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UNIT FOUR: Songs of Belonging
UNITUNIT 4 FOUR:Studen t Workbook Songs of Belonging: Jewish/Israeli Songs Student Workbook A curriculum for Israel Engag ement Written by Belrose Maram In collaboration with Gila Ansell Brauner Elisheva Kupferman, Chief Editor Esti-Moskovitz-Kalman, Director of Education 1 UNIT 4 Student Workbook Lesson 1: Classical Poems and Songs Introduction In the first unit we explored the different types of connections that the Jewish People have with Israel. Since the Jews were expelled from the Land of Israel in ancient times, they have endeavored to remember and connect to the land in a variety of ways. The Arts in particular have played a major role in the expression of connection to Israel. It has provided an avenue for expression of yearning for the land, through poems, visual arts, music, etc. Even today, while we have the Modern State of Israel, artists worldwide are still expressing their connection to Israel through art. In the first lesson of this unit, we will learn about 2 poems that were written before the creation of the Modern State of Israel. One is a Psalm from the Bible: “If I forget you, O Jerusalem” and the second is a poem from the medieval period written by Yehuda Halevi: " My Heart is in the East, and I am in the furthermost West ". After analyzing both, we will do a short assignment asking you to reflect on Hatikva , the Israeli Hymn which later became Israel’s National Anthem, applying the themes of yearning you have studied in class to the hymn. " אם אשכך ירושלים ,If I forget you, O, Jerusalem " .1 The poem, If I forget you, O, Jerusalem , is part of Tehillim, Psalm #137, which is attributed to the First Exile, in Babylon, in the 6 th century B.C.E. -
Profile ‘It’S About Something Much Bigger Than You!’
PROFILE ‘IT’S ABOUT SOMETHING MUCH BIGGER THAN YOU!’ EXCLUSIVE INTERVIEW BY BORUCH MERKUR WRITTEN BY CHANA KATZ Friday afternoon. Music superstar enters and immediately starts to sing moving in their seats, if you can Matisyahu is being trailed by a a melody, “Dum, dum, dum, dum, imagine. The audience is ignited. reporter from one of America’s most dah, dah...” and then vocalizes a Matisyahu finishes, gives a shy prominent newspapers, The series of sounds that sizzle and but appreciative smile and is ushered Washington Post. Erev Shabbos and explode into song. into the interview seat. Taking in his the reporter is barely keeping pace The cameras occasionally flash on Chasidic composure, the host asks with the Chassid as he navigates the the crowd in the audience and no one with great interest, “How did you streets of New York City. is sitting still. Everyone is literally become this rapper?! The article is published with the Matisyahu smiles and says, headline, “Funny, He Doesn’t Look “Basically, I wasn’t always religious. I Jamaican!” referring to the reggae A SIGN THAT GEULA IS NEAR! was raised in a non-Orthodox Jewish roots of his music. Still, the essence family and listened to reggae like any “The success of Matisyahu is of the story is G-dliness. “Matisyahu high school kid.” does this (gives up Shabbos nothing short of pure G-dliness performances, etc.) because, as he and certainly the work of the Host: “You get criticism from the sees it, he has what he had because Rebbe MH”M. -
Matisyahu, Identity, and Authenticity by Sarah Imhoff on August
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by IUScholarWorks The Man in Black: Matisyahu, Identity, and Authenticity By Sarah Imhoff On August 6, 2006, thousands of fans at Chicago’s Lollapalooza music festival danced to reggae in the sweltering heat under the sun. The performer wore black pants and a gray long- sleeve collared shirt in spite of the heat. Instead of dreadlocks or a knit cap, he sported a full beard and a yarmulke. White fringes hung down in front of his pants, next to the badge identifying him as a performer. At one point, during a joyful frenzy of onstage dancing, his yarmulke came flying off. Without missing a beat, he took the nearby white towel—provided to performers for wiping away sweat—and held it atop his head with his left hand while his right hand held the microphone. He did not want to stop the show, but he also needed to ensure that his head would not be bare. The crowd had surprises, too: instead of a sea of red, green, and black Jamaican flags, as one might expect to see at a reggae show, this crowd had a smattering of white-and-blue Israeli flags. Some sang along with lyrics that called to “Hashem” and made allusions to the Torah. The crowd was a mixture of fans and others who might best be described as gawkers: Was he for real? Who was this observant Jew singing reggae and calling for “Moshiah now”? But one could also ask questions about most of the people watching: Why should a crowd of young, mostly secular pop-music listeners care about a Hasidic Jew? Was it just about the novelty? Critics and fans have already written much about the life, music, and performance of Matisyahu, the most prominent Hasidic reggae musician, and his visibility is still growing. -
Matisyahu – Light (2009)
Matisyahu – Light (2009) Written by bluesever Friday, 26 February 2010 17:39 - Last Updated Friday, 21 April 2017 09:10 Matisyahu – Light (2009) 01. Smash Lies 02. We Will Walk 03. One Day 04. Escape 05. So Hi So Lo 06. I Will Be Light 07. For You 08. On Nature 09. Motivate 10. Struggla 11. Darkness Into Light 12. Thunder 13. Silence Those who know Matisyahu only as “that Jewish reggae singer” will have to rethink their definitions. Matisyahu’s faith is as much a part of his music as ever, but no style dominates his third album, Light, which moves between reggae, dance hall, hip-hop, and rock (of both hard-edged and acoustic varieties), often within the same song. Matisyahu’s refusal to heed the constraints of genre is laudable. But by the time “So Hi So Lo,” a straightforward alt-rock banger with no appreciable reggae or hip-hop influence, kicks in, one begins to suspect that the artist’s able genre-switching reveals a deeper lack of confidence. Matisyahu, it seems, piles on the stylistic shifts and production gimmicks because few of his ideas are strong enough to build entire tracks around. While working his broad sonic palette with ingenuity and verve, he sacrifices the opportunity to develop a sound that is truly his own. Light ends up with exciting moments, but few memorable songs. 1 / 3 Matisyahu – Light (2009) Written by bluesever Friday, 26 February 2010 17:39 - Last Updated Friday, 21 April 2017 09:10 It’s not that Matisyahu wasted two years in the studio. -
Reinventing American Jewish Identity Through Hip Hop
University of Pennsylvania ScholarlyCommons Undergraduate Humanities Forum 2009-2010: Penn Humanities Forum Undergraduate Connections Research Fellows 4-2010 Sampling the Shtetl: Reinventing American Jewish Identity through Hip Hop Meredith R. Aska McBride University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/uhf_2010 Part of the Arts and Humanities Commons Aska McBride, Meredith R., "Sampling the Shtetl: Reinventing American Jewish Identity through Hip Hop" (2010). Undergraduate Humanities Forum 2009-2010: Connections. 1. https://repository.upenn.edu/uhf_2010/1 Suggested Citation: Aska McBride, Meredith. (2010). "Sampling the Shtetl: Reinventing American Jewish Identity through Hip Hop." 2009-2010 Penn Humanities Forum on Connections. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/uhf_2010/1 For more information, please contact [email protected]. Sampling the Shtetl: Reinventing American Jewish Identity through Hip Hop Disciplines Arts and Humanities Comments Suggested Citation: Aska McBride, Meredith. (2010). "Sampling the Shtetl: Reinventing American Jewish Identity through Hip Hop." 2009-2010 Penn Humanities Forum on Connections. This other is available at ScholarlyCommons: https://repository.upenn.edu/uhf_2010/1 0 Sampling the Shtetl Reinventing American Jewish Identity through Hip Hop Meredith R. Aska McBride 2009–2010 Penn Humanities Forum Undergraduate Mellon Research Fellowship Penn Humanities Forum Mellon Undergraduate Research Fellowship, -
Matisyahu, The
by Dan Alleva By now, most “It showed me people know Matthew Paul Miller as a new Matisyahu, the z American-born perspective, z Hasidic Jewish reggae artist who a different u emerged on the version of scene in 2004 as b an interesting Judaism than character in the world of reggae and alternative I had been music. Matisyahu’s music, and his fan-base, is more similar exposed to. to that of bands like 311 and Sublime, than it is of a pure roots reggae origin, I saw something and—right or wrong—his devotion to beautiful there.” Hasidic Judaism is what has made him stand out in the mainstream, more so than has his music. I was starving for spiritual experience. It’s also not hard to find Matisyahu’s Also, I know that you are a fellow persona a little complex. Recently, during Brooklynite. What is special about the an exchange of emails, I gave Matisyahu Brooklyn community for you? an opportunity to open up to readers and Just moved to L.A., sorry. Brooklyn is share his thoughts on the world. But to still my fav [ sic ] though… love the my disappointment, I found him neighborhood aspect to it. suspiciously mum on topics of interest Recently, there was an incident that to people. In fact, prior to our exchange, involved a young Hasid and the son of a NYC police officer, which caused some controversy both in the news “First show was and the Crown Heights community. I wonder, in times such as these, how Worcester, MA, do you remain so positive? [I] didn’t know about it… don’t watch winter 1995 or [the] news much. -
Matisyahu Youth Mp3, Flac, Wma
Matisyahu Youth mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Youth Country: UK Released: 2006 MP3 version RAR size: 1997 mb FLAC version RAR size: 1953 mb WMA version RAR size: 1357 mb Rating: 4.2 Votes: 128 Other Formats: MIDI MMF MP4 VOX DTS MPC AU Tracklist 1 Fire of Heaven/Altar Of Earth 2 Youth 3 Time Of Your Song 4 Dispatch The Troops 5 Indestructible 6 What I'm Fighting For 7 Jerusalem 8 WP 9 Shalom/Saalam 10 Late Night In Zion 11 Unique Is My Dove 12 Acient Lullaby 13 King Without A Crown Notes Promo issued in a plastic sleeve with a two page colour paper insert. Album cover art is quite digitised/pixelated. Track 10 is printed as 'Late Night In zion'. Track 12 is printed as 'Acient Lullaby'. From the disc; RELEASE DATE: 8TH MAY 2006 MATISYAHU Youth The Album Barcode and Other Identifiers Mould SID Code: IFPI ED62 Other (Number Molded In Centre Plastic): SE31453081810 Other (Holographic/Etch On Inner Playing Surface): CD-R 80 UG SCR39803 E04 Other versions Title Category Artist Label Category Country Year (Format) Youth (CD, 8 2876-81428-2 Matisyahu Epic 8 2876-81428-2 US 2006 Album) Epic, Sony BMG 8 2876-80995-4, 8 Youth (Cass, 8 2876-80995-4, 8 Matisyahu Music Indonesia 2006 2876-80995-44 Album) 2876-80995-44 Entertainment Youth (CD, Epic, Or Music, 828768099520 Matisyahu 828768099520 Mexico 2006 Album) JDub Records Youth (CD, 8 2796-97695-2 Matisyahu Epic 8 2796-97695-2 US 2006 Album, Club) Youth (2xLP, 82796 97695 1 Matisyahu Epic 82796 97695 1 US 2006 Ltd) Related Music albums to Youth by Matisyahu Logan Locking - Youth Are Louder At Night Youth Mass - Youth Mass Matisyahu - Light Youth Man - Youth Dreadzone - Captain Dread / Zion Youth (Underworld Mixes) Reagan Youth - Youth Anthems For The New Order Sonic Youth - Sonic Youth Compile Matisyahu - King Without A Crown Malignus Youth - crisis Knifed / Bastard Youth - Fuck You / Bastard Youth Untamed Youth - Untamed Youth Sonic Youth - Late Show W/David Letterman 5/17/94. -
Fine Judaica: Printed Books, Manuscripts, Holy Land Maps & Ceremonial Objects, to Be Held June 23Rd, 2016
F i n e J u d a i C a . printed booKs, manusCripts, holy land maps & Ceremonial obJeCts K e s t e n b au m & C om pa n y thursday, Ju ne 23r d, 2016 K est e n bau m & C o m pa ny . Auctioneers of Rare Books, Manuscripts and Fine Art A Lot 147 Catalogue of F i n e J u d a i C a . PRINTED BOOK S, MANUSCRIPTS, HOLY LAND MAPS & CEREMONIAL OBJECTS INCLUDING: Important Manuscripts by The Sinzheim-Auerbach Rabbinic Dynasty Deaccessions from the Rare Book Room of The Hebrew Theological College, Skokie, Ill. Historic Chabad-related Documents Formerly the Property of the late Sam Kramer, Esq. Autograph Letters from the Collection of the late Stuart S. Elenko Holy Land Maps & Travel Books Twentieth-Century Ceremonial Objects The Collection of the late Stanley S. Batkin, Scarsdale, NY ——— To be Offered for Sale by Auction, Thursday, 23rd June, 2016 at 3:00 pm precisely ——— Viewing Beforehand: Sunday, 19th June - 12:00 pm - 6:00 pm Monday, 20th June - 10:00 am - 6:00 pm Tuesday, 21st June - 10:00 am - 6:00 pm Wednesday, 22nd June - 10:00 am - 6:00 pm No Viewing on the Day of Sale This Sale may be referred to as: “Consistoire” Sale Number Sixty Nine Illustrated Catalogues: $38 (US) * $45 (Overseas) KESTENBAUM & COMPANY Auctioneers of Rare Books, Manuscripts and Fine Art . 242 West 30th Street, 12th Floor, New York, NY 10001 • Tel: 212 366-1197 • Fax: 212 366-1368 E-mail: [email protected] • World Wide Web Site: www.Kestenbaum.net K est e n bau m & C o m pa ny . -
Ben-Gurion University of the Negev בגנב ןוירוג-ןב תטיסרבינוא
Big Impact from a small group of Dedicated 20 PRESIDENT'S People 11 REPORT אוניברסיטת בן-גוריון בנגב BEN-GURION UNIVERSITY OF THE NEGEV Community Outreach 56 From the Vice-President for External Affairs 14 Table From the Chairman 4 From the President 5 Academic Development 6 Research and Development 8 From the V.P. and Director-General 12 From the V.P. for External Affairs 14 Senior Administration 16 Big Impact 18 at the Nano Level 20 at the Micro Level 24 on the Community 28 of ©ontents in the Region 32 on the Country 36 on the World 40 on Cyberspace 44 on Universal Values 48 New and Noteworthy 52 Community Outreach 56 Student Life 58 Partners in Development 61 Board of Governors 85 Associates Organizations 88 Community Outreach 56 Student life 58 New and AssociatesNoteworthy Organizations 52 81 Universe – Zionism/literature/jewishPartners studies 48in Development 66 Partners in Development 66 Development in Partners New and Noteworthy 52 Noteworthy and New Associates Organizations 81 Organizations Associates Community Outreach 56 Outreach Community Board of Governors listing 78 listing Governors of Board www.Image2u.co.il Concept and Design: Design: and Concept Dani Machlis Dani Photos: Photos: Liat Mhadipour Liat Production: Production: Jacqueline Watson-Alloun Jacqueline Jeff Green Jeff , , Translation: and Research Ian Tick Tick Ian Copy writer: writer: Copy Faye Bittker Bittker Faye Editor: Editor: Jill Ben-Dor Jill , Director Director , Donor and Associate Affairs Associate and Donor In coordination with the Department of of Department -
American Jewish Masculinity and the Jewish Defense League
“Is this Any Way for Nice Jewish Boys to Behave?” American Jewish Masculinity and the Jewish Defense League Avraham Refael Sholkoff A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF HISTORY UNIVERSITY OF MICHIGAN April 8, 2019 Advised by Professor Deborah Dash Moore For all those who say they can’t. You can. Just go for it. Push through. 2 TABLE OF CONTENTS Figures 4 Acknowledgements 5 Introduction 8 Chapter One: The Circumstances, City and Community that led to the JDL 18 Chapter Two: The JDL’s representation of American Jewish Masculinity 45 Chapter Three: How the JDL’s Actions Transformed American Jewish Masculinity 71 Conclusion 100 Bibliography 109 3 FIGURES Figure 1: The Jewish Defense League’s New York Times advertisement, June 24, 1969 7 Figure 2: Meir Kahane, JDL founder, pictured in his New York City office. 44 Figure 3: The central characters from Judd Apatow’s film “Knocked Up.” 98 Figure 4: Sergeant Donny Donowitz from “Inglorious Basterds.” 99 4 ACKNOWLEDGEMENTS This thesis was a year-and-a-half long effort that at times proved incredibly challenging yet ultimately was immensely rewarding and satisfying. A number of people contributed to the tremendous relief and accomplishment that I’m feeling right now and I will thank them here. Firstly, to my History of American South Professor Stephen Berrey, who in an email from June 1, 2017 recommended I apply to the History Honors Program. Without this email from Professor Berrey, there is likely no honors thesis. I must thank my advisor, Deborah Dash Moore who supported me from our initial meeting back in October of 2017, in which I had hoped to write a thesis about Jewish summer camps. -
Stu Brooks – Primary Wave Music
STU BROOKS instagram.com/stubassiebrooks/ facebook.com/stu.brooks.33 open.spotify.com/playlist/1eRXBTPWtjQ2hiGP9eSSNZ Bass reverberates through the body. The reaction to those root notes and grooves actually manifests physically. Two-time GRAMMY® Award-nominated bassist, producer, songwriter, and Dub Trio CoFounder Stu Brooks beckons this response every time he picks up a bass. Sharing the stage or the studio with everyone from Academy® Award winner Lady Gaga, Danny Elfman, Lauryn Hill, 50 Cent, and Mary J. Blige to Mike Patton, Pretty Lights, Mark Guiliana, Slick Rick, and even a posthumous recording for Tupac Shakur, his playing reverberates on an emotional and spiritual level. “I think of it as getting hit with a massive telephone pole to the point where it changes your molecules and affects your body,” he grins. “It takes the wind out of your lungs. I like changing the air in a space. There’s nothing like the reaction when people are struck with sound. I love to play with emotion, but it also has to be a physical experience.” Among his earliest memories as a kid in Toronto, he recalls picking up piano at the age of five. Embracing music from this point on, he tried bass at 13-years-old and never put it down. He eventually caught the attention of Rock And Roll Hall Of Fame bassist Prakash John [Parliament-Funkadelic, Lou Reed, Alice Cooper] who quickly became a mentor. By sixteen, Stu had hit the local club circuit in Toronto, accompanying numerous rock and funk acts. After a summer session at Berklee College of Music on scholarship, he petitioned his high school for early graduation in order to attend Berklee after notably receiving a substantial international scholarship. -
Student Union Racking up Costs Will Be a Versatile Addition to Campus, Able to Hold a Wide Range of Different Activities for a Myriad of Groups
In the 21st Century, your soul mate UNIVERSITY OF NORTH FLORIDA may be just a mouse click away, page 9 January www.unfspinnaker.com 24 Volume 30, Issue 19 2007 Wednesday Glover pushes for education Campus BY LAUREL WRIGHT CONTRIBUTING WRITER a select few think about going to college, I sanctuary would like to see more kids go to college,” Glover said. Jacksonville’s former sheriff, Glover is the envoy for higher educa- Nathaniel “Nat” Glover, has been reach- tion into the community, especially the in works ing out to Duval County students as minority population, said UNF President University of North Florida’s special John Delaney, “the goal is to make sure JO A BY MATT COLEMAN advisor to the president. the student body is reflective of O BICALHO Glover, who began his work with UNF the community.” ASSISTANT NEWS EDITOR in November, said he has been working to Delaney said Glover’s high profile in motivate, inspire and encourage young Northeast Florida makes him a great fit The administration at the students to think about higher education. Former Jacksonville Sheriff Nat Glover has been working University of North Florida is in “For so many years we’ve been focus- See GLOVER, page 6 as a special adviser to the president at the University of the preliminary stages of bring- ing on just finishing high school and only North Florida since November 2006. ing a multi-purpose building that will house lectures and reli- gious services to campus. The building, which was pro- posed by President Delaney, is estimated to break ground in three to five years.