2021 Festival Program Book (PDF)
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Lmc Chamber Music Ensembles
LMC CHAMBER MUSIC ENSEMBLES Percussion Ensemble Thomas Burritt, coach Six Ivan Trevino David Medina, Evan Jose, Nathan Zamora Tom Burritt, Philip Johnson, David Saad, guest performers Brass Quintet Nick Kunkle, coach Symphony for Brass Choir, mvt. II Victor Ewald Melissa Munoz and Hannah Stacey, trumpet; Fred Harris, horn; Justin Dunlap, trombone; Matt Tuggle, bass trombone Clarinet Ensemble Alex Ford, coach Sinfonia Gaetano Donizetti Eddie Garcia, Michelle Guajardo, Raylin Hooks, Victoria Lynn, Frankie Revella, clarinet; Clint Blackwell and Ryan Piscotta, bass clarinet Woodwind Quintet Nick Councilor, coach Trois pièces bréves Jacques Ibert I. Allegro III. Assez lent – Allegro scherzando LeeAshley Fletcher, flute; Rachel Hart, oboe; Issac Beu, clarinet; George Pacheco, bassoon; Mark Mendoza, horn Brass Quintet Patrick Hughes, coach Es ist ein Ros’entsprungen Johannes Brahms Scherzo from Equale Dances Edward Gregson Zach Santos and Megan Wade, trumpet; Natalie Merino, horn; Damian Holmes, trombone; Aaron Sanchez, bass trombone Saxophone Quartet Michael Hertel, coach Trois Pieces Isaac Albinez I. Chant d’amour I. Berceuse I. Lete David Schreck and Grant Lokken, alto; Victor Rodriguez, tenor; Grace Estrada, baritone LMC CHAMBER MUSIC ENSEMBLES Brass Quintet Ray Sasaki, coach Sonata from Die Bankelsangerlieder Daniel Speer Four Movements for Five Brass, mvt. I Collier Jones Scherzo John Cheetham Ross Mitchell and Eli West, trumpet; Corey Simmel, horn; Jorge Rodriguez, trombone; Ryan Langer, tuba Flute Trio Charlotte Daniel, coach Grand Trio, op. 87, mvt. IV Ludwig van Beethoven, arr. Albert Andraud Brianne Gaona, Hannah Hopkins, Makenna Sanders Woodwind Quintet Laura Miller, coach Quintet in B-flat, op. 56 Franz Danzi I. Allegretto Adrian Ito, flute; Alisha Punjwani, oboe; Peter Menchu, clarinet; Michael Hernandez, bassoon; Niza Garcia, horn Tuba-Euphonium Quartet Cameron Warren, coach Benediction John Stevens Procession of the Nobles Nikolai Rimsky-Korsakov, arr. -
My Wonderful World of Slapstick
THE THIS BOOK IS THE PROPERTY OF Georgia State Bo»r* of Education AN. PR,CLAun\;v eSupt of School* 150576 DECATUR -DeKALB LIBRARY REGIONAI SERVICE ROCKDALE COUNTY NEWTON COUNTY Digitized by the Internet Archive in 2012 with funding from Media History Digital Library http://archive.org/details/mywonderfulworldOObust MY WONDERFUL WORLD OF SLAPSTICK MY WO/VDERFUL WORLD OF SLAPSTICK BUSTER KEATON WITH CHARLES SAMUELS 150576 DOVBLEW& COMPANY, lNC.,<k*D£H C(TYt HlW Yo*K DECATUR - DeKALB LIBRARY REGiOMA! $&KZ ROCKDALE COUNTY NEWTON COUNTY Library of Congress Catalog Card Number 60-5934 Copyright © i960 by Buster Keaton and Charles Samuels All Rights Reserved Printed in the United States of America First Edition J 6>o For Eleanor 1. THE THREE KEATONS 9 2. I BECOME A SOCIAL ISSUE 29 3. THE KEATONS INVADE ENGLAND 49 4. BACK HOME AGAIN IN GOD'S COUNTRY 65 5. ONE WAY TO GET INTO THE MOVIES 85 6. WHEN THE WORLD WAS OURS 107 7. BOFFOS BY MAN AND BEAST 123 8. THE DAY THE LAUGHTER STOPPED 145 9. MARRIAGE AND PROSPERITY SNEAK UP ON ME 163 10. MY $300,000 HOME AND SOME OTHER SEMI-TRIUMPHS 179 11. THE WORST MISTAKE OF MY LIFE 199 12. THE TALKIE REVOLUTION 217 13. THE CHAPTER I HATE TO WRITE 233 14. A PRATFALL CAN BE A BEAUTIFUL THING 249 15. ALL'S WELL THAT ENDS WELL 267 THE THREE KeAtOnS Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lin- coln's as an early American archetype, it was haunting, handsome, almost beautiful." I cant imagine what the great rail splitter's reaction would have been to this, though I sure was pleased. -
Coaching the Brass Quintet: Developing Better Student Musicians Through Chamber Music
COACHING THE BRASS QUINTET: DEVELOPING BETTER STUDENT MUSICIANS THROUGH CHAMBER MUSIC By Albert E. Miller Jr. Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ________________________________ Chairperson Dr. Michael Davidson ________________________________ Professor Scott Watson ________________________________ Dr. Alan Street ________________________________ Dr. Paul Popiel ________________________________ Dr. Martin Bergee Date Defended: April 1st, 2014 ! ii" The Dissertation Committee for Albert E. Miller Jr. certifies that this is the approved version of the following dissertation: COACHING THE BRASS QUINTET: DEVELOPING BETTER STUDENT MUSICIANS THROUGH CHAMBER MUSIC ________________________________ Chairperson Dr. Michael Davidson Date approved: April 15, 2014 " iii Abstract The brass quintet is currently one of the most predominant outlets for brass players to gain vital chamber music experience in the university setting. As a result, the role of applied brass instructors at universities has evolved into a role that is not entirely different than that of a conductor. The applied instructor plays the role of chamber coach, often without the skills necessary to provide the students with the skills they need for chamber music playing. This document seeks to provide the novice brass chamber coach with a guide as to the role of the applied professor in the musical and extra-musical development of young players. It will provide vital information for the coach that includes rehearsal strategies as well as samples of common performance issues found in the repertoire. While the amount of different rehearsal strategies and concepts is vast, this document aims to give the novice coach a primer for the instruction of student chamber ensembles. -
KEITH KILE, Euphonium & Tuba* KEITH K Euphoniu
STUDENT ARTIST STUDENT ARTIST SERIES PRESENTS SERIES PRESENTS KEITH KILE, KEITH KILE, euphonium & tuba* euphonium & tuba* George Carpten IV , trumpet George Carpten IV , trumpet Sarah Muttyala, trumpet Sarah Muttyala, trumpet Zach Quortrup, horn Zach Quortrup, horn John Grodrian, trombone John Grodrian, trombone Hai Jin, piano Hai Jin, piano Saturday, November 1, 2014 Saturday, November 1, 2014 Kreig Recital Hall Kreig Recital Hall Wittenberg University Wittenberg University 1:00 p.m. 1:00 p.m. *In partial fulfillment of the requirements for the degree of *In partial fulfillment of the requirements for the degree of Doctor of Musical Arts Doctor of Musical Arts PROGRAM PROGRAM Fantasia (1973) Gordon Jacob Fantasia (1973) Gordon Jacob (1895-1984) (1895-1984) Concerto for bass tuba (1954) R. Vaughan Williams Concerto for bass tuba (1954) R. Vaughan Williams I. Allegro moderato (1872-1958) I. Allegro moderato (1872-1958) II. Romanza II. Romanza III. Finale—Rondo allatedesca III. Finale—Rondo allatedesca Concerto for euphonium (1972) Joseph Horovitz Concerto for euphonium (1972) Joseph Horovitz I. Moderato (b. 1926) I. Moderato (b. 1926) II. Lento II. Lento III. Con moto III. Con moto Napoli Variations (1922) Hermann Bellstedt Napoli Variations (1922) Hermann Bellstedt col. Frank Simon col. Frank Simon Brass Quintet No. 1, Op. 5 (1902, rev. 1912) Victor Ewald Brass Quintet No. 1, Op. 5 (1902, rev. 1912) Victor Ewald I. Moderato (1860-1935) I. Moderato (1860-1935) II. Adagio—Allegro—Adagio II. Adagio—Allegro—Adagio III. Allegro moderato III. Allegro moderato CCM has become an All-Steinway School through the kindness of its donors. CCM has become an All-Steinway School through the kindness of its donors. -
The History and Usage of the Tuba in Russia
The History and Usage of the Tuba in Russia D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By James Matthew Green, B.A., M.M. Graduate Program in Music The Ohio State University 2015 Document Committee: Professor James Akins, Advisor Professor Joseph Duchi Dr. Margarita Mazo Professor Bruce Henniss ! ! ! ! ! ! ! ! ! ! ! ! Copyright by James Matthew Green 2015 ! ! ! ! ! ! Abstract Beginning with Mikhail Glinka, the tuba has played an important role in Russian music. The generous use of tuba by Russian composers, the pedagogical works of Blazhevich, and the solo works by Lebedev have familiarized tubists with the instrument’s significance in Russia. However, the lack of available information due to restrictions imposed by the Soviet Union has made research on the tuba’s history in Russia limited. The availability of new documents has made it possible to trace the history of the tuba in Russia. The works of several composers and their use of the tuba are examined, along with important pedagogical materials written by Russian teachers. ii Dedicated to my wife, Jillian Green iii Acknowledgments There are many people whose help and expertise was invaluable to the completion of this document. I would like to thank my advisor, professor Jim Akins for helping me grow as a musician, teacher, and person. I would like to thank my committee, professors Joe Duchi, Bruce Henniss, and Dr. Margarita Mazo for their encouragement, advice, and flexibility that helped me immensely during this degree. I am indebted to my wife, Jillian Green, for her persistence for me to finish this document and degree. -
Brass Ensembles Showcase Trumpet Ensemble, Horn Choir, Trombone Choir, Tuba/Euphonium Ensemble, Tuba/Euphonium Quartet and Proscenium Brass Quintet
PAUL DICKINSON, Conductor BRIAN HECHT, Conductor HOLLIE LAWING-PRITCHARD, Conductor DOUGLAS LINDSEY, Conductor Saturday, February 3, 2018 Dr. Bobbie Bailey & Family Performance Center, Morgan Hall Monday, November 5, 2018 at 8 pm Seventy-fourth and Seventy-fifth Concerts Dr. Bobbie Bailey & Family Performance Center, Morgan Hall of the 2017-18 Concert Season Twenty-eighth Concert of the 2018-19 Concert Season 18SEASON19 Brass Ensembles Showcase Trumpet Ensemble, Horn Choir, Trombone Choir, Tuba/Euphonium Ensemble, Tuba/Euphonium Quartet and Proscenium Brass Quintet VACLAV NELHYBEL (1919–1996) Tower Music Trombone Ensemble ANTON BRUCKNER (1824–1996) arr. Enrique Crespo Etude fur das Tiefe Blech Tuba/Euphonium Ensemble VICTOR EWALD (1860–1935) Brass Quintet 3 Movement 1 Proscenium Brass Quintet HECTOR BERLIOZ (1803–1969) arr. Douglas Lindsey (b. 1985) Royal Hunt and Storm from Les Troyens Trumpet Ensemble Black NIKOLAI RIMSKY-KORSAKOV (1844–1908) arr. Mort Schafer Procession of the Nobles Horn Ensemble CLAUDE DEBUSSY (1862–1918) Trois Chanson 1. Dieu qu'il la fait bon regarder 2. Quant j'ai ouy le tabourin 3. Yver, vous n'estes qu'un villain Trombone Choir PAUL HINDEMITH (1895–1963) arr. Douglas Lindsey Turnadot Scherzo from Symphonic Metamorphosis Trumpet Ensemble Gold TONY ZILINCIK (b. 1967) Gravity Dances Tuba/Euphonium Quartet DAVID PAICH (b. 1954) arr. Douglas Lindsey Rosanna Andrew Yi, drum set Trumpet Ensemble TRUMPET ENSEMBLE PROSCENIUM BRASS QUINTET Sofia Freiderwitzer Michael Brown Arianna Hutchison Andrew Olsen Eli Rickles Heather -
Programs for Each Individual Client
Classical Movements Presents: “Sounds of Hope & Harmony” Intimate, outdoor one-hour concerts for socially distanced audiences “Night-Shining White” Music for Percussion and Brass August 8, 2020 | 6:00 PM & 7:30 PM Music for Percussion Head to Toe Purity Molly Joyce Argoru VII Alvin Singleton Umi Andy Akiho Scott Christian, Percussion Music for Brass Night-Shining White Zhou Tian Quintet No. 3 in D-flat Major Victor Ewald I. Allegro moderato II. Intermezzo III. Andante IV. Vivo "Boy meets Horn" Duke Ellington, arr. Kenneth Amis William Gerlach, Trumpet | Amy McCabe, Guest Trumpet Robert Rearden, Horn | David Murray, Trombone Stephen Dumaine, Tuba Presented with the generous support of: IDEA*TECH Associates Your local Alexandria IT System Support (703) 838-0200 www.ideatech.com Fitness Together Fitness Together is a personal training studio in Alexandria, VA (housed 200 feet from the Rectory garden) and is dedicated to helping people feel healthier and make lifestyle changes. They have three private suites with different exercise equipment they use to build customized strength and cardiovascular training programs for each individual client. 703-683-0777 www.fitnesstogether.com/alexandria Performers Musicians of the National Symphony Orchestra Scott Christian, Percussion William Gerlach, Trumpet Amy McCabe, Guest Trumpet Robert Rearden, Horn David Murray, Trombone Stephen Dumaine, Tuba Introduction and Program Notes Classical Movements welcomes you back to our “Secret Garden” at the Rectory, our home in Old Town Alexandria. This evening, we are delighted to bring you this next installment in our “Sounds of Hope & Harmony” series. Tonight we bring you exciting and fresh contemporary and recent works performed by musicians of the percussion and brass sections of the National Symphony Orchestra, our longtime clients and partners. -
2020-2021 SEASON CHRONOLOGICAL LISTING of PERFORMANCES All Dates and Repertoire Are Subject to Change
2020-2021 SEASON CHRONOLOGICAL LISTING OF PERFORMANCES All dates and repertoire are subject to change 1. MEET THE BRASS Digital Premiere: Saturday, October 3, 2020 at 9am Monteverdi (ed. Mase): Italian Madrigals Jan Koetsier: Brass-Quintet Kerry Turner: Ricochet 2. BEETHOVEN 250 Digital Premiere: Saturday, October 10, 2020 at 9am Ludwig van Beethoven (orch. M. G. Fischer): Symphony No. 6 “Pastoral”: mvt. 1 for string sextet Ludwig van Beethoven: Piano Sonata No. 14 in C# Minor, op. 27/2 "Moonlight" Ludwig van Beethoven: String Quartet in E-flat Major, Op. 74 “Harp” 3. “DEATH AND THE MAIDEN” Digital Premiere: Saturday, October 17, 2020 at 9am Hugo Wolf: Italian Serenade for Strings Franz Schubert: String Quartet No. 14 in D Minor, op. 77, D. 810 "Death and the Maiden" 4. DEBUSSY & SCHUBERT Digital Premiere: Saturday, October 24, 2020 Claude Debussy: Sonate en trio, for Flute, Viola, & Harp, L. 145 (137) Franz Schubert: Quintet for Piano, Violin, Viola, Cello, & Double Bass in A Major "Trout" 5. WOMEN’S SUFFRAGE CENTENNIAL Digital Premiere: Saturday, November 7, 2020 Stacey Garrop: Helios Rebecca Clarke: Comodo et amabile Valerie Coleman: Afro-Cuban Concerto Jennifer Higdon: An Exaltation of Larks Florence Price: String Quartet in G major 6. THREE TRIOS: POULENC, PUTS AND SCHUMANN Digital Premiere: Saturday, November 21, 2020 Francis Poulenc: Sonata for Horn, Trumpet, and Trombone, FP 33 Ingolf Dahl: Concerto a Tre Robert Schumann: Piano Trio No. 1 in D Minor, op. 63 7. BOCCHERINI & DVOŘÁK Digital Premiere: Saturday, November 28, 2020 Luigi Boccherini: Quintet No. 3 in D Major, op. 39/3, G 339 Antonin Dvořák: String Quintet in G Major, op. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
Music for Brass Quintet with Orchestral Accompaniment: Commissioned Works, the Annapolis Brass Quintet, and a Survey of Literature for Brass Quintet and Orchestra
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2016 MUSIC FOR BRASS QUINTET WITH ORCHESTRAL ACCOMPANIMENT: COMMISSIONED WORKS, THE ANNAPOLIS BRASS QUINTET, AND A SURVEY OF LITERATURE FOR BRASS QUINTET AND ORCHESTRA Stacy L. Simpson University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.269 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Simpson, Stacy L., "MUSIC FOR BRASS QUINTET WITH ORCHESTRAL ACCOMPANIMENT: COMMISSIONED WORKS, THE ANNAPOLIS BRASS QUINTET, AND A SURVEY OF LITERATURE FOR BRASS QUINTET AND ORCHESTRA" (2016). Theses and Dissertations--Music. 67. https://uknowledge.uky.edu/music_etds/67 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Program Notes by Leonard Garrison 7:30 P.M., Saturday, June 6, 2015 Sonata for Horn and Piano, Op. 347 Fritz Spindler [Note by C
Program Notes by Leonard Garrison 7:30 p.m., Saturday, June 6, 2015 Sonata for Horn and Piano, Op. 347 Fritz Spindler [Note by Chris Dickey] Fritz Spindler (1817-1905) was a German composer and pianist. He originally studied to become a minister but later realized his passion was for music. After years of studying piano privately, Spindler dedicated his life to composition and teaching. During his lifetime, he was productive and wrote in various genres, including trios, sonatas, opera transcriptions, two symphonies, a piano concerto, orchestral works, and numerous teaching pieces for the piano. His compositions are noted for their tuneful melodies and artful construction. This Sonata for Horn and Piano, Op. 347 is no exception. The first movement expresses a traditional sonata-allegro form, but the music travels to unexpected tonal centers in all three formal areas of the movement. An aria-like middle movement follows and features long, fluid melodic lines for the soloist and pianist. The lively finale is a spirited rondo that brings the sonata to a conclusion. In general, the piano part is especially virtuosic as Spindler himself was a gifted pianist. Sonata for Cello Solo in C Minor, Op. 28 Eugène Ysaÿe Belgian violinist, composer, and conductor Eugène Ysaÿe (1858-1931) studied with his father and Henri Vieuxtemps. He taught a generation of famous violinists at the Brussels Conservatory, including Joseph Gingold, Nathan Milstein, and violist Willian Primrose. Many of the leading composers of the time dedicated works to him, most notably César Franck’s Violin Sonata. Ysaÿe’s best-known compositions are his six solo sonatas for violin, and the Cello Sonata makes equal demands of virtuosity. -
IV...,, Artn.Nr Kankln
TIIE SUNDAY OREGOXIAN, PORTLAND, FEBRUARY 13, 1921 1 hW jMrj&r, . , , - KJ V."V II 11 a . A rflSJ1 . "3 lit . till 1 - - i- I . '- - " I T'lUSSXr- ' ' iTsV H I i'--t .1111 I. ':V:'! ,r ' - ....... 5 cullar intuitive powers which enable her to foretell certain future happen- ings. She la known as "the girl who tees around corners." A childhood romance develops In later years into a real love affair, but a misunderstanding results in the parting of Miriam and her lover, Clyde Urunton. He marries another woman, but quickly regrets the step he has taken, TODAY'S F1XH FEATURES. and when be comes upon Miriam in Ubrty Wesley Barry. "Dint y. New York, where she has gained fame Columbia Lionel Barrymora, for the great services site has per- "The Devil's Garden." formed for humanity through b Elvoll ylvla Breamer. "Un- wonderful gift, he knows that he rlh seen Forces." loves her. aiajestlc Wh-ltma- Bennett's A lounge lizard who has beon pes- - The Truth About Husbands." icriny nor is me least or Miriams Peoples Anita Stewart. "Har- troubles, but in her heart eho has a riet and the Piper." real problem to solve, and she does Bta.r Eleanor Hallowell Ab- solve it as only a "girl who sees bott's -- Old Dad." around corners" could do. Clrele-Patt- y" Arbnckle. "The 'The Punch of the Irish," a comedy: Round-up- ." a Fox news reel and the music of the Hippodrome Ina Claire, "Polly Rivoli orchestra complete tho Itlvoll With a Past." bill. Globe Don't ETer Marry." 1ICSBAXJ) Today's Slasle Feature.