasties, as well as the reconstruction of humanity history. In the context of the ever-changing urban southern Lifang district. construction, the protection of the great ruins in the district has become more urgent. From the point of view of the protection of the great ruins, this paper introduces the II. GREAT RUINS, SUI AND TANG DYNASTIES, LUOYANG important sites and cultural relics of southern Lifang district CITY AND LIFANG DISTRICT in Luoyang city of the Sui and Tang Dynasties through field Great ruins refer to large sites or groups of sites with a investigation and literature review.
    [Show full text]
  • Formation of Ethnonyms in Southeast Asia Michel Ferlus
    Formation of Ethnonyms in Southeast Asia Michel Ferlus To cite this version: Michel Ferlus. Formation of Ethnonyms in Southeast Asia. 42nd International Conference on Sino- Tibetan Languages and Linguistics, Payap University, Nov 2009, Chiang Mai, Thailand. halshs- 01182596 HAL Id: halshs-01182596 https://halshs.archives-ouvertes.fr/halshs-01182596 Submitted on 1 Aug 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 42nd International Conference on Sino-Tibetan Languages and Linguistics Payap University, Chiang Mai, November 2-4, 2009 Formation of Ethnonyms in Southeast Asia Michel Ferlus Independent researcher (retired from Centre National de la Recherche Scientifique, France) In the Southeast Asian Sinosphere, we can observe a circulation of ethnonyms between local languages and Chinese. A local Southeast Asian autonym is borrowed into Chinese, undergoes sound changes affecting the Chinese language, and then returns to the original populations, or to other populations. The result is a coexistence of ethnonyms of highly different phonetic outlook but originating in the same etymon. We will examine four families of ethnonyms, mostly Austroasiatic and Tai-Kadai. Some of these ethnonyms are still in use today, others are known through Chinese texts where they are transcribed by phonograms.
    [Show full text]
  • China: a New Trajectory Prioritizing Rural Rather Than Urban Development?
    land Article China: A New Trajectory Prioritizing Rural Rather Than Urban Development? Hongzhang Xu 1,2,3,* , Jamie Pittock 1,3 and Katherine A. Daniell 1,3 1 Fenner School of Environment and Society, 48 Linnaeus Way, The Australian National University, Canberra, ACT 2601, Australia; [email protected] (J.P.); [email protected] (K.A.D.) 2 Australian Centre on China in the World, Building 188, Fellows Lane, Acton, The Australian National University, Canberra, ACT 2601, Australia 3 Institute for Water Futures, 48 Linnaeus Way, The Australian National University, Canberra, ACT 2601, Australia * Correspondence: [email protected]; Tel.: +61-(0)-026-125-3503 Abstract: The adverse effects of rapid urbanization are of global concern. Careful planning for and accommodation of accelerating urbanization and citizenization (i.e., migrants gaining official urban residency) may be the best approach to limit some of the worst impacts. However, we find that another trajectory may be possible: one linked to the rural development plan adopted in the latest Chinese national development strategy. This plan aims to build rural areas as attractive areas for settlement by 2050 rather than to further urbanize with more people in cities. We assess the political motivations and challenges behind this choice to develop rural areas based on a literature review and empirical case analysis. After assessing the rural and urban policy subsystem, we find five socio-political drivers behind China’s rural development strategy, namely ensuring food security, promoting culture and heritage, addressing overcapacity, emphasizing environmental protection and eradicating poverty. To develop rural areas, China needs to effectively resolve three dilemmas: (1) implementing decentralized policies under central supervision; (2) deploying limited resources Citation: Xu, H.; Pittock, J.; Daniell, efficiently to achieve targets; and (3) addressing competing narratives in current policies.
    [Show full text]
  • Download Article
    Advances in Social Science, Education and Humanities Research, volume 232 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018) Study on the Reasons of Chinese Painting Art from Realistic Writing to Freehand Brushwork Chao Chen Minjiang University Fuzhou, China 350000 Abstract—Chinese painting is a traditional one with a long the reasons for the development of materials technology (the history and fine tradition. It embodies the wisdom, character, production and extensive use of Xuan paper). The expressive psychology and temperament of the Chinese nation, and has a techniques can vividly show the effects of rich changes, which unique system in the world painting garden with its distinctive are in line with the artistic requirements of the theory and features and style. The Chinese painting has different genres, reality of freehand writing. characters, theories and works in thousands of years development, but in general, Chinese painting is divided into two important directions: realistic writing and freehand writing. II. HISTORICAL PROGRESS AND SOCIAL CHANGE LEADING From the perspective of history, the early Chinese painting was TO THE CHANGE OF CHINESE PAINTING TOWARDS THE GOAL dominated by realistic writing, and flourished in the Sui, Tang OF FREEHAND BRUSHWORK and early northern Song dynasties. From the later period of the In 1279, with the death of the southern Song dynasty, the northern song dynasty to the end of the southern song dynasty, Yuan dynasty entered into the central plains of Han dynasty Chinese paintings began to appear in the first place, mainly in and began the reign of foreign people. From the perspective of the form of freehand brushwork.
    [Show full text]
  • CDC) Dataset Codebook
    The Categorically Disaggregated Conflict (CDC) Dataset Codebook (Version 1.0, 2015.07) (Presented in Bartusevičius, Henrikas (2015) Introducing the Categorically Disaggregated Conflict (CDC) dataset. Forthcoming in Conflict Management and Peace Science) The Categorically Disaggregated Conflict (CDC) Dataset provides a categorization of 331 intrastate armed conflicts recorded between 1946 and 2010 into four categories: 1. Ethnic governmental; 2. Ethnic territorial; 3. Non-ethnic governmental; 4. Non-ethnic territorial. The dataset uses the UCDP/PRIO Armed Conflict Dataset v.4-2011, 1946 – 2010 (Themnér & Wallensteen, 2011; also Gleditsch et al., 2002) as a base (and thus is an extension of the UCDP/PRIO dataset). Therefore, the dataset employs the UCDP/PRIO’s operational definition of an aggregate armed conflict: a contested incompatibility that concerns government and/or territory where the use of armed force between two parties, of which at least one is the government of a state, results in at least 25 battle-related deaths (Themnér, 2011: 1). The dataset contains only internal and internationalized internal armed conflicts listed in the UCDP/PRIO dataset. Internal armed conflict ‘occurs between the government of a state and one or more internal opposition group(s) without intervention from other states’ (ibid.: 9). Internationalized internal armed conflict ‘occurs between the government of a state and one or more internal opposition group(s) with intervention from other states (secondary parties) on one or both sides’(ibid.). For full definitions and further details please consult the 1 codebook of the UCDP/PRIO dataset (ibid.) and the website of the Department of Peace and Conflict Research, Uppsala University: http://www.pcr.uu.se/research/ucdp/definitions/.
    [Show full text]
  • The Outlaws of the Marsh
    The Outlaws of the Marsh Shi Nai'an and Luo Guanzhong The Outlaws of the Marsh Shi Nai'an and Luo Guanzhong • Chapter 1 Zhang the Divine Teacher Prays to Dispel a Plague Marshal Hong Releases Demons by Mistake • Chapter 2 Arms Instructor Wang Goes Secretly to Yanan Prefecture Nine Dragons Shi Jin Wreaks Havoc in Shi Family Village • Chapter 3 Master Shi Leaves Huayin County at Night Major Lu Pummels the Lord of the West • Chapter 4 Sagacious Lu Puts Mount Wutai in an Uproar Squire Zhao Repairs Wenshu Monastery • Chapter 5 Drunk, the Little King Raises the Gold−Spangled Bed Curtains Lu the Tattooed Monk Throws Peach Blossom Village into Confusion • Chapter 6 Nine Dragons Shi Jin Robs in Red Pine Forest Sagacious Lu Burns Down Waguan Monastery • Chapter 7 The Tattooed Monk Uproots a Willow Tree Lin Chong Enters White Tiger Inner Sanctum by Mistake • Chapter 8 Arms Instructor Lin Is Tattooed and Exiled to Cangzhou Sagacious Lu Makes a Shambles of Wild Boar Forest • Chapter 9 Chai Jin Keeps Open House for All Bold Men Lin Chong Defeats Instructor Hong in a Bout with Staves • Chapter 10 Lin Chong Shelters from the Snowstorm in the Mountain Spirit Temple Captain Lu Qian Sets Fire to the Fodder Depot • Chapter 11 Zhu Gui Shoots a Signal Arrow from the Lakeside Pavilion Lin Chong Climbs Mount Liangshan in the Snowy Night • Chapter 12 Lin Chong Joins the Bandits in Liangshan Marsh Yang Zhi Sells His Sword in the Eastern Capital • Chapter 13 The Blue−Faced Beast Battles in the Northern Capital Urgent Vanguard Vies for Honors on the Training Field
    [Show full text]
  • Art of Not Being Governed
    they lack the substance: a taxpaying subject population or di- rect control over their constituent units, let alone a standing army. Hill polities are, almost invariably, redistributive, com- petitive feasting systems held together by the benefits they are able to disburse. When they occasionally appear to be rela- The Art of Not Being tively centralized, they resemble what Barfield has called the Governed “shadow-empires” of nomadic pastoralists, a predatory periph- ery designed to monopolize trading and raiding advantages at An Anarchist History of Upland Southeast Asia the edge of an empire. They are also typically parasitic inthe sense that when their host-empires collapse, so do they.45 James C. Scott Zones of Refuge There is strong evidence that Zomia is not simply a region of resistance to valley states, but a region of refuge as well.46 By “refuge,” I mean to imply that much of the population in the hills has, for more than a millennium and a half, come there to evade the manifold afflictions of state-making projects in the valleys. Far from being “left behind” by the progress of civiliza- 45 Thomas Barfield, “The Shadow Empires: Imperial State Formation along the Chinese-Nomad Frontier,” in Empires: Perspectives from Archaeol- ogy and History, ed. Susan E. Alcock, Terrance N. D’Altroy, et al. (Cambridge: Cambridge University Press, 2001), 11–41. Karl Marx identified such para- sitic, militarized peripheries engaged in slave-raiding and plunder on the fringe of the Roman Empire as “the Germanic mode of production.” For the best account of such secondary state formation by the Wa people, see Mag- nus Fiskesjö, “The Fate of Sacrifice and the Making of Wa History,” Ph.D.
    [Show full text]
  • Emplacing Dizang Bodhisattva on Mt. Jiuhua with Local Dramas During the Late Imperial and Republican Eras (1368–1949)
    Journal of Chinese Buddhist Studies (2020, 33: 49–75) New Taipei: Chung-Hwa Institute of Buddhist Studies 中華佛學學報 第三十三期 頁 49–75(民國一百零九年)新北:中華佛學研究所 ISSN: 2313-2000 e-ISSN: 2313-2019 Emplacing Dizang Bodhisattva on Mt. Jiuhua with Local Dramas during the Late Imperial and Republican Eras (1368–1949) Nan Ouyang Postdoctoral Fellow, Asia Research Institute, National University of Singapore Abstract This article focuses on local dramas of late imperial China that speak to the conflation of Dizang Bodhisattva and Jin Dizang who is a prince-turned-monk from Silla and identified as the earthly incarnation of Dizang on Mt. Jiuhua. Drawing on local legends of Jin that evolved after the Tang period, the article selects four one-act plays that feature Jin to examine how local legends were adapted into the scripts by looking into the storylines, characters, language styles, and place-names associated with Mt. Jiuhua. It also investigates the similarities between these one-act plays and well-known acts of a typical Mulian drama, while taking into account the performative context of those plays in relation to the Dizang cult. It shows that the playwrights vigorously assimilated local religious dynamics in their creation of an onstage persona of Jin as an ascetic Buddhist monk. Lastly, the article discusses the distinctive strategies by which the four plays promoted the Dizang cult on Mt. Jiuhua, analyzes gender issues in the scripts, and further illustrates the dynamics between religion and performative literatures such as local drama. Keywords: local
    [Show full text]
  • Factory Address Country
    Factory Address Country Durable Plastic Ltd. Mulgaon, Kaligonj, Gazipur, Dhaka Bangladesh Lhotse (BD) Ltd. Plot No. 60&61, Sector -3, Karnaphuli Export Processing Zone, North Potenga, Chittagong Bangladesh Bengal Plastics Ltd. Yearpur, Zirabo Bazar, Savar, Dhaka Bangladesh ASF Sporting Goods Co., Ltd. Km 38.5, National Road No. 3, Thlork Village, Chonrok Commune, Korng Pisey District, Konrrg Pisey, Kampong Speu Cambodia Ningbo Zhongyuan Alljoy Fishing Tackle Co., Ltd. No. 416 Binhai Road, Hangzhou Bay New Zone, Ningbo, Zhejiang China Ningbo Energy Power Tools Co., Ltd. No. 50 Dongbei Road, Dongqiao Industrial Zone, Haishu District, Ningbo, Zhejiang China Junhe Pumps Holding Co., Ltd. Wanzhong Villiage, Jishigang Town, Haishu District, Ningbo, Zhejiang China Skybest Electric Appliance (Suzhou) Co., Ltd. No. 18 Hua Hong Street, Suzhou Industrial Park, Suzhou, Jiangsu China Zhejiang Safun Industrial Co., Ltd. No. 7 Mingyuannan Road, Economic Development Zone, Yongkang, Zhejiang China Zhejiang Dingxin Arts&Crafts Co., Ltd. No. 21 Linxian Road, Baishuiyang Town, Linhai, Zhejiang China Zhejiang Natural Outdoor Goods Inc. Xiacao Village, Pingqiao Town, Tiantai County, Taizhou, Zhejiang China Guangdong Xinbao Electrical Appliances Holdings Co., Ltd. South Zhenghe Road, Leliu Town, Shunde District, Foshan, Guangdong China Yangzhou Juli Sports Articles Co., Ltd. Fudong Village, Xiaoji Town, Jiangdu District, Yangzhou, Jiangsu China Eyarn Lighting Ltd. Yaying Gang, Shixi Village, Shishan Town, Nanhai District, Foshan, Guangdong China Lipan Gift & Lighting Co., Ltd. No. 2 Guliao Road 3, Science Industrial Zone, Tangxia Town, Dongguan, Guangdong China Zhan Jiang Kang Nian Rubber Product Co., Ltd. No. 85 Middle Shen Chuan Road, Zhanjiang, Guangdong China Ansen Electronics Co. Ning Tau Administrative District, Qiao Tau Zhen, Dongguan, Guangdong China Changshu Tongrun Auto Accessory Co., Ltd.
    [Show full text]