Associated First National Franchise (1921-1922)
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Heroes of the Street
Heroes of the Street US : 1922 : dir. William Beaudine : Warner Bros Silent : ? min prod: : scr: Edmund Goulding & Mildred Considine : dir.ph.: Wesley Barry; Joe Butterworth …………….………………………………………………………… Marie Prevost; Jack Mulhall; Wilfred Lucas; Aggie Herring; Phil Ford Ref: Pages Sources Stills Words Ω 8 M Copy on VHS Last Viewed 5237 2.5 1 2 758 - - - - - No unseen “Stick yer dukes up! ” – Wesley Barry takes on a boy at least half his size.. Source: Warner Bros Story The Warner Bros Story comment: policeman father’s murder. He was supported in his efforts by Marie Prevost as a wise- “ "HEROES OF THE STREET" was an cracking no-nonsense chorus girl. Also among early example of the sort of gangster drama the capable cast were Jack Mulhall, Wilfred that found its richest expression less than a Lucas, Aggie Herring, Joe Butterworth and decade later. It was directed by William Phil Ford.” Beaudine from Edmund Goulding and Mildred Considine’s screenplay taken from the play by Lee Parker. Wesley Barry played a young lad who sets out to solve the riddle of his Director Beaudine sizes up Wesley Barry on the set Source: The Warner Bros Story Excerpt from The Moving Picture Boy entry out of a part than Wesley does out of Sticker, on Wesley Barry: neither the screen nor the stage has any record of the event." “Mickey Rooney’s predecessor as Boy of the People was also red-haired, but skinnier and During 1920 Wesley got his first incon- more elfish, the son of a grocer. He was trovertible lead in the title role of "PENROD", discovered by Marshall Neilan, who was to a feature-length kid film based on the 1914 direct some of his best films. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Movie Mirror Book
WHO’S WHO ON THE SCREEN Edited by C h a r l e s D o n a l d F o x AND M i l t o n L. S i l v e r Published by ROSS PUBLISHING CO., I n c . NEW YORK CITY t y v 3. 67 5 5 . ? i S.06 COPYRIGHT 1920 by ROSS PUBLISHING CO., Inc New York A ll rights reserved | o fit & Vi HA -■ y.t* 2iOi5^ aiblsa TO e host of motion picture “fans” the world ovi a prince among whom is Oswald Swinney Low sley, M. D. this volume is dedicated with high appreciation of their support of the world’s most popular amusement INTRODUCTION N compiling and editing this volume the editors did so feeling that their work would answer a popular demand. I Interest in biographies of stars of the screen has al ways been at high pitch, so, in offering these concise his tories the thought aimed at by the editors was not literary achievement, but only a desire to present to the Motion Picture Enthusiast a short but interesting resume of the careers of the screen’s most popular players, rather than a detailed story. It is the editors’ earnest hope that this volume, which is a forerunner of a series of motion picture publications, meets with the approval of the Motion Picture “ Fan” to whom it is dedicated. THE EDITORS “ The Maples” Greenwich, Conn., April, 1920. whole world is scene of PARAMOUNT ! PICTURES W ho's Who on the Screcti THE WHOLE WORLD IS SCENE OF PARAMOUNT PICTURES With motion picture productions becoming more masterful each year, with such superb productions as “The Copperhead, “Male and Female, Ireasure Island” and “ On With the Dance” being offered for screen presentation, the public is awakening to a desire to know more of where these and many other of the I ara- mount Pictures are made. -
Phil Cook and Othe1" Features RADIO STARS from the Studios Of
Je ssi~a Dragonette Gl,°aham MeN amee Andy Sap-nella Nit Wit Hour Mary and Bob Phil Cook And Othe1" Features RADIO STARS from the Studios of DONALD MCGILL L UCIEN R U TMAN Baritone T enor WOR-WEAF W'EAF-WOR Americall OPera Company WALTER I{IESEWETTER 3 3 West 67th Street New York Telephone: Trafalgar 8063 , ... BRO\X' NIE PEEBLES Mezzo-SojJrallo Calladiall Natiollal ADELE VASA Railll,' ays MARY S ILVEIRA Coloratllra SOjJrallo W' OR- WEAF Lyric Coloratlira SojJral1O \X'ABC-WEAF-WOR W'OR-W'ABC Americall OPera Com pallY Americall OPera ComjJally Americall OjJera Company © Cl B 60264 f2A()I() FOR ~HE LIStCENER Volume I Number 3 February, 1930 CONTENTS On the Cover: Norman Brokenshire By Gaspano R icca Jessica Dragonette . (Phot ograph) 2 What Light Opera Role Do I Love Most to Play ? By Jessica Dragoneffe 3 The Muscular Diva By Clifford McBride 6 What Price Announcing! . By Norman Brokenshire 7 Andy Sannella-a Real Miracle Man of Music By H erbert Devins 10 Andy Sannella By Gaspano Ricca 11 Have You a Little Nit Wit in Your Home? By William Schudt, Jr. 13 Taught Self to Play Banjo-Roy Smeck Now T eaches Thousands, By Da~id Casein 16 McNamee "a Great Guy," Oscar Writes His Girl Friend, Margy By P. H. W. Dixon 17 "Quaker Girl" Starred on Broadway (Photograph) 19 Rector Again Points Way to Epicurean Delights By Florence Smith Vincent 20 Radio's One-Man Show, phil Cook, Is Marvel of Versatility, By Gene M ulholland 21 Mary and Bob Start Their Third Year of Air Wandering By Jean effe Barnes 23 One of the Immortals By Martha Beaffie 24 A Case for Television ( Photographs) 25 Majestic Hour Experiment Portends New Era in Conducting By Brlic~ Gray 26 An Open Letter to Mr. -
Solomon's Wisdom Is Not Philosophy; Rather, It Is an Ability to Perceive and to Describe the Simple, Godly Life That Leads to Happiness
PROVERBS A Description of The Secret Pathway to Happiness John David Clark, Sr. This book is dedicated to the young, who are precious in the sight of God and in the eyes of those who are like Him. It is not written as a substitute for the wonderful books of Proverbs and Ecclesiastes, but only to acquaint the young reader with some of their beauty and wisdom. Solomon’s Wisdom: The Secret Pathway to Happiness ISBN- - Second edition, 2010 copyright 1999, John Clark, Sr. SOLOMON’S WISDOM P. O. Box 99 Burlington, NC 27216-0099 visit these web sites: www.GoingtoJesus.com www.Isaiah58.com and for good music all day long, go to: www.SongsofRest.com INTRODUCTION You want to be happy; everybody does. When you as a newborn cried in your mother's arms, you cried because you wanted to be happy. And that same yearning for happiness drives you now to do whatever you do and whatever you say. We are all desperate travelers in this confusing and tormented world. Old and young, rich and poor, wise and foolish, we are all striving and yearning together from the moment of birth for happiness. That longing for happiness drives all people at all times to do whatever they do; it drives the treasure hunter as well as the thief, to risk his life for gold; it inspires the astronaut to circle the earth, and it motivates the lazy bum to beg for a piece of bread. The irrepressible human longing for happiness motivates men to go fishing, to sleep late, to study microbes, to play games or to do work, to invent new materials or to vandalize masterpieces, to love and to cherish or to hate and kill, to write books or to read them, to become martyrs or to conquer empires, to believe in God or to deny that He exists. -
ASC Founders
The 15 Founders of the American Society of Cinematographers Biographies By Robert S. Birchard The American Society of Cinematographers succeeded two earlier organizations — the Cinema Camera Club, started by Edison camerapersons Philip E. Rosen, Frank Kugler and Lewis W. Physioc in New York in 1913; and the Static Club of America, a Los Angeles–based society first headed by Universal cameraperson Harry H. Harris. From the beginning, the two clubs had a loose affiliation, and eventually the West Coast organization changed its name to the Cinema Camera Club of California. But, even as the center of film production shifted from New York to Los Angeles — the western cinematographers’ organization was struggling to stay afloat. Rosen came to Los Angeles in 1918. When he sought affiliation with the Cinema Camera Club of California, president Charles Rosher asked if he would help reorganize the faltering association. Rosen sought to create a national organization, with membership by invitation and with a strong educational component. The reorganization committee met in the home of William C. Foster on Saturday, December 21, 1918 and drew up a new set of bylaws. The 10-member committee and five invited Cinema Camera Club member visitors were designated as the board of governors for the new organization. The next evening, in the home of Fred LeRoy Granville, officers for the American Society of Cinematographers were elected — Philip E. Rosen, president; Charles Rosher, vice president; Homer A. Scott, second vice president; William C. Foster, treasurer; and Victor Milner, secretary. The Society was chartered by the State of California on January 8, 1919. -
Complete List of Silent Films Featuring Journalists and Journalism 1920-1929 (Each Film Is Annotated in the Appendices 12-21)
Complete List of Silent Films Featuring Journalists and Journalism 1920-1929 (Each film is annotated in the appendices 12-21) 1920 Always Audacious Amateur Devil, An Amazing Woman, The Bab's Candidate (Newspaper) Beggar in Purple, A Behold My Wife (newspaper) Below The Surface (newspaper) Biff! Bang!! Bomb!!! Big Happiness (newspaper) Blind Youth (critics) Branded Woman, The (newspaper) Burton Holmes Travelogues Cameraman, The Capitol, The Chains of Evidence Cinderella's Twin (magazine) Clever Cubs Dangerous Love Deadline at Eleven Demoracy -- The Vision Restored Desperate Hero, The Devil's Pass Key, The Dinty Do the Dead Talk Editorial Horseplay Fear Market, The Figurehead, The Find the Girl (aka Beaucitron reporter) Flying Pat Food for Scandal Fourth Face, The (aka The Mystery of Washington Square) Go and Get It Great Round-Up, The Green Flame, The Heart of Twenty, The Hearst News No. 49 Held by the Enemy Heliotrope Herbert Kaufman Weekly, The Hidden Light, The Homespun Folks Honor Bound House of the Tolling Bell, The Hy Mayer Such is Life Series In the Heart of a Fool International News No. 5 International News No. 84 Jailbird, The Jerry on the Job: Bomb Idea, The Joyous Troublemaker, The Keyhole Reporter, The Law of the Yukon, The Leap Year Leaps Lion Man, The: Episode Two: Rope of Death Lion Man, The: Episode Three:Kidnappers Lion Man, The: Episode Four: Devilish Device, A Lion Man, The: Episode Five: In the Lion's Dean Lion Man, The: Episode Six: House of Horrors Lion Man, The: Episode Seven: Doomed Lion Man, The: Episode Eight: -
Gloria Swanson
Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B. -
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams
Appendix: Partial Filmographies for Lucile and Peggy Hamilton Adams The following is a list of films directly related to my research for this book. There is a more extensive list for Lucile in Randy Bryan Bigham, Lucile: Her Life by Design (San Francisco and Dallas: MacEvie Press Group, 2012). Lucile, Lady Duff Gordon The American Princess (Kalem, 1913, dir. Marshall Neilan) Our Mutual Girl (Mutual, 1914) serial, visit to Lucile’s dress shop in two episodes The Perils of Pauline (Pathé, 1914, dir. Louis Gasnier), serial The Theft of the Crown Jewels (Kalem, 1914) The High Road (Rolfe Photoplays, 1915, dir. John Noble) The Spendthrift (George Kleine, 1915, dir. Walter Edwin), one scene shot in Lucile’s dress shop and her models Hebe White, Phyllis, and Dolores all appear Gloria’s Romance (George Klein, 1916, dir. Colin Campbell), serial The Misleading Lady (Essanay Film Mfg. Corp., 1916, dir. Arthur Berthelet) Rebecca of Sunnybrook Farm (Mary Pickford Film Corp., 1917, dir. Marshall Neilan) The Rise of Susan (World Film Corp., 1916, dir. S.E.V. Taylor), serial The Strange Case of Mary Page (Essanay Film Manufacturing Company, 1916, dir. J. Charles Haydon), serial The Whirl of Life (Cort Film Corporation, 1915, dir. Oliver D. Bailey) Martha’s Vindication (Fine Arts Film Company, 1916, dir. Chester M. Franklin, Sydney Franklin) The High Cost of Living (J.R. Bray Studios, 1916, dir. Ashley Miller) Patria (International Film Service Company, 1916–17, dir. Jacques Jaccard), dressed Irene Castle The Little American (Mary Pickford Company, 1917, dir. Cecil B. DeMille) Rebecca of Sunnybrook Farm (Mary Pickford Company, 1917, dir. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Minna Ala-Outinen Valkokankaan Uusi Nainen Yhdysvaltalaisten, 1920
Minna Ala-Outinen Valkokankaan uusi nainen Yhdysvaltalaisten, 1920-luvulla esitettyjen elokuvien naishahmon herättämät aikalaisreaktiot Suomen suurimmissa kaupungeissa Pro gradu -tutkielma Yleinen historia Historian ja etnologian laitos Jyväskylän yliopisto 27.5.2013 JYVÄSKYLÄN YLIOPISTO Tiedekunta – Faculty Laitos – Department Humanistinen tiedekunta Historian ja etnologian laitos Tekijä – Author Minna Ala-Outinen Työn nimi – Title Valkokankaan uusi nainen: Yhdysvaltalaisten, 1920-luvulla esitettyjen elokuvien naishahmon herättämät aikalaisreaktiot Suomen suurimmissa kaupungeissa. Oppiaine – Subject Työn laji – Level Yleinen historia Pro gradu -tutkielma Aika – Month and year Sivumäärä – Number of pages Kesäkuu 2013 111 + 1 liite (1 sivu) Tiivistelmä – Abstract Ensimmäisen maailmansodan päätyttyä länsimaalainen yhteiskunta oli modernisaatioprosessin keskellä, jonka juuret ulottuivat jo 1800-luvun lopulle. Tälle maailmansodan jälkeiselle, 1920-luvun modernisaatiolle tyypillistä olivat kaupungistuminen, modernin kaupunkikulttuurin synty, tieteen ja teknologian nopea kehittyminen ja yhä nopeampi tiedonvälitys. Euroopassa ja Yhdysvalloissa todistettiin naisten yhteiskunnallista vapautumista ja sukupuolten tasa-arvoistumista. Euroopan kulttuurisessa ja talouden modernisoitumisessa Yhdysvalloilla oli huomattava rooli ja esimerkiksi amerikkalaisessa kaupunkiympäristössä näkynyt moderni ja uusi naiseus saapui sodasta toipuvaan kaksikymmentäluvun Eurooppaan kulutushyödykkeiden, reklaamien ja populaarikulttuurin muodossa. Erityisesti Hollywood-elokuvat -
Chronological Table of Productions at the Theatre Royal
1 CHRONOLOGICAL TABLE OF PRODUCTIONS AT THE THEATRE ROYAL 1884 17 - 20 December Richelieu 22 - 24 December Belphegor The Loan of a Lover 26 December-9 Jan Proof 1885 10 January The Lady of Lyons 12 - 17 January The Duke’s Motto 19 - 21 January East Lynne 22 - 23 January Leah 24 - 30 January Richard III 31 January The Stranger Robert Macaire 2 - 6 February Ambition (Catherine Howard) 7 February William Tell East Lynne 9 - 21 February Never Too Late to Mend 23 - 28 February Drink 2 - 4 March Macbeth 5-7 March Hamlet 9 - 14 March The Danites 16 - 20 March Streets of London 21 March Don Caezar de Bazan Black Eyed Susan 23 - 25 March The Octoroo 26 - 27 March The Merchant of Venice The Royalist and the Republican 28 March The Bells Black Eyed Susan 30 March - 1 April The Colleen Bawn 2 April Ingomar The Watermen 3 April CLOSED (GOOD FRIDAY) 4 April Othello 6 - 11 April Mazeppa The Little Pest 13 - 14 April Othello 15 - 16 April Belphegor 17 April Ingomar 18 April Pizarro Cartouche 20 - 22 April Ticket of Leave Man 23 April The Honeymoon Withered Leaves 24 April Ticket of Leave Man 25 April - 1 May Forsaken 2 May The Beggar’s Petition Forsaken (two acts) 4 - 5 May Rob Roy 2 6 May The Shaughraun 7 May Don Caesar de Bazan 8 May The Shaughraun 9 May The Devil in Paris Poor Joe 11 May Chevalier St George 12 May Richelieu 13 May Hamlet 14 May Romeo and Juliet 15 May Richard III 16 May Romeo and Juliet 18 - 20 May My Comrade 21 May Arra-na-pogue 22 May My Comrade 23 - 30 May Uncle Tom’s Cabin 1 - 13 June My Sweetheart 15 - 20 June Mardo 22 June -