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UNIT FOUR: Songs of Belonging
UNITUNIT 4 FOUR:Studen t Workbook Songs of Belonging: Jewish/Israeli Songs Student Workbook A curriculum for Israel Engag ement Written by Belrose Maram In collaboration with Gila Ansell Brauner Elisheva Kupferman, Chief Editor Esti-Moskovitz-Kalman, Director of Education 1 UNIT 4 Student Workbook Lesson 1: Classical Poems and Songs Introduction In the first unit we explored the different types of connections that the Jewish People have with Israel. Since the Jews were expelled from the Land of Israel in ancient times, they have endeavored to remember and connect to the land in a variety of ways. The Arts in particular have played a major role in the expression of connection to Israel. It has provided an avenue for expression of yearning for the land, through poems, visual arts, music, etc. Even today, while we have the Modern State of Israel, artists worldwide are still expressing their connection to Israel through art. In the first lesson of this unit, we will learn about 2 poems that were written before the creation of the Modern State of Israel. One is a Psalm from the Bible: “If I forget you, O Jerusalem” and the second is a poem from the medieval period written by Yehuda Halevi: " My Heart is in the East, and I am in the furthermost West ". After analyzing both, we will do a short assignment asking you to reflect on Hatikva , the Israeli Hymn which later became Israel’s National Anthem, applying the themes of yearning you have studied in class to the hymn. " אם אשכך ירושלים ,If I forget you, O, Jerusalem " .1 The poem, If I forget you, O, Jerusalem , is part of Tehillim, Psalm #137, which is attributed to the First Exile, in Babylon, in the 6 th century B.C.E. -
676 Beis Moshiach
676:Beis Moshiach 22/12/2008 8:58 AM Page 3 contents YOSEF’S SHABBOS 4 D’var Malchus TWO SHLUCHIM ACHIEVED WHAT 6 4,000 COULD NOT Terror in Bombay | Rabbi Naftali Estulin YOSEF WAS FORGOTTEN IN PRISON, 10 BUT NOT ME Feature | Nosson Avrohom THE LUBAVITCH LIBRARY FROM ALEF 12 THROUGH TAV Hei Teives | Avrohom Reinitz USA ONE OF THE TEKIOS CHILDREN 744 Eastern Parkway 24 Brooklyn, NY 11213-3409 Stories | Sholom Gurary Tel: (718) 778-8000 Fax: (718) 778-0800 [email protected] www.beismoshiach.org A DIAMOND AMONG DIAMOND 30 EDITOR-IN-CHIEF: DEALERS M.M. Hendel Terror in Bombay | Nosson Avrohom ENGLISH EDITOR: Boruch Merkur [email protected] MIRACLES BROUGHT THEM CLOSE 32 ASSISTANT EDITOR: Miracle Story | Nosson Avrohom Dr. Aryeh Gotfryd HEBREW EDITOR: Rabbi Sholom Yaakov Chazan [email protected] 9TH EUROPEAN MOSHIACH CONGRESS 36 Beis Moshiach (USPS 012-542) ISSN 1082- A TREMENDOUS SUCCESS 0272 is published weekly, except Jewish News holidays (only once in April and October) for $160.00 in Crown Heights, Brooklyn and in all other places for $180.00 per year (45 issues), by Beis Moshiach, 744 Eastern Parkway, Brooklyn, NY 11213-3409. Periodicals postage paid at Brooklyn, NY and additional offices. Postmaster: send address changes to Beis Moshiach 744 Eastern Parkway, Brooklyn, NY 11213-3409. Copyright 2008 by Beis Moshiach, Inc. Beis Moshiach is not responsible for the content of the advertisements. 676:Beis Moshiach 22/12/2008 8:58 AM Page 4 d’var malchus prescription for Redemption applies even if the Jewish people observe Shabbos properly only YOSEFS once, being careful about the laws and its details just one time. -
Matisyahu, Identity, and Authenticity by Sarah Imhoff on August
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks The Man in Black: Matisyahu, Identity, and Authenticity By Sarah Imhoff On August 6, 2006, thousands of fans at Chicago’s Lollapalooza music festival danced to reggae in the sweltering heat under the sun. The performer wore black pants and a gray long- sleeve collared shirt in spite of the heat. Instead of dreadlocks or a knit cap, he sported a full beard and a yarmulke. White fringes hung down in front of his pants, next to the badge identifying him as a performer. At one point, during a joyful frenzy of onstage dancing, his yarmulke came flying off. Without missing a beat, he took the nearby white towel—provided to performers for wiping away sweat—and held it atop his head with his left hand while his right hand held the microphone. He did not want to stop the show, but he also needed to ensure that his head would not be bare. The crowd had surprises, too: instead of a sea of red, green, and black Jamaican flags, as one might expect to see at a reggae show, this crowd had a smattering of white-and-blue Israeli flags. Some sang along with lyrics that called to “Hashem” and made allusions to the Torah. The crowd was a mixture of fans and others who might best be described as gawkers: Was he for real? Who was this observant Jew singing reggae and calling for “Moshiah now”? But one could also ask questions about most of the people watching: Why should a crowd of young, mostly secular pop-music listeners care about a Hasidic Jew? Was it just about the novelty? Critics and fans have already written much about the life, music, and performance of Matisyahu, the most prominent Hasidic reggae musician, and his visibility is still growing. -
Matisyahu – Light (2009)
Matisyahu – Light (2009) Written by bluesever Friday, 26 February 2010 17:39 - Last Updated Friday, 21 April 2017 09:10 Matisyahu – Light (2009) 01. Smash Lies 02. We Will Walk 03. One Day 04. Escape 05. So Hi So Lo 06. I Will Be Light 07. For You 08. On Nature 09. Motivate 10. Struggla 11. Darkness Into Light 12. Thunder 13. Silence Those who know Matisyahu only as “that Jewish reggae singer” will have to rethink their definitions. Matisyahu’s faith is as much a part of his music as ever, but no style dominates his third album, Light, which moves between reggae, dance hall, hip-hop, and rock (of both hard-edged and acoustic varieties), often within the same song. Matisyahu’s refusal to heed the constraints of genre is laudable. But by the time “So Hi So Lo,” a straightforward alt-rock banger with no appreciable reggae or hip-hop influence, kicks in, one begins to suspect that the artist’s able genre-switching reveals a deeper lack of confidence. Matisyahu, it seems, piles on the stylistic shifts and production gimmicks because few of his ideas are strong enough to build entire tracks around. While working his broad sonic palette with ingenuity and verve, he sacrifices the opportunity to develop a sound that is truly his own. Light ends up with exciting moments, but few memorable songs. 1 / 3 Matisyahu – Light (2009) Written by bluesever Friday, 26 February 2010 17:39 - Last Updated Friday, 21 April 2017 09:10 It’s not that Matisyahu wasted two years in the studio. -
Reinventing American Jewish Identity Through Hip Hop
University of Pennsylvania ScholarlyCommons Undergraduate Humanities Forum 2009-2010: Penn Humanities Forum Undergraduate Connections Research Fellows 4-2010 Sampling the Shtetl: Reinventing American Jewish Identity through Hip Hop Meredith R. Aska McBride University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/uhf_2010 Part of the Arts and Humanities Commons Aska McBride, Meredith R., "Sampling the Shtetl: Reinventing American Jewish Identity through Hip Hop" (2010). Undergraduate Humanities Forum 2009-2010: Connections. 1. https://repository.upenn.edu/uhf_2010/1 Suggested Citation: Aska McBride, Meredith. (2010). "Sampling the Shtetl: Reinventing American Jewish Identity through Hip Hop." 2009-2010 Penn Humanities Forum on Connections. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/uhf_2010/1 For more information, please contact [email protected]. Sampling the Shtetl: Reinventing American Jewish Identity through Hip Hop Disciplines Arts and Humanities Comments Suggested Citation: Aska McBride, Meredith. (2010). "Sampling the Shtetl: Reinventing American Jewish Identity through Hip Hop." 2009-2010 Penn Humanities Forum on Connections. This other is available at ScholarlyCommons: https://repository.upenn.edu/uhf_2010/1 0 Sampling the Shtetl Reinventing American Jewish Identity through Hip Hop Meredith R. Aska McBride 2009–2010 Penn Humanities Forum Undergraduate Mellon Research Fellowship Penn Humanities Forum Mellon Undergraduate Research Fellowship, -
Matisyahu, The
by Dan Alleva By now, most “It showed me people know Matthew Paul Miller as a new Matisyahu, the z American-born perspective, z Hasidic Jewish reggae artist who a different u emerged on the version of scene in 2004 as b an interesting Judaism than character in the world of reggae and alternative I had been music. Matisyahu’s music, and his fan-base, is more similar exposed to. to that of bands like 311 and Sublime, than it is of a pure roots reggae origin, I saw something and—right or wrong—his devotion to beautiful there.” Hasidic Judaism is what has made him stand out in the mainstream, more so than has his music. I was starving for spiritual experience. It’s also not hard to find Matisyahu’s Also, I know that you are a fellow persona a little complex. Recently, during Brooklynite. What is special about the an exchange of emails, I gave Matisyahu Brooklyn community for you? an opportunity to open up to readers and Just moved to L.A., sorry. Brooklyn is share his thoughts on the world. But to still my fav [ sic ] though… love the my disappointment, I found him neighborhood aspect to it. suspiciously mum on topics of interest Recently, there was an incident that to people. In fact, prior to our exchange, involved a young Hasid and the son of a NYC police officer, which caused some controversy both in the news “First show was and the Crown Heights community. I wonder, in times such as these, how Worcester, MA, do you remain so positive? [I] didn’t know about it… don’t watch winter 1995 or [the] news much. -
Off the Hook
BROOKLYN’S REAL NEWSPAPERS Including The Brooklyn Heights Paper, Carroll Gardens-Cobble Hill Paper, DUMBO Paper and the Downtown News Published every Saturday — online all the time — by Brooklyn Paper Publications Inc, 55 Washington St, Suite 624, Brooklyn NY 11201. Phone 718-834-9350 • www.BrooklynPapers.com • © 2005 Brooklyn Paper Publications • 18 pages •Vol. 28, No. 16 BWN • Saturday, April 16, 2005 • FREE OFF THE HOOK City pushes for working waterfront — in Jersey By Jess Wisloski The Brooklyn Papers Atop official with a German shipping company that took its $1.6 billion trade deal to New Jersey after first considering Brooklyn’s port, said this week that the deci- sion came down to the city’s refusal to back the Red Hook port’s existence. “There’s usually other factors Associated Press that are in play, but it is correct Brooklyn Dodgers Duke Snider and Don Newcomb celebrate Dem Bums’ vic- that the lack of a long-term lease tory over the New York Yankees in the 1955 World Series. agreement affected our deci- sion,” Rainer Dehe, chief of op- erations for the international shipping company Hamburg Sud told the Brooklyn Papers this week. The company had hoped to ship to Brooklyn for the next five years at the Red Dodgers’ Hook piers operated by Ameri- can Stevedoring Inc. (ASI), promising the creation of 400 jobs here, he said. The Brooklyn Papers first re- ported last week that the compa- / Xinhua, Fan Changguo ny instead signed a contract with a port in Bayonne, N.J., after pennant city Economic Development Corporation officials refused to Associated Press guarantee that the Red Hook port would remain open through 2009. -
737 B Beis Moshiach
contents CONCEIVING NEW LIFE 4 D’var Malchus | Sichos In English MOSHIACH: VICTORY AT ALL COSTS 6 Thought | Rabbi Zvi Homnick FUNDING THE REBBE’S EXODUS 10 Memoirs | Rabbi Schneur Zalman Chanin WE CAN DO IT - WITH THE REBBE’S 16 KO’ACH! Moshiach & Geula | Rabbi Boaz Kali ‘MY SOUL IS BOUND WITH HIS SOUL’ 22 2 Iyar | N. Sofer USA 744 Eastern Parkway Brooklyn, NY 11213-3409 Tel: (718) 778-8000 Fax: (718) 778-0800 LOST ORPHANS RETURN TO LUBAVITCH [email protected] 26 www.beismoshiach.org [CONT.] EDITOR-IN-CHIEF: Feature | Shneur Zalman Berger M.M. Hendel ENGLISH EDITOR: SHLICHUS STORIES Boruch Merkur Shlichus | Rabbi Yaakov Shmuelevitz HEBREW EDITOR: 29 Rabbi Sholom Yaakov Chazan [email protected] OF FACTS AND FEELINGS 32 Moshiach & Science | Dr. Aryeh Gotfryd Beis Moshiach (USPS 012-542) ISSN 1082- 0272 is published weekly, except Jewish holidays (only once in April and October) for $160.00 in Crown Heights, Brooklyn and in all other places for $180.00 per year (45 ‘WHO DOESN’T LOVE THE REBBE?’ issues), by Beis Moshiach, 744 Eastern 34 Shlichus | Nosson Avrohom Parkway, Brooklyn, NY 11213-3409. Periodicals postage paid at Brooklyn, NY and additional offices. Postmaster: send address changes to Beis Moshiach 744 Eastern Parkway, Brooklyn, NY 11213-3409. NETANYAHU’S GHETTO: Copyright 2010 by Beis Moshiach, Inc. 40 Beis Moshiach is not responsible for the YERUSHALAYIM content of the advertisements. Shleimus HaAretz | Raanan Isseroff d’var malchus In an ultimate sense, the fruit of the seeds will be the Redemption, the era when the G-dliness invested CONCEIVING in the world through the Divine service of the Jewish people for thousands of years will flourish in overt revelation. -
Matisyahu Youth Mp3, Flac, Wma
Matisyahu Youth mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Youth Country: UK Released: 2006 MP3 version RAR size: 1997 mb FLAC version RAR size: 1953 mb WMA version RAR size: 1357 mb Rating: 4.2 Votes: 128 Other Formats: MIDI MMF MP4 VOX DTS MPC AU Tracklist 1 Fire of Heaven/Altar Of Earth 2 Youth 3 Time Of Your Song 4 Dispatch The Troops 5 Indestructible 6 What I'm Fighting For 7 Jerusalem 8 WP 9 Shalom/Saalam 10 Late Night In Zion 11 Unique Is My Dove 12 Acient Lullaby 13 King Without A Crown Notes Promo issued in a plastic sleeve with a two page colour paper insert. Album cover art is quite digitised/pixelated. Track 10 is printed as 'Late Night In zion'. Track 12 is printed as 'Acient Lullaby'. From the disc; RELEASE DATE: 8TH MAY 2006 MATISYAHU Youth The Album Barcode and Other Identifiers Mould SID Code: IFPI ED62 Other (Number Molded In Centre Plastic): SE31453081810 Other (Holographic/Etch On Inner Playing Surface): CD-R 80 UG SCR39803 E04 Other versions Title Category Artist Label Category Country Year (Format) Youth (CD, 8 2876-81428-2 Matisyahu Epic 8 2876-81428-2 US 2006 Album) Epic, Sony BMG 8 2876-80995-4, 8 Youth (Cass, 8 2876-80995-4, 8 Matisyahu Music Indonesia 2006 2876-80995-44 Album) 2876-80995-44 Entertainment Youth (CD, Epic, Or Music, 828768099520 Matisyahu 828768099520 Mexico 2006 Album) JDub Records Youth (CD, 8 2796-97695-2 Matisyahu Epic 8 2796-97695-2 US 2006 Album, Club) Youth (2xLP, 82796 97695 1 Matisyahu Epic 82796 97695 1 US 2006 Ltd) Related Music albums to Youth by Matisyahu Logan Locking - Youth Are Louder At Night Youth Mass - Youth Mass Matisyahu - Light Youth Man - Youth Dreadzone - Captain Dread / Zion Youth (Underworld Mixes) Reagan Youth - Youth Anthems For The New Order Sonic Youth - Sonic Youth Compile Matisyahu - King Without A Crown Malignus Youth - crisis Knifed / Bastard Youth - Fuck You / Bastard Youth Untamed Youth - Untamed Youth Sonic Youth - Late Show W/David Letterman 5/17/94. -
Learning WEEK High Holy Days Sunday 11:00 Am — Pirkei Avos with Rabbi Aaron Raskin Rosh Hashana Begins Mon- Day Night, Sept
ב״ה First Edition CONGREGATION BNAI AVRAHAM of Brooklyn Heights NEWSLETTER Parashat Ki Teitzei • Aug 20-27 2021 • Elul 12-19 5781 Reserve your THIS seats for the Learning WEEK High Holy Days Sunday 11:00 am — Pirkei Avos with Rabbi Aaron Raskin Rosh Hashana begins Mon- day night, Sept. 6. Now’s the Monday 8:15 pm — Daf Yomi time to reserve seats or renew Meets Monday, Thursday and Saturday. No previous Talmud study nec- your shul membership (which essary, and a free Daf with English explanations is available online. New includes High Holy Day seats). participants (men and women) are welcome. For links to the Daf Yomi For membership and seat links, group’s Google Meet, email: [email protected]. (Put Daf in subject line). visit BnaiAvraham.org Tuesday 8:15 pm Parsha of the Week with Rabbi Moshe Hubner For an invitation to this online class, write: [email protected] Wednesday 9:15 am Parsha of the Week with Rabbi Aaron Raskin Thursday 9:30 am At B’nai Avraham and on Zoom Maamarim Chassidus with text Motzei Shabbat, Aug 28, Midnight with Rabbi Aaron Raskin Thursday 8:15 pm — Daf Yomi See Monday WEEKDAY TEFILLAH Saturday 9:00 pm — Havdalah SHACHARIT and Living Torah video Sunday 8:45 am Saturday 9:30 pm — Daf Yomi Monday thru Friday 7:45 am See Monday MINCHA followed by MAARIV Zooms (except Daf Yomi which is on Google Meets). Sunday thru Thursday 7:25 pm Zoom link: bit.ly/3xV9QqM Zoom Meeting ID: 856 8776 4369. Passcode: 613 THIS SHABBAT NEXT SHABBAT (Aug 20-21) (Aug 27-28) Parashat Ki Teitzei Parashat Ki Tavo Candlelighting 7:29 pm Candlelighting 7:18 pm Mincha-Maariv 7:30 pm Mincha-Maariv 7:25 pm Sat Early Minyan 8 am Sat Early Minyan 8 am Sat Main Minyan 10 am Sat Main Minyan 10 am Sat Mincha-Maariv7:30 pm Sat Mincha-Maariv 7:25 pm Havdalah 8:36 pm Havdalah 8:25 pm Kiddush, which follows each minyan, Selichot Midnight is sponsored by Enid Myers in honor of her daughter Mia Scharphie’s visit and recent marriage to Aaron Voldman, and by Rivolye Alex . -
American Jewish Masculinity and the Jewish Defense League
“Is this Any Way for Nice Jewish Boys to Behave?” American Jewish Masculinity and the Jewish Defense League Avraham Refael Sholkoff A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF HISTORY UNIVERSITY OF MICHIGAN April 8, 2019 Advised by Professor Deborah Dash Moore For all those who say they can’t. You can. Just go for it. Push through. 2 TABLE OF CONTENTS Figures 4 Acknowledgements 5 Introduction 8 Chapter One: The Circumstances, City and Community that led to the JDL 18 Chapter Two: The JDL’s representation of American Jewish Masculinity 45 Chapter Three: How the JDL’s Actions Transformed American Jewish Masculinity 71 Conclusion 100 Bibliography 109 3 FIGURES Figure 1: The Jewish Defense League’s New York Times advertisement, June 24, 1969 7 Figure 2: Meir Kahane, JDL founder, pictured in his New York City office. 44 Figure 3: The central characters from Judd Apatow’s film “Knocked Up.” 98 Figure 4: Sergeant Donny Donowitz from “Inglorious Basterds.” 99 4 ACKNOWLEDGEMENTS This thesis was a year-and-a-half long effort that at times proved incredibly challenging yet ultimately was immensely rewarding and satisfying. A number of people contributed to the tremendous relief and accomplishment that I’m feeling right now and I will thank them here. Firstly, to my History of American South Professor Stephen Berrey, who in an email from June 1, 2017 recommended I apply to the History Honors Program. Without this email from Professor Berrey, there is likely no honors thesis. I must thank my advisor, Deborah Dash Moore who supported me from our initial meeting back in October of 2017, in which I had hoped to write a thesis about Jewish summer camps. -
Stu Brooks – Primary Wave Music
STU BROOKS instagram.com/stubassiebrooks/ facebook.com/stu.brooks.33 open.spotify.com/playlist/1eRXBTPWtjQ2hiGP9eSSNZ Bass reverberates through the body. The reaction to those root notes and grooves actually manifests physically. Two-time GRAMMY® Award-nominated bassist, producer, songwriter, and Dub Trio CoFounder Stu Brooks beckons this response every time he picks up a bass. Sharing the stage or the studio with everyone from Academy® Award winner Lady Gaga, Danny Elfman, Lauryn Hill, 50 Cent, and Mary J. Blige to Mike Patton, Pretty Lights, Mark Guiliana, Slick Rick, and even a posthumous recording for Tupac Shakur, his playing reverberates on an emotional and spiritual level. “I think of it as getting hit with a massive telephone pole to the point where it changes your molecules and affects your body,” he grins. “It takes the wind out of your lungs. I like changing the air in a space. There’s nothing like the reaction when people are struck with sound. I love to play with emotion, but it also has to be a physical experience.” Among his earliest memories as a kid in Toronto, he recalls picking up piano at the age of five. Embracing music from this point on, he tried bass at 13-years-old and never put it down. He eventually caught the attention of Rock And Roll Hall Of Fame bassist Prakash John [Parliament-Funkadelic, Lou Reed, Alice Cooper] who quickly became a mentor. By sixteen, Stu had hit the local club circuit in Toronto, accompanying numerous rock and funk acts. After a summer session at Berklee College of Music on scholarship, he petitioned his high school for early graduation in order to attend Berklee after notably receiving a substantial international scholarship.