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The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 3-26-2009 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (2009). The George-Anne. 2126. https://digitalcommons.georgiasouthern.edu/george-anne/2126 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Go to www.GADaily.com for in-depth SGA election and debate coverage Serving Georgia Southern University and the Statesboro Community Since 1927 • Questions? Call 912-478-5246. f \ 1 \^ www.GADaily.com UEORGE THURSDAY, MARCH 26, 2009 • VOLUME 81 • ISSUE 87 COVERING THE CAMPUS LIKE A SWARM OF GNATS 'Dashboard Confessional' in negotiations to play at Georgia Southern Alternative rock band "Dashboard Confessional"has posted on their Web site that they will be playing a free show at the RAC Band Shell on May 1,2009. Though the group is not confirmed, Activities Coordinator Srira- vong Sriratanakoul said that contracts are currently being drawn. Led by lead singer Chris Carrabba, the band has three RIAA certified gold albums and their 2002 CD/DVD combo MTV Unplugged 2.0 went platinum. Dashboard Confessional is set to release their newest album sometime this year, with the exact date and album name not being released at this time. -
City Lawsuits Against the Gun Industry: a Roadmap for Reforming Gun Industry Misconduct
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Saint Louis University School of Law Research: Scholarship Commons Saint Louis University Public Law Review Volume 18 Number 1 Gun Control (Vol. XVIII, No. 1) Article 12 1999 City Lawsuits Against the Gun Industry: A Roadmap for Reforming Gun Industry Misconduct Brian J. Siebel Follow this and additional works at: https://scholarship.law.slu.edu/plr Part of the Law Commons Recommended Citation Siebel, Brian J. (1999) "City Lawsuits Against the Gun Industry: A Roadmap for Reforming Gun Industry Misconduct," Saint Louis University Public Law Review: Vol. 18 : No. 1 , Article 12. Available at: https://scholarship.law.slu.edu/plr/vol18/iss1/12 This Article is brought to you for free and open access by Scholarship Commons. It has been accepted for inclusion in Saint Louis University Public Law Review by an authorized editor of Scholarship Commons. For more information, please contact Susie Lee. SAINT LOUIS UNIVERSITY SCHOOL OF LAW CITY LAWSUITS AGAINST THE GUN INDUSTRY: A ROADMAP FOR REFORMING GUN INDUSTRY MISCONDUCT BRIAN J. SIEBEL* TABLE OF CONTENTS I. Introduction: Guns Have Become the Next Tobacco ................................. 248 II. THE PUBLIC COSTS OF GUN VIOLENCE ........................................................ 250 III. The New Orleans Model – Promoting Safer Gun Designs ......................... 253 A. Unsafe Gun Designs Cause Countless Shootings ................................ 253 B. Changing Gun Design Can Save Lives ................................................ 256 C. “Personalized” Gun Technology Is Available And Feasible, But The Gun Industry Has Refused To Incorporate It Into Gun Designs .......... 258 D. The New Orleans Lawsuit—Morial v. Smith & Wesson, et al. -
Flogging Molly to Perform
THE The Independent Newspaper Serving Notre Dame and Saint J:Iary's OLUME 41: ISSUE 124 TUESDAY, APRIL 24,2007 NDSMCOBSERVER.COM Ties between religion, wealth examined Physics prof conference targeted at busi Principles of the Interfaith Declaration of By AARON STEINER ness people, academics and to transfer News Writer researchers, though all International Business Ethics: events are open to the Justice: Mutual Respect: Business, academic and greater community. "Fair dealings between each "[S]elf-interest only has a place religious experts have con Conference director to Boston other and between believers and in the community in as much as vened on campus for a two Georges Enderle,. a professor others is constantly reiterated in it takes into account the inter- day conference to discuss of International Business Barabasi chooses move the ScrTtures as are God's jus- ests of others .... Of paramount how Muslim, Christian and Ethics at Notre Dame and tice an mere~ in his dealings importance in this respect is the Jewish views play roles in fellow at the Kellogg and to pursue nehwrk studies with mankind. ' employee." business values and ethics - Nanovic Institutes, said the Honesty: Stewardship: specifically the creation of event is attracting leaders By KAITLYNN RIELY "It is an attitude which is well "The · Scriptures testify to the wealth. from around the world - Assisram News Ediror summed up in the word 'integ- beauties and wonders of nature Sponso-red by the Center including the Middle East, rity.' In precepts and parables, as signs of God's goodness and for Ethics and Religious Europe and the United Scripture urges truth and hon- provtdence. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
Finding Solutions Through Distinguishing Graffiti Art from Graffitiandalism V
University of Michigan Journal of Law Reform Volume 26 1993 The Writing on Our Walls: Finding Solutions Through Distinguishing Graffiti Art from Graffitiandalism V Marisa A. Gómez University of Michigan Law School Follow this and additional works at: https://repository.law.umich.edu/mjlr Part of the Criminal Law Commons, Entertainment, Arts, and Sports Law Commons, and the Law and Society Commons Recommended Citation Marisa A. Gómez, The Writing on Our Walls: Finding Solutions Through Distinguishing Graffiti Art from Graffitiandalism V , 26 U. MICH. J. L. REFORM 633 (1993). Available at: https://repository.law.umich.edu/mjlr/vol26/iss3/5 This Note is brought to you for free and open access by the University of Michigan Journal of Law Reform at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in University of Michigan Journal of Law Reform by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. THE WRITING ON OUR WALLS: FINDING SOLUTIONS THROUGH DISTINGUISHING GRAFFITI ART FROM GRAFFITI VANDALISM Marisa A. G6mez* I. Graffiti's Roots .......................... 636 II. Types of Graffiti and the Motivations of Its Creators .......................... 644 III. Proponents v. Opponents: Sketching Out the Arguments For and Against Graffiti .......... 650 IV. Methods Used to Combat Graffiti ............ 656 A. Criminal Prosecution and Penalties ...... 657 B. Civil Causes of Action Against Writers .... 670 C. Measures Against the Writer's Parents .... 672 D. Prophylactic Measures ................ 673 V. Towards an Integrated Solution That Recognizes and Meets the Needs of the Writers . 696 A. Drawing a Clearer Line Between Graffiti Art and Graffiti Vandalism ............ -
Leaders Reflect As Terms Come to a Close
/ ^ V T H E bserver OThe Independent Newspaper Serving Notre Dame and Saint Marys OLUME 39 : ISSUE 114 THURSDAY, MARCH 31, 2005 NDSMCOBSERVER.COM Leaders reflect as terms come to a close Istvan, Bell: faith in Mooney , SAGA flank government restored W hite-M oran era By AMANDA MICHAELS By MEGAN O ’N EIL News Writer Saint Mary’s Editor Eor Adam Istvan, even the Today marks the end of so-far stalled struggle against another Saint Mary’s student the dome’s scaffolding has its government administration, silver — or rather, golden — and for president Sarah lining. Though it will bring Catherine White and vice him no joy as a senior at com president Mary Pauline mencement, as outgoing stu Moran, it concludes a year dent body president, he sees that began with the excite the situation surrounding the ment of a new college presi Main Building’s renovations dent and ended with the as confirmation that he has gravity of the approval of a fulfilled his campaign prom gay-straight alliance. ise of restoring faith in stu Elected in January 2004 dent government and break over then-vice president ing down campus apathy. Sarah Brown and Michelle "When seniors had a prob Fitzgerald, White and Moran lem with I the dome scaffold were immediately handed the ing!. they came right to stu task of welcoming former Outgoing Notre Dame student dent government to help and Notre Dame vice president represent them,” Istvan said. body presidmt Adam Istvan and and associate provost and “But when the alcohol policy vice president Karla Bell, above, incoming Saint Mary’s presi was instituted a few years dent Carol Mooney to cam and Saint Man/'s president ago, there were unorganized, pus. -
V the Matt Phipps Chosen As New Leprechaun
/ ^ V THE bserver OThe Independent Newspaper Serving Notre Dame and Saint Marys OLUME 41 : ISSUE 118 MONDAY, APRIL 16,2007 NDSMCOBSERVER.COM Affleck-Graves on loan company boardLGBTQ Executive vice president made $58,984 in eight months, but says position is not ethical conflictawareness whether student loan compa lender Citigroup, according to Affleck-Graves said. By KEN FOWLER and nies illegally offered bribes or a report this weekend from Affleck-Graves said he is not KAITLYNN RIELY kickbacks to financial aid Bloomberg News. on the board of any other loan week starts News Writers directors at schools in order to Student Loan Corp. sought corporations and maintained re m a in on out Notre Dame and Affleck- that his situation is different Students will observe Executive Vice President th e sch o o l’s Graves for the position, the than the positions college John Affleck-Graves became p r e f e r r e d executive vice president said. administrators under investi national day of silence the 12th college official nation lender list He said he communicated with gation have held. wide identified as receiving or to earn a University President Father Unlike financial aid directors compensation from a student spot on the John Jenkins, Director of at other colleges under investi By EMMA DRISCOLL loan company on the preferred coveted Student Financial Strategies gation, Affleck-Graves is not in News Writer lender list of the official’s col directory. Joseph Russo and Vice the chain-of-command on stu lege — and while ethical A f f l e c k - President for Finance John dent loan decisions. -
The Neptunes Have Oversize Lincoln Navigator
} THENERDM ENTALITY THHY6 AVffiJ AY-XA B*UNCT, LENITT hIglRF UhIKT S'N SYh*CA NM HUSTLTPB HATSF &R T'{H KING OF POP.I T WAS *h,l-Y A MATTERO F TIM€ gHF{3RgT I{K \IIRGII''I[AM E,4CHP R$SLJCTIONT EAM CALI-EDT F{€I \FPTU'XE$P tJTTi{ENRC LIg'\d?SO N'HI OLP Ah{& LKTTF{€IRO WTdg ?RANGgS *UNSS LSOSHS hNT'..IfC; I.,IART"BSY ETHAN BROWN IHARRELL wTLLIAMs HAs rHE EvENING MAppED our "lIsrrN," have been shockingly consistent hitmakers, racking up ahalf- "tonight |!|h" explains, we're gonna hang out with punks, dozen Top ro hits (and loads of Top 4os) in an arenawhererna' I skatersa nd brothers from the hood." He glances down jor players like Sean "Puffy" Combs and legendary hit men such at the freshly painted morel parking lot and climbs into his as Clive Davis often strike out. Moreover. the Neptunes have oversize Lincoln Navigator. "I can t hang with just one group of proved they can savea rtists from themseives,s pinning stalwart people." The z8-year-old producer-musician is the mirror im- stars in new directions. They transformed JayZ'shrstler-by- age of his inclusive social sphere-call it a ghetto-glam-bumpkin numbers "I Just Wanna Love U (Give It z Me)" inro a soulful look faded thrift-store jeans, tattered Rolling Stones baseball sing-along, remixed and rescued the Backstreet Boys' uninspiring cap, VersaceT -shirt and white Prada sneakers.A nd though he u.rth.- "The Call' and converted Mystlfal's clicired boory "rl'i wears a chunky diamond earring in one ear and a cartoonishly "Shake Ya Ass" into a brassv. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Fall 2016 San Bernardino: a Quest for Understanding
CollegeSchool/Department of Arts of and Letters Newsletter Fall 2016 San Bernardino: A Quest for Understanding The College of Arts and Letters hosted “San Bernardino: A Quest for Understanding,” a symposium in partnership with the Los Angeles Times, on October 20th. The SMSU Theater was filled to capacity with students, staff, administrators, and members of the community for this special event. CSUSB faculty members Rod Metts (Communication Studies) and Mary Texeira (Sociology) were joined by Paloma Esquivel and Joe Mozingo, staff reporters for the Times, on a panel moderated by former CSUSB student Bob Sipchen, the editor of the L. A. Times’ Sunday California section. The panel discussed the Times’ Pulitzer Prize winning coverage of the December 2 shootings in San Bernardino and the feature series “San Bernardino: Broken Cities.” Times Editor-in-Chief and Publisher Davan Maharaj announced that funds from the Pulitizer Prize award will be donated to CSUSB to support a new community journalism initiative at the Coyote Chronicle student newspaper and a similar program at Cajon High School. Chronicle students will provide mentorship to Cajon High journalists as a part of the new initiative Press coverage of the event: http://news.csusb.edu/2016/10/21/los-angeles-times-donates-pulitzer-prize-cash-award-to-csusb-cajon-high-journalism-programs/ The symposium may be viewed in its entirety at the link below: http://www.latimes.com/about/pressreleases/la-mediagroup-20161020-story.html https://www.youtube.com/watch?v=COXyMhCsSdc&feature=youtu.be Inside CSUSB feature: https://www.youtube.com/watch?list=PLTgP8DAd6RLFiOkjko-CVfYbe-SHGqowL&v=NUX3ujPCy00 Dean Terry Ballman with Davan Maharaj, Editor-In-Chief/Publisher of Davan Maharaj, Editor-In-Chief/Publisher of the L.A. -
Led Zeppelin R.E.M. Queen Feist the Cure Coldplay the Beatles The
Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B.