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My Wonderful World of Slapstick
THE THIS BOOK IS THE PROPERTY OF Georgia State Bo»r* of Education AN. PR,CLAun\;v eSupt of School* 150576 DECATUR -DeKALB LIBRARY REGIONAI SERVICE ROCKDALE COUNTY NEWTON COUNTY Digitized by the Internet Archive in 2012 with funding from Media History Digital Library http://archive.org/details/mywonderfulworldOObust MY WONDERFUL WORLD OF SLAPSTICK MY WO/VDERFUL WORLD OF SLAPSTICK BUSTER KEATON WITH CHARLES SAMUELS 150576 DOVBLEW& COMPANY, lNC.,<k*D£H C(TYt HlW Yo*K DECATUR - DeKALB LIBRARY REGiOMA! $&KZ ROCKDALE COUNTY NEWTON COUNTY Library of Congress Catalog Card Number 60-5934 Copyright © i960 by Buster Keaton and Charles Samuels All Rights Reserved Printed in the United States of America First Edition J 6>o For Eleanor 1. THE THREE KEATONS 9 2. I BECOME A SOCIAL ISSUE 29 3. THE KEATONS INVADE ENGLAND 49 4. BACK HOME AGAIN IN GOD'S COUNTRY 65 5. ONE WAY TO GET INTO THE MOVIES 85 6. WHEN THE WORLD WAS OURS 107 7. BOFFOS BY MAN AND BEAST 123 8. THE DAY THE LAUGHTER STOPPED 145 9. MARRIAGE AND PROSPERITY SNEAK UP ON ME 163 10. MY $300,000 HOME AND SOME OTHER SEMI-TRIUMPHS 179 11. THE WORST MISTAKE OF MY LIFE 199 12. THE TALKIE REVOLUTION 217 13. THE CHAPTER I HATE TO WRITE 233 14. A PRATFALL CAN BE A BEAUTIFUL THING 249 15. ALL'S WELL THAT ENDS WELL 267 THE THREE KeAtOnS Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lin- coln's as an early American archetype, it was haunting, handsome, almost beautiful." I cant imagine what the great rail splitter's reaction would have been to this, though I sure was pleased. -
Complete List of Silent Films Featuring Journalists and Journalism 1920-1929 (Each Film Is Annotated in the Appendices 12-21)
Complete List of Silent Films Featuring Journalists and Journalism 1920-1929 (Each film is annotated in the appendices 12-21) 1920 Always Audacious Amateur Devil, An Amazing Woman, The Bab's Candidate (Newspaper) Beggar in Purple, A Behold My Wife (newspaper) Below The Surface (newspaper) Biff! Bang!! Bomb!!! Big Happiness (newspaper) Blind Youth (critics) Branded Woman, The (newspaper) Burton Holmes Travelogues Cameraman, The Capitol, The Chains of Evidence Cinderella's Twin (magazine) Clever Cubs Dangerous Love Deadline at Eleven Demoracy -- The Vision Restored Desperate Hero, The Devil's Pass Key, The Dinty Do the Dead Talk Editorial Horseplay Fear Market, The Figurehead, The Find the Girl (aka Beaucitron reporter) Flying Pat Food for Scandal Fourth Face, The (aka The Mystery of Washington Square) Go and Get It Great Round-Up, The Green Flame, The Heart of Twenty, The Hearst News No. 49 Held by the Enemy Heliotrope Herbert Kaufman Weekly, The Hidden Light, The Homespun Folks Honor Bound House of the Tolling Bell, The Hy Mayer Such is Life Series In the Heart of a Fool International News No. 5 International News No. 84 Jailbird, The Jerry on the Job: Bomb Idea, The Joyous Troublemaker, The Keyhole Reporter, The Law of the Yukon, The Leap Year Leaps Lion Man, The: Episode Two: Rope of Death Lion Man, The: Episode Three:Kidnappers Lion Man, The: Episode Four: Devilish Device, A Lion Man, The: Episode Five: In the Lion's Dean Lion Man, The: Episode Six: House of Horrors Lion Man, The: Episode Seven: Doomed Lion Man, The: Episode Eight: -
Gloria Swanson
Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B. -
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams The following is a list of films directly related to my research for this book. There is a more extensive list for Lucile in Randy Bryan Bigham, Lucile: Her Life by Design (San Francisco and Dallas: MacEvie Press Group, 2012). Lucile, Lady Duff Gordon The American Princess (Kalem, 1913, dir. Marshall Neilan) Our Mutual Girl (Mutual, 1914) serial, visit to Lucile’s dress shop in two episodes The Perils of Pauline (Pathé, 1914, dir. Louis Gasnier), serial The Theft of the Crown Jewels (Kalem, 1914) The High Road (Rolfe Photoplays, 1915, dir. John Noble) The Spendthrift (George Kleine, 1915, dir. Walter Edwin), one scene shot in Lucile’s dress shop and her models Hebe White, Phyllis, and Dolores all appear Gloria’s Romance (George Klein, 1916, dir. Colin Campbell), serial The Misleading Lady (Essanay Film Mfg. Corp., 1916, dir. Arthur Berthelet) Rebecca of Sunnybrook Farm (Mary Pickford Film Corp., 1917, dir. Marshall Neilan) The Rise of Susan (World Film Corp., 1916, dir. S.E.V. Taylor), serial The Strange Case of Mary Page (Essanay Film Manufacturing Company, 1916, dir. J. Charles Haydon), serial The Whirl of Life (Cort Film Corporation, 1915, dir. Oliver D. Bailey) Martha’s Vindication (Fine Arts Film Company, 1916, dir. Chester M. Franklin, Sydney Franklin) The High Cost of Living (J.R. Bray Studios, 1916, dir. Ashley Miller) Patria (International Film Service Company, 1916–17, dir. Jacques Jaccard), dressed Irene Castle The Little American (Mary Pickford Company, 1917, dir. Cecil B. DeMille) Rebecca of Sunnybrook Farm (Mary Pickford Company, 1917, dir. -
Camera (1920-1922)
7 l Page To>o "The Digest of the Motion Picture Industry” CAM ERA A Liberal Privilege of Conversion Besides the safety of enormous assets and large and increasing earnings, besides a substantial and profitable yield, there is a very liberal privilege of conversion in the $3 , 000,000 Carnation Milk Products Company Five-Year Sinking Fund 7 % Convertible Gold Notes notes convertible at option after November I creased in past five years. These are , over 400% 1921, and until ten days prior to maturity or redemption into Total assets after deducting all indebtedness, except this note, 7% Cumulative Sinking Fund Preferred Stock on the basis of amount to more than four times principal of this issue. I 00 for these notes and 95 for the stock. With these notes Net earnings for past ten years have averaged more than four at 96J/2 this is equivalent to buying the stock at 91 /i- and one-half times interest charges, and during the past five Thus you see that at your option you have either a long- years more than seven times. term, high yielding preferred stock or a short-term, high- There is no other bonded or funded indebtedness and at yielding note. Preferred stock is subject to call at 1 1 0 and present no outstanding preferred stock. accrued dividends, and the usual features of safety. You will want to invest your savings and surplus funds in This Company is one of the largest and most successful of its this decidedly good investment. Call, write or phone for kind in America. -
UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011
UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 i UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 FESTIVAL SPONSOR Additional programming support provided, in part, by The Hollywood Foreign Press Association ii 1 FROM THE DIRECTOR As director of UCLA Film & Television Archive, it is my great pleasure to Mysel has completed several projects, including Cry Danger (1951), a introduce the 2011 UCLA Festival of Preservation. As in past years, we have recently rediscovered little gem of a noir, starring Dick Powell as an unjustly worked to put together a program that reflects the broad and deep efforts convicted ex-con trying to clear his name, opposite femme fatale Rhonda of UCLA Film & Television Archive to preserve and restore our national mov- Fleming, and featuring some great Bunker Hill locations long lost to the Los ing image heritage. Angeles wrecking ball. An even darker film noir, Kiss Tomorrow Goodbye (1950), stars James Cagney as a violent gangster (in fact, his last great This year’s UCLA Festival of Preservation again presents a wonderful cross- gangster role) whose id is more monstrous than almost anything since Little section of American film history and genres, silent masterpieces, fictional Caesar. Add crooked cops and a world in which no one can be trusted, and shorts, full-length documentaries and television works. Our Festival opens you have a perfect film noir tale. with Robert Altman’s Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982). This restoration is the first fruit of a new project to preserve Our newsreel preservationist, Jeff Bickel, presents his restoration of John and restore the artistic legacy of Mr. -
The Irish in American Cinema 1910 – 1930: Recurring Narratives and Characters
The Irish in American Cinema 1910 – 1930: Recurring Narratives and Characters THOMAS JAMES SCOTT, University of Ulster ABSTRACT This paper will consider cinematic depictions of the Irish between 1910 and 1930. American cinema during these years, like those that preceded them, contained a range of stereotypical Irish characters. However, as cinema began to move away from short sketches and produce longer films, more complex plots and refined Irish characters began to appear. The onscreen Irish became vehicles for recurring themes, the majority of which had uplifting narratives. This paper will discuss common character types, such as the Irish cop and domestic servant, and subjects such as the migration narrative, the social reform narrative and the inter-ethnic comedy. It will also briefly consider how Irish depictions in the 1910s and 1920s compared to earlier representations. While the emphasis will be on films viewed at archives, including the University of California, Los Angeles Film and Television Archive, or acquired through private and commercial sellers, the paper will also reflect on some films that are currently considered lost. KEYWORDS Irish, cinema, representation, stereotypes, migrants. Introduction Feature Productions’ early ‘talkie’ Irish Fantasy (Orville O. Dull, 1929) should be considered important for two reasons. One, it is one of the earliest Irish-themed musicals to survive in its entirety. Two, it was produced by William Cameron Menzies, who would go on to win an Academy Award for his production design on MGM’s Gone With the Wind (Victor Fleming, 1939). The film centres on an old Irish man explaining the meaning of the three leaves of the shamrock to his uninformed grandson, who remarks ‘sure they’re only weeds.’ The first leaf signifies what the Irish are, ‘happy-go-lucky with warm blood in our hearts.’ The second symbolises the big hearts of the Irish who were forced to migrate to America. -
Figure 4. Pickford Studio Portrait for the Poor Little Rich Girl (Dir
Figure 4. Pickford studio portrait for The Poor Little Rich Girl (dir. Maurice Tourneur, 1917). Courtesy of the Academy of Motion Picture Arts and Sciences. UC-Studlar-text-CS5.5-revs.indd 18 9/17/2012 11:33:13 AM Chapter 1 Oh, “Doll Divine” Mary Pickford, Masquerade, and the Pedophilic Gaze Mary Pickford, doll divine, Year by year, and every day At the moving-picture play, You have been my valentine. — Vachel Lindsay, “To Mary Pickford, Moving-Picture Actress” Mary Pickford was, arguably, the most famous woman of the first quar- ter of the twentieth century. Inarguably, she was one of the first major stars of the Hollywood film industry and one of the very few — female or male — able to sustain stardom for more than twenty years. Born Gladys Smith in Toronto, Canada, Mary Pickford became a stage actress at age six (published age “5”). She first appeared in motion pictures in one-reel- ers of American Biograph in the spring of 1909. In the 1910s the actress known as “Our Little Mary” quickly cemented her popularity through numerous films that coincided with the industry’s shift to Hollywood and using the actor as a personality for drawing audiences to the box- office.1 Pickford was promoted as “America’s Sweetheart,” “The World’s Sweetheart,” and, as poet Vachel Lindsay dubbed her, “The Queen of the Movies.”2 Her films for Famous Players in the late 1910s regularly netted more than a million dollars a year. In 1918 an article in American Magazine proclaimed what by then was obvious: “Our Little Mary” had become “the most popular motion -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
Associated First National Franchise (1921-1922)
NOVEMBER 15, 1921 THE VOLUME 1. No. 21 ASSOCIATED FIRST NATIONAL FRANCHISE Champion police A You’ll See Him dog, a prize winner in H. 0. Davis’ that will fill your 44 THE SILENT CALL” theatre. See page 8. An Extraordinary Picture $10 REWARD FOR ANY LIE OR MISSTATEMENT FOUND IN FRANCHISE Franchise Has a Guaranteed Circulation in Excess of 10,000 Theatres This Sounds Like a Fairy Tale But It’s The Gospel Truth! A certain amateur film enthusiast, who as yet prefers to remain unknown, decided to take a flier in the picture bus- iness on his own account. He is an ardent movie fan, he thought he knew how pictures should be made and was willing to back his judgment at no matter what cost. By an arrangement with us he engaged Marshall Neilan to direct the picture between his regular First National releases. As money didn't matter, he engaged John Barrymore to play the leading role. Neilan had a free hand on the pro- duction. He assembled a fine cast, including Wesley Barry, Anna Q. Nilsson, Coleen Moore, J. Barney Sherry and other well known film players. The vehicle selected was Albert Payson Terhune's story, "THE LOTUS EATER," the tale of a young man of twenty-five who saw a woman for the first time when he stepped off the palatial yacht upon which his millionaire father's will had held him prisoner. In our opinion the picture is one of the most dramatic, most beautiful, and altogether most perfect productions yet made. Associated First National Pictures, Inc. -
2021 Festival Program Book (PDF)
2021 Music On The Hill Pg 1 2021 Music On The Hill Pg 1 MAYOR FRANK J. PICOZZI VISITWARWICKRI.COM 2021 Music On The Hill Pg 1 Welcome to Music on the Hill’s 13th Festival After the long pandemic “pause”, Music on the Hill is eager to safely gather this spring and summer. Our musi- cians missed playing in Rhode Island in 2020. We look forward to saying “welcome back!” to both our artists and our audiences. Our 2021 festival off ers six diff erent concerts in East Greenwich, Westerly, Cranston, Warwick, and online! Many of the selections postponed in 2020 are off ered this year, in one-hour concerts presented without intermission. Our return to St. Luke’s Episcopal Church, Music on the Hill’s birthplace, is a special treat. The church’s new cli- mate control system provides comfort for all. Table of Contents Thanks to the Aaron Roitman Fund for Chamber Mu- Narragansett Brass Quintet........... p. 2 sic, violin virtuoso Evan Price -- “one of the world’s most confi dent voices in extra-classical string playing” -- joins us Remembrance: John Pellegrino.. P. 5 for two concerts. Evan’s unique blend of jazz and classical ........................... p. 6 will wow you, I’m certain. The Miller-Porfi ris Duo pairs Movie Night............. classic silent fi lms with unique musical selections, stream- ing live on Zoom. World-renowned piano virtuoso Joseph Glad to be Bach................................... p. 8 Kalichstein performs Beethoven’s Fourth Piano Concerto, and Metropolitan Opera mezzo-soprano Mary Phillips sings List of Advertisers.............................. p. 11 in Westerly. -
THE FLAT HAT Vol
THE FLAT HAT Vol. XI COLLEGE OF WILLIAM AND MARY IN WILLIAMSBURG IN VIRGINIA, FEBRUARY 17, 1922 No. 17 INDIANS WIN Tyler Lectures Chandler Member MINSTREL SHOW Here Tomorrow Educational Board Show Class In Defeating Yellow College and Town Talent Are to Jackets 39-13 — Cooke Stage Performance Soon for Absent From the Dr. Lyon G. Tyler, President Eme¬ Dr. J. A. C. Chandler, President of Benefit Monogram Club Lineup ritus of William and Mary, will de¬ the College, was elected a member of —Said to be Good liver the fifth of the series of consti¬ the Virginia State Board of Educa¬ In a game featured by the close tutional lectures being given at the tion by the State Senate last week, For the first time since Prof. Oscar guarding- of the Indian five, William over a field which was Shewmake and others now on the and Mary had little difficulty Satur¬ said to number five faculty were here as students, college day night in disposing of the Ran¬ candidates, one of students are going to put on a first dolph-Macon quint by the score of whom was up for re¬ class minstrel show. The perform¬ 39-13. The contest was fast and hard election. ance will be under the direction of an foug'ht. A large crowd witnessed the Dr. Chandler's elec¬ alumni, John A. Hundley, better fracas. tion, while obviously a known around town as "Jack." The locals were without the ser¬ deserving one, js at the Mr. Hundley has obtained much vices of Cooke, right forward and same time unique, for good local talent in addition to the captain, who had been confined to the it makes the second college performers, including Winder infirmary for two days previous to time he has served as Lane, Vernon Geddy, Jimmy Wyatt, the game due to sickness.