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Profile ‘It’S About Something Much Bigger Than You!’
PROFILE ‘IT’S ABOUT SOMETHING MUCH BIGGER THAN YOU!’ EXCLUSIVE INTERVIEW BY BORUCH MERKUR WRITTEN BY CHANA KATZ Friday afternoon. Music superstar enters and immediately starts to sing moving in their seats, if you can Matisyahu is being trailed by a a melody, “Dum, dum, dum, dum, imagine. The audience is ignited. reporter from one of America’s most dah, dah...” and then vocalizes a Matisyahu finishes, gives a shy prominent newspapers, The series of sounds that sizzle and but appreciative smile and is ushered Washington Post. Erev Shabbos and explode into song. into the interview seat. Taking in his the reporter is barely keeping pace The cameras occasionally flash on Chasidic composure, the host asks with the Chassid as he navigates the the crowd in the audience and no one with great interest, “How did you streets of New York City. is sitting still. Everyone is literally become this rapper?! The article is published with the Matisyahu smiles and says, headline, “Funny, He Doesn’t Look “Basically, I wasn’t always religious. I Jamaican!” referring to the reggae A SIGN THAT GEULA IS NEAR! was raised in a non-Orthodox Jewish roots of his music. Still, the essence family and listened to reggae like any “The success of Matisyahu is of the story is G-dliness. “Matisyahu high school kid.” does this (gives up Shabbos nothing short of pure G-dliness performances, etc.) because, as he and certainly the work of the Host: “You get criticism from the sees it, he has what he had because Rebbe MH”M. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Biblical Interpretation in the Age of Superheroes by Nicholaus Pumphrey
Biblical Interpretation in the Age of Superheroes By Nicholaus Pumphrey In 1938 Superman literally jumped off the pages of a comic book and into American culture. The world’s strongest and soon to be most famous superhero was created within the context of a nation suffering from the Great Depression and on the verge of entering a global war. How does this super-being impact American culture and does he influence how we read the Bible? Action Comics No. 1, 1938. Within five years, over 70 million people would be reading comic books about Superman or related to him. Superman’s debut in Action Comics #1 was followed by his appearance on radio, in cartoons, and eventually in movies and on television. While comic books have had ups and downs in sales, the superhero related medium has had an undeniable influence on Americans, child and adult alike. The concept of hero has shifted from a larger-than-life, flawed demi-god to a sci-fi, costumed character that can do no wrong. But biblical undertones remain inescapable. Scholars often point to his creators, Jerry Siegel and Joe Shuster, and their Jewish background as a sign that the Bible directly influenced Superman’s creation, and then influenced the readers. Superman’s origin narrative depicts parents of a dying civilization sending their child in a spaceship (a futuristic reed basket) only to grow up and become a savior of another world. The child is also uniquely strong and only stoppable by a single weakness. Siegel himself noted that Samson and other biblical figures played a prominent role in Superman’s development. -
YCJC-Newsletter-Jan-2007
CONGREGATION ETZ CHAIM P.O. BOX 905 KENNEBUNK, ME 04043 JANUARY 2007/5767 York County Jewish Community News Lithograph Available Tri color lithographs of the banner designed for the Saco Museum exhibit will soon be available for purchase. Get more information from our website or express your inter- est in purchasing by writing to <[email protected]> SHALOMAN COMES TO BIDDEFORD Enthusiastic audiences Many of the Hebrew School welcomed Al Wiesner, the creator students have followed his of the first Jewish superhero, adventures by checking out copies Shaloman, to Congregation Etz of the comic books from the Chaim on November 16th. complete collection in our Al traced the beginnings of synagogue library. comic books in America, noting Al Wiesner’s visit was that several of the original artists supported by a grant to Etz Chaim were Jewish. He believes the Community Education by the Sam success of Shaloman followed the L. Cohen Foundation. establishment of the state of -------------------------------------------- Israel, making the world ready for a physically powerful Jewish figure. Shaloman Trivia Responding to the distress call Answers on back page “Oy vay!”, Shaloman emerges from 1. Does Shaloman wear a cape? 5. What is the mountain named? a rocky topped mountain in Israel. 2. What shape is his belt? Why? He is easily identified by his 6. Who is his arch enemy? 3. What is his nickname? rippling muscles, kipa and large 7. Which person in Al Wiesner’s 4. From which letter is he formed? letter Shin on his chest. life looks like this arch enemy? 36 BACON STREET BIDDEFORD, ME <WWW.ETZCHAIMME.ORG> PAGE 1 CONGREGATION ETZ CHAIM P.O. -
676 Beis Moshiach
676:Beis Moshiach 22/12/2008 8:58 AM Page 3 contents YOSEF’S SHABBOS 4 D’var Malchus TWO SHLUCHIM ACHIEVED WHAT 6 4,000 COULD NOT Terror in Bombay | Rabbi Naftali Estulin YOSEF WAS FORGOTTEN IN PRISON, 10 BUT NOT ME Feature | Nosson Avrohom THE LUBAVITCH LIBRARY FROM ALEF 12 THROUGH TAV Hei Teives | Avrohom Reinitz USA ONE OF THE TEKIOS CHILDREN 744 Eastern Parkway 24 Brooklyn, NY 11213-3409 Stories | Sholom Gurary Tel: (718) 778-8000 Fax: (718) 778-0800 [email protected] www.beismoshiach.org A DIAMOND AMONG DIAMOND 30 EDITOR-IN-CHIEF: DEALERS M.M. Hendel Terror in Bombay | Nosson Avrohom ENGLISH EDITOR: Boruch Merkur [email protected] MIRACLES BROUGHT THEM CLOSE 32 ASSISTANT EDITOR: Miracle Story | Nosson Avrohom Dr. Aryeh Gotfryd HEBREW EDITOR: Rabbi Sholom Yaakov Chazan [email protected] 9TH EUROPEAN MOSHIACH CONGRESS 36 Beis Moshiach (USPS 012-542) ISSN 1082- A TREMENDOUS SUCCESS 0272 is published weekly, except Jewish News holidays (only once in April and October) for $160.00 in Crown Heights, Brooklyn and in all other places for $180.00 per year (45 issues), by Beis Moshiach, 744 Eastern Parkway, Brooklyn, NY 11213-3409. Periodicals postage paid at Brooklyn, NY and additional offices. Postmaster: send address changes to Beis Moshiach 744 Eastern Parkway, Brooklyn, NY 11213-3409. Copyright 2008 by Beis Moshiach, Inc. Beis Moshiach is not responsible for the content of the advertisements. 676:Beis Moshiach 22/12/2008 8:58 AM Page 4 d’var malchus prescription for Redemption applies even if the Jewish people observe Shabbos properly only YOSEFS once, being careful about the laws and its details just one time. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
When the Superheroes Emerged in the Late 1930S and Early 1940S They
Kameshia Shepherd The Superhero Genre: Exhibitions Which Explore the Identities, Costumes, and Missions of the Superheroes When the superheroes emerged in the late 1930s and early 1940s they had dual identities, sidekicks, powers and abilities, arch-villains, a costume, a moral code, and a top-secret headquarters but a lawsuit in 1940 established identity, power, and mission as the fundamental attributes of the superhero genre. According to Peter Coogan in Superhero: The Secret Origin of a Genre, Judge Learned Hand estab- lished these three elements in a copyright and infringement lawsuit between two comic book companies. In the case of Detective Comics, Inc. v. Bruns Publica- tions, Inc., DC Comics filed a suit which claimed that Bruns Publication’s super- hero Wonder Man was a duplicate of their character Superman. Judge Learned Hand agreed and stated in his ruling that Wonder Man copied Superman’s dual identities, various powers, and pro-social mission. Based on this copyright law- suit, Coogan argued that Judge Hand had unknowingly provided the definitional characteristics of a superhero.1 Coogan took Judge Hand’s interpretation a step further by combing all of the elements of Hand’s verdict to comprise his own definition. Coogan’s superhero is: A heroic character with a selfless, pro-social mission; with superpowers-extraordinary abilities, advanced technology, or highly developed physical, mental, or mystical skills; who has a superhero identity embodied in a codename and iconic costume, which typi- cally expresses his [or her] biography, -
Paul Mccartney's
THE ULTIMATE HYBRID DRUMKIT FROM $ WIN YAMAHA VALUED OVER 5,700 • IMAGINE DRAGONS • JOEY JORDISON MODERNTHE WORLD’S #1 DRUM MAGAZINE DRUMMERJANUARY 2014 AFROBEAT 20DOUBLE BASS SECRETS PARADIDDLE PATTERNS MILES ARNTZEN ON TONY ALLEN CUSTOMIZE YOUR KIT WITH FOUND METAL ED SHAUGHNESSY 1929–2013 Paul McCartney’s Abe Laboriel Jr. BOOMY-LICIOUS MODERNDRUMMER.com + BENNY GREB ON DISCIPLINE + SETH RAUSCH OF LITTLE BIG TOWN + PEDRITO MARTINEZ PERCUSSION SENSATION + SIMMONS SD1000 E-KIT AND CRUSH ACRYLIC DRUMSET ON REVIEW paiste.com LEGENDARY SOUND FOR ROCK & BEYOND PAUL McCARTNEY PAUL ABE LABORIEL JR. ABE LABORIEL JR. «2002 cymbals are pure Rock n' Roll! They are punchy and shimmer like no other cymbals. The versatility is unmatched. Whether I'm recording or reaching the back of a stadium the sound is brilliant perfection! Long live 2002's!» 2002 SERIES The legendary cymbals that defined the sound of generations of drummers since the early days of Rock. The present 2002 is built on the foundation of the original classic cymbals and is expanded by modern sounds for today‘s popular music. 2002 cymbals are handcrafted from start to finish by highly skilled Swiss craftsmen. QUALITY HAND CRAFTED CYMBALS MADE IN SWITZERLAND Member of the Pearl Export Owners Group Since 1982 Ray Luzier was nine when he first told his friends he owned Pearl Export, and he hasn’t slowed down since. Now the series that kick-started a thousand careers and revolutionized drums is back and ready to do it again. Pearl Export Series brings true high-end performance to the masses. Join the Pearl Export Owners Group. -
Hitchiker's Guide to the Galaxy
MUSIC: Cultural music Full makes its way to L.A. MOVIE: Ice Cube displays his multi talent in ‘XXX’ FASHION: Broke students EFFECTTitan Entertainment Guide can bargin shop in style Coachella 2005 Page 3 Hitchiker’s Guide to the Galaxy A zany trip to outer space Page 4 M a y 0 5, 2 0 0 5What’S Inside CONTENTS 02 News Briefs—The Buzz 03 Music—Coachella brings best of indie to festival Sex—Liven your relationship by doing it BY NIYAZ PIRANI outdoors Daily Titan Assistant News Editor 04 Movie—Adaption takes viewers to another galaxy The boys of Yellowcard have been hard at work on the follow-up ‘Interpreter’ translates into suspensful thriller to their debut record Ocean Avenue. Tanner clan kept us laughing Since January, singer Ryan Key 05 Movie—Sequel follows same action flick and bassist Pete Mosely have been formula in New York penning new songs YellowCard Music—Zion improves musical vision for the disc. The band will reunite in Orlando later this month to start 06 Run Run Run could do better the recording process … Legend- Hanks will become the band’s gui- bum, TheFutureEmbrace, on June Band not too shy about rocking ary UK band Gang of Four has a tarist and they will search for a 21. Among collaborations with Raggeton impacts L.A. music scene remix record in the works. Guests new bassist … Staind have set an former Pumpkins drummer Jimmy 07 Style Scout—Those on a budget can who will appear on the record in- Aug. 9 release date for their next Chamberlain, the disc will feature remain in style clude Futureheads, the Dandy War- album, Chapter V. -
Audio Mastering for Stereo & Surround
AUDIO MASTERING FOR STEREO & SURROUND 740 BROADWAY SUITE 605 NEW YORK NY 10003 www.thelodge.com t212.353.3895 f212.353.2575 EMILY LAZAR, CHIEF MASTERING ENGINEER EMILY LAZAR CHIEF MASTERING ENGINEER Emily Lazar, Grammy-nominated Chief Mastering Engineer at The Lodge, recognizes the integral role mastering plays in the creative musical process. Combining a decisive old-school style and sensibility with an intuitive and youthful knowledge of music and technology, Emily and her team capture the magic that can only be created in the right studio by the right people. Founded by Emily in 1997, The Lodge is located in the heart of New York City’s Greenwich Village. Equipped with state-of-the art mastering, DVD authoring, surround sound, and specialized recording studios, The Lodge utilizes cutting-edge technologies and attracts both the industry’s most renowned artists and prominent newcomers. From its unique collection of outboard equipment to its sophisticated high-density digital audio workstations, The Lodge is furnished with specially handpicked pieces that lure both analog aficionados and digital audio- philes alike. Moreover, The Lodge is one of the few studios in the New York Metropolitan area with an in-house Ampex ATR-102 one-inch two-track tape machine for master playback, transfer and archival purposes. As Chief Mastering Engineer, Emily’s passion for integrating music with technology has been the driving force behind her success, enabling her to create some of the most distinctive sounding albums released in recent years. Her particular attention to detail and demand for artistic integrity is evident through her extensive body of work that spans genres and musical styles, and has made her a trailblazer in an industry notably lack- ing female representation. -
Off the Hook
BROOKLYN’S REAL NEWSPAPERS Including The Brooklyn Heights Paper, Carroll Gardens-Cobble Hill Paper, DUMBO Paper and the Downtown News Published every Saturday — online all the time — by Brooklyn Paper Publications Inc, 55 Washington St, Suite 624, Brooklyn NY 11201. Phone 718-834-9350 • www.BrooklynPapers.com • © 2005 Brooklyn Paper Publications • 18 pages •Vol. 28, No. 16 BWN • Saturday, April 16, 2005 • FREE OFF THE HOOK City pushes for working waterfront — in Jersey By Jess Wisloski The Brooklyn Papers Atop official with a German shipping company that took its $1.6 billion trade deal to New Jersey after first considering Brooklyn’s port, said this week that the deci- sion came down to the city’s refusal to back the Red Hook port’s existence. “There’s usually other factors Associated Press that are in play, but it is correct Brooklyn Dodgers Duke Snider and Don Newcomb celebrate Dem Bums’ vic- that the lack of a long-term lease tory over the New York Yankees in the 1955 World Series. agreement affected our deci- sion,” Rainer Dehe, chief of op- erations for the international shipping company Hamburg Sud told the Brooklyn Papers this week. The company had hoped to ship to Brooklyn for the next five years at the Red Dodgers’ Hook piers operated by Ameri- can Stevedoring Inc. (ASI), promising the creation of 400 jobs here, he said. The Brooklyn Papers first re- ported last week that the compa- / Xinhua, Fan Changguo ny instead signed a contract with a port in Bayonne, N.J., after pennant city Economic Development Corporation officials refused to Associated Press guarantee that the Red Hook port would remain open through 2009. -
Rmc International Meetings.Pdf
1 International Meetings page 03 Global encounters page 04 Michael Beinhorn page 06 Patrick Wikstrøm page 10 Keith Harris page 13 Artist Talks and Masterclass at RMC page 18 Johan Haarberg page 20 Scott Cohen page 24 John Parish page 28 Dominic Murcott page 32 About RMC page 34 Editor: Thomas Borre Text contributions by: Henrik Sveidahl, Rasmus Rex, Jesper Bay, Morten Büchert, Jacob Anderskov, Henrik Marstal, Thomas Borre and Dominic Murcott Layout: Siegel Design Translation: Scandinavian Text Service Photo: Bjørn Bertheussen Print: NofoPrint A/S First edition: September 2015 Copies: 300 Copyright © 2015. All rights reserved. Text and photography contained herein may not be used or reproduced without the express written permission of RMC. The views and opinions expressed in the articles are those of the authors and do not necessarily reflect the official policy or position of RMC. 2 International Meetings Music is a global, artistic form of expression unfolding in all societies at all times. At The Rhythmic Music Conservatory (RMC) we feel it is important that our activities make an impression on the world. The Conservatory has a vision: we want to be among the leading educational institutions in the field of contemporary rhythmic music. The students receiving an education at the Conservatory and the knowledge being acquired through research and development must contribute to the field on an international level. This is a very ambitious goal for a relatively small, arts educational institution up here in the frozen North. However, it is one that we feel is realistic and in recent years we have been working towards that goal.