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Since 2017 Bezalel Academy for Art and Design, MFA
Hadas Maor Curiculum Vitae Professional Experience: Since 2017 Bezalel Academy for Art and Design, MFA Program, lecturer 2017 Bait LeOmanut Israelit, lecturer 2017 French Institute Focus Program 2016 Sculpture Quadrennial Riga 2016 Invited guest Lecture: Conservatism and Liberalism, appearances in contemporary culture 2015 Curator of the Israeli Pavilion, the 56th International Art Exhibition – la Biennale di Venezia 2014 Artist Mentor Artport, Tel Aviv 2012 The 2nd Ural Industrial Biennial of Contemporary Art Intellectual platform, invited guest Lecture: Contemplating the possibility of criticality within the field of visual art 2012 Lecturer of curatorial studies, School of Arts, Kibbutzim College of Education, Tel Aviv 2011 ARCOmadrid 2011, Professional Meetings, invited guest 2010 Professional visit to LA, organized by the LA-TLV partnership and The Jewish Federation of Los Angeles 2009 Study visit to Poland, organized by Adam Mickiewicz Institute, Warsaw 2007 Art Basel 2007, 7db platform for art professionals, invited guest Since 2006 Consultant to Bank Hapoalim Collection of Israeli Art 2006-2009 Consultant to the Angel Collection of Contemporary Art Since 2001 Curator of the Geny and Hanina Brandes Art Collection, Tel Aviv Since 1998 Independent contemporary art curator (The Tel Aviv Museum of Art, The Haifa Museum of Art, The Herzliya Museum of Contemporary Art, The Petach Tikva Museum of Art, The Ramat Gan Museum of Israeli Art, The Ein Harod Museum of Art, The Tel Aviv University Gallery and more) 1997 - 2005 Senior Lecturer -
RAM FW Catalog 2015 FINAL.Indd
RAM publications + distribution, Inc. 2525 Michigan Ave., Bldg. #A2 Santa Monica, CA 90404 USA publications + distribution fall/winter 2015 publications + distribution rampub.com fall/winter 2015 w FALL/WINTER 2015 Frontlist 3 New Publisher Backlist 58 Backlist 63 Index 81 Order & Trade Information 86 rampub.com Architecture + Spatial Arts Architecture DISPLAYED SPACES New Means of Architecture Presentation through Exhibitions Roberto Gigliotti (Ed.) Curators of architecture exhibitions are often concerned with the problem of how to present objects that ultimately cannot be brought into the exhibition space. Such shows are often difficult for lay audiences to interpret—little focus is placed on communication. However, there are also architecture exhibits that concentrate on communicating an experience, making it possible to build an intense relationship between the audience and the content on display. The result of a research project organized in 2013 by the faculty of Design and Art of the Free University of Bozen Bolzano, Displayed Spaces focuses on the question of how spaces might communicate architectural ideas in a redevelopment project and its accompanying exhibition proposed for the city of Bolzano, Italy. The book is organized into two sections—the first introduces project criteria and the curatorial considerations on content and its presentation; the second begins with an analysis of the public, with particular attention to the different types of visitors—and demonstrates how spatial engagement can generate a personal relationship between visitor and exhibition. Bringing together essays by theoreticians, curators and practitioners involved in exhibition production, this analysis of contemporary architecture exhibitions concludes by asking what is more important: the experience of the exhibition or its effect on the debate on architecture and its history. -
Asian Cultural Council ANNUAL REPORT 6 West 48Th Street, 12Th Floor New York, NY 10036-1802 212 843 0403 Tel 212 843 0343 Fax [email protected] New York
2011 asian cultural council ANNUAL REPORT 6 West 48th Street, 12th Floor New York, NY 10036-1802 212 843 0403 tel 212 843 0343 fax [email protected] new york Room 702, Hong Kong Arts Centre 2 Harbour Road, Wanchai Hong Kong +852 2895 0407 tel +852 2576 7206 fax hong kong [email protected] Suite 504 National Life Building 6762 Ayala Avenue, Makati City 1226 Philippines +632 757 3006 tel/fax [email protected] manila Unit 2, 10th Floor 303 Chung-Hsiao East Road Sec. 4 Taipei, Taiwan +866 2 8771 8836 tel taipei +866 2 8771 8844 fax [email protected] Toka Building, 8F 1-16-1 Ginza Chuo-ku, Tokyo 104-0061 Japan +81 3 3535 0287 tel tokyo +81 3 3535 5565 fax [email protected] asian cultural council 2011 ANNUAL REPORT Asian Cultural Council supports of each of its grant recipients and transformative cultural exchange fosters ongoing dialogue between by awarding grants to artists, and among its grantees and scholars, and arts and humanities artists, scholars, and specialists professionals, as well as through a robust network of organizations and educational contacts across disciplines and institutions from the United States across the globe. ACC supports and Asia for research, study, and its efforts by seeking funding creative work in the United States from individuals, foundations, and and Asia and within the countries corporations with an interest in of Asia. To achieve this goal, ACC and dedication to strengthening develops programs specifically ties between the United States tailored to the needs and interests and the countries of Asia. -
2016-17 Newsletter
2016-17 NEWSLETTER Dear Friends and Colleagues: office staff and posted on our website, I encourage you to have a look. It is my pleasure to highlight some of Programming in the form of lectures, the past year’s accomplishments in the exhibitions, and symposia this year was Department of Art History and invite robust and often entailed cross-institu- you to enjoy a fuller summation in the tional collaboration, especially via the pages that follow. Among many faculty Andrew W. Mellon Foundation-funded honors, kudos go first to Huey Copeland, Chicago Objects Study Initiative (COSI), recipient of the 2017 Absolut Art Writing now entering its fourth year. This year’s Award. Also, Christina Normore was newsletter highlights undergradu- awarded the E. Leroy Hall Award for ate initiatives in partnership with the Excellence in Teaching, the highest Block Museum, collaborations with the teaching honor given by Weinberg Northwestern University/Art Institute of College of Arts and Sciences. The de- Chicago Center for Scientific Studies in partment conducted a search for a new the Arts (NU-ACCESS), and ongoing ben- faculty member in architectural history efits to the department made possible and looks forward to welcoming Ayala by the Elizabeth and Todd Warnock Gift. Levin to campus in Winter 2018. It was the department’s great fortune to Our newsletter reports many outstand- see Mel Keiser promoted to the position ing achievements of undergraduate of Department Assistant. As always, and graduate students. To mention a her work—including the design of this few, five students completed the Ph.D. newsletter—has been exemplary. -
2020 Convention Program.Pdf
aseees Association for Slavic, East European, & Eurasian Studies 2020 ASEEES VIRTUAL CONVENTION Nov. 5-8 • Nov. 14-15 ASSOCIATION FOR SLAVIC, EAST EUROPEAN, & EURASIAN STUDIES 52nd Annual ASEEES Convention November 5-8 and 14-15, 2020 Convention Theme: Anxiety & Rebellion The 2020 ASEEES Annual Convention will examine the social, cultural, and economic sources of the rising anxiety, examine the concept’s strengths and limitations, reconstruct the politics driving anti- cosmopolitan rebellions and counter-rebellions, and provide a deeper understanding of the discourses and forms of artistic expression that reflect, amplify or stoke sentiments and motivate actions of the people involved. Jan Kubik, President; Rutgers, The State U of New Jersey / U College London 2020 ASEEES Board President 3 CONVENTION SPONSORS ASEEES thanks all of our sponsors whose generous contributions and support help to promote the continued growth and visibility of the Association during our Annual Convention and throughout the year. PLATINUM SPONSORS: Cambridge University Press GOLD SPONSOR: East View information Services SILVER SPONSOR: Indiana University, Robert F. Byrnes Russian and East European Institute BRONZE SPONSORS: Baylor University, Modern Languages and Cultures | Communist and Post-Communist Studies by University of California Press | Open Water RUSSIAN SCHOLAR REGISTRATION SPONSOR: The Carnegie Corporation of New York FILM SCREENING SPONSOR: Arizona State University, The Melikian Center: Russian, Eurasian and East European Studies FRIENDS OF ASEEES: -
Distributed Art Publishers Art Distributed Artbook Spring
artbook Spring SPRING 2014 NEW BOOKS ON ART & CULTURE & distributed art publishers artbook distributed art publishers 155 Sixth Avenue, nd Floor, New York, NY 10013 www.artbook.com Ray Johnson, from Not Nothing: Selected Writings by Ray Johnson 1954–1994, published by Siglio. See page 35. Featured releases 2 Journals 82 sprIng HIgHlIgHts 90 CATALOGUE EDITOR Thomas Evans photography 92 ART DIRECTION art 108 Stacy Wakefield group exhibitions 136 IMAGE PRODUCTION Ranya Asmar Writings 142 DATA PRODUCTION design 150 Alexa Forosty COPY WRITING Film 158 Jarrod Annis, Thomas Evans, Tyler Fields, Annabelle Maroney, Seamus Mullarkey architecture 159 PRINTING limited editions 168 Sonic Media Solutions, Inc. Front Cover Image speCIalty Books 170 5 7 Robert Heinecken, Recto/Verso #2, 1988. Silver dye bleach print, 8 ⁄8 x 7 ⁄8''. The Museum of Modern Art, New York. Mr. and Mrs. Clark Winter Fund. art 172 © 2013 The Robert Heinecken Trust. From Robert Heinecken: Object Matter, photography 196 published by The Museum of Modern Art, New York. See page 36. BaCk Cover Image Backlist Highlights 201 Ray Johnson © Ray Johnson Estate, courtesy Richard L. Feigen & Co. From Not Nothing: Selected Writings by Ray Johnson 1954–1994, published by Siglio. See page 35. Index 207 © Ray Johnson Estate, courtesy Richard L. Feigen & Co & Feigen L. Richard courtesy Estate, Johnson Ray © ShowTime:The50Most “a fascinating survey of InfluentialExhibitions ofContemporaryArt groundbreaking exhibitions from Edited and with text by Jens Hoffman. Conversation with Hans Ulrich Obrist, Massimiliano Gioni, Maria the 1980s through to now . the Lind, Jessica Morgan, Carolyn Christov-Bakargiev, Adriano Pedrosa, Mary Jane Jacob. -
Octavio Zaya: Politics and 'The Political': the 29 Sao Paulo Bienal 28/10/10 5.10
CENTRE FOR THE AESTHETIC REVOLUTION: OCTAVIO ZAYA: POLITICS AND 'THE POLITICAL': THE 29 SAO PAULO BIENAL 28/10/10 5.10 Del Rapporter misbrug Næste blog» C E N T R E F O R T H E A E S T H E T I C R E V O L U T I O N TUESDAY, 5 OCTOBER 2010 PAGES OCTAVIO ZAYA: POLITICS AND 'THE POLITICAL': THE 29 Home SAO PAULO BIENAL SOME RECENT PROJECTS, SOME NOT SO RECENT ABOUT ME PABLO LEON DE LA BARRA [email protected], LONDON, UNITED KINGDOM "At the end of the fifteenth of his 'Letters on the Aesthetic Education of Mankind' Schiller states a paradox and makes a promise. He declares that ‘Man is only completely human when he plays’, and assures us that this paradox is capable ‘of bearing the whole edifice of the art of the beautiful and of the The 29 Sao Paulo Bienal curatorial team. From left to right: Fernando Alvim, Agnaldo Farias, Rina Carvajal, Chus Martínez, Yuko Hasegawa, Sarat Maharaj still more difficult art of living’. We could and Moacir dos Anjos. reformulate this thought as follows: there Politics and "The Political" at the 29th São Paulo Biennial exists a specific sensory experience—the Sep 25 – Dec 12, 2010 aesthetic—that holds the promise of both a by Octavio Zaya new world of Art and a new life for How do you follow, and what do you do after "The Void," the so-dubbed 28th individuals and the community. There are edition of the São Paulo Biennial (2008)? Its Artistic Director, the internationally different ways of coming to terms with this known and experienced curator Ivo Mesquita, left the huge second floor of the Oscar Niemeyer building entirely empty as a comment on the intricate bureaucratic statement and this promise. -
Only the Good Ones: the Snapshot Aesthetic Revisited
ONLY THE GOOD ONES: THE SNAPSHOT AESTHETIC REVISITED Press release Galerie Rudolfinum January 24 – April 6, 2014 Exhibition curator: Michal Nanoru Galerie Rudolfinum presents Only The Good Ones, an exhibition tracing the snapshot – the unpremeditated, spur-of-the-moment amateur photograph – as a source of inspiration for art photography. The exhibition presents the work of forty photographers, primarily Americans, plus German photographer of Czech descent Jürgen Teller and British photographer Corinne Day, who introduced the world to Kate Moss. The snapshot, spontaneously capturing a commonplace moment, with minimal direction and little appreciation for artistic or journalistic convention, full of red eyes, severed heads, leaky shutters, and drugstore hyper-saturation, has formed a fundamental part of photographic production throughout the 20th century and remains the default choice for inexperienced owners of compact cameras and phones. But over the years, the snapshot has often inspiration for artistic endeavors not limited by the family photo album lying in a box up in the attic. “Their potential was used by artists who were already involved in the gallery scene, or whose snapshots helped them into the gallery scene,” curator Michal Nanoru explains. “This is why the exhibition is named after the usual series of questions the photo lab used to ask – Glossy or matte? Three and a half by fives? All the pictures or only the good ones? ‘The good ones’ usually meant the ones in which the main object was in focus, ones that even managed to feature some sort of main object that wasn’t the photographer’s huge pink thumb on the lens, or that weren’t just the blank first frames from loading the camera. -
FRANK MOORE Biography
SPERONE WESTWATER 257 Bowery New York 10002 T + 1 212 999 7337 F + 1 212 999 7338 www.speronewestwater.com FRANK MOORE Biography 1953 Born in New York, New York Lived and worked in New York 2002 Died in New York, April 21 Education: 1970 Haystack Mountain School of Crafts, Deer Isle, Maine 1971-75 B.A. Yale University, New Haven, Connecticut. Summa Cum Laude, Phi Beta Kappa, Scholar of the House in Painting 1973 Skowhegan School of Painting and Sculpture, Skowhegan, Maine 1977-79 Cité Internationale des Arts, Paris, France (residency) 1988 Sundance Institute (residency) Grants and Awards: 1983 New York State Council on the Arts, film production grant 1985 New York Dance and Performance Award (“Bessie”) for outstanding creative achievement for “Beehive,” a film made in collaboration with Jim Self The Beards Fund, film production grant National Endowment for the Arts, Dance/Film/Video grant for film post-production 1986 National Endowment for the Arts, Interarts grant The Walter Foundation, film production grant Con Edison, performance grant 1987 National Endowment for the Arts, Dance/Film/Video grant for film production New York State Council on the Arts, film production grant New York State Council on the Arts, Visual Artists Program Collaboration grant Art Matters, Inc. grant for film production 1988 Jerome Foundation, performance grant Foundation for Contemporary Performance Art, film post-production grant Con Edison, performance grant Pinewood Foundation, film production grant Art Matters, Inc. performance grant New York Foundation for the Arts, fellowship in film 1989 Pinewood Foundation, film post-production grant Con Edison, film post-production grant 1990 New York State Council on the Arts, Individual Artists Grant for Painting. -
F16 Art Titles - August 2016 Page 1
Art Titles Fall 2016 {IPG} Death and Memory Soane and the Architecture of Legacy Helen Dorey, Tom Drysdale, Susan Palmer, Frances S... Summary This book of essays is published to coincide with an exhibition of the same title at Sir John Soane's Museum, Lincoln's Inn Fields, London (October 23, 2015–March 26, 2016) commemorating the 200th anniversary of Soane's beloved wife Eliza's death on November 22, 1815. Its relevance to Soane studies, is, however, much broader, with essays shedding new light on the architecture of legacy in Sir John Soane's Museum; Soane's preoccupation with memorialization as revealed in the design process for the Soane family tomb; the legacy of his drawings collection; and Soane's Pimpernel Press attempt shortly before his death to sustain future interest in his collections by creating a series of 9780993204111 time capsules. The essays, written by the curatorial team at Sir John Soane's Museum, are Pub Date: 9/28/16 accompanied by 39 illustrations in full color, some of them published for the first time. Ship Date: 9/28/16 $16.95/$33.95 Can. Contributor Bio Discount Code: LON Trade Paperback Helen Dorey is Deputy Director and Inspectress of Sir John Soane’s Museum. Tom Drysdale was the Museum's Soane Drawings Cataloguer and now works for Historic Royal Palaces. Susan Palmer is 48 Pages Archivist and Head of Library Services at Sir John Soane's Museum. Dr. Frances Sands is Catalogue Carton Qty: 70 Editor of the Adam Drawings Project, Sir John Soane's Museum. Architecture / Historic Preservation ARC014000 11 in H | 8.5 in W | 0.2 in T | 0.6 lb Wt A Whakapapa of Tradition One Hundred Years of Ngato Porou Carving, 1830-1930 Ngarino Ellis, Natalie Robertson Summary From the emergence of the chapel and the wharenui in the nineteenth century to the rejuvenation of carving by Apirana Ngata in the 1920s, Maori carving went through a rapid evolution from 1830 to 1930. -
Artmap Praha 1/2 2014
Ve vybraných galeriích v Praze Zóna v pohybu Jan Boháč: Věčný oheň, Natalia’s works, didn’t necessarily discredit articulate the theme of an artistic activity as GALERIE FOTOGRAFIC Generace slovenských studentů pražské vřazenou do celkových souvislostí. William Klein, Jacques Henri Lartigue, Ari Participace architektury a designu. Po komentáři k slavné M.ODLA je možné najít QR kódy či Dialogy profesorky Adély Matasové Smutný kuchař, Clona her art in the eyes of American spectators. a part of the social-economical system. Stříbrná 2 [D4] open po, st–ne 13–18 h / FAMU narozených kolem roku 1960, kteří Kurátor: Jiří Machalický Marcopoulos, Joel Meyerowitz, Slava Mogutin, Tomáš Absolon, Michal Cimala, éře brazilské architektury a evropské schop- Antonínská 6 [B6] Vitrína v chodbě přehrávače a získat tak přístup a jejích studentů 1990–2014 9. 1.–2. 2. Instead we can think of her visit, during which Kurátorka / Curator: Tereza Jindrová mon, wed–sun 13–18 h, www fotografic.cz v polovině osmdesátých let výrazně vstoupili Daido Moriyama, Mark Morrisroe, Ed Panar, Dalibor Chatrný, Rudolf Němec, nosti její reflexe tentokrát odkazuje k otázkám přízemí bytového domu, otevřená na k UMA AudioGuide. Nahrávka 16. 1.–17. 3. → vernisáž + Entrance Talk: 8. 1., 19 h she both investigated art and tried to define leden–únor: zavřeno / na scénu tehdejší československé fotografie, Stín / Shadow Tod Papageorge, Walter Pfeiffer, Jack Pierson, Petr Písařík, Eliška Pokorná, Zorka relevantním pro vnímání modernistického požádání kohokoliv z obyvatel, formou dialogu s kurátorem či Výstava mapuje práce studentů, kteří prošli her own artistic position, as the clash of two, Situace (poznámky o zvuku) / january–fenruary: closed se do dějin zapsala pod názvem „Slovenská 6. -
PRESS CONTACT National Press
HONORARY CHAIRPERSONS Mrs. Laura Bush Mrs. Hillary Rodham Clinton Mrs. George Bush (1925-2018) Mrs. Nancy Reagan (1921-2016) Mrs. Rosalynn Carter Mrs. Be y Ford (1918–2011) BOARD OF DIRECTORS Curt C. Myers, Chairman Jodee Nimerichter, President PRESS CONTACT Russell Savre, Treasurer Nancy Carver McKaig, Secretary National Press Representative: Lisa Labrado Charles L. Reinhart, Director Emeritus [email protected] Bernard E. Bell Susan M. Carson Direct: 646-214-5812/Mobile: 917-399-5120 Nancy P. Carstens Rebecca B. Elvin Richard E. Feldman, Esq. North Carolina Press Representative: Sarah Tondu James Frazier, Ed.D. [email protected] omas R. Galloway Susan T. Hall, Ph.D. Office: 919-684-6402/Mobile: 919-270-9100 Carlton Midye e Adam Reinhart, Ph.D. Arthur H. Rogers III FOR IMMEDIATE RELEASE Judith Sagan HISTORIC PANEL CONVENES AT THE AMERICAN DANCE FESTIVAL TO DISCUSS THE HISTORY AND STATE OF MODERN DANCE IN CHINA Durham, NC, May 31, 2018—The American Dance Festival (ADF) will convene a panel titled “Why Do They Fall Down? The Story of Modern Dance in China” to celebrate 30 years of modern dance in China. Panelists include Director Emeritus of ADF Charles L. Reinhart, Yang Meiqi, the founder and former director of the first modern dance company in China, China’s foremost dance expert Ou Jian-Ping, ADVISORY COMMITTEE Ralph Samuelson, former director of the Asian Cultural Council, Michelle Vosper, former director of the Robby Barne Asian Cultural Council in Hong Kong, internationally celebrated choreographer Shen Wei, and Brenda Brodie Ronald K. Brown former José Limón Company dancer Sarah Stackhouse. The title of the panel comes from a story told by Martha Clarke Charles L.