Aquatic Park Historic District
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Oral History Interview with Richard Ayer, 1964 September 26
Oral history interview with Richard Ayer, 1964 September 26 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview Interview with Richard Ayer Conducted by Mary McChesney In San Francisco, California September 26, 1964 Preface The following oral history transcript is the result of a tape-recorded interview with Richard Ayer on September 26, 1964. The interview was conducted at 1321 19th Avenue San Francisco, California by Mary McChesney for the Archives of American Art, Smithsonian Institution. MM: - Mary McChesney RA: - Richard Ayer RM: - Robert McChesney MM: Dick, I would like to ask you first where were you born? RA: In San Bernardino. MM: That’s in Southern California? RA: That is in Southern California, yes. MM: In what year was that? RA: That was in 1909. Hardly a man is now alive. It hardly matters now. MM: The date of the recording is September 26, 1964. Dick, where did you receive your art training? RA: Well, I was largely self-taught most of my life and I studied some with Hilaire Hiler and I studied at the California School of Fine Art, as it was. And I don’t know, picked up study with various people who were teaching on the WPA. I don’t know, it was pretty haphazard but it came out pretty consistent. MM: Where did you study with Hiler? RA: Well, I worked with him on the Aquatic Park project and studied color with him on the outside. -
George H. Harlan Photograph Collection, 1851-1990
http://oac.cdlib.org/findaid/ark:/13030/c8dr2xs2 No online items A guide to the George H. Harlan photograph collection, 1851-1990 Processed by: L. Bianchi, 2014 January. San Francisco Maritime National Historical Park Building E, Fort Mason San Francisco, CA 94123 Phone: 415-561-7030 Fax: 415-556-3540 [email protected] URL: http://www.nps.gov/safr 2014 A guide to the George H. Harlan P96-033 (SAFR 23844) 1 photograph collection, 1851-1990 A Guide to the George H. Harlan photograph collection P96-033 San Francisco Maritime National Historical Park, National Park Service 2014, National Park Service Title: George H. Harlan photograph collection Date: 1851-1990 Date (bulk): circa 1890-1958 Identifier/Call Number: P96-033 (SAFR 23844) Creator: Harlan, George H. Physical Description: 1250 items. Repository: San Francisco Maritime National Historical Park, Historic Documents Department Building E, Fort Mason San Francisco, CA 94123 Abstract: The George H. Harlan photograph collection, 1851-1990, bulk circa 1890-1958, (SAFR 23844, P96-033) is comprised mainly of photographs of ferries in the San Francisco Bay Area, California. Many of the photographs were published in George H. Harlan's book "San Francisco Bay Ferryboats" about San Francisco Bay Area ferry history. The collection has been processed to the File Unit level with some Items listed and is open for use. Physical Location: San Francisco Maritime NHP, Historic Documents Department Language(s): In English. Access This collection is open for use unless otherwise noted. Nitrate negatives are restricted from use. Use-copies can be provided. Glass plate negatives may require special handling by the reference staff. -
ADDENDUM to STEAM SCHOONER WAPAMA HAER No. CA-67
ADDENDUM TO STEAM SCHOONER WAPAMA HAER No. CA-67 HISTORIC AMERICAN ENGINEERING RECORD ADDENDUM TO STEAM SCHOONER WAPAMA HAER No. CA-67 This report is an addendum to a 1 page report previously transmitted to the Library of Congress. Rig/Type of Craft: Steam Schooner Trade: Passenger and freight carriage Principal Dimensions: Length: 216’-11” Gross Tonnage: 945 Beam: 42’-4” Net Tonnage: 524 Depth: 19’ Location: Richmond, California Date of Construction: 1915 Designer: St. Helens Shipbuilding Company Builder: St. Helens Shipbuilding Company Sauvies Island, St. Helens, Oregon Present Owner: United States Department of the Interior National Park Service Present Use: None (Vessel in dry storage) Significance: Shipyards along the coastline of California, Oregon, and Washington built more than two hundred steam schooners. They were descendants of the sailing lumber schooners once common in the area and were conceived and built to serve in the interregional trade that flourished along North America’s Pacific Coast. The men who built them took ADDENDUM TO STEAM SCHOONER WAPAMA HAER No. CA-67 advantage of plentiful timber and built the ships out of wood, long after builders in most of the Western world had shifted to iron and steel construction. These wooden ships were a mainstay of the coastwise carrying trade for decades. WAPAMA is the sole survivor of the once numerous class. Researcher: Marc R. Porter, 2001 Project Information: This project is part of the Historic American Engineering Record (HAER) Eric DeLony, Chief, a long-range program to document historically significant engineering and industrial works in the United States. The HAER program is administered by the Historic American Buildings Survey/Historic American Engineering Record Division (HABS/HAER) of the National Park Service, U.S. -
Harry Dring Photographs, 1870-1983
http://oac.cdlib.org/findaid/ark:/13030/tf6s2005hr Online items available Harry Dring Photographs, 1870-1983 Processed by Tami Suzuki.; machine-readable finding aid generated by MS Word VBA program ANCSPlus_EAD_Generator written by S. Taylor Horton. Data derived from the ANCS+/Rediscovery archives module database. San Francisco Maritime National Historical Park Third Floor, Building E, Fort Mason San Francisco, CA 94123 Phone: 415-561-7070 Fax: 415-556-3540 URL: http://www.nps.gov/safr/local/hddquery.html All written inquiries should include your name, mailing address, and telephone numbers. 2000 San Francisco Maritime National Historical Park. Historic Documents Department, San Francisco Maritime National Historical Park Building E, Fort Mason, San Francisco, CA 94123 Harry Dring Photographs, P91-015 1 1870-1983 Guide to the Harry Dring Photographs, 1870- 1983 Collection Number: P91-015 San Francisco Maritime National Historical Park Historic Documents Department San Francisco, California Contact Information: San Francisco Maritime National Historical Park Third Floor, Building E, Fort Mason San Francisco, CA 94123 Phone: 415-561-7070 Fax: 415-556-3540 URL: http://www.nps.gov/safr/local/hddquery.html All written inquiries should include your name, mailing address, and telephone numbers. Processed by: Tami Suzuki Date Completed: 10 May 1999 Encoded by: San Francisco Maritime NHP, Historic Documents Department 2000 San Francisco Maritime National Historical Park. Descriptive Summary Title: Harry Dring Photographs, Date (inclusive): 1870-1983 Collection: P91-015 Creator: Harry\personal Dring Extent: 6014 items (14 linear ft.). Repository: San Francisco Maritime National Historical Park (Calif.). Historic Documents Department Building E, Fort Mason, San Francisco, California 94123 Language: English. -
EXHIBITION of AMERICAN ART LEAVES for PARIS April
38418 - 17 THE MUSEUM OF MODERN ART F0R 14 WEST 49TH STREET, NEW YORK IMMEDIATE RELEASE TELEPHONE: CIRCLE 7-MKE TO EDITORS OUTSIDE NEW YORK CITY: Artists and lenders of paintings and sculptures here listed are natives or residents in various cities and towns throughout the country. Localities are given in every instance. Today, April 20, the large Exhibition of American Art 1609-1938, which the Museum of Modern Art has assembled for Paris,, will leave New York for France on the S.S. Lafayette. More than one thousand items are included in the exhibition which will be held at the Jeu de Paume, Paris, from May 24 to July 13. For more than a year, at the invitation of the French Government, the Museum has been assembling the exhibition. The largest section includes approximately 200 oils and watercolors, 40 sculptures, and 80 prints, the work of artists in all parts of the United States during the past three centuries. The exhibits shown in this section have been selected by Mr. A. Conger Goodyear, President of the Museum, assisted by Mr. Alfred H. Barr, Jr., Director, and Miss Dorothy C. Miller, Assistant Curator of Painting and Sculpture. Mr. Barr is sailing this week to supervise the in stallation of the exhibition in Paris. The following pieces of sculpture and contemporary paintings will be shown in the exhibition: CONTEMPORARY PAINTINGS: GIFFORD BEAL, b. 1879, New York. Lives in New York. "Horse Tent" (1937) Lent by the Artist GEORGE WESLEY BELLOWS, b. 1882, Columbus, Ohio; d. 1925 "Stag at Sharkey's" (1909) Lent by the Cleveland Museum of Art, Cleveland, Ohio . -
From 1940 to 2011
A Cumulative Index for and From 1940 to 2011 © 2010 Steamship Historical Society of America 2 This is a publication of THE STEAMSHIP HISTORICAL SOCIETY OF AMERICA, INC. 1029 Waterman Avenue, East Providence, RI 02914 This project has been compiled, designed and typed by Jillian Fulda, and funded by Brent and Relly Dibner Charitable Trust. 2010 TABLE OF CONTENTS Part Subject Page I Listing of whole numbers of issues, 3 with publication date of each II Feature Articles 6 III Authors of Feature Articles 42 IV Illustrations of Vessels 62 V Portraits 150 VI Other Illustrations (including cartoons) 153 VII Maps and Charts 173 VIII Fleet Lists 176 IX Regional News and Departments 178 X Reviews of Books and Other Publications 181 XI Obituaries 214 XII SSHSA Presidents 216 XIII Editors-in-Chief 216 (Please note that Steamboat Bill becomes PowerShips starting with issue #273.) 3 PART I -- WHOLE NUMBERS AND DATES (Under volume heading will follow issue number and date of publication.) VOLUME I 33 March 1950 63 September 1957 34 June 1950 64 December 1957 1 April 1940 35 September 1950 2 August 1940 36 December 1950 VOLUME XV 3 December 1940 4 April 1941 VOLUME VIII 65 March 1958 5 August 1941 66 June 1958 6 December 1941 37 March 1951 67 September 1958 7 April 1942 38 June 1951 68 December 1958 8 August 1942 39 September 1951 9 December 1942 40 December 1951 VOLUME XVI VOLUME II VOLUME IX 69 Spring 1959 70 Summer 1959 10 June 1943 41 March 1952 71 Fall 1959 11 August 1943 42 June 1952 72 Winter 1959 12 December 1943 43 September 1952 13 April 1944 -
File #1: File #2: File #3A: File #4: Installation Year of Exhib
File #1: File #2: File #3a: File #4: Installation Year of Exhib. Dates of Exhibition Title of Exhibition Objects/Installation Publications Press Background Photography 1941 June 5-September 1 Painting Today and Yesterday in the U.S Yes Yes Yes No Yes Masterpieces of Ancient China from Jan 1941 October 19-November 23 Kleijkamp Collection ? Yes ? ? No Arts of America Before Columbus: 500 B.C. - AD 1942 April 18-June 1500 (Ancient American Art) ? Yes Yes ? Yes United Nations Festival and Free France Exhibit Lent by Mr. & Mrs. Walter Arensberg and Edward 1942 May G. Robinson. ? No Yes ? No Yes 1942 July 1-July 31 Modern Mexican Painters Yes ? ? No 1943 March 7-April 11 Five Centuries of Painting lent by Jacob Heimann ? No ? ? No Paintings, Sculpture, and Lithographs by Arnold 1943 June Ronnebeck No No Yes No 1943 October 3 - ? America in the War. No Yes No 1943 November 16-December 7 Paintings by Agnes Pelton ? No ? ? No 1944 February 9-March 12 Paintings and Drawings by Jack Gage Stark ? Yes ? ? No Annual Exhibition of the California Watercolor 1944 March 15-April 7 Society Yes Yes ? ? No 1944 April 8-April 30 Paintings by Hilaire Hiler Yes No ? ? No 1944 July 8-July 23 Abstract and Surrealist Art in the United States ? Yes ? ? No 1944 September 5-October 5 First Annual National Competitive Exhibition ? Yes ? ? No Chinese Sculpture from the I to XII Centuries A.D. from the collection of Jan Kleijkamp and Ellis Monro. (“12 Centuries of Sculpture from Yes (Call# China”) Rare NB 1944 October-November 26 ? 1043.S3) ? ? No Charlotte Berend: Exhibition of Paintings in Oil 1944 November 9-December 10 and Watercolor ? Yes ? ? No 1945 March 11- The Debt to Nature of Art and Education ? Yes ? ? No Memorial Exhibition: "Philosophical & Allegorical" 1945 March 15-April 11 Paintings by Spencer Kellogg, Jr. -
Albuquerque Museum + Foundation
2011 ANNUAL REPORT UNEXPECTED ALBUQUERQUE MUSEUM + FOUNDATION From telling the stories of the earliest days of living along the banks of the Rio Grande, to presenting contemporary artists from our region, The Albuquerque Museum of Art and History provides our community with a myriad ALBUQUERQUE MUSEUM FOUNDATION of contrasting and unique experiences. From Our mission is to provide financial support to position The Albuquerque traditional to modern, the celebration of Museum of Art and History as the outstanding museum of its kind in the Southwest. Through the generosity of Albuquerque’s past, present and future lives private and corporate supporters who committed both time and money, The right here. In addition to showcasing our rich Museum continues to offer cultural and educational programming for all generations in our community. and colorful history and artifacts, The Museum is home to one of the Southwest’s finest collections of traditional and contemporary art. It is also an education resource for thousands of kids of all ages every year. Every time you 10 12 24 27 visit, you’re bound to discover something new, Foundation Support Making Financial 2011 to the Museum A Difference Highlights Acquisitions something old, and something UNEXPECTED. 3 Peter Hurd, A Shower In A Dry Year (Detail) 1969, egg tempera on panel, 50 x 48 in. Museum purchase, 1985 General Obligation Bonds 1985.103.1 Everything The Albuquerque Museum of Art and History has served as the city’s cultural center since 1967. Today, The Museum maintains a reputation for being one of the leading institutions for art, history you’d EXPECT and culture in the Southwest. -
The Historic Sites Survey and National Historic Landmarks Program
File D-286 NPS General THE HISTORIC SITES SURVEY AND NATIONAL HISTORIC LANDMARKS PROGRAM A HISTORY by Barry Mackintosh PLEASE RETURN TO: TECHNICAL INFORMATION CENTER ON MICROFILM DENVER SERVJCE CENTER Color Scans NATIONALPARK SERVICE 1/17/2003 THE HISTORIC SITES SURVEY AND NATIONAL HISTORIC LANDMARKS PROGRAM A HISTORY by Barry Mackintosh History Division National Park Service Department of the Interior Washington, D.C. 1985 CONTENTS PREFACE •• . V THE PREWAR YEARS . 1 Setting the Framework • • • • • • • • • • • • • • • • • • • • • 1 Conduct of the Survey ••••••••••••••••••••• 12 Marking: The Blair House Prototype •••••••••••••• 22 POSTWAR INITIATIVES AND THE LANDMARKS PROGRAM . 27 Efforts at Resumption ••••••••••••••••••••• 27 The Proposed National Trust Connection ••••••••••••• 29 Mission 66 and Reactivation of the Survey • • • •••••• 32 Landmark Designation •••••••••••••••••••••• 37 The First National Historic Landmark •••••••••••••• 41 Landmarks Progress: Plaques and More "Firsts" • • • • • • • • • 46 THE PROGRAM PERPETUATES • . 57 Survival of the Survey ••••••••••••••••••••• 57 Broadening the Criteria •••••••••••••••••• 69 The Black Landmarks and Other Departures •••••••••••• 72 Presidential Landmarks ••••••••••••••••••••• 85 The Publications Program ••••••••••••••••• ••• 89 Landmarks in the National Park System ••••••••••••• 94 Green Springs and Its Consequences ••••••••••••••• 97 Landmark Inspection and De-designation ••••••••••••• 102 Commercial Landmarks and Owner Consent •••••••••••••107 The Program at Its Half-Century ••••••••••••••••112 -
Aic Paintings Specialty Group Postprints
AIC PAINTINGS SPECIALTY GROUP POSTPRINTS Papers Presented at the Thirty-third Annual Meeting of the American Institute for Conservation of Historic & Artistic Works Minneapolis, Minnesota June 8-13,2005 Compiled by Helen Mar Parkin Volume 18 2006 The American Institute for Conservation of Historic & Artistic Works This publication entitled 2006 AIC Paintings Specialty Group Postprints is produced by the Paintings Specialty Group of the American Institute for Conservation of Historic & Artistic Works (AIC). © 2006 The American Institute for Conservation of Historic & Artistic Works Publication of this serial began in 1988. Except for Volume 3 (1990) all issues until Volume 16 are unnumbered. ISSN 1548-7814 The papers presented in publication have been edited for clarity and content but have not undergone a formal process of peer review. This publication is primarily intended for the members of the Paintings Specialty Group of the American Institute for Conservation of Historic & Artistic Works. The Paintings Specialty Group is an approved division of the American Institute for Conservation of Historic & Artistic Works, but does not necessarily represent AIC policies or opinions. Opinions expressed in this publication are those of the contributors and not official statements of either the Paintings Specialty Group or the American Institute for Conservation of Historic & Artistic Works. Responsibility for the materials/methods described herein rests solely with the contributors. Additional copies of this publication are available for purchase by contacting the Publications Manager at the American Institute for Conservation of Historic and Artistic Works. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences - Permanence of Paper for Publication and Documents in Libraries and Archives, ANSI/NISO Z39.48-1992. -
Henry Miller Papers, 1896-1984, 1930-1980
http://oac.cdlib.org/findaid/ark:/13030/tf9t1nb6z6 No online items Finding Aid for the Henry Miller Papers, 1896-1984, 1930-1980 Processed by Alysia Cain, with assistance from Laurel McPhee; machine-readable finding aid created by Caroline Cubé. UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2007 The Regents of the University of California. All rights reserved. Finding Aid for the Henry Miller 110 1 Papers, 1896-1984, 1930-1980 Descriptive Summary Title: Henry Miller Papers Date (inclusive): 1896-1984, 1930-1980 Collection number: 110 Creator: Miller, Henry, 1891-1980. Extent: 144 boxes (72 linear ft.)2 cartons (2 linear ft.)15 oversize boxes.5 shoeboxes (2 linear ft.) Abstract: Henry Miller (1891-1980) was a prominent American writer and artist. This collection of his personal papers contains correspondence, manuscripts, legal documents, printed materials, film and audio recordings, and original artwork. Language: English Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Department of Special Collections. -
Appendix A: Agency Coordination, Public Involvement, and List of Receiving Parties
A Agency Coordination, Public Involvement, and List of Receiving Parties Appendix A: Agency Coordination, Public Involvement, and List of Receiving Parties Table of Contents A.1 Early Notification Announcement A-1 A.1.1 Early Notification Letter, December 4, 2012 ................................................................................ A-3 A.1.2 Legal Notice Publication, December 9, 2012 ............................................................................. A-13 A.1.3 Comments .................................................................................................................................. A-19 A.2 Project Information Meetings A-35 A.2.1 Project Meeting Notification Letters, August 27, 2013 ............................................................... A-37 A.2.2 Dates, Locations and Attendance .............................................................................................. A-57 A.2.3 Comments .................................................................................................................................. A-59 A.3 Section 106 Consultation A-65 A.3.1 Section 106 Consultation Letters, November 2013 ................................................................... A-67 A.3.2 Comments from the November 2013 Letters ........................................................................... A-107 A.3.3 Section 106 Consultation Letters, April 8, 2014 ....................................................................... A-115 A.3.4 Section 106 Concurrence Letters............................................................................................