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Copyright Statement
COPYRIGHT STATEMENT This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and no quotation from the thesis and no information derived from it may be published without the author’s prior consent. i ii REX WHISTLER (1905 – 1944): PATRONAGE AND ARTISTIC IDENTITY by NIKKI FRATER A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY School of Humanities & Performing Arts Faculty of Arts and Humanities September 2014 iii Nikki Frater REX WHISTLER (1905-1944): PATRONAGE AND ARTISTIC IDENTITY Abstract This thesis explores the life and work of Rex Whistler, from his first commissions whilst at the Slade up until the time he enlisted for active service in World War Two. His death in that conflict meant that this was a career that lasted barely twenty years; however it comprised a large range of creative endeavours. Although all these facets of Whistler’s career are touched upon, the main focus is on his work in murals and the fields of advertising and commercial design. The thesis goes beyond the remit of a purely biographical stance and places Whistler’s career in context by looking at the contemporary art world in which he worked, and the private, commercial and public commissions he secured. In doing so, it aims to provide a more comprehensive account of Whistler’s achievement than has been afforded in any of the existing literature or biographies. This deeper examination of the artist’s practice has been made possible by considerable amounts of new factual information derived from the Whistler Archive and other archival sources. -
2013 CAG Library Index
Ref Book Name Author B020 (Shire) ANCIENT AGRICULTURAL IMPLEMENTS Sian Rees B015 (Shire) ANCIENT BOATS Sean McGrail B017 (Shire) ANCIENT FARMING Peter J.Reynolds B009 (Shire) ANGLO-SAXON POTTERY D.H.Kenneth B198 (Shire) ANGLO-SAXON SCULPTURE James Lang B011 (Shire) ANIMAL REMAINS IN ARCHAEOLOGY Rosemary Margaret Luff B010 (Shire) ARCHAEOLOGY OF GARDENS Christopher Taylor B268 (Shire) ARCHAEOLOGY OF GARDENS Christopher Taylor B039 (Shire) ARCHAEOLOGY OF THE ENGLISH CIVIL WAR Peter Harrington B276 (Shire) ARCHAEOLOGY OF THE ENGLISH CIVIL WAR Peter Harrington B240 (Shire) AVIATION ARCHAEOLOGY IN BRITAIN Guy de la Bedoyere B014 (Shire) BARROWS IN ENGLAND AND WALES L.V.Grinsell B250 (Shire) BELLFOUNDING Trevor S Jennings B030 (Shire) BOUDICAN REVOLT AGAINST ROME Paul R. Sealey B214 (Shire) BREWING AND BREWERIES Maurice Lovett B003 (Shire) BRICKS & BRICKMAKING M.Hammond B241 (Shire) BROCHS OF SCOTLAND J.N.G. Ritchie B026 (Shire) BRONZE AGE COPPER MINING William O'Brian B245 (Shire) BRONZE AGE COPPER MINING IN BRITAIN AND William O'Brien B230 (Shire) CAVE ART Andrew J. Lawson B035 (Shire) CELTIC COINAGE Philip de Jersey B032 (Shire) CELTIC CROSSES OF BRITAIN AND IRELAND Malcolm Seaborne B205 (Shire) CELTIC WARRIORS W.F. & J.N.G.Ritchie B006 (Shire) CHURCH FONTS Norman Pounds B243 (Shire) CHURCH MEMORIAL BRASSES AND BRASS Leigh Chapman B024 (Shire) CLAY AND COB BUILDINGS John McCann B002 (Shire) CLAY TOBACCO PIPES E.G.Agto B257 (Shire) COMPUTER ARCHAEOLOGY Gary Lock and John Wilcock B007 (Shire) DECORATIVE LEADWORK P.M.Sutton-Goold B029 (Shire) DESERTED VILLAGES Trevor Rowley and John Wood B238 (Shire) DESERTED VILLAGES Trevor Rowley and John Wood B270 (Shire) DRY STONE WALLS Lawrence Garner B018 (Shire) EARLY MEDIEVAL TOWNS IN BRITAIN Jeremy Haslam B244 (Shire) EGYPTIAN PYRAMIDS AND MASTABA TOMBS Philip Watson B027 (Shire) FENGATE Francis Pryor B204 (Shire) GODS OF ROMAN BRITAIN Miranda J. -
Annual Report 2018/2019
Annual Report 2018/2019 Section name 1 Section name 2 Section name 1 Annual Report 2018/2019 Royal Academy of Arts Burlington House, Piccadilly, London, W1J 0BD Telephone 020 7300 8000 royalacademy.org.uk The Royal Academy of Arts is a registered charity under Registered Charity Number 1125383 Registered as a company limited by a guarantee in England and Wales under Company Number 6298947 Registered Office: Burlington House, Piccadilly, London, W1J 0BD © Royal Academy of Arts, 2020 Covering the period Coordinated by Olivia Harrison Designed by Constanza Gaggero 1 September 2018 – Printed by Geoff Neal Group 31 August 2019 Contents 6 President’s Foreword 8 Secretary and Chief Executive’s Introduction 10 The year in figures 12 Public 28 Academic 42 Spaces 48 People 56 Finance and sustainability 66 Appendices 4 Section name President’s On 10 December 2019 I will step down as President of the Foreword Royal Academy after eight years. By the time you read this foreword there will be a new President elected by secret ballot in the General Assembly room of Burlington House. So, it seems appropriate now to reflect more widely beyond the normal hori- zon of the Annual Report. Our founders in 1768 comprised some of the greatest figures of the British Enlightenment, King George III, Reynolds, West and Chambers, supported and advised by a wider circle of thinkers and intellectuals such as Edmund Burke and Samuel Johnson. It is no exaggeration to suggest that their original inten- tions for what the Academy should be are closer to realisation than ever before. They proposed a school, an exhibition and a membership. -
Ewolucja Błazna
Historia Ewolucja błazna Marillion – studyjne albumy ery Fisha (1983-1987) Druga fala, w kontekście trendów wszelakich (może poza drugą falą feminizmu oraz drugą falą ezoteryki), nigdy nie będzie tą pierwszą, więc konserwatyści zawsze ją zdeprecjonują. Marillion – prekursor powrotu rocka progresywnego w latach 80. XX wieku – nie był i nie będzie postrzegany jako jedna z najważniejszych grup tego gatunku. Pod względem popularności nie może się równać z „wielką szóstką” z poprzedzającej dekady – zespołami Pink Floyd, King Crimson, Genesis, Yes, ELP i Jethro Tull. Mimo to warto się pochylić nad twórczością tej szczególnej grupy. Michał Dziadosz 90 Hi•Fi i Muzyka 7-8/16 Historia fanów prozy J.R.R. Od fonograficznych początków do dziś Fish, jako główna postać, góruje nad resztą Tolkiena nazwa na gitarze gra Steve Rothery, na basie – Pete nie tylko wzrostem, ale także poetycką indy- brzmi dziwnie zna- Trewavas, a na instrumentach klawiszowych widualnością. Koledzy z zespołu dotrzymują jomo – Marillion to niemal „Silmarillion”. – Mark Kelly. Od 1984 roku za perkusją za- mu jednak kroku, stwarzając dookoła jego Panowie już we wczesnym etapie działalno- siada Ian Mosley. W 1988 etat wokalisty ob- opowieści niezwykły klimat. Od początku ści zrezygnowali jednak z przedrostka „sil”, jął utalentowany Steve Hogarth. Zmiana na każdy z nich trzyma poziom, może poza gdyż niedaleko od niego do „silly”, a przecież tym stanowisku wciąż budzi kontrowersje grającym na perkusji Mickiem Pointerem. nikt nie chce być postrzegany jako głuptas. i dzieli fanów na zwolenników starego i no- Przez jego problemy z punktualnością sekcja Wczesny etap trwał wystarczająco długo, wego Marillion. rytmiczna nieco pływa, ale w ogólnym roz- by grupa zdążyła się ukształtować i przygo- Dziś jednak nie o konfliktach i sporach, rachunku – nie jest źle. -
Important Australian and Aboriginal
IMPORTANT AUSTRALIAN AND ABORIGINAL ART including The Hobbs Collection and The Croft Zemaitis Collection Wednesday 20 June 2018 Sydney INSIDE FRONT COVER IMPORTANT AUSTRALIAN AND ABORIGINAL ART including the Collection of the Late Michael Hobbs OAM the Collection of Bonita Croft and the Late Gene Zemaitis Wednesday 20 June 6:00pm NCJWA Hall, Sydney MELBOURNE VIEWING BIDS ENQUIRIES PHYSICAL CONDITION Tasma Terrace Online bidding will be available Merryn Schriever OF LOTS IN THIS AUCTION 6 Parliament Place, for the auction. For further Director PLEASE NOTE THAT THERE East Melbourne VIC 3002 information please visit: +61 (0) 414 846 493 mob IS NO REFERENCE IN THIS www.bonhams.com [email protected] CATALOGUE TO THE PHYSICAL Friday 1 – Sunday 3 June CONDITION OF ANY LOT. 10am – 5pm All bidders are advised to Alex Clark INTENDING BIDDERS MUST read the important information Australian and International Art SATISFY THEMSELVES AS SYDNEY VIEWING on the following pages relating Specialist TO THE CONDITION OF ANY NCJWA Hall to bidding, payment, collection, +61 (0) 413 283 326 mob LOT AS SPECIFIED IN CLAUSE 111 Queen Street and storage of any purchases. [email protected] 14 OF THE NOTICE TO Woollahra NSW 2025 BIDDERS CONTAINED AT THE IMPORTANT INFORMATION Francesca Cavazzini END OF THIS CATALOGUE. Friday 14 – Tuesday 19 June The United States Government Aboriginal and International Art 10am – 5pm has banned the import of ivory Art Specialist As a courtesy to intending into the USA. Lots containing +61 (0) 416 022 822 mob bidders, Bonhams will provide a SALE NUMBER ivory are indicated by the symbol francesca.cavazzini@bonhams. -
Official Journal of the British Milers' Club
Official Journal of the British Milers’ Club VOLUME 3 ISSUE 14 AUTUMN 2002 The British Milers’ Club Contents . Sponsored by NIKE Founded 1963 Chairmans Notes . 1 NATIONAL COMMITTEE President Lt. CoI. Glen Grant, Optimum Speed Distribution in 800m and Training Implications C/O Army AAA, Aldershot, Hants by Kevin Predergast . 1 Chairman Dr. Norman Poole, 23 Burnside, Hale Barns WA15 0SG An Altitude Adventure in Ethiopia by Matt Smith . 5 Vice Chairman Matthew Fraser Moat, Ripple Court, Ripple CT14 8HX End of “Pereodization” In The Training of High Performance Sport National Secretary Dennis Webster, 9 Bucks Avenue, by Yuri Verhoshansky . 7 Watford WD19 4AP Treasurer Pat Fitzgerald, 47 Station Road, A Coach’s Vision of Olympic Glory by Derek Parker . 10 Cowley UB8 3AB Membership Secretary Rod Lock, 23 Atherley Court, About the Specificity of Endurance Training by Ants Nurmekivi . 11 Upper Shirley SO15 7WG BMC Rankings 2002 . 23 BMC News Editor Les Crouch, Gentle Murmurs, Woodside, Wenvoe CF5 6EU BMC Website Dr. Tim Grose, 17 Old Claygate Lane, Claygate KT10 0ER 2001 REGIONAL SECRETARIES Coaching Frank Horwill, 4 Capstan House, Glengarnock Avenue, E14 3DF North West Mike Harris, 4 Bruntwood Avenue, Heald Green SK8 3RU North East (Under 20s)David Lowes, 2 Egglestone Close, Newton Hall DH1 5XR North East (Over 20s) Phil Hayes, 8 Lytham Close, Shotley Bridge DH8 5XZ Midlands Maurice Millington, 75 Manor Road, Burntwood WS7 8TR Eastern Counties Philip O’Dell, 6 Denton Close, Kempston MK Southern Ray Thompson, 54 Coulsdon Rise, Coulsdon CR3 2SB South West Mike Down, 10 Clifton Down Mansions, 12 Upper Belgrave Road, Bristol BS8 2XJ South West Chris Wooldridge, 37 Chynowen Parc, GRAND PRIX PRIZES (Devon and Cornwall) Cubert TR8 5RD A new prize structure is to be introduced for the 2002 Nike Grand Prix Series, which will increase Scotland Messrs Chris Robison and the amount that athletes can win in the 800m and 1500m races if they run particular target times. -
The Uk's Most Iconic Living Artist
the UK’s most iconic living artist roMAnce And rivalry...IntrIgue And IntIMAcy... Lust And LyrIcIsM... bIogrAphy jacK VettrIAno obe born 1951, fIfe JAcK VettrIAno occupIes A unIque posItIon on the conteMporAry Art scene. consIdered by soMe to be courAgeous And by others outr Ageous, he Is soMethIng of A maverIcK fIgure who operAtes outsIde the estAbLIshMent, yet hIs worK Is coLLected by MoVIe stArs And prIced At sIx fIgures. he fIrst cAMe to pubLIc pro MInence At the royAL scottIsh AcAdeMy open exhIbItIon In 1989. out of nowhere, he erupted onto the scottIsh Art scene wIth A serIes of pAIntIngs, ALL of whIch were later soLd. Since then there have been seLL out exhIbItIons In edInburgh, London, hong Kong, JohAnnesburg And new yorK. In 2003, Jack Vettriano was awarded an Honorary doctorate from St Andrew’s University and an OBE for Services to the Visual Arts. In April 2004 ‘The Singing Butler’ was sold at Sotheby’s for in excess of £750,000, a record breaking price for a painting by a Scottish artist. In 2009, Vettriano was commissioned by the Yacht Club of Monaco to create a series of paintings to mark the centenary of their world famous yacht, Tuiga. The subsequent exhibition, ‘Homage a Tuiga‘, premiered in Monaco as part of Classic Yacht Week in September 2009, before touring to the UK in 2010. In March 2010, Days of Wine and Roses was opened by Scotland’s then First Minister the Rt Hon Alex Salmond SNP at the Kirkcaldy Museum, then transferred to London. Later that year, Sir Jackie Stewart presented Vettriano with the Great Scot of the Year Award which led to a Motion in Parliament calling for his contribution to Scottish culture to be recognised. -
Art Gallery of New South Wales Annual Report 2001
ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2001 1 TABLE OF CONTENTS ART GALLERY OF NEW SOUTH WALES HIGHLIGHTS PRESIDENT’S REPORT 2 NEW ATTENDANCE RECORD SET FOR THE POPULAR ARCHIBALD, WYNNE AND SULMAN PRIZES, WHICH HAD MORE THAN 98,000 VISITORS. DIRECTOR’S REPORT 4 1 YEAR IN REVIEW 8 TWO NEW MAJOR AGNSW PUBLICATIONS, AUSTRALIAN ART IN THE ART GALLERY OF NEW SOUTH WALES AND PAPUNYA TULA: GENESIS AIMS/OBJECTIVES/PERFORMANCE INDICATORS 26 2 AND GENIUS. CORPORATE GOVERNANCE 32 DEDICATION OF THE MARGARET OLLEY TWENTIETH CENTURY EUROPEAN LIFE GOVERNORS 34 3 GALLERIES IN RECOGNITION OF HER CONTINUING AND SUBSTANTIAL SENIOR MANAGEMENT PROFILE 34 ROLE AS A GALLERY BENEFACTOR. ORGANISATION CHART 36 COLLECTION ACQUISITIONS AMOUNTED TO $7.8 MILLION WITH 946 FINANCIAL STATEMENTS 41 4 PURCHASED AND GIFTED WORKS ACCESSIONED INTO THE PERMANENT COLLECTION.TOTAL ACQUISITIONS HAVE GROWN BY MORE THAN $83.4 APPENDICES 62 MILLION IN THE PAST 10 YEARS. INDEX 92 MORE THAN 1.04 MILLION VISITORS TO OVER 40 TEMPORARY, TOURING GENERAL INFORMATION 93 5 AND PERMANENT COLLECTION EXHIBITIONS STAGED IN SYDNEY, REGIONAL NSW AND INTERSTATE. COMMENCED A THREE-YEAR, $2.3 MILLION, NSW GOVERNMENT 6 FUNDED PROGRAMME TO DIGITISE IMAGES OF ALL WORKS IN THE GALLERY’S PERMANENT COLLECTION. Bob Carr MP Premier, Minister for the Arts, and Minister for Citizenship DEVELOPED GALLERY WEBSITE TO ALLOW ONLINE USERS ACCESS TO Level 40 7 DATABASE INFORMATION ON THE GALLERY’S COLLECTION, INCLUDING Governor Macquarie Tower AVAILABLE IMAGES AND SPECIALIST RESEARCH LIBRARY CATALOGUE. 1 Farrer Place SYDNEY NSW 2000 CREATED A MAJOR NEW FAMILY PROGRAMME, FUNDAYS AT THE 8 GALLERY, IN PARTNERSHIP WITH A FIVE-YEAR SPONSORSHIP FROM THE Dear Premier, SUNDAY TELEGRAPH. -
From Shadow Citizens to Teflon Stars
From shadow citizens to teflon stars cultural responses to the digital actor L i s a B o d e A thesis submitted in fulfillment of the requirements for the degree of Doctor of Philosophy September 2004 School of Theatre, Film and Dance University of New South Wales Abstract This thesis examines an intermittent uncanniness that emerges in cultural responses to new image technologies, most recently in some impressions of the digital actor. The history of image technologies is punctuated by moments of fleeting strangeness: from Maxim Gorky’s reading of the cinematographic image in terms of “cursed grey shadows,” to recent renderings of the computer-generated cast of Final Fantasy: The Spirits Within as silicon-skinned mannequins. It is not merely the image’s unfamiliar and new aesthetics that render it uncanny. Rather, the image is received within a cultural framework where its perceived strangeness speaks allegorically of what it means to be human at that historical moment. In various ways Walter Benjamin, Anson Rabinbach and N. Katherine Hayles have claimed that the notion and the experience of “being human” is continuously transformed through processes related to different stages of modernity including rational thought, industrialisation, urbanisation, media and technology. In elaborating this argument, each of the four chapters is organized around the elucidation of a particular motif: “dummy,” “siren,” “doppelgänger” and “resurrection.” These motifs circulate through discourses on different categories of digital actor, from those conceived without physical referents to those that are created as digital likenesses of living or dead celebrities. These cultural responses suggest that even while writers on the digital actor are speculating about the future, they are engaging with ideas about life, death and identity that are very old and very ambivalent. -
The Tupelo Automobile Museum Auction Tupelo, Mississippi | April 26 & 27, 2019
The Tupelo Automobile Museum Auction Tupelo, Mississippi | April 26 & 27, 2019 The Tupelo Automobile Museum Auction Tupelo, Mississippi | Friday April 26 and Saturday April 27, 2019 10am BONHAMS INQUIRIES BIDS 580 Madison Avenue Rupert Banner +1 (212) 644 9001 New York, New York 10022 +1 (917) 340 9652 +1 (212) 644 9009 (fax) [email protected] [email protected] 7601 W. Sunset Boulevard Los Angeles, California 90046 Evan Ide From April 23 to 29, to reach us at +1 (917) 340 4657 the Tupelo Automobile Museum: 220 San Bruno Avenue [email protected] +1 (212) 461 6514 San Francisco, California 94103 +1 (212) 644 9009 John Neville +1 (917) 206 1625 bonhams.com/tupelo To bid via the internet please visit [email protected] bonhams.com/tupelo PREVIEW & AUCTION LOCATION Eric Minoff The Tupelo Automobile Museum +1 (917) 206-1630 Please see pages 4 to 5 and 223 to 225 for 1 Otis Boulevard [email protected] bidder information including Conditions Tupelo, Mississippi 38804 of Sale, after-sale collection and shipment. Automobilia PREVIEW Toby Wilson AUTOMATED RESULTS SERVICE Thursday April 25 9am - 5pm +44 (0) 8700 273 619 +1 (800) 223 2854 Friday April 26 [email protected] Automobilia 9am - 10am FRONT COVER Motorcars 9am - 6pm General Information Lot 450 Saturday April 27 Gregory Coe Motorcars 9am - 10am +1 (212) 461 6514 BACK COVER [email protected] Lot 465 AUCTION TIMES Friday April 26 Automobilia 10am Gordan Mandich +1 (323) 436 5412 Saturday April 27 Motorcars 10am [email protected] 25593 AUCTION NUMBER: Vehicle Documents Automobilia Lots 1 – 331 Stanley Tam Motorcars Lots 401 – 573 +1 (415) 503 3322 +1 (415) 391 4040 Fax ADMISSION TO PREVIEW AND AUCTION [email protected] Bonhams’ admission fees are listed in the Buyer information section of this catalog on pages 4 and 5. -
Yang Yong Yang Yongliang Photographs by Yang Yong Photographs by Yang Yongliang Edited by Thircuir Edited by Thircuir
high quality illustrated books from around the world SPRING 2013 art, photography, design, architecture Spring 2013 New Titles by Subject Architecture 7–9 Art 1, 2, 4–6, 10–12 Cultural Studies 14 Jewish Studies 13 Photography 3 Featured Backlist Titles 15–23 Index 24 Cover image credit: Juhani Pallasmaa, Architectural object, 1998, corten steel, photo Rauno Träskelin, taken from Encounters 2 Architectural Essays , Rakennustieto Publishing Rasterfahndung: The Pattern Investigation The Grid in Art since 1945 Edited by Ulrike Groos and Simone Schimpf A staple in the collections of Roy Lichtenstein, Sarah Morris, Sigmar Polke, and Sol LeWitt, the halftone tech - nique of creating an image through a series of dots dates back to ancient times, and this comprehensive reference explores the history, use, and meanings of halftones throughout time, particularly in the fine arts after 1945. Included are details about the technique’s heyday in the 1960s when it became one of the crucial features of minimalist and pop art; rare insight into the relationship between halftones, music, and architecture; and exten - sive interviews with involved artists. Ulrike Groos is the director of the Kunstmuseum Stuttgart in Germany. Simone Schimpf is the deputy director and curator of the Kunstmuseum Stuttgart. Art, 328 Pages, 8 x 10.75 inches 148 Color Illustrations, 201 B/W Illustrations, Four-color Interior 1 Trade Paper, $64.00 (CAN $70.95) ISBN: 9783868320893 RIGHTS: US & Canada Wienand Verlag April Distributed in USA and Canada by Rainer Gross Kontact: NY Paintings 1972–2012 Edited by Museum Ludwig Koblenz In his paintings, Rainer Gross combines the traditions of European art history with the vibrancy of New York City. -
Contemporary & Post-War Art | Prints & Multiples
Contemporary & Post-War Art | Prints & Multiples (635) Wed, 7th Apr 2021, Live Online Viewing Times: In-person viewing unavailable. Enjoy a virtual tour, click below Take a Tour Lot 80 Estimate: £50000 - £70000 + Fees § ◆ JACK VETTRIANO (SCOTTISH 1951-) RITUAL OF COURTSHIP Signed lower right, oil on canvas 81.5cm x 71cm (32in x 28in) Jack Vettriano is one of the UK’s best loved contemporary artists. Indeed his career might best be described as something of a phenomenon. The passion with which the public have taken his work into their hearts is rivalled by few others over the last 30 years. Vettriano was born Jack Hoggan in Fife in 1951 into a background of poverty. Famously completely self-taught, Vettriano was gifted a set of watercolours by a girlfriend for his 21st, thus beginning his passion for painting. His early work, signed Hoggan, was heavily influenced by Impressionism and the artists he observed at Kirkcaldy Museum and Gallery. Art became a burning passion, and in 1986 at the age of 36, he quit his job in educational research and moved to Edinburgh to pursue art full time. Though rejected from the Edinburgh College of Art, he submitted two paintings to the Royal Scottish Academy’s open exhibition in 1987. Both sold on the first day and a number of galleries immediately made their approach. What followed was a stratospheric rise to success with major gallery representation and shows that would sell out within hours. Reproductions of his most famous painting ‘The Singing Butler’ (1992) became the “best selling image” in Britain.