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Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
My Wonderful World of Slapstick
THE THIS BOOK IS THE PROPERTY OF Georgia State Bo»r* of Education AN. PR,CLAun\;v eSupt of School* 150576 DECATUR -DeKALB LIBRARY REGIONAI SERVICE ROCKDALE COUNTY NEWTON COUNTY Digitized by the Internet Archive in 2012 with funding from Media History Digital Library http://archive.org/details/mywonderfulworldOObust MY WONDERFUL WORLD OF SLAPSTICK MY WO/VDERFUL WORLD OF SLAPSTICK BUSTER KEATON WITH CHARLES SAMUELS 150576 DOVBLEW& COMPANY, lNC.,<k*D£H C(TYt HlW Yo*K DECATUR - DeKALB LIBRARY REGiOMA! $&KZ ROCKDALE COUNTY NEWTON COUNTY Library of Congress Catalog Card Number 60-5934 Copyright © i960 by Buster Keaton and Charles Samuels All Rights Reserved Printed in the United States of America First Edition J 6>o For Eleanor 1. THE THREE KEATONS 9 2. I BECOME A SOCIAL ISSUE 29 3. THE KEATONS INVADE ENGLAND 49 4. BACK HOME AGAIN IN GOD'S COUNTRY 65 5. ONE WAY TO GET INTO THE MOVIES 85 6. WHEN THE WORLD WAS OURS 107 7. BOFFOS BY MAN AND BEAST 123 8. THE DAY THE LAUGHTER STOPPED 145 9. MARRIAGE AND PROSPERITY SNEAK UP ON ME 163 10. MY $300,000 HOME AND SOME OTHER SEMI-TRIUMPHS 179 11. THE WORST MISTAKE OF MY LIFE 199 12. THE TALKIE REVOLUTION 217 13. THE CHAPTER I HATE TO WRITE 233 14. A PRATFALL CAN BE A BEAUTIFUL THING 249 15. ALL'S WELL THAT ENDS WELL 267 THE THREE KeAtOnS Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lin- coln's as an early American archetype, it was haunting, handsome, almost beautiful." I cant imagine what the great rail splitter's reaction would have been to this, though I sure was pleased. -
Gloria Swanson
Gloria Swanson: An Inventory of Her Papers at the Harry Ransom Center Descriptive Summary Creator: Swanson, Gloria, 1899-1983 Title: Gloria Swanson Papers [18--]-1988 (bulk 1920-1983) Dates: [18--]-1988 Extent: 620 boxes, artwork, audio discs, bound volumes, film, galleys, microfilm, posters, and realia (292.5 linear feet) Abstract: The papers of this well-known American actress encompass her long film and theater career, her extensive business interests, and her interest in health and nutrition, as well as personal and family matters. Call Number: Film Collection FI-041 Language English. Access Open for research. Please note that an appointment is required to view items in Series VII. Formats, Subseries I. Realia. Administrative Information Acquisition Purchase (1982) and gift (1983-1988) Processed by Joan Sibley, with assistance from Kerry Bohannon, David Sparks, Steve Mielke, Jimmy Rittenberry, Eve Grauer, 1990-1993 Repository: Harry Ransom Center, University of Texas at Austin Swanson, Gloria, 1899-1983 Film Collection FI-041 Biographical Sketch Actress Gloria Swanson was born Gloria May Josephine Swanson on March 27, 1899, in Chicago, the only child of Joseph Theodore and Adelaide Klanowsky Swanson. Her father's position as a civilian supply officer with the army took the family to Key West, FL and San Juan, Puerto Rico, but the majority of Swanson's childhood was spent in Chicago. It was in Chicago at Essanay Studios in 1914 that she began her lifelong association with the motion picture industry. She moved to California where she worked for Sennett/Keystone Studios before rising to stardom at Paramount in such Cecil B. -
Silent Film Music and the Theatre Organ Thomas J. Mathiesen
Silent Film Music and the Theatre Organ Thomas J. Mathiesen Introduction Until the 1980s, the community of musical scholars in general regarded film music-and especially music for the silent films-as insignificant and uninteresting. Film music, it seemed, was utili tarian, commercial, trite, and manipulative. Moreover, because it was film music rather than film music, it could not claim the musical integrity required of artworks worthy of study. If film music in general was denigrated, the theatre organ was regarded in serious musical circles as a particular aberration, not only because of the type of music it was intended to play but also because it represented the exact opposite of the characteristics espoused by the Orgelbewegung of the twentieth century. To make matters worse, many of the grand old motion picture theatres were torn down in the fifties and sixties, their music libraries and theatre organs sold off piecemeal or destroyed. With a few obvious exceptions (such as the installation at Radio City Music Hall in New (c) 1991 Indiana Theory Review 82 Indiana Theory Review Vol. 11 York Cityl), it became increasingly difficult to hear a theatre organ in anything like its original acoustic setting. The theatre organ might have disappeared altogether under the depredations of time and changing taste had it not been for groups of amateurs that restored and maintained some of the instruments in theatres or purchased and installed them in other locations. The American Association of Theatre Organ Enthusiasts (now American Theatre Organ Society [ATOS]) was established on 8 February 1955,2 and by 1962, there were thirteen chapters spread across the country. -
Camera (1920-1922)
7 l Page To>o "The Digest of the Motion Picture Industry” CAM ERA A Liberal Privilege of Conversion Besides the safety of enormous assets and large and increasing earnings, besides a substantial and profitable yield, there is a very liberal privilege of conversion in the $3 , 000,000 Carnation Milk Products Company Five-Year Sinking Fund 7 % Convertible Gold Notes notes convertible at option after November I creased in past five years. These are , over 400% 1921, and until ten days prior to maturity or redemption into Total assets after deducting all indebtedness, except this note, 7% Cumulative Sinking Fund Preferred Stock on the basis of amount to more than four times principal of this issue. I 00 for these notes and 95 for the stock. With these notes Net earnings for past ten years have averaged more than four at 96J/2 this is equivalent to buying the stock at 91 /i- and one-half times interest charges, and during the past five Thus you see that at your option you have either a long- years more than seven times. term, high yielding preferred stock or a short-term, high- There is no other bonded or funded indebtedness and at yielding note. Preferred stock is subject to call at 1 1 0 and present no outstanding preferred stock. accrued dividends, and the usual features of safety. You will want to invest your savings and surplus funds in This Company is one of the largest and most successful of its this decidedly good investment. Call, write or phone for kind in America. -
ALICE LAKE Marion Davies BIG NEW YEAR's
Page 9 Monday, December 29, 1919. GREAT FALLS DAILY TRIBUNE gees sway, clear out anything that's in some enthusiasm—not too much or yonll it, without, of course, hunting for the spoil it—on the subject. Think it over, secret drawer, and I'll fill it with junk and—good night" Women's Corner of my own. Then it can stand open for I did think it over, long and caaafully, MY HEART AND his casual inspection, and all danger and with humiliation of spirit after she GEMlTHE'ATRE U. C. T. LADIES TO from his curiosity will toe over." left me, and during the next few days, j MEET*. and A Hesitating Question. But the thing which stayed longest in High Class Motion Picture» The ladies of the United Commercial my memory, which troubled me most Musical Comedy. Travelers club will meet this (Tuesday) MY HUSBAND She picked up a bundle of prints as wus this question: Positively Last £ she spoke, although I knew that she had afternoon at 3 with Mrs. F. W. Heck at Why did Lillian think it necessary to _____ 8 Adele Garrison's New Phase of no need of them. But she was clever ût'sr p/croRfS tits a /W-r/c No. 15 Hasting Apartments. assure me that the idea of Edith Fair Tunes TODAY! enough to risk no chance encounter fax and Hugh Grantland being attracted LAST TIMES TODAY-THIS SHOW with Dicky in the hall after she had FIRST TIME IN GREAT FALLS ^ GIRLS WORK COMMITTEE by each other was "the veriest non- jj DISCUSSES PLANS. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
Pantomime10-29-21.Pdf
11olumt I Number 5 $S.oo a Year 10 Cenll a CO" ILLUSTRATED WEEKLY Puhlished weekI>' h?' Movie Topics•. Inc. .. Pantomime" applicalion col." for second Suite 9H World' BUIlding. "ew \'ork Cit)". cia.. mail mailer under tbe act of March President Muna)' Lazarus; Secrelary and OciOBER 29, 1921. J. 1879.-8y subscription. $5,00 tbe ,ear. Treasure;. Victor C, Olmsted. Canada. $6.00 the year. .in.le copies IS':. DOUGLAS FAIRBANKS F ANYONE ever was trained to fulfill a years was a Broadway favorite and box-office destiny, that man i& Douglas Fairbanks. To star, the youngest...male luminary of first rank in I day, perhaps, the world's most brilliantly suc the country. (l'ssful romantic actor of the motion picture Not until they had attained some dignity did Jrama-the man who has made "Three Muska Fairbanks rush into motion pictures; not until teers" leap out of its pages into a classic of real after a real masterpiece had be~n produced action-was reared along idral'lines to attain his "The Birth of a Nation." Then he saw that' great eminence. And remarkably enough, the here was the medium of drama of the future. preparation began IQng before sudl a thing as thl.' His first picture was '''The Lamb." His person ~creeil art had become a fact. ality, already recognized in stage plays' like As "Doug" himself ha" said to the writer, "1 "Frenzied Finance," "Hawthorne of the U. S. was brought up to do the ordinary thingS of life A.," and Officer 666," seemed to intensify in the most graceful and expert manner. -
Catalog 033 Adstoyscoinopp
September 19 & 20 2015 • I II • Potter & Potter Auctions Public Auction #033 Advertising, Toys Coin-Op, and Posters Including Vending, Arcade, Slot, and Gum Machines; Vintage Chewing Gum Advertising; Circus Posters and Ephemera; Movie Posters & Memorabilia; Autographs, Photographs and Ephemera; Vintage Battery-Operated and Wind-Up Toys, Puzzles, and Vent Figures; Porcelain and Trade Signs, Vintage Advertising, Antiques, and Miscellaneous Collectibles Auction September 19 & 20 2015 v 10:00 Am Exhibition Sept 14 - 18 2015 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 1 3 4 5 6 2 7 2 • Potter & Potter Auctions 8 SESSION ONE - SEPTEMBER 19, 2015 AT 10AM CINEMA - BROADSIDES 5. Town Hall Hartlepool. Theatrical broadside (35 x 11”) 1. Argyle Theatre of Varieties. Liverpool, England: S. Griffith, for September 16, 1907, in a film exhibition by the Excelsior Printer, 1897. Theatrical letterpress broadside (30 x 10”) Animated Picture Company, including The Giant Cunard Liner advertising “The Marvel of the Century” – Edison’s latest Lusitania, released several years before the vessel was sunk; La Novelty: the Autograph, Life Size Pictures, 20 feet square. Ten Milo; and Life in the Sandwich Islands, a Hawaiian documentary; different Edison movies advertised. Edge-wear with some plus others. Very good condition except for edge chips not darkening, linen backed. B. affecting printed image. Linen mounted. B. 150/200 200/300 2. Palladium News Theatre. Hartlepool, England: F. W. Mason 6. Town Hall Hartlepool. Theatrical broadside (35 x 11”) for the Printer, ca. -
2021 Festival Program Book (PDF)
2021 Music On The Hill Pg 1 2021 Music On The Hill Pg 1 MAYOR FRANK J. PICOZZI VISITWARWICKRI.COM 2021 Music On The Hill Pg 1 Welcome to Music on the Hill’s 13th Festival After the long pandemic “pause”, Music on the Hill is eager to safely gather this spring and summer. Our musi- cians missed playing in Rhode Island in 2020. We look forward to saying “welcome back!” to both our artists and our audiences. Our 2021 festival off ers six diff erent concerts in East Greenwich, Westerly, Cranston, Warwick, and online! Many of the selections postponed in 2020 are off ered this year, in one-hour concerts presented without intermission. Our return to St. Luke’s Episcopal Church, Music on the Hill’s birthplace, is a special treat. The church’s new cli- mate control system provides comfort for all. Table of Contents Thanks to the Aaron Roitman Fund for Chamber Mu- Narragansett Brass Quintet........... p. 2 sic, violin virtuoso Evan Price -- “one of the world’s most confi dent voices in extra-classical string playing” -- joins us Remembrance: John Pellegrino.. P. 5 for two concerts. Evan’s unique blend of jazz and classical ........................... p. 6 will wow you, I’m certain. The Miller-Porfi ris Duo pairs Movie Night............. classic silent fi lms with unique musical selections, stream- ing live on Zoom. World-renowned piano virtuoso Joseph Glad to be Bach................................... p. 8 Kalichstein performs Beethoven’s Fourth Piano Concerto, and Metropolitan Opera mezzo-soprano Mary Phillips sings List of Advertisers.............................. p. 11 in Westerly. -
Gloria Swanson
Gloria Swanson Also Known As: Gloria May Josephine Svensson, Gloria Mae Swanson, Josephine Swenson, Mrs. Herbert Somborn, Mrs. Henri the Marquis de la Falaise de la Coudraye Lived: March 27, 1899 - April 4, 1983 Worked as: film actress, producer Worked In: United States by Julie Buck By the time Gloria Swanson started her own production company, she had already been part of the film industry for over a decade. Many actresses started their own production companies in the 1920s and ’30s in an effort to gain more artistic freedom and a bigger percentage of the profits. Rarely, however, were actresses involved in the day-to-day workings of such an arrangement. Directors, husbands, or studio heads usually handled details. Gloria Swanson, however, remains an exception as she handled the business side of her first company; she did it not for “artistic freedom” but, according to Swanson herself, in retaliation against Jesse Lasky (Swanson 261). Swanson had been a star since late 1919, when she signed a seven-year contract at Famous Players-Lasky in a series of films directed by Cecil B. DeMille. But by the mid-1920s, as Swanson admits in her autobiography, she was beginning to feel very unsatisfied at Famous Players-Lasky. Churning out four to six films a year was exhausting, and while Swanson was the most successful actress in America (save perhaps Mary Pickford), by the mid-1920s her films were famous more for her fabulous costumes than for her acting or the story line (273). In 1925 Swanson fought to make the film Madame Sans-Gêne. -
IV...,, Artn.Nr Kankln
TIIE SUNDAY OREGOXIAN, PORTLAND, FEBRUARY 13, 1921 1 hW jMrj&r, . , , - KJ V."V II 11 a . A rflSJ1 . "3 lit . till 1 - - i- I . '- - " I T'lUSSXr- ' ' iTsV H I i'--t .1111 I. ':V:'! ,r ' - ....... 5 cullar intuitive powers which enable her to foretell certain future happen- ings. She la known as "the girl who tees around corners." A childhood romance develops In later years into a real love affair, but a misunderstanding results in the parting of Miriam and her lover, Clyde Urunton. He marries another woman, but quickly regrets the step he has taken, TODAY'S F1XH FEATURES. and when be comes upon Miriam in Ubrty Wesley Barry. "Dint y. New York, where she has gained fame Columbia Lionel Barrymora, for the great services site has per- "The Devil's Garden." formed for humanity through b Elvoll ylvla Breamer. "Un- wonderful gift, he knows that he rlh seen Forces." loves her. aiajestlc Wh-ltma- Bennett's A lounge lizard who has beon pes- - The Truth About Husbands." icriny nor is me least or Miriams Peoples Anita Stewart. "Har- troubles, but in her heart eho has a riet and the Piper." real problem to solve, and she does Bta.r Eleanor Hallowell Ab- solve it as only a "girl who sees bott's -- Old Dad." around corners" could do. Clrele-Patt- y" Arbnckle. "The 'The Punch of the Irish," a comedy: Round-up- ." a Fox news reel and the music of the Hippodrome Ina Claire, "Polly Rivoli orchestra complete tho Itlvoll With a Past." bill. Globe Don't ETer Marry." 1ICSBAXJ) Today's Slasle Feature.