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Cinematheque Schedule, Spring 2007 BRIEF CHRONOLOGICAL LISTING Date Film Series Friday, January 26, 7:30 p.m. Imitation of Life (1959) Restorations Saturday, January 27, 7:30 p.m. Céline and Julie Go Boating (Céline et Julie vont en bateau ) Rivette Sunday, January 28, 4:00 Imitation of Life (1934) Special Event Friday, February 2, 7:30 p.m. Devi ( The Goddess ) Ray Saturday, February 3, 7:30 p.m. Paris Belongs to Us (Paris nous appartient ) Rivette Friday, February 9, 7:30 p.m. Kindling Special Event Saturday, February 10, 7:30 p.m. The Nun (La religieuse ) Rivette Friday, February 16, 7:30 p.m. Teen Kanaya (Two Daughters ) Ray Saturday, February 17, 7:30 p.m. Duelle Rivette Sunday, February 18, 4:00 p.m. MadCat Women’s International Film Fest, Program 1 Special Event Friday, February 23, 7:30 p.m. Abhijan ( The Expedition ) Ray Saturday, February 24, 7:30 p.m. Nor'west (Noroît ) Rivette Sunday, February 25, 4:00 p.m. MadCat Women’s International Film Fest, Program 2 Special Event Friday, March 2, 7:30 p.m. Chicago Restorations Saturday, March 3, 7:30 p.m. Love on the Ground (L'amour par terre )Rivette Friday, March 9, 7:30 p.m. The Secret Life of Words LACIS Fest. Friday, March 9, 9:30 p.m. Take My Eyes LACIS Fest. Saturday, March 10, 7:30 p.m. The Story of Marie and Julien (Histoire de Marie et Julien ) Rivette Sunday, March 11, 4:00 p.m. Colossal Youth (Juventude em marcha ) LACIS Fest. Friday, March 16, 7:30 p.m. Mahanagar ( The Big City ) Ray Saturday, March 17, 7:30 p.m. The Moon is Blue Restorations Friday, March 23, 7:30 p.m. Charulata (The Lonely Wife ) Ray Saturday, March 24, 7:30 p.m. Leave Her to Heaven Restorations Thursday, April 12 – Sunday, April 15 NINTH ANNUAL WISCONSIN FILM FESTIVAL Friday, April 20, 7:30 p.m. To Get to Heaven First You Have to Die Central Asia Saturday, April 21, 7:30 p.m. Advise and Consent Restorations Friday, April 27, 7:30 p.m. Saratan Central Asia Saturday, April 28, 7:30 p.m. The Films of Jay Rosenblatt Special Event Sunday, April 29, 4:00 p.m. Stan Brakhage Restorations, Program 1 Restorations Friday, May 4, 7:30 p.m. Schizo Central Asia Saturday, May 5, 7:30 p.m. Her Wild Oat Restorations Saturday, May 5, 8:45 p.m. For Alimony Only Restorations Sunday, May 6, 4:00 p.m. Stan Brakhage Restorations, Program 2 Restorations Friday, May 11, 7:30 p.m. The Boys in the Sky Central Asia Saturday, May 12, 7:30 p.m. IFVC Show IFVC Show SERIES DESCRIPTIONS Restored Treasures from America’s Archives Every two years, the Cinematheque devotes a series in the spring to presenting films recently restored by world-renowned preservation departments such as the Academy Film Archive, the UCLA Film and Television Archive, and the 20 th Century Fox Film Archive. This event presents an opportunity to (re-)discover some of the best American cinema from the past century. Highlights in this spring’s installment span from the silent era with the original full-length roadshow version of Chicago (1928) to Douglas Sirk’s Eastmancolor extravaganza Imitation of Life (1959). We are thrilled to have Schawn Belston (Executive and former Director of Film Preservation at 20 th Century Fox) and Michael Pogorzelski (Director of the Academy Film Archive) join us on Saturday, March 24 to introduce Leave Her to Heaven , a joint restoration project by the Academy Film Archive and Fox. This series was made possible with the assistance of Michael Pogorzelski, Schawn Belston, Todd Wiener (the UCLA Film and Television Archive), and Joe Lindner, Brian Meacham, and Mark Toscano (Academy Film Archive). Friday, January 26, 7:30 p.m. Imitation of Life (USA, 1959, 125 min., 35mm, color) Friday, March 2, 7:30 p.m. Chicago (1928, USA, 118 min., 35mm, b/w) Saturday, March 17, 7:30 p.m. The Moon is Blue (USA, 1953, 99 min., 35mm, b/w) Saturday, March 24, 7:30 p.m. Leave Her to Heaven (USA, 1945, 110, 35mm, color) Saturday, April 21, 7:30 p.m. Advise and Consent (USA, 1962, 139 min., 35mm, b/w) Sunday, April 29, 4:00 p.m. Stan Brakhage Restorations, Program 1 Saturday, May 5, 7:30 p.m. Her Wild Oat (USA, 1927, 70 min., 35mm, b/w) Saturday, May 5, 8:45 p.m. For Alimony Only (USA, 1926, 70 min., 35mm, b/w) Sunday, May 6, 4:00 p.m. Stan Brakhage Restorations, Program 2 Parisian Labyrinths: The Films of Jacques Rivette A founding member of the French New Wave and a former critic for Cahiers du Cinéma , Jacques Rivette has enjoyed an incredibly prolific career for over five decades, making thoroughly challenging, multilayered, and playful films that blur the lines between art and life, fantasy and reality, and liberty and suppression. Most of his films, however, have been largely unavailable to North American audiences – only two of his twenty-two features are in theatrical distribution in this country. The Cinematheque’s seven-film retrospective (culled from a complete retrospective organized by the Museum of the Moving Image) samples Rivette’s oeuvre from several different periods in the auteur’s career. All films are in French with English subtitles. Co-sponsored by the Center for European Studies. This series was made possible with the assistance of David Schwartz and Livia Bloom (Museum of the Moving Image); and François Leloup-Collet, Marie Bonnel, and Delphine Selles (French Ministry of Foreign Affairs). Saturday, January 27, 7:30 p.m. Céline and Julie Go Boating (Céline et Julie vont en bateau ) (France, 1974, 193 min., 35mm, color) Saturday, February 3, 7:30 p.m. Paris Belongs to Us (Paris nous appartient ) (France, 1960, 140 min., 35mm, b/w) Saturday, February 10, 7:30 p.m. The Nun (La religieuse ) (France, 1965, 140 min., 35mm, color) Saturday, February 17, 7:30 p.m. Duelle (France, 1976, 120 min., 35mm, color) Saturday, February 24, 7:30 p.m. Nor'west (Noroît ) (France, 1976, 135 min., 35mm, color) Saturday, March 3, 7:30 p.m. Love on the Ground (L'amour par terre ) (France, 1984, 120 min., 16mm. color) Saturday, March 10, 7:30 p.m. The Story of Marie and Julien (Histoire de Marie et Julien ) (France, 2003, 150 min., 35mm, color) A Humanist’s Vision of India: The Films of Satyajit Ray, Part 2 We continue our comprehensive series of films by appraised Indian director Satyajit Ray with another five masterpieces, all recently restored by the Academy Film Archive. Ray’s films, as David Bordwell aptly expresses it, “render Indian life through the subtle drama of naturalistic European cinema,” and made him one of the central figures of humanist cinema in the West. In 1991 Ray received an Honorary Award by the Academy “in recognition of his rare mastery of the art of motion pictures, and of his profound humanitarian outlook, which has had an indelible influence on filmmakers and audiences throughout the world.” All films are in Bengali with English subtitles. Co-sponsored by the Center for South Asia. Special thanks to Joe Lindner (Academy Film Archive) and Professor Dilip K. Basu (The Satyajit Ray Film and Study Collection, UC Santa Cruz) for making this passage to Indian cinema possible. Friday, February 2, 7:30 p.m. Devi ( The Goddess ) (India, 1960, 90 min., 35mm, b/w) Friday, February 16, 7:30 p.m. Teen Kanaya (Two Daughters ) (India, 1963, 114 min., 35mm, b/w) Friday, February 23, 7:30 p.m. Abhijan ( The Expedition ) (India, 1962, 150 min., 35mm, b/w) Friday, March 16, 7:30 p.m. Mahanagar ( The Big City ) (India, 1963, 122 min., 35mm, b/w) Friday, March 23, 7:30 p.m. Charulata ( The Lonely Wife ) (India, 1964, 117 min., 35mm, b/w) Coming of Age: Contemporary Central Asian Cinema Between the Middle East and the western Chinese border lies a vast stretch of the continent that has only recently registered on the Western cultural radar. This is the world where Genghis Khan ruled, and through which the great trade route called the Silk Road ran. The five former Soviet Asian republics, independent since 1991, Tajikistan, Kyrgyzstan, Kazakhstan, Uzbekistan and Turkmenistan are linked by geographical proximity yet each is possessed of its own unique culture. The Cinematheque, in collaboration with the Center for Russian, East Europe, and Central Asia (CREECA), showcase films from some of the countries to reveal the striking cinematic difference between these close neighbors. (Series description adapted from notes by the PFA.) Special Thanks to Andrea Abelova (Seagull Films), David Dettmann, David MacFayden, Dr. Swetlana Slapke (BAPFF), Jennifer Tishler (CREECA), and. Alla Verlotsky (Seagull Films). Friday, April 20, 7:30 p.m. To Get to Heaven First You Have to Die (Bihisht faqat baroi murdagon ) (Tajikistan, 2006, 95 min., 35mm, color) Friday, April 27, 7:30 p.m. Saratan (Kyrgyzstan, 2004, 84 min., 35mm, color) Friday, May 4, 7:30 p.m. Schizo (Kazakhstan, 2004, 86 min., 35mm, color) Friday, May 11, 7:30 p.m. The Boys in the Sky (Mal'chiki v nebe / Osmondagi bolalar) (Uzbekistan, 2002, 84 min., 35mm, color) FULL DESCRIPTIONS BY CHRONOLOGY Friday, January 26, 7:30 p.m. Imitation of Life (USA, 1959, 125 min., 35mm, color) Dir. Douglas Sirk. Writ. Eleanore Griffin. Cast Lana Turner, John Gavin, Sandra Dee, Robert Alda, Junita Moore. Imitation of Life , Sirk’s glossy Eastmancolor remake of John Stahl’s 1934 original, is one of the most moving American films ever made.
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  • La Nuit Bengali

    La Nuit Bengali

    La nuit Bengali Un téléfilm en trois parties de Nicolas Klotz d’après Mircea Eliade Avec Hugh Grant, John Hurt, Anne Brochet, Pierre-Loup Rajot 20.40 Samedis 13, 20 et 27 mai 1995 Contact presse: Virginie Doré /Grégoire Mauban - 01 55 00 70 46 / 48 [email protected] / [email protected] internet : www.arte-tv.com Tourné à Calcutta, bousculé par les pressions de la censure indienne, “La nuit Bengali” raconte le corps-à-corps impossible d’un Européen avec une Inde fantasmée. Dans son roman, Mircea Eliade explorait la violence d’un amour contrarié par la religion et les moeurs. En trois épisodes, Nicolas Klotz impose, quant à lui, une découverte amoureuse tout en désirs. EPISODE 1 llan, jeune ingénieur européen travaille à Calcutta dans la Compagnie de Narendra ASen, important entrepreneur de travaux publics. Il vit dans une pension européenne en compagnie de sa petite amie Guertie, d’un bon copain Harold, et de deux autres amies, Norinne et Clara, tous musiciens ou chanteurs de jazz. Ils s’entendent tous très bien, vont au cinéma, au club de jazz. Ils organisent des soirées, fument un peu d’opium avec des industriels, des ambassadeurs et couchent facilement les uns avec les autres, comme dans les rêves. Une nuit, un vieil ami d’Allan, Lucien Metz, arrive à Calcutta et rencontre par hasard Allan, ivre mort sur les marches de la pension. Grand spécialiste de l’Asie et un peu paranoïaque, Lucien Metz est reporter pour “Life Magazine” et vient de terminer un reportage sur la Chine, qu’il est obligé de quitter à cause de la guerre.