1997-1998-Studentrecitals.Pdf (7.559Mb)

Total Page:16

File Type:pdf, Size:1020Kb

1997-1998-Studentrecitals.Pdf (7.559Mb) University of Missouri-Columbia School of Fine Arts Department of Music Celebrating 90 Years of Excellence in Music, 1907-1997 Student Recital KEYBOARD AREA RECITAL Tuesday, October 14, 1997 2:40p.m. Rogers Whitmore Recital Hall Partita No. 2 in C Minor Johann Sebastian Bach Rondeau (1685-1750) Emily McKinney Sonata in E-flat Major, Op. 2 7, No. 1 Ludwig van Beethoven I. Andante-Allegro-Andante (1770-1827) Brent Benscoter Impromptu in G-flat Major, Op. 90, No. 3 Franz Schubert (1797-1828) Carrie Dicks Islamey Mily Balakirev (1837-1910) Monica Lee Rhapsodie Espanol Franz Liszt (1811-1886) Shen Wen Gaspard de la Nuit Maurice Ravel I. Ondine (1875-1937) II. Le Gibet Joe Rackers Requests for accommodations related to disability need to be made to Dr. Alex Pickard, 213 Fine Arts Building, 882-7361, at least seven days In advance of the event. Upcoming concerts, recitals, & other musical events in cfS97 11 t Danilo Perez, Panamanian pianist 10/15/97 RWRH, 8:00 pm Roger Webb, bass trombone 10/17/97 RWRH, 5:30 pm t Musical Theater: Into the Woods 10/16-10/18/97 Rhynsburger Theatre, 8:00 pm • t Western Opera Theater 10/17/97 JAud, 8:00 pm Bizet's Carmen t Musical Theater: Into the Woods 10/19/97 Rhynsburger Theatre, 2:00 pm Roger Oyster, trombone/euphonium masterclass 10/21/97 RWRH, 2:30 pm ◊Roger Oyster, euphonium & trombone 10/21/97 RWRH, 7:00 pm Brooksie Batye, flute 10/21/97 RWRH, 8:30 pm Trombone Studio Recital 10/23/97 RWRH, 2:40 pm Voice Area Recital 10/28/97 RWRH, 2:40 pm Joe Rackers, piano 10/28/97 RWRH, 8:30 pm MU Chamber Soloists 11/1/97 RWRH, 7:00 pm t University Singers 11/1/97 First Baptist Church, 8:00 pm , t Gil Shaham, violin 11!2/97 JAud, 3:00 pm Phi Mu Alpha recital 11!2/97 RWRH, 7:00pm Ryan Malone, piano 11/3/97 RWRH, 8:30 pm Woodwind Area Recital 11/4/97 RWRH, 2:40 pm ◊Sue Stubbs, double bass; Mary Moul, piano 11/4/97 RWRH, 8:00 pm Trombone Choir 11/5/97 RWRH, 7:00pm • t Awadagin Pratt, piano 11/7/97 JAud, 8:00 pm University Percussion Ensemble 11/9/97 RWRH, 3:00 pm Brass Area Recital 11/11/97 RWRH, 2:40 pm John Thomas, horn 11/11/97 RWRH, 7:00 pm • t Vienna Boys Choir 11/11/97 JAud, 8:00 pm ◊Marimba Yajalon 11/14/97 Waters Auditorium, 7:00 pm ◊Eva Szekely, violin; Daniel Schene, piano 11/14/97 RWRH, 8:00 pm Seth Merenbloom, trombone 11/15/97 RWRH, 8:30 pm • t Philip Glass's Les En/ants Terribles 11/15/97 JAud, 8:00 pm t Opera Workshop Scenes Program 11/16/97 RWRH, 3:00 pm Buder Brass Quintet 11/16/97 RWRH, 7:00 pm t Opera Workshop Scenes Program 11/17{!7 RWRH, 8:00 pm t MU Jazz Ensemble & Jazz II 11/17/97 MoTh, 8:00 pm Percussion Area Recital 11/18/97 RWRH, 2:40 pm Jena Vieira, soprano 11/18/97 RWRH, 5:00 pm Christopher Jewell, bassoon 11/18/97 RWRH, 7:00pm t University Band & Concert Band 11/18/97 MoTh, 8:00 pm t Symphonic Wind Ensemble 11/19/97 MoTh, 8:00 pm t Symphonic Band & Jazz ill 11/20/97 MoTh, 8:00 pm RWRH = Rogers Whitmore Recital Hall JAud=JAuditorium; MoTh=Missouri Theatre ◊Music Department Faculty or Guest Recital !'i.National Pastimes Production • University Concert Series Event t Admission Charge University of Missouri-Columbia School of Fine Arts Department of Music Celebrating 90 Years of Excellence in Music, 1907-1997 Student Recital BROOKSIE BATYE, FLUTE NAN WADE, PIANO Tuesday, October 21, 1997 8:30p.m. Rogers Whitmore Recital Hall Concerto for Flute and Orchestra Carl Nielsen I. Allegro moderato (b. 1928) II. Allegretto Intermission Fantasy in C Major, Op. 38 Friedrich Kuhlau Adagio (1786-1832) Allegro vivace Andantino quasi allegretto Sixieme solo de concert Jules Demersseman (b. 1926) Ms. Batye is a student of Steve Geibel. Requests for accommodations related to disability need to be made to Dr. Alex Pickard, 213 Fine Arts Building, 882-7361, at least seven days In advance of the event. Upcoming concerts, recitals, & other musical events in ~897 Trombone Studio Recital 10/23/97 RWRH, 2:40 pm Voice Area Recital 10/28/97 RWRH, 2:40 pm Joe Rackers, piano 10/28/97 RWRH, 8:30 pm MU Chamber Soloists 11/1/97 RWRH, 7:00 pm t University Singers 11/1/97 First Baptist Church, 8:00 pm • t Gil Shaham, violin 11/2/97 JAud, 3:00 pm Phi Mu Alpha recital 11/2/97 RWRH, 7:00 pm Ryan Malone, piano 11/3/97 RWRH, 8:30 pm Woodwind Area Recital 11/4/97 RWRH, 2:40 pm ❖Sue Stubbs, double bass 11/4/97 RWRH, 8:00 pm Trombone Choir 11/5/97 RWRH, 7:00 pm • t Awadagin Pratt, piano 11/7/97 JAud, 8:00 pm University Percussion Ensemble 11/9/97 RWRH, 3:00 pm Brass Area Recital 11/11/97 RWRH, 2:40 pm John Thomas, horn 11/11/97 RWRH, 7:00 pm • t Vienna Boys Choir 11/11/97 JAud, 8:00 pm ❖Marimba Yajalon 11/14/97 Waters Auditorium, 7:00 pm ❖ Eva Szekely, violin; Daniel Schene, piano 11/14/97 RWRH, 8:00 pm Seth Merenbloom, trombone 11/15/97 RWRH, 8:30 pm • t Philip Glass's Les Enfants Terribles 11/15/97 JAud, 8:00 pm t Opera Workshop Scenes Program 11/16/97 RWRH, 3:00 pm Buder Brass Quintet 11/16/97 RWRH, 7:00 pm t Opera Workshop Scenes Program 11/17/97 RWRH, 8:00 pm t MU Jazz Ensemble & Jazz II 11/17/97 MoTh, 8:00 pm Percussion Area Recital 11/18/97 RWRH, 2:40 pm Jena Vieira, soprano 11/18/97 RWRH, 5:00 pm Christopher Jewell, bassoon 11/18/97 RWRH, 7:00 pm t University Band & Concert Band 11/18/97 MoTh, 8:00 pm t Symphonic Wind Ensemble 11/19/97 MoTh, 8:00 pm t Symphonic Band & Jazz III 11/20/97 MoTh, 8:00 pm Clarinet Quintet 11/21/97 RWRH, 8:00 pm RWRH = Rogers Whitmore Recital Hall JAud=JAuditorium; MoTh=Missouri Theatre ❖Music Department Faculty or Guest Recital t,. National Pastimes Production • University Concert Series Event t Admission Charge University of Missouri-Columbia School of Fine Arts Department of Music Celebrating 90 Years of Excellence in Music, 1907-1997 Student Recital CLARINET QUINTET Maurice Richardson, clarinet Lisa Collins, violin Amanda Chambers, violin Angela Cummings, viola Aimee Fine, violoncello Sunday, October 23, 1997 11 :00 a.m. Rogers Whitmore Recital Hall Quintet in B-flat, Op. 95 Franz Krommer ( 1759-1831) Allegro moderato Adagio Minuetto allegretto Allegro Quintet in B-flat, Op. 34 Carl Maria von Weber ( 1786-1826) Fantasia Allegro Requests for accommodations related to disability need to be made to Dr. Alex Pickard, 213 Fine Arts Building, 882-7361, at least seven days In advance of the event. Upcoming concerts, recitals & other musical events in 'c¥S97 Matt Wood, trombone 11/23/97 RWRH, 3:00pm Hitt Street Harmony 11/23/97 RWRH, 8:00pm ~Steve Geibel, flute 11/24/97 RWRH, 8:00pm ~P. Garritson, clarinet; L. Perna, viola; J. Wenger, piano 12/1/97 RWRH, 8:00pm Nora Ayvazian, piano 12/2/97 RWRH, 7:00 pm Monica Lee, piano 12/2/97 R WRH, 8:30 pm Buder Woodwind Quintet 12/3/97 RWRH, 7:00 pm Lecture-Recital: Lecia Cecconi-Roberts, basset horn 12/4/97 RWRH, 2:40 pm Buder String Quartet 12/4/97 RWRH, 7:00pm Greg Williams, clarinet 12/4/97 RWRH, 8:30pm t Chamber Singers 12/5/97 Sacred Heart Church, 8:30 pm t University Philharmonic 12/6/97 MoTh, 8:00 pm t University Philharmonic 12n191 MoTh, 1:30 pm t Concert Chorale 12n191 First Baptist Church, 8:00 pm Shepherd Elementary School Choir 12/9/97 RWRH, 2:40pm • t Chicago Festival Ballet 12/12/97 JAud, 7:00 pm Tchaikovsky's NuJcracker • t Chicago Festival Ballet 12/13/97 ]Aud, 2:00 pm &7:00 pm Tchaikovsky'sNuJcracker RWRH = Rogers Whitmore Recital Hall JAud=JAuditoriwn; MoTh=Missouri Theatre ~Music Department Faculty or Guest Recital t.National Pastimes Production • University Concen Series Event t Admission Charge University of Missouri-Columbia School of Fine Arts Department of Music Celebrating 90 Years of Excellence in Music, I 907-1997 Student Recital JOSEPH RACKERS, PIANO ASSISTED BY RYAN MALONE, ORCHESTRAL REDUCTION Tuesday, October 28, 1997 8:30p.m. Rogers Whitmore Recital Hall Sonata in E Major, Op. 109 Ludwig van Beethoven Vivace, ma non troppo (1770-1827) Prestissimo Gesangvoll, mit innigster empfindung Symphonic Etudes, Op. 13 Robert Schumann Theme-Andante Etude VII-Allegro molto (1810-1856) Etude I-Un poco piu vivo Etude VIII Etude 11-Marcato il canto Etude IX-Presto possible Etude IV Etude X Etude V EtudeXI Etude VI-Agitato Etude XII-Allegro brilliante Intermission Piano Concerto No. 1 in E Minor, Op. 11 Frederic Chopin Allegro maestoso (1810-1849) Romance-larghetto Rondo-vivace Mr. Rackers is a student of Raymond Herbert. Requests for accommodations related to disability need to be made to Dr. Alex Pickard, 213 Fine Arts Building, 882-7361, at least seven days In advance of the event. Upcoming concerts, recitals, & other musical events in a-:S97 MU Oiamber Soloists 11/lf)? RWRH, 7:00 pm t University Singers ll/1/97 First Baptist Church, 8:00 pm • t Gil Shaham, violin 11/2/97 JAud, 3:00 pm Phi Mu Alpha recital 11/2/97 RWRH, 7:00 pm Ryan Malone, piano 11/3/97 RWRH, 8:30 pm Woodwind Area Recital ll/4/97 RWRH, 2:40 pm -¢-Sue Srubbs, double bass; Mary Moul, piano 11/4/97 RWRH, 8:00pm Trombone Oioir 11/5/97 RWRH, 7:00pm • tAwadagin Pratt, piano ll/7/97 JAud, 8:00 pm University Percussion Ensemble 11/9/97 RWRH, 3:00 pm Brass Area Recital 11/11/97 RWRH, 2:40pm John Thomas, horn 11/11/97 RWRH, 7:00 pm • t Vienna Boys O!oir 11/11/97 JAud, 8:00 pm -¢-Marimba Yajalon 11/14/97 Waters Auditorium, 7:00 pm -¢-Eva Szekely, violin; Daniel Schene, piano 11/14/97 RWRH, 8:00 pm Seth Merenbloom, trombone ll/15/97 RWRH, 8:30 pm • t Philip Glass's Les Enfants Terribles 11/15/97 JAud, 8:00 pm t Opera Workshop Scenes Program 11/16/97 RWRH, 3:00 pm Buder Brass Quintet 11/16/97 RWRH, 7:00pm t Opera Workshop Scenes Program 11/17/97 RWRH, 8:00 pm t MU Jazz Ensemble & Jazz II 11/17/97 MoTh, 8:00 pm Percussion Area Recital 11/18/97 RWRH, 2:40 pm Jena Vieira, soprano
Recommended publications
  • Lmc Chamber Music Ensembles
    LMC CHAMBER MUSIC ENSEMBLES Percussion Ensemble Thomas Burritt, coach Six Ivan Trevino David Medina, Evan Jose, Nathan Zamora Tom Burritt, Philip Johnson, David Saad, guest performers Brass Quintet Nick Kunkle, coach Symphony for Brass Choir, mvt. II Victor Ewald Melissa Munoz and Hannah Stacey, trumpet; Fred Harris, horn; Justin Dunlap, trombone; Matt Tuggle, bass trombone Clarinet Ensemble Alex Ford, coach Sinfonia Gaetano Donizetti Eddie Garcia, Michelle Guajardo, Raylin Hooks, Victoria Lynn, Frankie Revella, clarinet; Clint Blackwell and Ryan Piscotta, bass clarinet Woodwind Quintet Nick Councilor, coach Trois pièces bréves Jacques Ibert I. Allegro III. Assez lent – Allegro scherzando LeeAshley Fletcher, flute; Rachel Hart, oboe; Issac Beu, clarinet; George Pacheco, bassoon; Mark Mendoza, horn Brass Quintet Patrick Hughes, coach Es ist ein Ros’entsprungen Johannes Brahms Scherzo from Equale Dances Edward Gregson Zach Santos and Megan Wade, trumpet; Natalie Merino, horn; Damian Holmes, trombone; Aaron Sanchez, bass trombone Saxophone Quartet Michael Hertel, coach Trois Pieces Isaac Albinez I. Chant d’amour I. Berceuse I. Lete David Schreck and Grant Lokken, alto; Victor Rodriguez, tenor; Grace Estrada, baritone LMC CHAMBER MUSIC ENSEMBLES Brass Quintet Ray Sasaki, coach Sonata from Die Bankelsangerlieder Daniel Speer Four Movements for Five Brass, mvt. I Collier Jones Scherzo John Cheetham Ross Mitchell and Eli West, trumpet; Corey Simmel, horn; Jorge Rodriguez, trombone; Ryan Langer, tuba Flute Trio Charlotte Daniel, coach Grand Trio, op. 87, mvt. IV Ludwig van Beethoven, arr. Albert Andraud Brianne Gaona, Hannah Hopkins, Makenna Sanders Woodwind Quintet Laura Miller, coach Quintet in B-flat, op. 56 Franz Danzi I. Allegretto Adrian Ito, flute; Alisha Punjwani, oboe; Peter Menchu, clarinet; Michael Hernandez, bassoon; Niza Garcia, horn Tuba-Euphonium Quartet Cameron Warren, coach Benediction John Stevens Procession of the Nobles Nikolai Rimsky-Korsakov, arr.
    [Show full text]
  • Music Director Riccardo Muti Appoints Jessie Montgomery As Cso Mead Composer-In-Residence for 2021-24
    For Immediate Release: Press Contacts: April 20, 2021 Eileen Chambers CSOA, 312-294-3092 Glenn Petry 21C Media, 212-625-2038 MUSIC DIRECTOR RICCARDO MUTI APPOINTS JESSIE MONTGOMERY AS CSO MEAD COMPOSER-IN-RESIDENCE FOR 2021-24 CHICAGO—The Chicago Symphony Orchestra Association (CSOA) is pleased to announce the appointment of composer, violinist and educator Jessie Montgomery as its next Mead Composer-in- Residence. A winner of both the Sphinx Medal of Excellence and the ASCAP Foundation’s Leonard Bernstein Award, Montgomery has emerged as one of the most compelling and sought-after voices in new music today. Appointed by Music Director Riccardo Muti, she will begin her three-year tenure on July 1, 2021, and will continue in the role through June 30, 2024. Described as “turbulent, wildly colorful and exploding with life” (Washington Post), Montgomery’s music includes such frequently performed works as Banner (2014), Starburst (2012) and Strum (2006; rev. 2012), which have collectively been programmed almost 500 times to date, with more than 100 live and virtual performances of Starburst in the past year alone. As Mead Composer-in-Residence, she will receive commissions to write three new orchestral works for the Chicago Symphony Orchestra, one to premiere during each of her three seasons in the role. In addition, she will curate MusicNOW, the CSO’s annual contemporary music series, and will receive commissions for a number of new chamber pieces to premiere in the series’ 2022-23 and 2023-24 seasons. MusicNOW will also present the Chicago premieres of some of her existing works. Founded in 1998, MusicNOW strives to bring Chicago audiences the widest possible range of today’s new music.
    [Show full text]
  • Ondine - Diary of a Ballet Online
    6qNin [Download free ebook] Ondine - Diary of a Ballet Online [6qNin.ebook] Ondine - Diary of a Ballet Pdf Free Hans Werner Henze ePub | *DOC | audiobook | ebooks | Download PDF Download Now Free Download Here Download eBook #4990267 in Books 2015-10-30Original language:EnglishPDF # 1 8.50 x .31 x 5.51l, .54 #File Name: 185273095176 pages | File size: 15.Mb Hans Werner Henze : Ondine - Diary of a Ballet before purchasing it in order to gage whether or not it would be worth my time, and all praised Ondine - Diary of a Ballet: 2 of 2 people found the following review helpful. Dear Hans, thanks for sharing, you're the cat's pajamas. Better, you're The Cat's Fugue.By J. FaulkThese extracts, melded together, from the composer's diary were published in Germany in 1959 and in English in 2003.In 1957 Ashton and Henze meet in Ischia to convert the old German folktale Undine into a ballet scenario that choreographer, composer, and the great ballerina Fonteyn can find inspiring (as well as the traditionalist London audience). The tale commences in the hut of a fisherman and his wife and their foundling daughter, actually an ondine. The girl immediately falls in love (so far as an ondine can) with the guest Knight. It takes Ashton and Henze a long time to jettison this commonplace setting. Meanwhile, Henze's diary wanders off into appreciation of Italian life.Henze goes to London to write the music and his diary shares the milieu with us. Designer Lila De Nobili comes over from Paris and joins in the ever-shifting ideas.
    [Show full text]
  • Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
    Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett:
    [Show full text]
  • Pianopalooza 4-27-08.Indd
    Upcoming Events at CCM: CCM Concert Orchestra Annunziata Tomaro, conductor Shostakovich, Respighi, Saint-Saëns College-Conservatory Wednesday, April 30, 2008 of Music Corbett Auditorium presents 8:00 p.m. Admission: free CCM Chamber Choir and Chorale Earl Rivers and L. Brett Scott, conductors Wednesday, May 21, 2008 2007-08 Robert J. Werner Recital Hall 8:00 p.m. Admission: free CCM Philharmonia and Wind Symphony Mark Gibson and Rodney Winther, directors PIANOPALOOZA III: Friday, June 6, 2008 IXTY EARSOME INGERS Corbett Auditorium S F F 8:00 p.m. Admission: free Michael Chertock, Awadagin Pratt, Elizabeth Pridonoff , Eugene Pridonoff , James Tocco, and Frank Weinstock, piano For tickets and the latest performance information, please call the CCM Box Offi ce at 513-556-4183. Marc Wolfl ey, percussion Jack Atherton, master of ceremonies Sunday, April 27, 2008 Corbett Auditorium 4:00 p.m. Performing Arts Series PROGRAM Rondo a capriccio in G Major, Op. 129 Ludwig van Beethoven Passacaglia and Fugue in C Minor Johann Sebastian Bach (“Th e Rage Over the Lost Penny”) (1770-1827) (1685-1750) trans. Awadagin Pratt Frank Weinstock, piano Awadagin Pratt, piano Etude Tableaux in Eb Minor, Op. 39, No. 5 Sergei Rachmaninoff (1873-1943) Klavierstücke, Op. 119 Johannes Brahms Intermezzzo in B Minor (1833-1897) from Tristan und Isolde Richard Wagner Intermezzo in E Minor Liebestod (1813-1883) Intermezzo in C Major trans. Franz Liszt Rhapsodie in Eb Major Michael Chertock, piano Eugene Pridonoff , piano Excursions, Op. 20 Samuel Barber Turkish March: Ruins of Athens, Op. 113 Ludwig van Beethoven Un poco allegro (1910-1981) In slow blues tempo from Rodeo Aaron Copland Allegretto Hoe-Down (1900-1990) Allegro molto Th e Ensemble James Tocco, piano Marc Wolfl ey, percussion Memphisto Waltz No.
    [Show full text]
  • THE ART of the PIANO Masterclasses About Your Director
    Masterclasses Ann Schein July 5,6 Jura Margulis July 5-8 Nelita True July 6-7 PREPARATORY Frederic Chiu, July 8.9: Deeper Piano Studies DEPARTMENT Myong Joo Lee, July 10-12 PRESENTS HaeSun Paik, July 11-12 Yoshi Nagai, July 13,14 Awadagin Pratt July 13,14 Michael Chertock July 15, 16 About your director: THE ART OF THE PIANO Among his generation of concert artists, pianist Awadagin Pratt is SUMMER MASTERCLASSES acclaimed for his musical insight and intensely involving performances in recital and with symphony orchestras. AWADAGIN PRATT, director Born in Pittsburgh, Awadagin Pratt began studying Tuesday, July 5—Saturday, July 16, 2011 piano at the age of six. Three years later, having Morning sessions: 9:30a.m.-12:00p.m. moved to Normal, Illinois with his family, he also Afternoon Sessions: 1:30p.m.-4:00p.m. began studying violin. At the age of 16 he entered Evening Sessions: 6:30p.m.-9:00p.m. the University of Illinois where he studied piano, violin, and conducting. He subsequently enrolled Robert J. Werner Recital Hall at the Peabody Conservatory of Music where he became the first student in the school’s history to receive diplomas in three performance areas Artist Teachers: – piano, violin and conducting. In recognition of this achievement and for his work in the field of Ann Schein, Nelita True, Jura Margulis classical music, Mr. Pratt recently received the Myong Joo Lee, HaeSun Paik Distinguished Alumni Award from Johns Hopkins. Awadagin Pratt*, Yoshi Nagai In 1992 Mr. Pratt won the Naumburg International Piano Competition and two years later was awarded an Avery Fisher Career Grant.
    [Show full text]
  • South Bay Chamber Music Society April 26 & 28, 2019 Trio Ondine
    South Bay Chamber Music Society April 26 & 28, 2019 Trio Ondine Alison Bjorkedal, harp Alma Lisa Fernandez, viola Boglárka Kiss, flute Program Notes by Boglárka Kiss, D.M.A. Many standard chamber music ensembles, such as the string quartet or piano trio, have long histories with origins that are difficult to pinpoint. Not so with the flute, viola, harp formation: The first major composition written for the group was the Sonate by Claude Debussy in 1915. Inspired by the unique timbral possibilities of this trio, countless composers followed in Debussy’s footsteps, creating a rich 20th-century repertoire for the ensemble. Today’s program features works by American, French and German composers, a couple of transcriptions, as well as Debussy’s beloved and groundbreaking Sonate. Aperitif Lucas Richman (b. 1964) Lucas Richman is an award-winning conductor and composer who enjoys a diverse career. He has served as Music Director for the Bangor Symphony Orchestra since 2010 and recently completed a 12-year tenure as Music Director for the Knoxville Symphony Orchestra. Mr. Richman received a GRAMMY Award in 2011 for having conducted the Royal Philharmonic Orchestra on Christopher Tin’s classical/world fusion album, Calling All Dawns. Mr. Richman’s numerous collaborations with film composers as their conductor has yielded recorded scores for many films, while his own compositions have been performed by over two hundred orchestras across the United States. He has fulfilled commissions for countless organizations including Aperitif for the Debussy Trio. The piece is a buoyant work in a traditional A-B-A form, bound together by rhythmic permutations of a five-note motive, the first of which is heard at the onset of the piece.
    [Show full text]
  • The Gift of Music
    University of Dayton eCommons News Releases Marketing and Communications 8-20-2010 The iG ft of uM sic Follow this and additional works at: https://ecommons.udayton.edu/news_rls Recommended Citation "The iG ft of usicM " (2010). News Releases. 1136. https://ecommons.udayton.edu/news_rls/1136 This News Article is brought to you for free and open access by the Marketing and Communications at eCommons. It has been accepted for inclusion in News Releases by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. 11/13/13 University of Dayton : News : The Gift of Music University of Dayton, Ohio (url: http://w w w .udayton.edu/index.php) The Gift of Music 08.20.2010 | Campus and Community, Fine Arts A gift from a former Kettering musician and teacher to the University of Dayton has become the inspiration for the University's Fall Arts Series' lineup of piano-themed performances. The University's department of music earlier this year acquired a Bösendorfer grand piano with a gift from the estate of Madonna Wine Goss, who died in 2006. The scheduled performances — entitled "The Piano: Celebrating an Instrument" — honor the legacy of the instrument itself, as well as that of the donor. Madonna and husband Ted Goss — a 1955 University of Dayton graduate who died in 2001 — were long-time friends of the University. Her love for music dates back to her high school years, when she began playing as a church organist. She also taught music and choir in Kettering schools for 21 years.
    [Show full text]
  • Kimmo Hakola's Diamond Street and Loco: a Performance Guide
    UNLV Theses, Dissertations, Professional Papers, and Capstones May 2016 Kimmo Hakola's Diamond Street and Loco: A Performance Guide Erin Elizabeth Vander Wyst University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Fine Arts Commons, Music Commons, and the Theatre and Performance Studies Commons Repository Citation Vander Wyst, Erin Elizabeth, "Kimmo Hakola's Diamond Street and Loco: A Performance Guide" (2016). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2754. http://dx.doi.org/10.34917/9112202 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. KIMMO HAKOLA’S DIAMOND STREET AND LOCO: A PERFORMANCE GUIDE By Erin Elizabeth Vander Wyst Bachelor of Fine Arts University of Wisconsin-Milwaukee 2007 Master of Music in Performance University of Wisconsin-Milwaukee 2009
    [Show full text]
  • NORTHERN STARS MUSIC from the NORDIC and BALTIC REGIONS NAXOS • MARCO POLO • ONDINE • PROPRIUS • SWEDISH SOCIETY • DACAPO Northern Stars
    NORTHERN STARS MUSIC FROM THE NORDIC AND BALTIC REGIONS NAXOS • MARCO POLO • ONDINE • PROPRIUS • SWEDISH SOCIETY • DACAPO Northern Stars Often inspired by folk tradition, nature, landscape and a potent spirit of independence, the music of Scandinavia, Finland and the Baltic states is distinctive and varied, with each country’s music influenced by its neighbours, yet shaped and coloured by its individual heritage. Traveling composers such as Sweden’s Joseph Kraus introduced 18th and early 19th century classical trends from Germany and Italy, but with national identity gaining increasing importance as Romantic ideals took hold, influential and distinctive creative lines were soon established. The muscular strength of Carl Nielsen’s symphonies grew out of the Danish nationalist vigor shown by Friedrich Kuhlau and Niels Gade, extending to names such as Per Nørgård today. Gade was a teacher of Edvard Grieg, who owes his position as Norway’s leading composer, at least in part, to the country’s traditional folk music and the poignant lyricism of the Hardanger fiddle. The music of Finland is dominated by the rugged symphonies of Jean Sibelius, and his Finlandia ensured his status as an enduring national symbol. Sibelius successfully combined the lessons of Viennese romanticism with a strong Nordic character, and this pragmatic approach has generated numerous contemporary giants such as Aus Sallinen, Einojuhani Rautavaara, Kalevi Aho and Kaija Saariaho. Turbulent history in the Baltic States partially explains a conspicuous individualism amongst the region’s composers, few more so than with Arvo Pärt, whose work distils the strong Estonian vocal tradition into music of striking intensity and crystalline beauty.
    [Show full text]
  • New Music Festival November 5-9, 2018
    University of Louisville School of Music Presents the Annual New Music Festival November 5-9, 2018 FEATURED GUEST COMPOSER Amy Williams GUEST ARTISTS Sam Pluta Elysian Trombone Consort A/Tonal Ensemble New Music Festival November 5-9, 2018 Amy Williams featured composer Table of Contents Greetings From Dr. Christopher Doane, Dean of the School of Music 3 Biography Amy Williams, Featured Composer 5 Sunday, November 4 Morton Feldman: His Life & Works Program 6 Monday, November 5 Faculty Chamber Music Program 10 Tuesday, November 6 Electronic Music Program 18 Wednesday, November 7 University Symphony Orchestra Program 22 Personnel 25 Thursday, November 8 Collegiate Chorale & Cardinal Singers Program 26 Personnel 32 Friday, November 9 New Music Ensemble & Wind Ensemble Program 34 Personnel 40 Guest Artist Biographies 41 Composer Biographies 43 1 Media partnership provided by Louisville Public Media 502-852-6907 louisville.edu/music facebook.com/uoflmusic Additional 2018 New Music Festival Events: Monday, November 5, 2018 Music Building Room LL28 Computer Music Composition Seminar with Sam Pluta Wednesday, November 7, 2018 Music Building Room 125 Composition Seminar with Amy Williams Thursday, November 8, 2018 Bird Recital Hall Convocation Lecture with Amy Williams To access the New Music Festival program: For Apple users, please scan the accompanying QR code. For Android users, please visit www.qrstuff.com/scan and allow the website to access your device’s camera. The New Music Festival Organizing Committee Dr. John Ritz, chair Dr. Kent Hatteberg Professor Kimcherie Lloyd Dr. Frederick Speck Dr. Krzysztof Wołek 2 The School of Music at the University of Louisville is strongly identified with the performance of contemporary music and the creation of new music.
    [Show full text]
  • Josh Wright, Piano
    TIMPANOGOS SYMPHONY ORCHESTRA Josh Wright, Russian piano Rachmaninoff, Piano Concerto No. 2 Masters Friday, May 9 and Saturday, May 10, 2014 7:30 pm Sponsored by Highland City Arts Council, Lehi City Arts Council Spread the word facebook.com/TimpanogosSymphony and Alpine Community Arts Council A Message from the Music Director Welcome to an evening with the Russian guest soloist. We booked Josh almost a year Masters. I’m thrilled that we can present to you ago when we were planning the 2013-2014 music written by some of the greatest season and feel very lucky to have him soloing composers ever—all with us. He is a busy performing and recording from Russia. We feature artist. He is a fabulous pianist and musician and music tonight of a real joy to work with. Tchaikovsky, Rachmani- Also on tonight’s program is the winner of noff, Borodin, Prokofiev, our conducting competition. We held our first Glinka, and Ippolitov- young artist competition last year and plan to Ivanov. I hope you will hold the full-blown competition on a biannual enjoy it as much as I do. basis. But, we felt that we wanted to repeat the Our featured conducting part of the competition annually. So, number on this a few weeks ago we held our competition. The evening’s program is competition consisted of five young people, Rachmaninoff’s Piano Concerto No. 2. This each conducting the orchestra for ten minutes. concerto is one of the most famous and After the competition the orchestra member recognizable pieces of classical music ever voted and chose Jacob Dame as the winner.
    [Show full text]