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Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Led Zeppelin R.E.M. Queen Feist the Cure Coldplay the Beatles The
Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator -
Hitchiker's Guide to the Galaxy
MUSIC: Cultural music Full makes its way to L.A. MOVIE: Ice Cube displays his multi talent in ‘XXX’ FASHION: Broke students EFFECTTitan Entertainment Guide can bargin shop in style Coachella 2005 Page 3 Hitchiker’s Guide to the Galaxy A zany trip to outer space Page 4 M a y 0 5, 2 0 0 5What’S Inside CONTENTS 02 News Briefs—The Buzz 03 Music—Coachella brings best of indie to festival Sex—Liven your relationship by doing it BY NIYAZ PIRANI outdoors Daily Titan Assistant News Editor 04 Movie—Adaption takes viewers to another galaxy The boys of Yellowcard have been hard at work on the follow-up ‘Interpreter’ translates into suspensful thriller to their debut record Ocean Avenue. Tanner clan kept us laughing Since January, singer Ryan Key 05 Movie—Sequel follows same action flick and bassist Pete Mosely have been formula in New York penning new songs YellowCard Music—Zion improves musical vision for the disc. The band will reunite in Orlando later this month to start 06 Run Run Run could do better the recording process … Legend- Hanks will become the band’s gui- bum, TheFutureEmbrace, on June Band not too shy about rocking ary UK band Gang of Four has a tarist and they will search for a 21. Among collaborations with Raggeton impacts L.A. music scene remix record in the works. Guests new bassist … Staind have set an former Pumpkins drummer Jimmy 07 Style Scout—Those on a budget can who will appear on the record in- Aug. 9 release date for their next Chamberlain, the disc will feature remain in style clude Futureheads, the Dandy War- album, Chapter V. -
Jason Weeks Song List
High Energy A-Ha- Take on me Amy Winehouse- Valerie Beach Boys- Wouldn’t it be nice Beatles- I feel fine Blink 182- What’s my age again Blink 182- All the small things Blink 182- Dammit Coldplay- Viva la vida CCR- Proud Mary The Cure- Friday I’m in love Del Amitri- Roll to me Dion- Runaround Sue Eagles- Take it easy Eagles- Hotel CA Foo Fighters- Learn to fly Garth Brooks- Friends in low places Gin Blossoms- Hey Jealousy Gin Blossoms- Follow you down Goo Goo Dolls- Slide Green Day- When I come around Green Day- Basket case Jackson Browne- Somebody’s baby Jimmy Eat World- The middle Jimmy Eat World- Sweetness John Mayer Trio- Who did you think I was Killers- Mr. Brightside Lit- Own worst enemy Modern English- Melt with you Notorious B.I.G.- Big poppa Rihanna- Umbrella The Outfield- Your love Tal Bachman- She’s so high Third Eye Blind- Jumper Third Eye Blind- Never let you go Tom Petty- American girl Tom Petty- Break down Tom Petty- Mary Jane Tonic- If you could only see Van Morrison- Brown eyed girl Weezer- Surf wax america Wheatus- Teenage dirtbag Yellowcard- Ocean Ave Medium Energy Allen Stone- Brown eyed lover Beach Boys- God only knows Beatles- Norwegian Wood Beatles- Hey Jude Beatles- Across the universe Blink 182- I miss you medley Brooks and Dunn- Neon moon Chris Stapleton- Tennessee whiskey Dashboard confessional- Vindicated DMB- Crash into me Fleetwood Mac- Dreams Fleetwood Mac- Everywhere Fleetwood Mac- Never going back again Foo Fighters- My Hero Foo Fighters- Everlong Fuel- Shimmer Green Day- Good Riddance Green Day- Macy’s Day -
SEB Karaoke Night: Simple Silly Fun in the Commons CADVC Presents
The RetrIever Weekly 10.09.07 ARTS 15 CADVC presents Green Space/Refl ective Space Ammad Khan the park (otherwise known as “The Stelt, along with others, took up STAFF WRITER Graveyard” because of how the large the challenge to continue his work. stones jutting out of the ground look They created the park at UMBC six Last week, a program was held at like headstones), including its his- years ago and, since then, the trees the Joseph Beuys Sculpture Park to tory and what inspired it. have grown twice in size. exhibit the natural site and to en- According to Stelt, "The Grave- But according to Stelt, the park courage UMBC to have more spots yard" was inspired by one of the isn’t there just to be a beautiful and like the park. The Beuys Sculpture projects of Joseph Beuys. In the early natural site. It is there to be a place Park, a site of thirty trees with large eighties, Beuys saw that many of the of connection for people, especially rocks next to each of them that was trees in Kassal, Germany were gone, students. At the park, a yellow jour- created six years ago, is located next destroyed during World War II. In- nal is attached to a bench and, from to Administration Drive. stead of making an art piece for an time to time, it gets written in by Inside the large tent present at the exhibit, he decided to make a social students who come to the park to sit site, which seated dozens of people sculpture, or something that could down and relax, or just think. -
Playnetwork Business Mixes
PlayNetwork Business Mixes 50s to Early 60s Marketing Strategy: Period themes, burgers and brews and pizza, bars, happy hour Era: Classic Compatible Music Styles: Fun-Time Oldies, Classic Description: All tempos and styles that had hits Rock, 70s Mix during the heyday of the 50s and into the early 60s, including some country as well Representative Artists: Elvis, Fats Domino, Steve 70s Mix Lawrence, Brenda Lee, Dinah Washington, Frankie Era: 70s Valli and the Four Seasons, Chubby Checker, The Impressions Description: An 8-track flashback of great music Appeal: People who can remember and appreciate from the 70s designed to inspire memories for the major musical moments from this era everyone. Featuring hits and historically significant album cuts from the “Far Out!,” Bob Newhart, Sanford Feel: All tempos and Son era Marketing Strategy: Hamburger/soda fountain– Representative Artists: The Eagles, Elton John, themed cafes, period-themed establishments, bars, Stevie Wonder, Jackson Brown, Gerry Rafferty, pizza establishments and clothing stores Chicago, Doobie Brothers, Brothers Johnson, Alan Parsons Project, Jim Croce, Joni Mitchell, Sugarloaf, Compatible Music Styles: Jukebox classics, Donut Steely Dan, Earth Wind & Fire, Paul Simon, Crosby, House Jukebox, Fun-Time Oldies, Innocent 40s, 50s, Stills, and Nash, Creedence Clearwater Revival, 60s Average White Band, Bachman-Turner Overdrive, Electric Light Orchestra, Fleetwood Mac, Guess Who, 60s to Early 70s Billy Joel, Jefferson Starship, Steve Miller Band, Carly Simon, KC & the Sunshine Band, Van Morrison Era: Classic Feel: A warm blanket of familiar music that helped Description: Good-time pop and rock legends from define the analog sound of the 70s—including the the mid-60s through the early-to-mid-70s that marked one-hit wonders and the best known singer- the end of an era. -
Roy Wilkins Auditorium Concert Timeline February 17, 1973 – March 3, 2018
Roy Wilkins Auditorium Concert Timeline February 17, 1973 – March 3, 2018 Concert Name Date G-Eazy with Trippie Redd, Phora and Anthony Russo 3/8/2018 AARP Presents Lake Street Dive and Bruce Hornsby (solo) 11/10/2017 LCD Soundsystem with Traxx 11/9/2017 alt-J with Bishop Briggs 10/20/2017 Queens of the Stone Age with Royal Blood 10/14/2017 Gorillaz with Vince Staples and Danny Brown 9/20/2017 Logic with Joey Bada$$ and Big Lenbo 8/16/2017 WWE Presents: NXT Live 7/29/2017 Bethel Music Worship Night 6/19/2017 The 1975 5/17/2017 NEEDTOBREATHE with Mat Kearney, Parachute and Welshly Arms 10/27/2016 Brand New with The Front Bottoms and Modern Baseball 10/23/2016 Megadeth with Amon Amarth, Suicidal Tendencies, Metal Church and 10/4/2016 Butcher Babies WWE Presents: NXT Live 9/18/2016 WEEN 9/15/2016 Shawn Mendes with James TW 8/2/2016 The 1975 with Wolf Alice and The Japanese House 5/25/2016 Zedd with A-Trak and Alex Metric 10/31/2015 Disclosure with Claude VonStroke and Pomo 10/13/2015 Of Monsters and Men with Highasakite 10/1/2015 alt-J with San Fermin 9/17/2015 Hozier with Caroline Smith 9/10/2015 Sam Smith with George Ezra 1/24/2015 Bastille with Grizfolk 10/19/2014 Queens of the Stone Age with Chelsea Wolfe 5/6/2014 Paramore with Hellogoodbye and Metric 11/23/2013 My Bloody Valentine with Variety Lights 11/1/2013 A Day to Remember with All Time Low, Pierce The Veil and The Wonder 10/1/2013 Years Imagine Dragons with The Neighbourhood 9/30/2013 The National with Daughter 8/6/2013 The Postal Service with Mates of State 8/2/2013 The Killers with The Virgins 8/1/2013 Alice In Chains with Chevelle and Monster Truck 7/9/2013 Sigur Ros with Oneohtrix Point Never 4/3/2013 fun. -
If There's Nothing Here Then It's Probably Yours: Selling "Emo" to the Rx Generation John Bartholomew Denison University
Articulāte Volume 9 Article 3 2004 If There's Nothing Here Then It's Probably Yours: Selling "Emo" to the Rx Generation John Bartholomew Denison University Follow this and additional works at: http://digitalcommons.denison.edu/articulate Part of the English Language and Literature Commons Recommended Citation Bartholomew, John (2004) "If There's Nothing Here Then It's Probably Yours: Selling "Emo" to the Rx Generation," Articulāte: Vol. 9 , Article 3. Available at: http://digitalcommons.denison.edu/articulate/vol9/iss1/3 This Article is brought to you for free and open access by Denison Digital Commons. It has been accepted for inclusion in Articulāte by an authorized editor of Denison Digital Commons. 13 12 If There's Nothing Here Then It's Probably Yours: Selling "Erno" to the Rx Generation The New England Journal ofMedicine offers a smaller but suggesting an increase in teen depression or at least an in John Bartholomew 04' still important statistic that, "Depression is present in crease in awareness, along with data concluding that adoles about ... 5 percent of adolescents at any given time" (667). cent anti-depressant prescriptions and suicides are up, nu The number of prescriptions of anti-depressants has merous other events lend the impression of an increasing likewise increased, lending itself to the popularization ofth,e cohort of depressed youth. Elizabeth Wurtzel is an example They'll trust you to be young term "Generation Rx." Oh, those pundits. Time, in its No of one of many youthful writers publicizing depression in Like they wish they were. (still vague) categorization that I will be dealing with. -
UA Fort Smith News, UA Fort Smith New… UA Fort Smith News
2/9/2011 UA Fort Smith News, UA Fort Smith New… UA Fort Smith News Dashboard Confessional to Perform in Fort Smith on Nov. 4 (Posted: October 6, 2006) (Printable Version) Make plans to join hundreds of fans as they rock out to the sounds of Dashboard Confessional and special guest Brand New on Nov. 4 at the Fort Smith Convention Center Exhibit Hall in a concert sponsored by the University of Arkansas - Fort Smith. Know n for its underground emo-rock sound and energetic performances, Dashboard Confessional has attracted international recognition in countries such as Sw eden, Canada and India, but they are most popular w ith teens and college students in the US. Stacey Jones, associate vice chancellor for campus and community events at UA Fort Smith, said he decided to bring Dashboard Confessional here because of the popularity of the group, coupled w ith their availability. “I’ve listened to their music and think they are an outstanding group,” said Jones. “Their last album w as a big hit, especially because of their w ork on the ‘Spider-Man 2’ soundtrack.” Jones said he also surveyed a group of students regarding w ho they’d like to see UA Fort Smith bring here, and Dashboard Confessional had some of the highest ratings. “I’m already getting calls from as far aw ay as Little Rock from people interested in purchasing tickets,” said Jones. Chris Carrabba, lead singer and guitarist of Dashboard Confessional, has extensive experience in the music industry, including success as a solo artist and member of bands such as Further Seems Forever and Vacant Andies. -
Middle Class Music in Suburban Nowhere Land: Emo and the Performance of Masculinity
MIDDLE CLASS MUSIC IN SUBURBAN NOWHERE LAND: EMO AND THE PERFORMANCE OF MASCULINITY Matthew J. Aslaksen A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Jeremy Wallach, Advisor Becca Cragin Angela Nelson ii Abstract Jeremy Wallach, Advisor Emo is an emotional form that attracts a great deal of ridicule from much of the punk and indie music communities. Emo is short for “emotional punk” or “emotional hardcore,” but because of the amount of evolution it has undergone it has become a very difficult genre to define. This genre is well known for its almost whiny sound and its preoccupation with relationship problems and emotional instability. As a result, it is seen by many within the more underground music community as an inauthentic emotionally indulgent form of music. Emo has also very recently become a form that has gained widespread mainstream media appeal with bands such as Dashboard Confessional, Taking Back Sunday, and My Chemical Romance. It is generally consumed by a younger teenaged to early college audience, and it is largely performed by suburban middle class artists. Overall, I have argued that emo represents challenge to conventional norms of hegemonic middle-class masculinity, a challenge which has come about as a result of feelings of discontent with the emotional repression of this masculinity. In this work I have performed multiple interviews that include both performers and audience members who participate in this type of music. The questions that I ask the subjects of my ethnographic research focus on the meaning of this particular performance to both the audience and performers. -
Honda Civic Tour Guide
(1) GRAND PRIZE VISIT You and a friend could fly to L.A. to meet members of Linkin Park on the set of an upcoming video shoot. Included: plane tickets, LINKIN PARK two nights at a deluxe hotel, dinner in Hollywood, a sightseeing tour and more. Plus: a guitar and drum kit autographed by the band. ON SET (10) FIRST PRIZES CIVIC TOUR LINKIN PARK VIDEO SWEEPSTAKES A limited-edition screen printed Incubus poster signed by Brandon, Mike, Chris, Ben and Jose. Presented by Honda Financial ServicesSM Scan this code to read the official rules and register for the sweepstakes, or go to HFSGrad.com NO PURCHASE NECESSARY. Term: 10:00 a.m. Eastern Time (“ET”) on 7/12/12 - 11:59 p.m. ET on 11/30/12. Eligibility: Grand Prize entrants must be legal residents that are physically located in the 48 contiguous United States or D.C., who are 18 yrs or older. All other entries for Grand Prizes VOID. First Prize entrants must be legal residents that are physically located in the 48 contiguous United States, D.C., Alaska, Puerto Rico, or Hawaii, who are 18 yrs or older. All entries VOID WHERE PROHIBITED and outside U.S. To Enter: During Term 1) Complete entry form at HFSGrad.com or 2) mail a 3x5 card with first/last name, DOB, email, phone number, and zip code to AOF, Attn: 2012 Honda Civic Tour Linkin Park Music Video Flyaway Sweepstakes, P.O. Box 1784, Los Angeles, CA 90291. Limit: One entry per person. One Grand Prize: One (1) trip for two to Los Angeles to attend a Linkin Park music video shoot between 1/1/13 and 12/31/13 (ARV: $5,015). -
SURFING for PUNKS: the INTERNET and the PUNK SUBCULTURE in NEW JERSEY by AARON ROBERT FURGASON a Dissertation Submitted To
SURFING FOR PUNKS: THE INTERNET AND THE PUNK SUBCULTURE IN NEW JERSEY by AARON ROBERT FURGASON A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Communication, Information and Library Studies written under the direction of Professor Linda Steiner And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey October, 2008 ABSTRACT OF THE DISSERTATION SURFING FOR PUNKS: THE INTERNET AND THE PUNK SUBCULTURE IN NEW JERSEY BY AARON ROBERT FURGASON Dissertation Director Professor Linda Steiner This study examines the influence of the Internet on the punk subculture in New Jersey. Previous research by academics on the effect of the Internet on popular music has centered on the impact of Napster and peer-to-peer networks on the distribution of recordings (Alexander, 2002; Ayres & Williams, 2004; Bishop, 2004; Daniel & Klimis, 1999; Fox, 2004; Mardesich, 1999; & Oberholzer & Strumpf, 2004). However, unexamined is the influence of the Internet on a specific music subculture, punk. This is important because the subculture is occupied mainly by youth engaged with both the Internet and punk music. The Internet's influence on the punk subculture is a particularly important area of study because the Internet alters how participants in the subculture (punk fans, bands and independent labels) communicate with one another, as well as changes the distribution of punk artifacts and information. ii Central to this study is the history of the major labels' dominance over the distribution and promotion of punk music, a domination examined via critical political economy theory.