By Greg Stafford

Total Page:16

File Type:pdf, Size:1020Kb

By Greg Stafford Book of Armies By Greg Stafford Layout: David Zeeman Assistance from: Chris John Payne, Sven Lugar, Jeff Richard, Philippe Auirbeau, Gianfranco Geroldi, Daren Hill Special thanks to the emergency eschille: Chip Hausman, Robert Saint John, Martin Miller, Taheka Harrison, Newton Phyllis, Bob Schroeder, Ben Quamt All photos, pictures and illustrations are original or from royalty-free sources, such as ClipArt.com (www.clipart.com), Liam’s Pictures from Old Books (www.fromoldbooks.org/), and the Historic Tale Construction Kit (www.adgame-wonderland.de/type/bayeux.php) by Björn Karnebogen This book is a fan production of Greg Stafford Publications, under license from Nocturnal Media, LLC. © 2009 by Greg Stafford. All rights reserved. Reproduction without written permission of the author is expressly forbidden, except for the purpose of reviews, and for any record sheets, which may be reproduced for personal use only. 1 Table of Contents Introduction ..................................................................5-8 Tribal Picts .........................................................................49-50 A Pict Army .......................................................................49 Interpreting the Army Tables ..................................................6-7 Leaders & Alternatives ......................................................50 Passions for Opponents ..............................................................7 Lowland Troops ................................................................ 50 Cultural Specialties & New Weapons ........................................8 Peasant Army ....................................................................51-52 The Great Pendragon Campaign Battles ...................................8 The Ragged Mob ...............................................................51 Arthurian Armies ...................................................9-39 Leaders & Alternatives ......................................................52 The All-Knight Army ............................................................9-10 Bandit Gang ............................................................................53 Generic Noble Leaders ............................................................ 10 The Bandit Gang ............................................................... 53 King Uther Period .............................................................11-12 Leaders & Alternatives ......................................................54 Dark Ages Army .................................................................11 Faerie Army .......................................................................55-57 Leaders .............................................................................. 12 King Oberon’s Army .........................................................55 Anarchy Period .................................................................13-14 Leaders, Four Leaders & Alternatives .............................. 56 Local Defense Force ......................................................... 13 The Dead ........................................................................... 57 Leaders & Alternative Troops ........................................... 14 ...........................................58-84 Boy King Period ................................................................15-25 Continental Armies Vassal Army ...................................................................... 15 Aquitainians.......................................................................59-60 Gascons ............................................................................. 60 Leaders .............................................................................. 16 Rebellion Era Regional Special Units ......................................17 Byzantines ..........................................................................61-62 Byzantine Field Army ....................................................... 61 Round Table & Broken Round Table Knights ......................... 18 Leaders .............................................................................. 62 The Battle of Terrabil ...............................................................19 Norgales Army .................................................................. 20 Danes ..................................................................................63-64 The Royal Danish Army.................................................... 63 Malahaut Army.................................................................. 21 Tribal & Feudal Leaders ................................................... 64 Lothian Army .................................................................... 22 French ................................................................................65-67 The Battle of Badon ................................................................. 23 Local French Defending Army.......................................... 65 Day 3 Wounded & Healthy Knights ................................. 24 Local French Attacking Army ...........................................66 The Rivals ................................................................................ 25 Leaders .............................................................................. 67 Conquest Period ................................................................26-30 A Logres Army ..................................................................26 Germans .............................................................................68-69 German Royal Army ......................................................... 68 The Roman War ........................................................................28 Tribal & Feudal Leaders & Alternatives ........................... 69 Giants ................................................................................ 28 Roman Army ..................................................................... 29 Huns ...................................................................................70-71 Hun Raiding Army ............................................................ 70 Roman Leaders.................................................................. 30 Leaders & Hun Knights .................................................... 71 Romance & Early Tournament Periods ..........................31-32 Defending Army ................................................................31 Italians ................................................................................72-73 Defending Ostrogoth/Italian Army ................................... 72 Attacking Army .................................................................32 Leaders & Condottieri .......................................................73 Late Tournament & Grail Quest Periods .......................34-35 A Professional Feudal Army ............................................. 34 Occitanians ........................................................................74-76 Occitanian Army ............................................................... 74 Alternatives ....................................................................... 35 Leaders & Alternatives ......................................................75 Twilight Period ..................................................................36-39 A Logres Army ..................................................................36 Spanish ...............................................................................77-78 Spanish Army ....................................................................77 The Battle of Camlann ............................................................. 38 Visigoth Leaders ................................................................78 Seven Special Units........................................................... 39 Zazamancs .........................................................................79-81 British Armies .........................................................40-57 Zazamanc Army ................................................................ 79 Tribal Cymri ......................................................................41-42 Leaders...............................................................................80 Cambrian Hill Tribe Army ................................................ 41 Alternatives ....................................................................... 81 Leaders .............................................................................. 42 Routiers ..............................................................................82-83 Tribal Saxons .....................................................................43-46 A Routier Gang ................................................................. 82 Defending Saxons Army (Weak)....................................... 43 Leaders .............................................................................. 83 Attacking Saxon Army ......................................................45 Five Rennaissance Troops ..................................................... 85 Leaders & Alternatives ......................................................46 Appendices ..........................................................................86-88 Tribal Irish .........................................................................47-48 Troop Types: A Glossary of Warriors ..................................86-87 A Native Irish Army ..........................................................47
Recommended publications
  • Article RIP581.Pdf
    INTRODUCTION What is he? I do not mean the force alone- The grace and versatility of the man! Is it not Lancelot? -Tennyson, The Idylls of the Xing. There is scarcely anyone in our time to whom the name "Lancelot" does not have a familiar sound. The average person's acquaintance with the deeds of this noble knight is likely to come from motion pictures that, while trying to portray the impossible, have such promising titles as "The Sword of Lancelot," "The Knights of the Round Table," and "Camelot," this last being an insipid version of T. H. White's enormously successful and still widely read Tlze Otzce and Future Kitzg. It is only the more serious student of English letters who derives his knowledge of Lancelot and Guinevere from the reading of Malory's Le Morte Darthrtr or Tennyson's Tlze Idylls of the Kitzg. Among these readers, Lancelot is generally recognized as King Arthur's most gallant knight and the unswerving but secret lover of Queen Guinevere, an austere and almost saintly man whom passion stirs only when he is in the direct service of his love. Lancelot's prominence throughout the last centuries is a strange phenom- enon, especially when we consider that another great Arthurian lover, Tristan, whose philosophy of love corresponds much more to our modern ideal, would most likely be forgotten if it were not for the music of Wagner. And who would seriously believe that Lancelot, the foreigner, barely eked out an existence in the literature of late medieval England while the figure of the indigenous Gawain towered gigantically over the literary horizon of that era? Perhaps ir would be even more startling to discover that Lancelot as a knight of the Round Table and as a lovcr of Queen Guinevcre is a com- paratively late addition to the Arthurian legend.
    [Show full text]
  • An Ethnically Cleansed Faery? Tolkien and the Matter of Britain
    An Ethnically Cleased Faery? An Ethnically Cleansed Faery? Tolkien and the Matter of Britain David Doughan Aii earlier version of this article was presented at the Tolkien Society Seminar in Bournemouth, 1994. 1 was from early days grieved by the Logres” (p. 369), by which he means a poverty of my own beloved country: it had specifically Arthurian presence. It is most no stories of its own (bound up with its interesting that Lewis, following the confused or tongue and soil), not of the quality 1 sought, uninformed example of Williams, uses the name and found (as an ingredient) in legends of “Logres”, which is in fact derived from Lloegr other lands ... nothing English, save (the Welsh word for England), to identify the impoverished chap-book stuff. Of course Arthurian tradition, i.e. the Matter of Britain! No there was and is all the Arthurian world, but wonder Britain keeps on rebelling against powerful as it is, it is imperfectly Logres. And despite Tolkien's efforts, he could naturalised, associated with the soil of not stop Prydain bursting into Lloegr and Britain, but not with English; and does not transforming it. replace what I felt to be missing. (Tolkien In The Book of Lost Tales (Tolkien, 1983), 1981, Letters, p. 144) Ottor W<efre, father of Hengest and Horsa, also To a large extent, Tolkien is right. The known as Eriol, comes from Heligoland to the mediaeval jongleurs, minstrels, troubadours, island called in Qenya in Tol Eressea (the lonely trouvères and conteurs could use, for their isle), or in Gnomish Dor Faidwcn (the land of stories, their gests and their lays, the Matter of release, or the fairy land), or in Old English se Rome (which had nothing to do with Rome, and uncujm holm (the unknown island).
    [Show full text]
  • The Portrayal of Zorn in Hartmann Von Aue's
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ The Portrayal of zorn in Hartmann von Aue’s Arthurian Romances and in Wolfram von Eschenbach’s Parzival Regulski, Carol Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 This electronic theses or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Title: The Portrayal of zorn in Hartmann von Aue’s Arthurian Romances and in Wolfram von Eschenbach’s Parzival Author: Carol Regulski The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement.
    [Show full text]
  • Vault of the Old Guard 2 TABLE of CONTENTS Plateoftheforgiving4 Defenderoftheoldways8
    CREDITS Producer: Realmwarp Media (@RealmwarpM) Author: Sean Shannon Editing: Ryan Langr Layout and Graphic Design: Ryan Langr, Using Fallen Camelot template design by Anne Gregersen (@AnneofManyNames) Cover Art: (c) 2015 Dean Spencer. Used with Permission. All rights reserved. Other Interior Art: Publisher’s Choice Quality Stock Art (c) Rick Hershey/Fat Goblin Games. Sample file Vault of the Old Guard 2 TABLE OF CONTENTS PlateoftheForgiving 4 DefenderoftheOldWays8 CoatoftheAvenger 4 FavoroftheLake8 Mentor’sHelm 4 TheLastStand 9 QuestingSaddle 4 Turncoat’sCoat9 PainofTruth 4 PersistentVestments9 BridgingSpike 5 BladeofPromises9 BladeofLastWill 5 HelmoftheEternalQuest9 UnwaveringCharm 5 ResilientDefender9 WardsProtector 5 Swift to Wrath 10 PendantofGracefulFailing 5 Hunter’sBow 10 HammerofVengeance 5 LoveNeverReached10 Redeemer’sChain 6 CompanionsPendant 10 Fool’sScarf 6 LegalInformation11 PragmaticBlade 6 Aspirant’sBlade 6 WarningRings 6 QuestingBlade 6 CeasingofSwords 6 FeyTouchedSword 7 Challenger’sBlade 7 Rescuer’sBeacon 7 KnightsBane 7 TheReadyingRing 7 TheManualofKnighthood 7 DefendersBoots 8 SampleLoyalBands 8 file BurningSpite 8 GloryPlate 8 Requester’sBand 8 Vault of the Old Guard 3 Plate of the Forgiving Questing Saddle Armor (plate), rare Wondrous item, very rare You have a +1 bonus to AC while wearing While riding a mount that is wearing this this armor. Additionally, you have saddle, your journey becomes much safer. resistance to all damage you take from a As long as you know the exact location of friendly creature. your destination, you are immune to effects of divination magic that would scry This is the armor of Sir Accolon, who was your location or cause you to lose your killed by Arthur when he had been way. Your mount ignores difficult terrain, tricked by the fae to see Accolon as a foe.
    [Show full text]
  • Le Morte Darthur: King Arthur and the Knights of the Round Table Pdf
    FREE LE MORTE DARTHUR: KING ARTHUR AND THE KNIGHTS OF THE ROUND TABLE PDF Sir Thomas Malory,Stephanie Lynn Budin | 768 pages | 27 Oct 2015 | Thunder Bay Press | 9781626864634 | English | United States Le Morte d'Arthur - Wikipedia Interspersed throughout the story are a variety of colorful characters and circumstances which illustrate the important moments in the history of his kingdom. At the beginning of the epic, Uther Pendragon is King of all England. He lusts after Igrainewife of the Duke of Tintagil. They eventually conceive a child together, named Arthur, who is raised by a surrogate family and is prophesized by the sorcerer Merlin to become High King and to unite the kingdom. Chaos ensues after the death of Uther, and the throne remains empty until a young Arthur pulls the sword Excalibur from a stone, which makes him King of all England. Naturally, there is dissention among the other lesser kings, who think Arthur is unworthy of his position. This leads to war, and young King Arthur prevails. Meanwhile, Arthur learns his true identity and accepts his fate. Unfortunately, he has already conceived a child with his half-sister. The child, Mordred, is destined to destroy Arthur and his kingdom. In the meantime, King Arthur establishes a code of ethics for the Knights of the Round Table, which helps maintain the peace of the kingdom until it is unfortunately divided from within. Book I, as mentioned, heralds the birth of Arthur and his rise to power. Their tale ends when the brothers tragically kill each other over a case of mistaken identity.
    [Show full text]
  • Download Download
    More Epic than Romance: the Entrée d'Espagne Leslie C. Brook The University of Birmingham The Entrée d'Espagne is a poem of some 15,800 lines, composed by an anonymous Paduan author in the first half of the fourteenth century, in the language known loosely and traditionally as Franco-Italian. There is now only one complete manuscript of the text, Venice Marciana XXI (=257). The author was probably a clerk, since he displays considerable familiarity with theology and the classics, as well as with French chansons de geste and romance. Some critics have found in his poem a reflection, too, of the contemporary social and political concerns of northern Italy.1 Despite this implied complexity, the poem is undeniably a chanson de geste (epic) basically, although as the Middle Ages progressed, strict genre definition tends to become blurred. The concept of boundaries has in any case exercised critics in the modern era rather than the original writers themselves, and to discover a mix of what we think of as being basically epic or romance material in a late chanson de geste is not unusual. Commenting on the Bâtard de Bouillon, for instance, Robert F. Cook has recently said: "Like all late epics ... it shares some attributes with romance" (89). The question of the overall nature of the Entrée d'Espagne arises principally because at a certain point the hero is obliged in dramatic circumstances to leave the rather hermetic world of the chanson de geste, and undertake alone a journey to the near East, thereby taking on some of the characteristics of the romance chevalier errant.
    [Show full text]
  • The Symbolism of the Holy Grail
    University of Richmond UR Scholarship Repository Honors Theses Student Research 1962 The symbolism of the Holy Grail : a comparative analysis of the Grail in Perceval ou Le Conte del Graal by Chretien de Troyes and Parzival by Wolfram von Eschenbach Karin Elizabeth Nordenhaug Follow this and additional works at: https://scholarship.richmond.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Nordenhaug, Karin Elizabeth, "The symbolism of the Holy Grail : a comparative analysis of the Grail in Perceval ou Le Conte del Graal by Chretien de Troyes and Parzival by Wolfram von Eschenbach" (1962). Honors Theses. 1077. https://scholarship.richmond.edu/honors-theses/1077 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Honors Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND LIBRARIES ~lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll3 3082 01028 5079 r THE SYMBOLISM OF THE HOLY GRAIL A COMPARATIVE ANALYSIS OF THE GRAIL In PERCEVAL ou LE CONTE del GRAAL by CHRETIEN de TROYES and PARZIVAL by WOLFRAM von ESCHENBACH by Karin Elizabeth Nordenhaug A Thesis prepared for Professor Wright In partial fulfillment of the requirements of the Honors Program And in candidacy for the degree of Bachelor of Arts Westhampton College University of Richmond, Va. May 1962 P R E F A C E If I may venture to make a bold comparison, I have often felt like Sir Perceval while writing this thesis. Like. him, I set out on a quest for the Holy Grail.
    [Show full text]
  • King Arthur Was an Elf! an Imaginary, Composite, Inklings Arthuriad
    Mythmoot II: Back Again Proceedings of the 2nd Mythgard Institute Mythmoot Conference Center at the Maritime Institute, Linthicum, Maryland December 13-15, 2013 King Arthur Was an Elf! An Imaginary, Composite, Inklings Arthuriad Sørina Higgins The recent publication of The Fall of Arthur, an unfinished poem by J.R.R. Tolkien, revealed a startling, previously-unknown aspect of Tolkien’s legendarium. The key is found in notes Tolkien left about how he intended the fragmentary Fall of Arthur to continue. Christopher Tolkien includes the following details in his editorial matter about how the story could have connected up to the larger Legendarium. First, Gawain's ship was perhaps going to be named Wingelot (The Fall of Arthur 129, 158); Wingelot or Vingilot is the name of Earendel's ship in The Silmarillion (304). Second, in the final confrontation, Mordred would fatally wound Arthur, Arthur would kill Mordred, and Arthur would be carried away to the West for healing. Lancelot, arriving too late, would set sail into the West, searching for his king, never to return. Tolkien left notes saying: “Lancelot gets a boat and sails west and never returns. Eärendel passage” (Fall of Arthur 136) and “Lancelot parts from Guinevere and sets sail for Benwick but turns west and follows after Arthur. And never returns from the sea. Whether he found him in Avalon and will return no one knows” (Fall of Arthur 137). In other words, Lancelot functions somewhat like Higgins—“King Arthur Was an Elf!” Eärendel—the half-elven mariner who used the silmaril to sail into the Uttermost West and reach the Undying Lands.
    [Show full text]
  • The Matter of Britain
    The Matter of Britain The Mythological and Philosophical Significance of the British Legends by John J. Davenport Department of Philosophy Fordham University [email protected] In honor of Stephen R. Donaldson Originally composed in 1997 for relatives and friends from the UK, this work has been shared with others since. I make it available to all for any pleasure and insight it may bring. last revised November, 2004 Contents Introduction : The Mystery Part I: The Cycle of Britain 1. Historical Context 2. Archetypal Background 3. Brutus and the Founding of Britain 4. The Paradigmatic Language of Myth and Legend 5. The Development of Arthurian Legend 6. The British Cycle Part II: Themes of the British Legend 7. Spenser's Paean to Arthur 8. The Arthurian Vision 9. The Island Kingdom 10. Impregnable Wierd and the Human Will 11. The Tragic Poignance of Humanity 12. Poignance and the Mark of Mortality 13. The Phenomenology of Poignance Conclusion: Resentiment or Eucatastrophe -- 1 -- The Matter of Britain Introduction Oh England my Lionheart I'm in your garden fading fast in your arms The soldiers soften, the war is over. The air raid shelters are blooming clover; Flapping umbrellas fill the lanes, My London Bridge in rain again... This first stanza of Kate Bush's song, “Lionheart,” evokes a legendary image of ‘Britain' only to relate it to modern imagery, specifically the legacy of World War II. The nostalgic mood, as we learn in the last stanza, reflects a dying soldier’s last vision of the spirit of his country—the desires and symbols native to this land for which he would give his life.
    [Show full text]
  • King Arthur Teacher Sample
    “A little while after his birth at dark Tintagel, Uther, who hearkened to my words, gave the child into my care, and I bore him to Avalon, the Land of Mystery.” Reading Notes Camelot capital of Arthur’s kingdom; modern-day Winchester, England Uther Pendragon king of Briton; father of Arthur Igrayne mother of Arthur; unfaithful wife of Gorlois Avalon Land of Mystery; place where Merlin took Arthur as an infant Excalibur Arthur’s sword with magical scabbard Logres (Lów-gris) the name given to the land over which Arthur ruled King Pellinore killed knights for traveling on a road; nearly killed Arthur, and then began to chase the “Questing Beast” Britons a Celtic people inhabiting Britain before the time of the Roman invasion Saxons Germanic tribe that invaded Britain in the 5th and 6th centuries Vocabulary Write the meaning of each bold word or phrase. 1. set a rich pavilion over it _________________________________________________________________ ornate tent 2. bowing his head in reverence ____________________________________________________________ awe; respect 3. did homage to Arthur ____________________________________________________________________a ceremony by which a man acknowledged himself the vassal of a _______________________________________________________________________________________lord; special honor Comprehension Questions Answer the following in complete sentences. 1. Describe the state of Britain just before King Arthur claims the throne. __________________________Britain had never _______________________________________________________________________________________been
    [Show full text]
  • The Fisher King in That Hideous Strength
    Volume 9 Number 4 Article 12 12-15-1983 The Fisher King in That Hideous Strength Ellen Rawson Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Rawson, Ellen (1983) "The Fisher King in That Hideous Strength," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 9 : No. 4 , Article 12. Available at: https://dc.swosu.edu/mythlore/vol9/iss4/12 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Notes how Ransom’s persona in That Hideous Strength as a modern Fisher King “contributes to Lewis’s idea of Logres versus Britain.” Notes parallels between the legend of the Fisher King and events of That Hideous Strength. Additional Keywords The Fisher King in That Hideous Strength; Lewis, C.S.—Characters—Ransom; Lewis, C.S.
    [Show full text]
  • The Holy Grail in T. S. Eliot's the Waste Land
    University Of Anbar College of Education for Humanities Department of English The Holy Grail in T. S. Eliot's The Waste Land Submitted by: Iman Khider Salman Supervised By: Dr. Suhair Nafii 2018 Abstract T.S. Eliot is one of the greatest authors of modern age. His literary works that deal with the aftermath of the war enabled him to get the noble prize in literature since they embody the reality of modern society after the war. This paper contains two sections. The first section consists of an introduction about the Holy Grail, the quest for the Holy Grail through history and literary adaptation of the Holy Grail. Section two consists of T.S.Eliot‘s life and work , an introduction to Eliot‘s The Waste Land, the sources of the legend story of the Holy Grail, and the Grail quest in T.S. Eliot‘s The Waste Land in which shows how Eliot uses this underlying myth as a salvation. The quest for the Holy Grail has been found in the Arthurian stories. These stories belong to the time before the appearance of Christianity in Europe. Eliot invites this legend to give the reader a key to link the story of the Holy Grail with the wasteland in post- world war I. The conclusion sums up the finding of the study where the essential connection between the significance of the legend and T. S. Eliot‘s theme of the poem. I Contents Abstract .............................................................................................................. I Section One........................................................................................................ 2 1.1 Introduction ........................................................................................... 2 1.2 The Quest for the Holy Grail ................................................................
    [Show full text]