Pilot Program in Danger Program by Marc Zienkiewicz RRC and the WFC, Which May Be Cause Wins Yves Ed River College May for Concern on the Col- N Lege's Part
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FS Master List-10-15-09.Xlsx
Festival Sounds Song List by Artist - Updated 10-15-09 A B 1 Artist Song 2 1 King Of House 3 112 U Already Know 4 112 Peaches And Cream (Remix) 5 112 Peaches and Cream [Clean] 6 112 Dance With Me 7 311 All mixed up 8 311 Down 9 311 Beautiful Disaster 10 311 Come Original 11 311 I'll Be Here A While (Breakbeat Remix) 12 311 I'll Be here a while 13 311 Love Song 14 311 It's Alright 15 311 Amber 16 311 Beyond The Grey Sky 17 311 Prisoner 18 311 Rub-A-Dub 19 311 Don't Tread on Me 20 702 Where My Girls At(Radio Edit) 21 Arabic Greek 22 10,000 maniacs Trouble 23 10,000 Maniacs Because The Night 24 100 Songs for Kids Ten Little Indians 25 100% SALSA S Grupo Niche-Lluvia 26 2 Live Crew Face Down Ass Up 27 2 Live Crew Shake a Lil Somthing 28 2 Live Crew Hoochie Mama 29 2 Pac Hit 'Em Up 30 2 Pac California Love 31 2 Pac and Snoop Doggy Dogg 2 Of Americas Most Wanted 32 2 pac f/Notorious BIG Runnin' 33 2 pac Shakur Hit 'Em Up 34 20thfox Fanfare 35 2pac Ghetto Gospel Feat. Elton John 36 2XL feat. Nashay The Kissing Game 37 3 Doors Down It's Not My Time 38 3 Doors Down Be Like That (AmericanPieEdit) 39 3 Doors Down Let me Go 40 3 Doors Down Let Me Go 41 3 Doors Down It's Not My Time 42 3 Doors Down Here Without You 43 3 Libras A Perfect Circle 44 36 mafia Lollipop 45 38 Special Hold on Loosley 46 38 Special Back To Paradise 47 38 Special If Id Been The One 48 38 Special Like No Other Night Festival Sounds Song List by Artist - Updated 10-15-09 A B 1 Artist Song 49 38 Special Rockin Into The Night 50 38 Special Saving Grace 51 38 Special Second Chance 52 38 Special Signs Of Love 53 38 Special The Sound Of Your Voice 54 38 Special Fantasy Girl 55 38 Special Caught Up In You 56 38 Special Back Where You Belong 57 3LW No More 58 3OH!3 Don't Trust Me 59 4 Non Blondes What's Up 60 50 Cent Just A Lil' Bit 61 50 Cent Window Shopper (Clean) 62 50 Cent Thug Love (ft. -
John Zorn Artax David Cross Gourds + More J Discorder
John zorn artax david cross gourds + more J DiSCORDER Arrax by Natalie Vermeer p. 13 David Cross by Chris Eng p. 14 Gourds by Val Cormier p.l 5 John Zorn by Nou Dadoun p. 16 Hip Hop Migration by Shawn Condon p. 19 Parallela Tuesdays by Steve DiPo p.20 Colin the Mole by Tobias V p.21 Music Sucks p& Over My Shoulder p.7 Riff Raff p.8 RadioFree Press p.9 Road Worn and Weary p.9 Bucking Fullshit p.10 Panarticon p.10 Under Review p^2 Real Live Action p24 Charts pJ27 On the Dial p.28 Kickaround p.29 Datebook p!30 Yeah, it's pink. Pink and blue.You got a problem with that? Andrea Nunes made it and she drew it all pretty, so if you have a problem with that then you just come on over and we'll show you some more of her artwork until you agree that it kicks ass, sucka. © "DiSCORDER" 2002 by the Student Radio Society of the Un versify of British Columbia. All rights reserved. Circulation 17,500. Subscriptions, payable in advance to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN ilsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money ordei payable to DiSCORDER Magazine, DEADLINES: Copy deadline for the December issue is Noven ber 13th. Ad space is available until November 27th and can be booked by calling Steve at 604.822 3017 ext. 3. Our rates are available upon request. -
Press Release
Press Release February 2016 Brooklyn Museum Announces Iggy Pop Life Class, Conceived by Artist Jeremy Deller, to Be the Focus of an Exhibition in Fall 2016 Twenty-one artists, from all walks of life, gathered at the New York Academy of Art on Sunday, February 21, 2016, for a special life drawing class with a guest model, American rock legend Iggy Pop. The class was organized by the Brooklyn Museum and conceived by artist Jeremy Deller. The drawings created during the class will be part of a Brooklyn Museum exhibition in fall 2016, with a tour to be announced later. In stark contrast to his kinetic stage persona, Pop methodically posed nude on a different kind of stage. “The life class is a special place in which to scrutinize the human form. As the bedrock of art education and art history, it is still the best way to understand the body,” says Deller. “For me it makes perfect sense for Iggy Pop to be the subject of a life class; his body is central to an understanding of rock music and its place within American culture. His body has witnessed much and should be documented.” The participating artists represent New York’s diverse community, ranging from 19 to 80 years of age with varying backgrounds, and include undergraduate and graduate students, practicing artists, and retirees. The life drawing class was led by artist and drawing professor Michael Grimaldi. The twenty-one participants were selected by Deller and Sharon Matt Atkins, Vice Director, Exhibitions and Collections Management, Brooklyn Museum, from recommendations made by instructors at the Brooklyn Museum’s Gallery/Studio Program, the Art Students League of New York, Kingsborough Community College, the New York Academy of Art, Pictured: (l-r): Jeremy Day, Patricia Hill, Jeannette Farrow, Danielle Rubin, and Pratt Institute. -
Charles Peterson …And Everett True Is 481
Dwarves Photos: Charles Peterson …and Everett True is 481. 19 years on from his first Seattle jolly on the Sub Pop account, Plan B’s publisher-at-large jets back to the Pacific Northwest to meet some old friends, exorcise some ghosts and find out what happened after grunge left town. How did we get here? Where are we going? And did the Postal Service really sell that many records? Words: Everett True Transcripts: Natalie Walker “Heavy metal is objectionable. I don’t even know comedy genius, the funniest man I’ve encountered like, ‘I have no idea what you’re doing’. But he where that [comparison] comes from. People will in the Puget Sound8. He cracks me up. No one found trusted the four of us enough to let us go into the say that Motörhead is a metal band and I totally me attractive until I changed my name. The name studio for a weekend and record with Jack. It was disagree, and I disagree that AC/DC is a metal band. slides into meaninglessness. What is the Everett True essentially a demo that became our first single.” To me, those are rock bands. There’s a lot of Chuck brand in 2008? What does Sub Pop stand for, more Berry in Motörhead. It’s really loud and distorted and than 20 years after its inception? Could Sub Pop It’s in the focus. The first time I encountered Sub amplified but it’s there – especially in the earlier have existed without Everett True? Could Everett Pop, I had 24 hours to write up my first cover feature stuff. -
Is Green One of Loyola's Colors?
THE LOYOLA NEWS Loyola High School’s Official Student Newspaper Is green one of Loyola’s colors? Volume V, Issue I October 10, 2007 Live Earth, An Incon- venient Truth, the Kyoto Proto- col, and life around us is focus- Special points of interest: sing more and more on the environment and how we can • Library transformed! p. 2 reduce our impact on Global Warming. Groups on Face- • Warriors Read project, p. 2 book such as “Flick Off” have • Irish Gaelic League, p. 3 gained outstanding support. Is our school doing enough to • Athlete of the Month, p. 4 combat this problem? In my opinion, the answer is no. • Battle of the Bands, p. 8 Loyola currently has • Once Upon a Time in Stratford, p. 9 can and paper recycling pro- grams. Let’s take a look at our • Feng Shui, p. 11 neighbour, one of the greenest universities in North America. • What’s Happening in Montreal, p. 11 Concordia has taken up the Loyola shares a campus with Concordia University (above), one • Artists Wanted, p. 14 green initiative and has many of the more eco-friendly educational institutions in Canada programs to reduce their im- pact on global warming. The and are turned into rich com- Change Sustainability Festival university currently has a pro- post to help green the planet 2007,” and a sustainable busi- gram in place to dispose prop- rather than be added to a land- ness conference. erly of batteries, cell phones, fill. In 2005, Concordia computers, ink cartridges, In March 2007, Con- students voted to pay five Inside this issue: CDs, and DVDs. -
(Lot of 6) 1966 Chateau Petit-Village Pomerol, Each 750Ml $ 300 - 500 2001 (Lot of 5) 1966 Chateau Petit-Village Pomerol, Each 750Ml $ 300 - 500
LOW HIGH Lot Description Estimate Estimate 2000 (lot of 6) 1966 Chateau Petit-Village Pomerol, each 750ml $ 300 - 500 2001 (lot of 5) 1966 Chateau Petit-Village Pomerol, each 750ml $ 300 - 500 2002 (lot of 3) French wine group, consisting of a 1970 Domaine Dujac Bonnes-Mares; and (2) 1969 Louis Latour Savigny-les-Beaune Cote de Beaune, each 750ml $ 400 - 600 (lot of 3) French wine group, consisting of a 1959 Chateau Rauzan-Gassies, Margaux; a 2003 1967 Armand Roux Bonnes-Mares; and a 1970 Maison Albert Brenot Bourgogne, each 750ml $ 500 - 700 (lot of 8) French wine group, consisting of a 1967 and (7) 1969 Chateau de la Gardine 2004 Chateauneuf-du-Pape, Rhone, each 750ml $ 400 - 600 (lot of 7) French wine group, consisting of a 1967 and (6) 1969 Chateau de la Gardine 2005 Chateauneuf-du-Pape, Rhone, each 750ml $ 400 - 600 2006 (lot of 15) 1964 Chateau de la Tour Clos-Vougeot, each 750 ml $ 300 - 500 2007 (lot of 18) 1964 Chateau de la Tour Clos-Vougeot, each 750 ml $ 300 - 500 1996 Domaine Drouhin Pinot Noir, Laurène, Oregon, 1.5l. Provenance: From the Ligonier, 2008 PA estate of Richard Mellon Scaife $ 100 - 200 (lot of 17) French, German and California wine group, consisting of (9) NV Tattinger Brut La Francaise; (4) 1969 Robert Mondavi; (3) 1966 Kesselstatt Josephshofer Riesling 2009 Spatlese; 1966 Chateau Moncontour Vouvray Demi-Sec; and a 1971 Grunhauser, each 750ml $ 300 - 500 2010 (lot of 6) 1964 Chateau Bellegrave Gran Vin, Pauillac, each 750ml $ 600 - 900 (lot of 8) French wine group consisting of a 1962 and (7) 1964 Chateau Bellegrave Gran 2011 Vin, Pauillac, each 750ml $ 500 - 700 (lot of 6) French wine group consisting of (2) 1966 Chateau Beychevelle Grand Vin, Saint- 2012 Julien; and (4) 1971 Tytell Europa St. -
The Dead Don't Die — They Rise from Their Graves and Savagely Attack and Feast on the Living, and the Citizens of the Town Must Battle for Their Survival
THE DEAD DON’T DIE The Greatest Zombie Cast Ever Disassembled Bill Murray ~ Cliff Robertson Adam Driver ~ Ronnie Peterson Tilda Swinton ~ Zelda Wintson Chloë Sevigny ~ Mindy Morrison Steve Buscemi ~ Farmer Miller Danny Glover ~ Hank Thompson Caleb Landry Jones ~ Bobby Wiggins Rosie Perez ~ Posie Juarez Iggy Pop ~ Coffee Zombie Sara Driver ~ Coffee Zombie RZA ~ Dean Carol Kane ~ Mallory O’Brien Austin Butler ~ Jack Luka Sabbat ~ Zach Selena Gomez ~ Zoe and Tom Waits ~ Hermit Bob The Filmmakers Written and Directed by Jim Jarmusch Produced by Joshua Astrachan Carter Logan TABLE OF CONTENTS I. Synopsis . 4 II. “The Dead Don’t Die” Music and Lyrics by Sturgill Simpson 5 III. About the Production . 6 IV. Zombie Apocalypse Now . 8 V. State of the Nation . 11 VI. A Family Affair . 15 VII. Day For Night . 18 VIII. Bringing the Undead to Life . 20 IX. Anatomy of a Scene: Coffee! . 23 X. A Flurry of Zombies . 27 XI. Finding Centerville . 29 XII. Ghosts Inside a Dream . 31 XIII. About the Filmmaker – Jim Jarmusch . 33 XIV. About the Cast . 33 XV. About the Filmmakers . 49 XVI. Credits . 54 2 SYNOPSIS In the sleepy small town of Centerville, something is not quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are beginning to exhibit unusual behaviors. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon start plaguing Centerville: The Dead Don't Die — they rise from their graves and savagely attack and feast on the living, and the citizens of the town must battle for their survival. -
112 It's Over Now 112 Only You 311 All Mixed up 311 Down
112 It's Over Now 112 Only You 311 All Mixed Up 311 Down 702 Where My Girls At 911 How Do You Want Me To Love You 911 Little Bit More, A 911 More Than A Woman 911 Party People (Friday Night) 911 Private Number 10,000 Maniacs More Than This 10,000 Maniacs These Are The Days 10CC Donna 10CC Dreadlock Holiday 10CC I'm Mandy 10CC I'm Not In Love 10CC Rubber Bullets 10CC Things We Do For Love, The 10CC Wall Street Shuffle 112 & Ludacris Hot & Wet 1910 Fruitgum Co. Simon Says 2 Evisa Oh La La La 2 Pac California Love 2 Pac Thugz Mansion 2 Unlimited No Limits 20 Fingers Short Dick Man 21st Century Girls 21st Century Girls 3 Doors Down Duck & Run 3 Doors Down Here Without You 3 Doors Down Its not my time 3 Doors Down Kryptonite 3 Doors Down Loser 3 Doors Down Road I'm On, The 3 Doors Down When I'm Gone 38 Special If I'd Been The One 38 Special Second Chance 3LW I Do (Wanna Get Close To You) 3LW No More 3LW No More (Baby I'm A Do Right) 3LW Playas Gon' Play 3rd Strike Redemption 3SL Take It Easy 3T Anything 3T Tease Me 3T & Michael Jackson Why 4 Non Blondes What's Up 5 Stairsteps Ooh Child 50 Cent Disco Inferno 50 Cent If I Can't 50 Cent In Da Club 50 Cent In Da Club 50 Cent P.I.M.P. (Radio Version) 50 Cent Wanksta 50 Cent & Eminem Patiently Waiting 50 Cent & Nate Dogg 21 Questions 5th Dimension Aquarius_Let the sunshine inB 5th Dimension One less Bell to answer 5th Dimension Stoned Soul Picnic 5th Dimension Up Up & Away 5th Dimension Wedding Blue Bells 5th Dimension, The Last Night I Didn't Get To Sleep At All 69 Boys Tootsie Roll 8 Stops 7 Question -
Freak Scene Favorites of 2010 – Compiled by Randy B
Freak Scene Favorites of 2010 – compiled by Randy B. I talk about weed and my cat and being lazy a lot. I don't think lyrics need to be deep just write whatever comes out of you. You don't need to find intense meaning in everything. Bethany Cosentino of Best Coast to Pitchfork Top 10 Burn on a solid foundation of sinewy Black Rebel Motorcycle Club – 1) Surfer Blood – Swim – Astro hooks and mileaminute bon mots Mama Taught Me Better – Beat The Coast: …there are no chamber sections, tumbling from Vinnie Kircher’s jittery Devil’s Tatoo no pocket harmonies, no integration of vocals. – The Onion AV Club Titus Andronicus – No Future Part 3: West African rhythms (ok, there's some Escape From No Future – The Monitor of that), just a desire to create a The Get Up Kids – Keith Case – 7) The Hold Steady – Rock relentlessly catchy, "classic indie" Simple Science Problems – Heaven Is Whenever: album in your own dorm room, and if Los Campesinos! – Romance Is One might suspect that The Hold that's what Surfer Blood set out to do, Boring – Romance Is Boring Steady’s rock repurposing would Astro Coast succeeds wildly. – Pitchfork Bettie Serveert – Deny All – eventually chafe, but they’re achieving Pharmacy of Love the opposite effect, again pulling off The Joy Formidable – The Last Drop 2) Arcade Fire – Month of May The with heroic sincerity the idea that – A Balloon Called Moaning Suburbs: The faster tunes, like "Ready heaven is lying on the floor listening to Jenny & Johnny – Straight Edge Of to Start" and "Month of May," are records—even if you’re well past 16. The Blade – I’m Having Fun Now leaner and meaner than you'd expect. -
Title Format Released Abyssinians, the Satta Dub CD 1998 Acklin
Title Format Released Abyssinians, The Satta Dub CD 1998 Acklin, Barbara The Brunswick Anthology (Disc 2) CD 2002 The Brunswick Anthology (Disc 1) CD 2002 Adams Johnny Johnny Adams Sings Doc Pomus: The Real Me CD 1991 Adams, Johnny I Won't Cry CD 1991 Walking On A Tightrope - The Songs Of Percy Mayfield CD 1989 Good Morning Heartache CD 1993 Ade & His African Beats, King Sunny Juju Music CD 1982 Ade, King Sunny Odu CD 1998 Alabama Feels So Right CD 1981 Alexander, Arthur Lonely Just Like Me CD 1993 Allison, DeAnn Tumbleweed CD 2000 Allman Brothers Band, The Beginnings CD 1971 American Song-poem Anthology, The Do You Know The Difference Between Big Wood And Brush CD 2003 Animals, The Animals - Greatest Hits CD 1983 The E.P. Collection CD 1964 Aorta Aorta CD 1968 Astronauts, The Down The Line/ Travelin' Man CD 1997 Competition Coupe/Astronauts Orbit Kampus CD 1997 Rarities CD 1991 Go Go Go /For You From Us CD 1997 Surfin' With The Astronauts/Everything Is A-OK! CD 1997 Austin Lounge Lizards Paint Me on Velvet CD 1993 Average White Band Face To Face - Live CD 1997 Page 1 of 45 Title Format Released Badalamenti, Angelo Blue Velvet CD 1986 Twin Peaks - Fire Walk With Me CD 1992 Badfinger Day After Day [Live] CD 1990 The Very Best Of Badfinger CD 2000 Baker, Lavern Sings Bessie Smith CD 1988 Ball, Angela Strehli & Lou Ann Barton, Marcia Dreams Come True CD 1990 Ballard, Hank Sexy Ways: The Best of Hank Ballard & The Midnighters CD 1993 Band, The The Night They Drove Old Dixie Down: The Best Of The Band [Live] CD 1992 Rock Of Ages [Disc 1] CD 1990 Music From Big Pink CD 1968 The Band CD 1969 The Last Waltz [Disc 2] CD 1978 The Last Waltz [Disc 1] CD 1978 Rock Of Ages [Disc 2] CD 1990 Barker, Danny Save The Bones CD 1988 Barton, Lou Ann Read My Lips CD 1989 Baugh, Phil 64/65 Live Wire! CD 1965 Beach Boys, The Today! / Summer Days (And Summer Nights!!) CD 1990 Concert/Live In London [Bonus Track] [Live] CD 1990 Pet Sounds [Bonus Tracks] CD 1990 Merry Christmas From The Beach Boys CD 2000 Beatles, The Past Masters, Vol. -
84865569.Pdf (467.8Kb)
Kritikertoppen En kvantitativ studie Matias Helgheim Masteroppgave i medievitenskap Institutt for informasjons- og medievitenskap Universitetet i Bergen 1 Forord En takk må rettes til veileder Peter Larsen for god rådgivning og mange konstruktive veiledningsøkter. Takk også til Dagsavisen ved Geir Rakvaag, som har bidratt med data, informasjon og generell hjelp med det som er selve grunnlaget for oppgaven: Kritikertoppen- listene. Ellers er jeg takknemlig for alle som har kommet med kommentarer og tips underveis, på lesesalen og ellers. Det har vært en lærerik prosess. Matias Helgheim 21.05.2011 2 Innholdsliste Introduksjon..........................................................................................................................................4 Problemstilling.....................................................................................................................................6 Bakgrunn..............................................................................................................................................7 Om Kritikertoppen ..........................................................................................................................7 Musikkritikkfeltet............................................................................................................................8 Kjønn , musikk og medier..............................................................................................................10 Etnisitet, musikk og medier...........................................................................................................11 -
9781317587255.Pdf
Global Metal Music and Culture This book defines the key ideas, scholarly debates, and research activities that have contributed to the formation of the international and interdisciplinary field of Metal Studies. Drawing on insights from a wide range of disciplines including popular music, cultural studies, sociology, anthropology, philos- ophy, and ethics, this volume offers new and innovative research on metal musicology, global/local scenes studies, fandom, gender and metal identity, metal media, and commerce. Offering a wide-ranging focus on bands, scenes, periods, and sounds, contributors explore topics such as the riff-based song writing of classic heavy metal bands and their modern equivalents, and the musical-aesthetics of Grindcore, Doom and Drone metal, Death metal, and Progressive metal. They interrogate production technologies, sound engi- neering, album artwork and band promotion, logos and merchandising, t-shirt and jewelry design, and the social class and cultural identities of the fan communities that define the global metal music economy and subcul- tural scene. The volume explores how the new academic discipline of metal studies was formed, while also looking forward to the future of metal music and its relationship to metal scholarship and fandom. With an international range of contributors, this volume will appeal to scholars of popular music, cultural studies, social psychology and sociology, as well as those interested in metal communities around the world. Andy R. Brown is Senior Lecturer in Media Communications at Bath Spa University, UK. Karl Spracklen is Professor of Leisure Studies at Leeds Metropolitan Uni- versity, UK. Keith Kahn-Harris is honorary research fellow and associate lecturer at Birkbeck College, UK.