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Bomb Queen Volume 3: the Good, the Bad and the Lovely Pdf, Epub, Ebook
BOMB QUEEN VOLUME 3: THE GOOD, THE BAD AND THE LOVELY PDF, EPUB, EBOOK Jimmie Robinson | 126 pages | 05 Feb 2008 | Image Comics | 9781582408194 | English | Fullerton, United States Bomb Queen Volume 3: The Good, The Bad And The Lovely PDF Book Bomb Queen, in disguise, travels to Las Vegas in search of a weapon prototype at a gun convention and runs into Blacklight , also visiting Las Vegas for a comic convention. Related: bomb queen 1 bomb queen 1 cgc. More filters Krash Bastards 1. Superpatriot: War on Terror 3. Disable this feature for this session. The animal has mysterious origins; he appears to have some connections to the Mayans of South America. The Bomb Qu Sam Noir: Samurai Detective 3. Share on Facebook Share. Ashe is revealed to be a demon, and New Port City his sphere of influence. These are denoted by Roman numerals and subtitles instead of the more traditional sequential order. I had the worse service ever there upon my last visit. The restriction of the city limits kept Bomb Queen confined in her city of crime, but also present extreme danger if she were to ever leave - where the law is ready and waiting. This wiki. When the hero's efforts prove fruitless, the politician unleashes a chemically-created monster who threatens not only Bomb Queen but the city itself. The animal has mysterious origins and is connected to the Maya of Central America. Sometimes the best medicine is bitter and hard to swallow, and considering the current state of things, it seemed the perfect time for her to return to add to the chaos! Dragon flashback only. -
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JACK KIRBY COLLECTOR FORTY-TWO $9 95 IN THE US Guardian, Newsboy Legion TM & ©2005 DC Comics. Contents THE NEW OPENING SHOT . .2 (take a trip down Lois Lane) UNDER THE COVERS . .4 (we cover our covers’ creation) JACK F.A.Q. s . .6 (Mark Evanier spills the beans on ISSUE #42, SPRING 2005 Jack’s favorite food and more) Collector INNERVIEW . .12 Jack created a pair of custom pencil drawings of the Guardian and Newsboy Legion for the endpapers (Kirby teaches us to speak the language of the ’70s) of his personal bound volume of Star-Spangled Comics #7-15. We combined the two pieces to create this drawing for our MISSING LINKS . .19 front cover, which Kevin Nowlan inked. Delete the (where’d the Guardian go?) Newsboys’ heads (taken from the second drawing) to RETROSPECTIVE . .20 see what Jack’s original drawing looked like. (with friends like Jimmy Olsen...) Characters TM & ©2005 DC Comics. QUIPS ’N’ Q&A’S . .22 (Radioactive Man goes Bongo in the Fourth World) INCIDENTAL ICONOGRAPHY . .25 (creating the Silver Surfer & Galactus? All in a day’s work) ANALYSIS . .26 (linking Jimmy Olsen, Spirit World, and Neal Adams) VIEW FROM THE WHIZ WAGON . .31 (visit the FF movie set, where Kirby abounds; but will he get credited?) KIRBY AS A GENRE . .34 (Adam McGovern goes Italian) HEADLINERS . .36 (the ultimate look at the Newsboy Legion’s appearances) KIRBY OBSCURA . .48 (’50s and ’60s Kirby uncovered) GALLERY 1 . .50 (we tell tales of the DNA Project in pencil form) PUBLIC DOMAIN THEATRE . .60 (a new regular feature, present - ing complete Kirby stories that won’t get us sued) KIRBY AS A GENRE: EXTRA! . -
THE UNIVERSITY of the WESTERN CAPE DEPARTMENT of LINGUISTICS the Visual Representation of Female Masculinity in Marvel and DC Comic Books
THE UNIVERSITY OF THE WESTERN CAPE DEPARTMENT OF LINGUISTICS The visual representation of female masculinity in Marvel and DC comic books Yannick McCullum A thesis submitted in partial fulfilment of the requirements for the degree of Magister Artium in the Department of Linguistics, University of the Western Cape Supervisor: Prof Quentin Williams December 2020 1 http://etd.uwc.ac.za/ The visual representation of female masculinity in Marvel and DC comic books by Yannick McCullum Abstract This thesis seeks to understand the visual representation of female masculinity in Marvel and DC comic books, and further contribute to the fields of linguistics and gender studies. The subject matter discussed issues around gender identity, masculinity, and visual representation. Currently, there is a lack of literature available on the subject matter of female masculinity in comic books, therefore creating a gap in knowledge about how women are being represented in comic books. The goal of this thesis was to contribute to this knowledge, and in doing so, further adding more knowledge about the subject matter for future researchers in the field. The theoretical framework included a diverse approach of social theories and perspectives, namely: Multimodal Discourse Analysis, Intertextuality, Dialogicality, and Queer Theory. The goals of this thesis were to understand the various modes used in the representation of female masculinity that have evolved over time, and how these modes contribute to developing characters who challenge the traditional gender norms and rules. The data that was used for this thesis was collected from comic books in which female characters are in leading roles, namely Captain Marvel (Carol Danvers) and Wonder Woman. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Biblical Interpretation in the Age of Superheroes by Nicholaus Pumphrey
Biblical Interpretation in the Age of Superheroes By Nicholaus Pumphrey In 1938 Superman literally jumped off the pages of a comic book and into American culture. The world’s strongest and soon to be most famous superhero was created within the context of a nation suffering from the Great Depression and on the verge of entering a global war. How does this super-being impact American culture and does he influence how we read the Bible? Action Comics No. 1, 1938. Within five years, over 70 million people would be reading comic books about Superman or related to him. Superman’s debut in Action Comics #1 was followed by his appearance on radio, in cartoons, and eventually in movies and on television. While comic books have had ups and downs in sales, the superhero related medium has had an undeniable influence on Americans, child and adult alike. The concept of hero has shifted from a larger-than-life, flawed demi-god to a sci-fi, costumed character that can do no wrong. But biblical undertones remain inescapable. Scholars often point to his creators, Jerry Siegel and Joe Shuster, and their Jewish background as a sign that the Bible directly influenced Superman’s creation, and then influenced the readers. Superman’s origin narrative depicts parents of a dying civilization sending their child in a spaceship (a futuristic reed basket) only to grow up and become a savior of another world. The child is also uniquely strong and only stoppable by a single weakness. Siegel himself noted that Samson and other biblical figures played a prominent role in Superman’s development. -
YCJC-Newsletter-Jan-2007
CONGREGATION ETZ CHAIM P.O. BOX 905 KENNEBUNK, ME 04043 JANUARY 2007/5767 York County Jewish Community News Lithograph Available Tri color lithographs of the banner designed for the Saco Museum exhibit will soon be available for purchase. Get more information from our website or express your inter- est in purchasing by writing to <[email protected]> SHALOMAN COMES TO BIDDEFORD Enthusiastic audiences Many of the Hebrew School welcomed Al Wiesner, the creator students have followed his of the first Jewish superhero, adventures by checking out copies Shaloman, to Congregation Etz of the comic books from the Chaim on November 16th. complete collection in our Al traced the beginnings of synagogue library. comic books in America, noting Al Wiesner’s visit was that several of the original artists supported by a grant to Etz Chaim were Jewish. He believes the Community Education by the Sam success of Shaloman followed the L. Cohen Foundation. establishment of the state of -------------------------------------------- Israel, making the world ready for a physically powerful Jewish figure. Shaloman Trivia Responding to the distress call Answers on back page “Oy vay!”, Shaloman emerges from 1. Does Shaloman wear a cape? 5. What is the mountain named? a rocky topped mountain in Israel. 2. What shape is his belt? Why? He is easily identified by his 6. Who is his arch enemy? 3. What is his nickname? rippling muscles, kipa and large 7. Which person in Al Wiesner’s 4. From which letter is he formed? letter Shin on his chest. life looks like this arch enemy? 36 BACON STREET BIDDEFORD, ME <WWW.ETZCHAIMME.ORG> PAGE 1 CONGREGATION ETZ CHAIM P.O. -
A Celebration of Superheroes Virtual Conference 2021 May 01-May 08 #Depaulheroes
1 A Celebration of Superheroes Virtual Conference 2021 May 01-May 08 #DePaulHeroes Conference organizer: Paul Booth ([email protected]) with Elise Fong and Rebecca Woods 2 ACKNOWLEDGMENTS This has been a strange year, to be sure. My appreciation to everyone who has stuck with us throughout the trials and tribulations of the pandemic. The 2020 Celebration of Superheroes was postponed until 2021, and then went virtual – but throughout it all, over 90% of our speakers, both our keynotes, our featured speakers, and most of our vendors stuck with us. Thank you all so much! This conference couldn’t have happened without help from: • The College of Communication at DePaul University (especially Gina Christodoulou, Michael DeAngelis, Aaron Krupp, Lexa Murphy, and Lea Palmeno) • The University Research Council at DePaul University • The School of Cinematic Arts, The Latin American/Latino Studies Program, and the Center for Latino Research at DePaul University • My research assistants, Elise Fong and Rebecca Woods • Our Keynotes, Dr. Frederick Aldama and Sarah Kuhn (thank you!) • All our speakers… • And all of you! Conference book and swag We are selling our conference book and conference swag again this year! It’s all virtual, so check out our website popcultureconference.com to see how you can order. All proceeds from book sales benefit Global Girl Media, and all proceeds from swag benefit this year’s charity, Vigilant Love. DISCORD and Popcultureconference.com As a virtual conference, A Celebration of Superheroes is using Discord as our conference ‘hub’ and our website PopCultureConference.com as our presentation space. While live keynotes, featured speakers, and special events will take place on Zoom on May 01, Discord is where you will be able to continue the conversation spurred by a given event and our website is where you can find the panels. -
John C. Bogle, President, Bogle Financial Markets
Bogle Financial Markets Research Center John C. Bogle, President P.O. Box 2600, V22 Valley Forge, PA 19482 Via Electronic Submission [email protected], File Number 4.606 July 2, 2013 Re: File Number 4-606, Duties ofBrokers, Dealers, and Investment Advisers To: Securities and Exchange Commission, Washington, DC I am the founder (in 1974) of The Vanguard Group oflnvestment Companies (all of which are open-end funds registered under the Investment Company Act of I 940), serving as chief executive from 1974 to 1996; the creator of the first index mutual fund in 1975; the President (since 1999) of Vanguard's Bogle Financial Markets Research Center; and author often books focused largely on the mutual fund industry. I am writing on my personal behalf in support of establishing a uniform standard of fiduciary duty for brokers, dealers, and investment advisers, including advisers to mutual funds. My views do not necessarily reflect the views of Vanguard's present management. I am well aware that SEC Release No. 34-69013 is focused on investment advisers "providing personalized investment advice about securities." But as paragraph I.4. of the staffs discussion notes, in paragraph two, "all investment advisers are fiduciaries to their clients." The amounts of assets advised for clients (shareholders) ofmutual funds are nearly ten times the assets advised ($12 trillion vs. $1.5 trillion) by firms providing personalized investment advice. To focus on the latter group to the exclusion of the much larger former group would leave a yawning gap in SEC regulation that would ill-serve fund investors. -
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G
Virgil, Aeneid 11 (Pallas & Camilla) 1–224, 498–521, 532–96, 648–89, 725–835 G Latin text, study aids with vocabulary, and commentary ILDENHARD INGO GILDENHARD AND JOHN HENDERSON A dead boy (Pallas) and the death of a girl (Camilla) loom over the opening and the closing part of the eleventh book of the Aeneid. Following the savage slaughter in Aeneid 10, the AND book opens in a mournful mood as the warring parti es revisit yesterday’s killing fi elds to att end to their dead. One casualty in parti cular commands att enti on: Aeneas’ protégé H Pallas, killed and despoiled by Turnus in the previous book. His death plunges his father ENDERSON Evander and his surrogate father Aeneas into heart-rending despair – and helps set up the foundati onal act of sacrifi cial brutality that caps the poem, when Aeneas seeks to avenge Pallas by slaying Turnus in wrathful fury. Turnus’ departure from the living is prefi gured by that of his ally Camilla, a maiden schooled in the marti al arts, who sets the mold for warrior princesses such as Xena and Wonder Woman. In the fi nal third of Aeneid 11, she wreaks havoc not just on the batt lefi eld but on gender stereotypes and the conventi ons of the epic genre, before she too succumbs to a premature death. In the porti ons of the book selected for discussion here, Virgil off ers some of his most emoti ve (and disturbing) meditati ons on the tragic nature of human existence – but also knows how to lighten the mood with a bit of drag. -
Kingdoms of Men of All the Noble Peoples, Men Are the Most Numerous
FORCE LISTS KINGDOMS OF MEN Of all the Noble Peoples, men are the most numerous. Men can be found everywhere, from the most verdant valley to the Kingdoms of Men harshest environment, anywhere a living Special Rules can be scratched from the land. In blazing deserts, the frozen north, jungle, plain Alignment: Neutral and mountain, men dwell. They exhibit a Rallying Cry bewildering array of outer forms and skin All units in this list with the Inspiring colour, and the palette of their emotions is rule have the Very Inspiring rule instead equally as varied. Men can be black of heart (already noted in their profile), including or as pure as snow. Men have been known Inspiring granted by other means such as as great Elf Friends, men have been known Magical Artefacts. to embrace and serve the Abyss willingly. Men are anything but predictable. Men were once more inclined to good than men of this time were long-lived and keen- they are now. The Republic of Primovantor minded. Nearly a thousand years after the was the apogee of human civilisation, a republic collapsed, its feats of magic and art grand coalition of nations ruled by an elected have yet to be matched. The Primovantians senate and headed by the High Consul. The learned much from the Elves, and gave them much in return. From their mountain home of Primovantia, the early Primovantians brought as many lands into their Republic by diplomacy as by conquest. All citizens were treated equally under her laws, no matter whether they willingly joined or their country had been defeated in war, and it flourished because of it. -
Primary Sources
1 Works Cited Primary Sources "Code of the Comics Magazine Association Inc." Comics Magazine Association Inc., www.visitthecapitol.gov/exhibitions/artifact/code-comics-magazine-association-america- inc-1954. Accessed 20 Oct. 2019. This website contains photo slides which provided me with pictures of the Comics Code Authority pamphlet (the barrier itself), the senate hearings, and copies of the two letters written by Robert Meridian (the child) and Eugenia Y. Genovar (the parent). I was able to deepen my understanding about the range of perspectives taking a hand in this conversation, therefore adding complexity to the topic itself. Crotty, Rob. "The Congressional Archives NARA Unit Preserves History of Legislation in the House, Senate." The Congressional Archives NARA Unit Preserves History of Legislation in House, Senate, U.S. National Archives and Records Administration, 2009, www.archives.gov/publications/prologue/2009/fall/congressional.html. Accessed 15 Oct. 2019. This is a website which contains photographs from the Subcommittee of Juvenile Delinquency. This was used in the Senate Hearings tab, and provided details to how this testimony was “the nail to the coffin”\s his testimony provoked the committee to justify their suspicions and overall view on the subject matter, to recommend censorship on comic books. 2 “Eisenhower and McCarthy.” PBS, Public Broadcasting Service, www.pbs.org/wgbh/americanexperience/features/eisenhower-politics/.. This website provided a photograph of Joseph Mccarthy, so readers can tie a face to the name repeated throughout the tab of Mccarthyism and the Second Red Scare “Grand Comics Database.” Grand Comics Database, Grand Comics Database, www.comics.org/. This was a database that provided all of the comic book covers in the website.