Hitchiker's Guide to the Galaxy
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Julia, Imagen Givenchy Su Esposo La Asesinó Caída De
EXCELSIOR MIÉRCOLES 10 DE DICIEMBRE DE 2014 [email protected] Resumen. Pharrell Williams encabeza la lista de @Funcion_Exc popularidad de Billboard. Y los escándalos del año>6 y 13 MAÑANA SE ESTRENA EN DOS MIL 400 SALAS UNA ÚLTIMA Los actores queAVENTURA participaron en El Hobbit: La batalla de los cinco ejércitos mostraron su satisfacción de poder participar en la tercera entrega de la saga dirigida por Peter Jackson >8 y 9 Fotos: Cortesía Warner Bros. Foto: Tomada de Instagram Givenchy Foto: Tomada de YouTube Foto: AP JULIA, IMAGEN GIVENCHY CAÍDA DE ELTON, VIRAL SU ESPOSO LA ASESINÓ PARÍS.- La actriz estadunidense Julia Roberts será la Más de un millón de visitas en sólo 24 horas alcanzó La actriz y modelo Stephanie Moseley, protagonista del nueva imagen de la casa francesa de moda Givenchy el video en el que se ve al cantante Elton John en una reality televisivo Hit The Floor, fue asesinada a tiros por para su campaña de primavera/verano 2015. aparatosa caída al presenciar un partido de tenis. Earl Hayes, quien era su esposo. El hombre se quitó la En las imágenes en blanco y negro, la actriz mues- El músico de 67 años asistió a un evento en el vida después de haberla matado. tra un aspecto andrógino, ataviada con una blusa ne- Royal Albert Hall de Londres, donde alentaba a su Trascendió que se habían separado hace dos años, gra con mangas transparentes. equipo contra el de la exjugadora profesional Billie Jean luego de un supuesto amorío con el músico Trey Songz, La sesión fue realizada por la importante empresa King, pero al intentar sentarse se suscitó el incidente. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 3-26-2009 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2009). The George-Anne. 2126. https://digitalcommons.georgiasouthern.edu/george-anne/2126 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Go to www.GADaily.com for in-depth SGA election and debate coverage Serving Georgia Southern University and the Statesboro Community Since 1927 • Questions? Call 912-478-5246. f \ 1 \^ www.GADaily.com UEORGE THURSDAY, MARCH 26, 2009 • VOLUME 81 • ISSUE 87 COVERING THE CAMPUS LIKE A SWARM OF GNATS 'Dashboard Confessional' in negotiations to play at Georgia Southern Alternative rock band "Dashboard Confessional"has posted on their Web site that they will be playing a free show at the RAC Band Shell on May 1,2009. Though the group is not confirmed, Activities Coordinator Srira- vong Sriratanakoul said that contracts are currently being drawn. Led by lead singer Chris Carrabba, the band has three RIAA certified gold albums and their 2002 CD/DVD combo MTV Unplugged 2.0 went platinum. Dashboard Confessional is set to release their newest album sometime this year, with the exact date and album name not being released at this time. -
MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
© E Ugenie Brink
© Eugenie Brinkema EVAN JOHNSON (*1980) 1 hyphen (2002) 01:51 1 Peter Neville, crotales 2 – 3 ELISION: Carl Rosman, bass clarinet Richard Haynes, bass clarinet 4 Graeme Jennings, violin Apostrophe 1 (All communication is a form of complaint) 5 Mieko Kanno, violin (2007 – 2008) EXAUDI: Juliet Fraser, soprano Amanda Morrison, soprano 2 I. 19:59 Christopher Field, countertenor Tom Williams, countertenor 3 II. 03:25 Stephen Jeffes, tenor Jonathan Bungard, tenor James Weeks, conductor 6 Mabel Kwan, toy pianos 4 clutch (2005) 01:32 5 Colophons (“That other that ich not whenne”) reflecting pool / monument (2006) 08:11 6 Positioning in Radiography (2007) 13:14 TT 48:16 2 3 A paradox lies at the heart of Evan Most of the notes in these two pieces on either side, which give it its function At first glance, Johnson appears tied to Johnson’s music. When composing he of- move at high speed, and long pauses are and meaning. Those words constitute a a heavy, European tradition of rich nota- ten begins with a structure of durational used to extend the music’s duration be- sort of white or negative space, whose tional determination, formal complexity containers, proportionally related. He then yond just a few seconds. In clutch these presence and influence can be inferred and hierarchy. His scores – almost always follows this by trying to squeeze in ma- pauses comprise two sustained notes of even if the words themselves are not spo- hand-engraved, in a beautiful, precise and terials that are too large for those spac- around 30 seconds’ duration each – played ken. -
Discography of the Turbo Label
The Labels of Joe and Sylvia Robinson The All-Platinum Label was formed by Joe and Sylvia Robinson, husband and wife in New Jersey in 1969. Sylvia Robinson was one-half of the duo Mickey and Sylvia of “Love is Strange” fame. George Kerr and the Robinson’s were responsible for A&R. Joe Robinson had parlayed a music publishing company that he established years before in New York into the All-Platinum, Stang, and Turbo record labels. Artists included his wife Sylvia, The Moments, Brother to Brother, Shirley and Company, Linda Jones, Jack McDuff and Chuck Jackson The labels were All-Platinum, Stang, Turbo and Vibration. All-Platinum distributed Charisma (US) which released Malcolm X recordings, More which released Eldridge Cleaver recordings and Maple which released R&B and Psychedelic. In the late 70’s All-Platinum went bankrupt. The Robinson’s then formed Sugar Hill Records in 1979 with Milton Malden and financial funding of Morris Levy, the owner of Roulette Records and pioneered Rap Music The Sugar Hill label's first record was "Rapper's Delight" (1979) by The Sugarhill Gang, which was also the first Top 40 hip hop single. Afterwards Grandmaster Flash, The Sequence, Funky Four Plus One, Crash Crew, Kool Moe Dee, The West Street Mob, and Melle Mel joined the label. Sugar Hill's in-house producer and arranger was Clifton "Jiggs" Chase. The in-house recording engineer was Steve Jerome. Al Goodman, leader of The Moments, ran the show and George Kerr was a major producer. Joe and Sylvia's sons Joey and Leland were also active in the business. -
Album of the Week: Deerhoof's La Isla Bonita
Album Of The Week: Deerhoof’s La Isla Bonita Believe it or not, there are a few bands that have been around for a while that I have yet to take a dive into. One of those bands are San Francisco noise pop punk act Deerhoof, and their new album La Isla Bonita has shown me exactly what I’ve been missing. One of those bands that have managed to stick around since the mid-90s, the variety of sounds and dimensions in each track off of the album is jaw dropping. One moment it sounds like a psychedelic j- pop song and then unpredictably these crunchy rigid guitars come in and obliterate everything. So many influences and styles being showcased in one sound, Deerhoof’s new release is simply amazing with its stunning originality. The album was produced by former music journalist & ex-Mr. Dream drummer Nick Sylvester. For a band that has gained acclaim for being extremely DIY for self-producing their previous albums and self- managing, at first glance it could sound like a risk to make a departure from the norm with a different producer. Sylvester excels with excellent quality, and I also can’t get enough of Greg Saunier’s skills on drums. For all of this polish you might be thinking of, don’t fret. There are a good amount of ear- splitting riff rockers on La Isla Bonita as well. It’s November, which means it’s getting cold and one of your friends is already complaining about it. One thing you shouldn’t complain about are the top tracks off of my Album Of The Week. -
FS Master List-10-15-09.Xlsx
Festival Sounds Song List by Artist - Updated 10-15-09 A B 1 Artist Song 2 1 King Of House 3 112 U Already Know 4 112 Peaches And Cream (Remix) 5 112 Peaches and Cream [Clean] 6 112 Dance With Me 7 311 All mixed up 8 311 Down 9 311 Beautiful Disaster 10 311 Come Original 11 311 I'll Be Here A While (Breakbeat Remix) 12 311 I'll Be here a while 13 311 Love Song 14 311 It's Alright 15 311 Amber 16 311 Beyond The Grey Sky 17 311 Prisoner 18 311 Rub-A-Dub 19 311 Don't Tread on Me 20 702 Where My Girls At(Radio Edit) 21 Arabic Greek 22 10,000 maniacs Trouble 23 10,000 Maniacs Because The Night 24 100 Songs for Kids Ten Little Indians 25 100% SALSA S Grupo Niche-Lluvia 26 2 Live Crew Face Down Ass Up 27 2 Live Crew Shake a Lil Somthing 28 2 Live Crew Hoochie Mama 29 2 Pac Hit 'Em Up 30 2 Pac California Love 31 2 Pac and Snoop Doggy Dogg 2 Of Americas Most Wanted 32 2 pac f/Notorious BIG Runnin' 33 2 pac Shakur Hit 'Em Up 34 20thfox Fanfare 35 2pac Ghetto Gospel Feat. Elton John 36 2XL feat. Nashay The Kissing Game 37 3 Doors Down It's Not My Time 38 3 Doors Down Be Like That (AmericanPieEdit) 39 3 Doors Down Let me Go 40 3 Doors Down Let Me Go 41 3 Doors Down It's Not My Time 42 3 Doors Down Here Without You 43 3 Libras A Perfect Circle 44 36 mafia Lollipop 45 38 Special Hold on Loosley 46 38 Special Back To Paradise 47 38 Special If Id Been The One 48 38 Special Like No Other Night Festival Sounds Song List by Artist - Updated 10-15-09 A B 1 Artist Song 49 38 Special Rockin Into The Night 50 38 Special Saving Grace 51 38 Special Second Chance 52 38 Special Signs Of Love 53 38 Special The Sound Of Your Voice 54 38 Special Fantasy Girl 55 38 Special Caught Up In You 56 38 Special Back Where You Belong 57 3LW No More 58 3OH!3 Don't Trust Me 59 4 Non Blondes What's Up 60 50 Cent Just A Lil' Bit 61 50 Cent Window Shopper (Clean) 62 50 Cent Thug Love (ft. -
Notre Dame Review Notre Dame Review
NOTRE DAME REVIEW NOTRE DAME REVIEW NUMBER 8 Editors John Matthias William O'Rourke Senior Editor Steve Tomasula Founding Editor Valerie Sayers Managing Editor Editorial Assistants Kathleen J. Canavan Kelley Beeson Stacy Cartledge R. Thomas Coyne Contributing Editors Douglas Curran Matthew Benedict Jeanne DeVita Gerald Bruns Shannon Doyne Seamus Deane Anthony D'Souza Stephen Fredman Katie Lehman Sonia Gernes Marinella Macree Jere Odell Tom O'Connor Kymberly Taylor Haywood Rod Phasouk James Walton Ginger Piotter Henry Weinfield Laura Schafer Donald Schindler Elizabeth Smith-Meyer Charles Walton The Notre Dame Review is published semi-annually. Subscriptions: $15(individuals) or $20 (institu- tions) per year. Single Copy price: $8. Distributed by Media Solutions, Huntsville, Alabama and International Periodical Distributors, Solana Beach, California. We welcome manuscripts, which are read from September through April. Please include a SASE for return. Please send all subscription and editorial correspondence to: Notre Dame Review, The Creative Writing Program, Department of English, University of Notre Dame, Notre Dame, IN 46556. Notre Dame Review copyright 1999 by the University of Notre Dame ISSN: 1082-1864 Place/Displacement ISBN 1-892492-07-5 Cover Art: "Diagram for the Apprehension of Simple Forces," cibiachrome, 1997, 12 x 15 inches, by Jason Salavon. Courtesy of Peter Miller Gallery, Chicago. CONTENTS Genghis Khan story ..................................................................... 1 Yanbing Chen Anstruther; Knowledge; Alford -
1998-Fall.Pdf
Fall 98 Cover F&B_ Fall 98 Cover F&B 12/24/15 9:45 AM Page 3 Chicago EXPLORING NATURE & CULTURE WFALILL 19D98 ERNES S FIRE AS A FRIEND • T HINKING LIKE A SEED Fall cov 02 - 12_ Fall cov 02 - 12 12/24/15 10:10 AM Page cov2 is Chicago Wilderness? Chicago Wilderness is some of the finest and most signifi - cant nature in the temperate world, with roughly 200,000 acres of protected natural lands harboring native plant and animal communities that are more rare—and their survival more globally threatened—than the tropical rain forests. CHICAGO WILDERNESS is an unprecedented alliance of more than 60 public and private organizations working together to study and restore, protect and manage the precious natural resources of the Chicago region for the benefit of the public. Chicago WILDERNES S is a new quarterly magazine that seeks to articulate a vision of regional identity linked to nature and our natural heritage, to celebrate and promote the rich nat - ural areas of this region, and to inform readers about the work of the many organizations engaged in collaborative conservation. Fall cov 02 - 12_ Fall cov 02 - 12 12/24/15 10:10 AM Page 1 CHICAGO WILDERNESS A Regional Nature Reserve Keeping the Home Fires Burning or generations of us inculcated with the gospel according them, both by white men and by Indians—par accident; and Fto Smokey, setting fire to woods and prairies on purpose yet many more where it is voluntarily done for the purpose amounts to blasphemy. Yet those who love the land have of getting a fresh crop of grass, for the grazing of their horses, been wrestling with some new ideas about fire—new ideas and also for easier travelling during the next summer.” that are very old. -
Sonntags Im Bistro Grottino, Sommer 2015 (16.59H Bis Ca
Sonntags im Bistro Grottino, Sommer 2015 (16.59h bis ca. 19.08h) Set vom 7.6. Real Estate: Past Lives Department of Eagles: No One Does It Like You Unknown Mortal Orchestra: So Good… Ruby Suns: Oh Mojave The Congos: Fisherman The Upsetters: Big Gal Sally Beastie Boys: Song for the Man Captain Beefheart: Abba Zaba Destroyer: Del Monton Magnetic Fields: The Luckiest Guy… Beck: Black Tambourine Can: Halleluhwah Dorothy Collins: Lightworks (Raymond Scott) Erykah Badu: Soldier Digable Planets: Black Ego Calexico: Not Even Stevie Nicks Avey Tare's Slasher Flicks: Little Fang Panda Bear: Boys Latin Deerhoof: Super Duper Rescue Head Daniel Johnston: The Sun Shines Down Gil Scott Heron: Home Is Where the Hatred Is Timmy Thomas: Why Can't We Live Together The Four Tops: Baby I Need Your Loving Matthew E. White: Golden Robes William Onyeabor: Atomic Bomb Connan Mockasin: Megumi the Milkyway Above Django Django: Found You Atlas Sound: Walkabout Islands: Jogging Gorgeous Summer Tame Impala: Let it Happen The Notwist: Gloomy Planets Dan Deacon: Feel the Lightning Tocotronic: Spiralen Destroyer: Kaputt Set vom 14.6. Simone White: Flowers in May Beach House: Walk in the Park Peaking Lights: All the Sun That Shines The Slits: Man Next Door Jaako Eino Kalevi: Deeper Shadows Sisyphus: Lion's Share The Soundcarriers: So Beguiled Toro y Moi: Empty Nesters Kyu Sakamoto: Sukiyaki Homeboy Sandman: Holiday (Kosi Edit) Real Estate: Crime Devendra Banhart: Won't You Come Over Yo La Tengo: Automatic Doom Caribou: Melody Day Chris Cohen: Don't Look Today Unknown Mortal Orchestra: Can't Keep Checking My Phone John Cale: Hanky Panky Nohow Mac DeMarco: Let Her Go Girls: Oh So Protective One Stereolab: Fuses Beck: Tropicalia Cloud One: Atmosphere Strut Remix 1979 Cliff King Solomon: But Officer! Ariel Pink: Baby Frank Ocean: Forrest Gump Animal Collective: Rosie Oh Alexis Taylor: Am I Not A Soldier? Freddie Gibbs & Madlib: Shame (Instrumental) Arthur Russell: That's Us / Wild Combination The Streets: Never Went to Church Jacques Palminger: Wann strahlst Du? Dick Justice: Henry Lee Set vom 21.6. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
207 096 1917 FAX:(310) 913-1517 EMAIL:[email protected] »
3 Years Hollow Critical Hit Heartist MXPX* Soil 10 Years Crobot Heaven’s Basement* New Years Day* Special Blend 9electric Darkest Hour Heavygrinder Nonpoint Spineshank* Ace Frehley** Darkness Divided Hed PE One Eyed Doll Still Remains* Adelitas Way Dave MacPherson Hollow Earth Outside The Coma Stitched Up Heart Adrenaline Mob Death Angel Hoobastank P.O.D Static Summer Aeges Devildriver Ill Nino* Pat Travers Band Sumo Cyco Alien Ant Farm Devil You Know INME Pearl Superjoint Ritual Altitudes & Attitude Diamond Plate Islander Phil Campbell’s All Starr SycAmour American Head Charge Diamante It Dies Today Band Tantric Angra Diecast Janus Powerman 5000 Taproot Anthrax Dope Jared James Nichols Psychostick The Ataris* Armored Saint Double Vision Tour Joanne Shaw Taylor Queensrÿche The Bosshoss Ashes Doyle Kaleido Randy Bachman The Coffis Brothers Avatar Drowning Pool Karnivool RED The Damned Things Bad Seed Rising Duff McKagan’s Loaded Katastro Rev Theory The Defiled Beyond Threshold Earthtone9* Kelley James Revoker The Last Vegas Bachman and Turner Eddie Money* Kill Devil Hill Righteous Vendetta The Missing Letters Billy Squier Empty Hearts Kingdom Of Giants Robby Krieger of The Doors Thousand Foot Krutch Black Tide Even the Dead Love a Parade Kittie** Robin Zander Band Thomas Nicholas Band* Blue Öyster Cult Eyes Set to Kill Kobra and The Lotus Romantic Rebel Threat Signal Breed 77* Fates Warning Kottonmouth Kings Ronnie Spector Twiztid ^ Brett Scallions Fear Factory Kris Roe* The Ronettes Ugly Kid Joe Bridge To Grace Fireball Ministry Life