D' Arcy Criticizes Jenkins' Decision STUDENT SENATE
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Thomas Pridgen on Drums
Thomas Pridgen On Drums. Escrito por kietrece Viernes, 09 de Enero de 2009 22:15 - Actualizado Domingo, 11 de Enero de 2009 11:42 Ya hemos hablado anteriormente de The Mars Volta. Nuestro loado foro de Guitarramania.com siempre nos sorprende con nuevas noticias del mundillo, máxime teniendo un hilo de los TMV kilométrico que alberga numerosas noticias de esta banda supersónica. Anteriormente hemos tenido oportunidad de asistir a un concierto de The Mars Volta y ver a su nuevo batería en su puesto. Sin embargo no nos esperábamos una demostración de esta envergadura. Y es que nos ha sorprendido gratamente que Thomas Pridgen, batería de The Mars Volta, haya tenido la oportunidad de colgar un vídeo de estas características en la red. Una demostración de que la tecnología y el arte, la música e internet, se fusionan a diario para sorprendernos con nuevas iniciativas mediáticas. En esta ocasión se trata de un video de larga duración, donde podemos elegir qué cámara nos interesa más. La página en cuestión , con el link que os dejo a la demostración del mago Pridgen , que sin hacernos deja mucho boquiabiertos , trata los aspectos musicales, en este caso de la batería, desde un punto de vista plástico. Durante más de siete minutos nuestro hábil músico rezuma frescor y aglutina un buen número de ritmos y distintas formas de entender el mundo de la batería. No se pierdan el solo de Pridgen desde los distintos puntos de vista. Una cámara general, otra cámara aérea y otra de pie. Quizás ésta última nos da a los que no tenemos el placer de asistir a estas demostraciones de virtuosismo, la oportunidad de contemplar desde una perspectiva distinta, alucinados , cómo se mueve como pez en el agua un batería del calibre de Thomas Pridgen ( fíjense cómo se descalza del pie derecho nada más tomar asiento). -
Numero53.Pdf
INUTILE aprile 2013, numero 53 Supplemento al #4205 di PressItalia.net, registrazione presso il Tribunale di Perugia #33 del 5 maggio 2006, pubblicazione trimestrale a cura di INUTILE » ASSOCIAZIONE CULTURALE la redazione leonardo azzolini, marco montanaro, nicolò porcelluzzi, alessandro romeo, matteo scandolin, tamara viola hanno collaborato francesca ballarini, fabio deotto, andrea maggiolo, gianluca nativo, andrea pomella correzioni elisa sottana copertina yuanyuan yang {yuanyuanyang.com} layout leonardo azzolini {leonardoazzolini.com} stampa Le Colibrì - Agenzia di stampa, Gubbio {[email protected]} abbonamenti rivistainutile.it/abbonarsi wild wild web rivistainutile.it twitter.com/inutileonline vimeo.com/inutile Il presente opuscolo è diffuso sotto la disciplina della licenza CREATIVE COMMONS Attribuzione - Non commerciale - Non opere derivate 2.5 Italia. La licenza integrale è disponibile a questo url: http://tinyurl.com/8g7sw5 3 editoriale 4 counselling gianluca nativo 7 via rinaldi 46, ninopoli francesca ballarini 10 quelli che sanno si salvano marco montanaro 16 the mars volta: una storia di confini fabio deotto 24 micronarrativa andrea maggiolo editoriale C’è Gianluca Nativo col suo racconto in grado di sal- la redazione tare da qui a là senza farti mai fermare; c’è Francesca Ballarini con la sua Ninopoli, che c’ha fatto innamo- La copertina di questo numero è un arcobaleno per rare; c’è Marco Montanaro che ci ha fatto riflettere, noi e per voi: per quelli che sono stanchi e abbat- come sempre fa lui; c’è Fabio Deotto che cerca di tuti, la siamo andati a recuperare direttamente da metabolizzare lo scioglimento dei Mars Volta; c’è la Yuanyuan Yang, artista cinese che lavora a New York. -
General Catalog 2019–2020 / Edition 19 Academic Calendar 2019–2020
BERKELEY GENERAL CATALOG 2019–2020 / EDITION 19 ACADEMIC CALENDAR 2019–2020 Spring Semester 2019 Auditions for Spring 2019 By Appointment Academic and Administrative Holiday Jan 21 First Day of Spring Instruction Jan 22 Last Day to Add / Drop a Class Feb 5 Academic and Administrative Holiday Feb 18 Spring Recess Mar 25 – 31 Last Day of Instruction May 10 Final Examinations and Juries May 13 – 17 Commencement May 19 Fall Enrollment Deposit Due on or before June 1 Fall Registration Jul 29 – Aug 2 Fall Semester 2019 Auditions for Fall 2019 By May 15 New Student Orientation Aug 15 First Day of Fall Instruction Aug 19 Last Day to Add/Drop a Class Sep 1 Academic and Administrative Holiday Sep 2 Academic and Administrative Holiday Nov 25 – Dec 1 Spring 2020 Enrollment Deposit Dec 2 Last Day of Instruction Dec 7 Final Examinations and Juries Dec 9 – 13 Winter Recess Dec 16 – Jan 21, 2020 Spring Registration Jan 6 – 10, 2020 Spring Semester 2020 Auditions for Spring 2020 By Oct 15 First Day of Spring Instruction Jan 21 Last Day to Add / Drop a Class Feb 3 Academic and Administrative Holiday Feb 17 Spring Recess Mar 23 – 27 Last Day of Instruction May 8 Final Examinations and Juries May 11 – 15 Commencement May 17 Fall 2020 Enrollment Deposit Due on or before June 1 Fall 2020 Registration July 27 – 31 Please note: Edition 19 of the CJC 2019 – 2020 General Catalog covers the time period of July 1, 2019 – June 30, 2020. B 1 CONTENTS ACADEMIC CALENDAR ............... Inside Front Cover The Bachelor of Music Degree in Jazz Studies Juries .............................................................. -
The Neptunes Have Oversize Lincoln Navigator
} THENERDM ENTALITY THHY6 AVffiJ AY-XA B*UNCT, LENITT hIglRF UhIKT S'N SYh*CA NM HUSTLTPB HATSF &R T'{H KING OF POP.I T WAS *h,l-Y A MATTERO F TIM€ gHF{3RgT I{K \IIRGII''I[AM E,4CHP R$SLJCTIONT EAM CALI-EDT F{€I \FPTU'XE$P tJTTi{ENRC LIg'\d?SO N'HI OLP Ah{& LKTTF{€IRO WTdg ?RANGgS *UNSS LSOSHS hNT'..IfC; I.,IART"BSY ETHAN BROWN IHARRELL wTLLIAMs HAs rHE EvENING MAppED our "lIsrrN," have been shockingly consistent hitmakers, racking up ahalf- "tonight |!|h" explains, we're gonna hang out with punks, dozen Top ro hits (and loads of Top 4os) in an arenawhererna' I skatersa nd brothers from the hood." He glances down jor players like Sean "Puffy" Combs and legendary hit men such at the freshly painted morel parking lot and climbs into his as Clive Davis often strike out. Moreover. the Neptunes have oversize Lincoln Navigator. "I can t hang with just one group of proved they can savea rtists from themseives,s pinning stalwart people." The z8-year-old producer-musician is the mirror im- stars in new directions. They transformed JayZ'shrstler-by- age of his inclusive social sphere-call it a ghetto-glam-bumpkin numbers "I Just Wanna Love U (Give It z Me)" inro a soulful look faded thrift-store jeans, tattered Rolling Stones baseball sing-along, remixed and rescued the Backstreet Boys' uninspiring cap, VersaceT -shirt and white Prada sneakers.A nd though he u.rth.- "The Call' and converted Mystlfal's clicired boory "rl'i wears a chunky diamond earring in one ear and a cartoonishly "Shake Ya Ass" into a brassv. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B. -
Wood Waste Electric Plant Seeks State Approval Well Driller Recovering
r&$)4HJSMTHFUXJOPWFS&BTU#MBEFOr8PMGQBDL SVOTUPWJDUPSJFTPWFS8FTU$PMVNCVTr&$)4 #BTLFUCBMM5PVSOBNFOUTDIFEVMFEGPS%FDFNCFS r1BDLCPZTDSVJTFQBTU-BLFXPPE Sports 4FFQBHF# ThePublished News since 1890 every Monday and Tursday forReporter the County of Columbus and her people. Monday, December 17, 2012 Fair Bluf Wood waste commits Volume 122, Number 49 Whiteville, North Carolina to railroad electric plant 75 Cents By ALLEN TURNER Staff Writer seeks state The Fair Bluff Board of Inside Today Commissioners, meeting in regular monthly session on approval 4-A Tuesday, Dec. 11, voted unani- nCounty landfill is site of proposed r5XPNFODBVHIU mously to commit up to $1,500 facility. to help the Interstate Railroad GPSCSFBLJOHBOE Committee fund legal costs By NICOLE CARTRETTE FOUFSJOH in their effort to get local rail service restored. Staff Writer They also received a clean The Columbus County landfill may soon audit report for the fiscal year become home to a $22 to $26 million electric- that ended on June 30 and took ity producer. no action on a request from Columbus Renewable Energy, LLC (CRE) Fair Bluff Police Chief Justin filed an application on Dec. 3 with the state’s Hewett that the police depart- public utilities commission seeking a certifi- ment be moved from its cur- cate of public convenience and necessity. rent location in the Town Hall The 10-megawatt landfill gas and wood on Main Street to the old town waste biomass electric generating facility will hall building on Bardin Street. be located at the Columbus County landfill The board normally meets at New Hope and could begin operations as Today’s on the first Tuesday of the early as December 2013, according to state month, but the December meet- American Profle documents. -
URMC V127no77 20180118.Pdf (6.155Mb)
OPINION SPORTS 911 PROGRAM ON FANS WANT MORE A&C THE RIGHT TRACK FROM EUSTACHY WHO IS CAM? Vol. 127, No. 77 Thursday, January 18, 2018 PAGE 5 PAGE 11 PAGE 12 Che Bob (10) lays on the ground after a hard foul that kept him out the rest of the game with a back injury. The Rams lost to Air Force at home 76-71. PHOTO BY JAVON HARRIS COLLEGIAN CSU upset by Air Force for first time since 2011 By Colin Barnard @ColinBarnard_ 30 minutes of the game, the Fal- contested shots,” Eustachy said. Air Force hoisted up shots from was Nico Carvacho. The big man cons completed the comeback “The shots they made late, we deep with reckless abandon. affected every facet of the game upset, defeating the Rams 76-71. were there. We knew how to play The Falcons started just 1-of-16 and dominated the Falcons on The Colorado State men’s Air Force’s ability to take them, and when we played them from beyond the arc through the the glass. He nearly notched a basketball team did something it and make 3-pointers ultimately right they didn’t score. When we opening 12 minutes of action. double-double in the first half had not done since 2011 Wednes- led to the victory. The Falcons played them wrong, they scored Regardless of their inability alone, registering 10 points and day evening: lose to Air Force. made 12-of-39 shots from be- a lot.” to find the bottom of the bucket, eight rebounds. -
Noctourniquet Album Downloaded the Mars Volta: Every Album Ranked from Worst to Best
noctourniquet album downloaded The Mars Volta: Every album ranked from worst to best. Although The Mars Volta disbanded some 14 years ago, their entire discography has been released in a lavish 18 -LP vinyl boxset titled La Realidad de los Sueños, which chronicles the band’s six extraordinary albums in excruciating detail. And this is just the excuse we need to reappraise every album by the El Paso experimentalists. The prog rock band, led by vocalist Cedric Bixler-Zavala and guitarist Omar Rodríguez-López, disbanded in 2013 , when Cedric and Omar reformed their previous band At The Drive-In. Rumours persist, however, that The Mars Volta will reform or already have, with Cedric alluding to it on Twitter in 2019 . When pushed to elaborate, the vocalist suggested: “ What it’s NOT going to be is your ‘ fav member line-up’ playing their ‘ classic records’ in full etc. Maybe we’ll play old shit, who knows how we feel.” That was two years and a global pandemic ago, though, so who knows whether their reconnection will still go beyond the caretaking of their reissues to new material and live dates. While we wait in hope, let’s return to the task of ranking the band’s albums and a piece of small print. While we’ve explored their qualities, we haven’t delved into the respective concepts, because a) they deserve expansive word counts all to themselves, b) they’re often impenetrable, and c) they don’t have a lasting role in how good the music is – who, for instance, declares: ‘ I hate the album but love the concept?’ So with that clarified, let’s dive in… 6. -
Jon Theodore
12 Modern Drummer June 2014 Booth #1219 Always on the go, Daru Jones desired a highly portable cymbal set for hip-hop sessions, DJ Jams, and other sit-ins that spontaneously present themselves, enabling him to preserve his personal sound in modern urban mobility. The concept was developed in the PST X series, which provides a suitable basis for the type of fast and dry sounds that perfectly fit the world of Hip-hop & Electronica percussion. It is executed with the DJs 45 set consisting of a 12" Crash, 12" Ride and 12" Hats. INTRODUCING ?MbcRaf^aYbE^]WPERZRPcEVRZZDRPW_Rb͜ŬeRQWbcW]PcZh d]W`dRS^a\dZMb͜QRbWU]RQ͜PaRMcRQM]QcRbcRQc^_RaS^a\ ^_cW\MZZhW]cVRR]eWa^]\R]ccVMcORMabWcb]M\R͙ studio heritage modern dry stadium urban ?MbcRaf^aYbGaOM]bVRZZbSRMcdaRMa^d]QRQ ʎORMaW]URQUR P^\OW]RQfWcV^da6eR]BZhEWgOZR]Q^S3WaPVΧ8d\Χ3WaPVfWcV?M_ZR aRW]S^aPR\R]caW]Ubc^_a^\^cR_a^]^d]PRQZ^fR]QMccMPYfWcV b\^^cV͜ReR]QRPMh͙Ada\W]W\MZP^]cMPcEF>bfWeRZZdUb͜P^\OW]RQ fWcV^da ͙ \\Ed_Ra:^^_ZZhoops increase projection without W\_RQW]U_RaS^a\M]PRMPa^bbcVRcd]W]Ub_RPcad\͙ FVWbWbcVRWQRMZb^d]QS^aB^_͜D̿3^a8^b_RZ͙ ?MbcRaf^aYbGaOM]bV^f]W]ORMdcWSdZ3ZMPY lacquer fWcV:^Z^UaM_VWPůMYRb͙>WbcR]c^cVR GaOM]aRPW_R_ZMhRQOh3aWM]7aMbWRa?^^aR Mc_RMaZQad\͙P^\ CONTENTS Volume 41 • Number 12 CONTENTS Cover and Contents photos by Andreas Neumann FEATURES 28 MODERN DRUMMER 2018 56 ELI KESZLER READERS POLL The multidisciplinary artist has Make your voice heard in the most dedicated much of his career important poll in the drumming to exploring the solo drumset’s world! expressionistic capabilities, leading to new creative and career 30 THE PSYCHEDELIC FURS’ opportunities. -
Annual Drum-Off
FOR IMMEDIATE RELEASE Guitar Center Spotlights the Nation’s Best Drummers in the 27th Annual Drum-Off ANNOUNCEMENT HIGHLIGHTS: • Guitar Center presents the world’s premier drum competition offering a career-launching prize package worth more than $45,000 • Past Drum-Off winners have gone on to see successful careers, playing with the likes of Prince, Jay-Z, Beyoncé, The Mars Volta and more • Drum-Off sign-ups are open now at all Guitar Center locations nationwide Westlake Village, CA (August 3, 2015) – Guitar Center’s Drum-Off, the worldʼs premier drum competition, launches its 27th annual search for the next great undiscovered drummer. Developed to inspire and support aspiring musicians, the program has grown into a sought-after launching pad for a career as a professional drummer. Past Drum-Off winners have gone on to play with Prince and Beyoncé (Cora Coleman-Dunham), The Mars Volta and Trash Talk (Thomas Pridgen), Jay-Z (Tony Royster Jr.) and many more. As Guitar Centerʼs longest running artist discovery program, Drum-Off continues to unearth some of todayʼs top undiscovered drummers and provide an unrivaled platform for exposure. Starting today, drummers can sign-up for Guitar Center’s Drum-Off at any of the retailerʼs locations nationwide. Free and open to drummers across the country, entrants will compete for a chance to win a career-launching grand prize package valued at over $45,000 including cash, gear, endorsement deals, and more. Learn more about the program here: https://youtu.be/YT3Qgdh-uSQ Guitar Center’s Drum-Off Grand -
Enjoying Gospel Drumming: an Investigation of ‘Post-Racial’ Appropriation, Consumption, and Idealization in Contemporary Black Musicianship
Enjoying Gospel Drumming: An Investigation of ‘Post-Racial’ Appropriation, Consumption, and Idealization in Contemporary Black Musicianship by Daniel Stadnicki A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario ©2012, Daniel Stadnicki 1 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-93587-3 Our file Notre reference ISBN: 978-0-494-93587-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.