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Cinephilia Or the Uses of Disenchantment 2005
Repositorium für die Medienwissenschaft Thomas Elsaesser Cinephilia or the Uses of Disenchantment 2005 https://doi.org/10.25969/mediarep/11988 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Elsaesser, Thomas: Cinephilia or the Uses of Disenchantment. In: Marijke de Valck, Malte Hagener (Hg.): Cinephilia. Movies, Love and Memory. Amsterdam: Amsterdam University Press 2005, S. 27– 43. DOI: https://doi.org/10.25969/mediarep/11988. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell 3.0 Lizenz zur Verfügung Attribution - Non Commercial 3.0 License. For more information gestellt. Nähere Auskünfte zu dieser Lizenz finden Sie hier: see: https://creativecommons.org/licenses/by-nc/3.0 https://creativecommons.org/licenses/by-nc/3.0 Cinephilia or the Uses of Disenchantment Thomas Elsaesser The Meaning and Memory of a Word It is hard to ignore that the word “cinephile” is a French coinage. Used as a noun in English, it designates someone who as easily emanates cachet as pre- tension, of the sort often associated with style items or fashion habits imported from France. As an adjective, however, “cinéphile” describes a state of mind and an emotion that, one the whole, has been seductive to a happy few while proving beneficial to film culture in general. The term “cinephilia,” finally, re- verberates with nostalgia and dedication, with longings and discrimination, and it evokes, at least to my generation, more than a passion for going to the movies, and only a little less than an entire attitude toward life. -
System Programming Guide 1728Ex: V2.4 1738/U2: V2.1
SYSTEM PROGRAMMING GUIDE 1728EX: V2.4 1738/U2: V2.1 DEFAULT INSTALLER CODE 0000 / 000000 (see section [281] on page 17) DEFAULT SYSTEM MASTER CODE 1234 / 123456 (see section [301] on page 17) HOW DO I ENTER PROGRAMMING MODE? STEP 1: Press [ENTER] STEP 2: Enter your [INSTALLER CODE] STEP 3: Enter 3-digit [SECTION] you wish to program STEP 4: Enter required [DATA] DECIMAL AND HEXADECIMAL PROGRAMMING TABLE What Do I What Do I See? Value or Action Press? 10-Zone LED 16-Zone LED LCD Values 1 to 9 [1] to [9] [1] to [9] [1] to [9] [1] to [9] A (hexa only) [0] [0 (10)] [10] 0 B (hexa only) [STAY][STAY] [11] B C (hexa only) [BYP][BYP] [12] C D (hexa only) [MEM][MEM] [13] D E (hexa only) [TBL] / [TRBL][TBL] [14] E F (hexa only) [PG] / [FNC1][PG] [15] F Exit Without Saving [CLEAR] [ENTER] flashes [ARM1] & [STAY1] flash “SECTION [ ]” Erase Current Digit [FORCE] Displays next digit or next section Save Data (hexa only) [ENTER] Advances to the next section TROUBLE DISPLAY Press the [TBL] or [TRBL] key to view the Trouble Display. Please note that the keypad can be programmed to emit a BEEP every 5 seconds whenever a new trouble condition has occurred. Press the [TBL] or [TRBL] key to stop the beeping. [1] - No Battery or Low Battery [8] - Timer Loss** [2] - Wireless Transmitter Low Battery [9] - Tamper or Zone Wiring Failure* [3] - Power Failure [10] - Telephone Line Monitoring Failure [4] - Bell Output Disconnected [11]/[STAY] - Fire Loop Trouble* [5] - Maximum Bell Current [12]/[BYP] - Module Loss [6] - Maximum Auxiliary Current [13]/[MEM] - Wireless Transmitter Supervision Loss* [7] - Communicator Report Failure [16]/[FORCE] and [TBL]/[TRBL] flashes - Keypad Fault * press the illuminated key ([9], [STAY] or [MEM]) to view which zones are causing the trouble. -
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum
Goodbye Cinema, Hello Cinephilia Other Books by Jonathan Rosenbaum Rivette: Texts and Interviews (editor, 1977) Orson Welles: A Critical View, by André Bazin (editor and translator, 1978) Moving Places: A Life in the Movies (1980) Film: The Front Line 1983 (1983) Midnight Movies (with J. Hoberman, 1983) Greed (1991) This Is Orson Welles, by Orson Welles and Peter Bogdanovich (editor, 1992) Placing Movies: The Practice of Film Criticism (1995) Movies as Politics (1997) Another Kind of Independence: Joe Dante and the Roger Corman Class of 1970 (coedited with Bill Krohn, 1999) Dead Man (2000) Movie Wars: How Hollywood and the Media Limit What Films We Can See (2000) Abbas Kiarostami (with Mehrmax Saeed-Vafa, 2003) Movie Mutations: The Changing Face of World Cinephilia (coedited with Adrian Martin, 2003) Essential Cinema: On the Necessity of Film Canons (2004) Discovering Orson Welles (2007) The Unquiet American: Trangressive Comedies from the U.S. (2009) Goodbye Cinema, Hello Cinephilia Film Culture in Transition Jonathan Rosenbaum the university of chicago press | chicago and london Jonathan Rosenbaum wrote for many periodicals (including the Village Voice, Sight and Sound, Film Quarterly, and Film Comment) before becoming principal fi lm critic for the Chicago Reader in 1987. Since his retirement from that position in March 2008, he has maintained his own Web site and continued to write for both print and online publications. His many books include four major collections of essays: Placing Movies (California 1995), Movies as Politics (California 1997), Movie Wars (a cappella 2000), and Essential Cinema (Johns Hopkins 2004). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2010 by The University of Chicago All rights reserved. -
JEAN-LUC GODARD: SON+IMAGE Fact Sheet
The Museum of Modern Art For Immediate Release August 1992 FACT SHEET EXHIBITION JEAN-LUC GODARD: SON+IMAGE DATES October 30 - November 30, 1992 ORGANIZATION Laurence Kardish, curator, Department of Film, with the collaboration of Mary Lea Bandy, director, Department of Film, and Barbara London, assistant curator, video, Department of Film, The Museum of Modern Art; and Colin Myles MacCabe, professor of English, University of Pittsburgh, and head of research and information, British Film Institute. CONTENT Jean-Luc Godard, one of modern cinema's most influential artists, is equally important in the development of video. JEAN-LUC GODARD: SON+IMAGE traces the relationship between Godard's films and videos since 1974, from the films Ici et ailleurs (1974) and Numero Deux (1975) to episodes from his video series Histoire(s) du Cinema (1989) and the film Nouvelle Vague (1990). Godard's work is as visually and verbally dense with meaning during this period as it was in his revolutionary films of the 1960s. Using deconstruction and reassemblage in works such as Puissance de la Parole (video, 1988) and Allemagne annee 90 neuf zero (film, 1991), Godard invests the sound/moving image with a fresh aesthetic that is at once mysterious and resonant. Film highlights of the series include Sauve qui peut (la vie) (1979), First Name: Carmen (1983), Hail Mary (1985), Soigne ta droite (1987), and King Lear (1987), among others. Also in the exhibition are Scenario du film Passion (1982), the video essay about the making of the film Passion (1982), which is also included, and the videos he created in collaboration with Anne-Marie Mieville, Soft and Hard (1986) and the series made for television, Six fois deux/Sur et sous la communication (1976). -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
September 1996 • That Magazine from Citr 101.9 Fm • Free
September 1996 • That Magazine From CiTR 101.9 Fm • Free Ar0i~+j(^<y-AAArJb\,. The Local Music Issue Also Featuring: The Tonics Sawaigi Taiko The Molestics BNU Under the Volcano Public Dreams Society PLUS: The 1996 Local Music Directory! CALL ANSWER. FOR MESSAGES THAT ARE MXJXJm /0FLAKEY ROOMMATE PROOF. No more trying to decode messages will alleviate the frustration of roommates scribbled on the back of Cheese Puff taking your messages. Call Answer does bags. Because Call Answer from BC TEL 60 DAYS FREE not, however, alleviate the frustration takes clear, concise messages when of trying to get you're away from home. Or on the line. roommates to And when you sign up for new telephone scrub their own BCTEL service, you get two months free. Which 1-800-422-9966 tile mildew. 'Offer applies telephor restriction THURSDAY, 5th THE TONICS UBC STUDENTS APPRECIATION NIGHT SAWAGI TAIKO STRANGE UNION, HEE-HAW, BNU & CUSTER'S LAST BAND STAND THE MOLESTICS FRIDAY, 6th PUBLIC DREAMS | THE SPIRIT MERCHANTS (AUSTRALIA'S} JEFF LANG MECCA NORMAL UNDER THE VOLCANO SATURDAY, 7th RAY CONDO •Si THE RICOCHETS with SURFDUSTERS editrix VANCOUVER SPBQAL miko hoffman THURSDAY, 12th art director BASSUNES ken paul COWSHEAD CHRONICLES INDEPENDENCE DAV 3 ad rep VELVETS CHRISTIAN COMICS CONTENTION, WITH QUEAZY, kevin pendergraft IMAGINEERS, & JAR production manager INTERVIEW HELL barb yamazaki SEVEN INCH FRIDAY 13th graphic design/layout BETWEEN THE LINES JAZZBERRY RAIN/1 atomos, ken paul, scratch, UNDER REVIEW suki smith, barb y SATURDAY, 14th production REAL LIVE ACTION MUSCLE BITCHES frank?, miko gh, megan ClTRjSflARTS PUNCHED UNCONSCIOUS, BRUNDLE FLY mallett, tristan, barby photography/illustrations OjrfTHE DIAL barb, cat, paul clarke, JEPTEMBER DATEBOOK ><&&^ FRI, SAT, 20th & 21st adam monahan, suki smith, Folk Funk'en Hemp Bash! marlene yuen Noah's Great Rainbow, Cozy Bones, 10ft contributors Henry, Silicone Souls, Peal, Mya Eaxell, Side barbara a, britt a, andrea & Shows, and more! Info: 730-1808 amber dawn, elvira b, YES^I^EY ARE FRO^'VANCOUVER. -
Bloc Party Gets Intimate on New LP
---~~A~~F~S:~-~ -, --- PAGE6 .&.. · _ ___:--t_ · SEPTEMBER 2- 8 2008 The Expmdalb>les bring SFI showcases singing Sita reggae grooves to SS·U R<;>sEMCMACKIN 1930's. Her jazz and blues recordings StaffWriter give vibrant life and voice to Sita. Paley's animation style is wildly A'1ANDA CRAVER Prairie Sun Studios right here in Cotati. imaginative: the animated Sita resembles StaffWriter This versatile band combines punk rock, The colorfully animated "Sita Sings Betty Boop, the Sri Lankan king sports reggae, and 80's style guitar flare to cre the Blues," is the first feature-length of multiple heads, and Rama's skin is the ate a sound that fans just can't seem to fering from independent filmmaker Nina color of blue bells. Start the semester out with a bang get enough of. Paley, and it's making its Northern Cali Paley uses an abundance of vary and see what kind of entertainment No longer the rookies on the tour, fornia debut this week. ing visual styles, including several sty Sonoma State University is bringing The Expendables have accumulated a The Sonoma Film Institute will be listically rotoscoped sequences. The your way! rather large fan base of their own. Some screening Paley's unique vision of the psychedelic animation features a cast On Sept. 13, the Back to School of their most popular songs include "No "Ramayana" at Warren Auditorium in of hundreds, including flying monkeys, Concert in the Commons will feature Time to Worry," "One Night Stand," and Ives Hall. Screenings will be held on evil monsters, gods, goddesses, warriors, "24/7". -
The Archives of Let's Talk Dusty! - D…
2010-07-27 The Archives of Let's Talk Dusty! - D… The Archives of Let's Talk Dusty! Home | Profile | Active Topics | Active Polls | Members | Search | FAQ Username: Password: Login Save Password Forgot your Password? All Forums Let's Talk Dusty! The Forum Forum Locked You Set My Dreams To Music Printer Friendly Dusty - under the covers Author Topic Brian Posted - 28/02/2009 : 09:58:02 Where am I going? We all know Dusty 'c overed' several Americ an/UK rec ordings (9 times out of 10 better!) than the originals, but how many? I'll start the ball rolling :- That's how heartaches are made - Baby Washington I can't wait until I see my baby's face - Baby Washington I had a talk with my man - Mitty Collier Will you love me tomorrow - The Shirelles United Kingdom Mama said - The Shirelles 2058 Posts Anyone who had a heart - Dionne Warwick Bring him back - Sissy (Cissie) Houston/ Stella Starr When the lovelight starts shining thru' his eyes - The Supremes Where is a woman to go - K T Oslin Oh no not my baby - Maxine Brown It was easier to hurt him (her) - Garnett Mimms Am I the same girl - Barbara Ac klin Heartbeat - Gloria Jones Needle in a haystack - The Velvelettes You've really got a hold on me - The Mirac les Everyday I have to cry - Steve Alaimo My c olouring book - Sandy Stewart You can have him - Dionne Warwick Love power - The Sandpebbles Another night - Dionne Warwick There's a few to go on with!....please feel free to add to the list Brian jodiewafer Posted - 28/02/2009 : 10:21:52 Little by little Make It With You - David Gates/Bread -
Simon Security System
466-1873 Rev J ) May 2003 *(,QWHUORJL[ ZZZ*(,QWHUORJL[FRP Part No: 60-875 60-910 (Not investigated for use by UL) Doors & Motion System Windows Sensors Status HOME SECURITY Arm Disarm 1/2 3/45/6 7/8 9/0 CODE Chime Doors Motion Time Sensor On Off HOME CONTROL Bypass Lights EMERGENCY FIRE POLICE AUX Test Weekly Simon Security System Installation Instructions FCC Notices FCC Part 15 Information to the User Changes or modifications not expressly approved by GE Interlogix can void the user’s authority to operate the equipment. FCC Part 15 Class B This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: • Reorient or relocate the receiving antenna. • Increase the separation between the equipment and receiver. • Connect the affected equipment and the panel receiver to separate outlets, on different branch circuits. • Consult the dealer or an experienced radio/TV technician for help. -
Multi-Cultural. Dinner" Feast Prez: Search Firm Gauges'baruch
::- ~.--.-.;::::-:-u•._,. _._ ., ,... ~---:---__---,-- --,.--, ---------- - --, '- ... ' . ' ,. ........ .. , - . ,. -Barueh:-Graduate.. -.'. .:~. Alumni give career advice to Baruch Students.· Story· pg.17 VOL. 74, NUMBER 8 www.scsu.baruch.cuny.edu DECEM·HER 9, 1998 Multi-Cultural. Dinner" Feast Prez: Search Firm Gauges'Baruch. Opinion By Bryan Fleck Representatives from Isaacson Miller, a national search firm based in -Boston and San Francisco, has been hired by the Presidential Search Committee, chaired by Kathleen M. Pesile, to search for candidates for a permanent presi dent at Baruch College. The open forum on December 7 was held in order for the search firm to field questions and get the pulse of the Baruch community. Interim president Lois Cronholm is _not a candidate, as it is against CUNY regulations for an interim --------- president to become a full-time pres- ident. The search firm will gather the initial candidates, who will be . further screened by the Presidential " Search Committee, but the final choice lies with the CUNY Board of Trustees.' According to David Bellshow, an ......-.. ~.. Isaacson-Miller representative, the '"J'", average search takes approximately ; six months. Among the search firm's experience in the field of education ----~- - ..... -._......... *- -_. - -- -- _._- ...... -_40_. '_"__ - _~ - f __•••-. __..... _ •• ~. _• in NY are Columbia University and ... --- -. ~ . --. .. - -. -~ -.. New York University. In ~additi6n,, , New plan calls'for total re'structuririg the search fum also works with GovernDlents small and large foundations and cor ofStudent porations. By Bryan Fleck at large, would be selected from any The purpose ofthe open forum was In an attempt to strengthen undergraduate candidate. for the representatives of Isaacson . -
System of a Down Molds Metal Like Silly Putty, Bending and Shaping Its Parame- 12 Slayer's First Amendment Ters to Fit the Band's Twisted Vision
NEW: LOUD ROCK CRUCIAL SPINS CHART LOW TORTOISE 1111 NEW MUSIC REPORT Uà NORTEC JACK COSTANZO February 12, 20011 www.cmj.com COLLECTIVE The Twisted Art-Metal Of SYSTEM OF ADOWN 444****************444WALL FOR ADC 90138 24438 2/28/388 KUOR - REDLAHDS FREDERICK SUER S2V3HOD AUE unr G ATASCADER0 CA 88422-3428 IIii II i ti iii it iii titi, III IlitlIlli lilt ti It III ti ER THEIR SELF TITLED DEBUT AT RADIO NOW • FOR COLLEGE CONTACT PHIL KASO: [email protected] 212-274-7544 FOR METAL CONTACT JEN MEULA: [email protected] 212-274-7545 Management: Bryan Coleman for Union Entertainment Produced & Mixed by Bob Marlette Production & Engineering of bass and drum tracks by Bill Kennedy a OADRUNNEll ACME MCCOWN« ROADRUNNER www.downermusic.com www.roadrunnerrecords.com 0 2001 Roadrunner Records. Inc. " " " • Issue 701 • Vol 66 • No 7 FEATURES 8 Bucking The System member, the band is out to prove it still has Citing Jane's Addiction as a primary influ- the juice with its new release, Nation. ence, System Of A Down molds metal like Silly Putty, bending and shaping its parame- 12 Slayer's First Amendment ters to fit the band's twisted vision. Loud Follies Rock Editor Amy Sciarretto taps SOAD for Free speech is fodder for the courts once the scoop on its upcoming summer release. again. This time the principals involved are a headbanger institution and the parents of 10 It Takes A Nation daughter who was brutally murdered by three Some question whether Sepultura will ever of its supposed fans. be same without larger-than-life frontman 15 CM/A: Staincl Max Cavalera. -
Key Music Books You Must Read
KEY MUSIC BOOKS YOU MUST READ This selection of books is divided into two categories – essential reading for anyone wanting to commit to a career in the music industry; and entertaining reads which are informative and enjoyable but are essentially geared at all music enthusiasts. ESSENTIAL READING FOR MUSIC STUDENTS “How music works” by David Byrne Chapter 7 of this book is entitled “Business and Finances (distribution and survival options for music artists)” and it is absolutely essential reading for any songwriter or musician. David Byrne of legendary rock group Talking Heads explains the detailed financial ins and outs of one of his album releases. He outlines the various costs involved and who gets the various percentages. He uses colour-coded diagrams to convey how the money pie is shared. At the same time, he describes the complex financial mechanisms of the modern music business. This is unmissable information. Few working musicians take the time to explain the money trail to newcomers who usually believe there is a pot of gold at the end of the rainbow. What Byrne explains is how a musician who is willing to keep a lid on costs can make a modest living recording albums and touring. The rest of the book has a lot of interesting material, some of it a bit academic, some of it needing effort to persevere. But Byrne's enthusiasm for music usually carries you along. I liked the following bits in particular: Music as social glue, as a self- empowering social agent (pages 291-293); the value of music education (pages 295- 296); eight rules about how to create a music scene (pages 251-263); how recording technology is now incredibly accessible and cheap so there is no need for albums to be costly to record (pages 180-181); and the mp3 – poorer sound quality but maybe it is better to value convenience over sound (pages 124-126).